Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-4hvwz Total loading time: 0 Render date: 2024-07-28T00:16:34.375Z Has data issue: false hasContentIssue false

Conclusion

Published online by Cambridge University Press:  20 November 2020

Get access

Summary

THE PREVIOUS CHAPTERS in this book describe the process by which Jewish writers adopted a Christian poetic mode that was popularized by clerics. One issue that merits consideration is the reception by these Jewish writers of anti-Semitic Christian cuaderna vía discourse. For example, it is interesting to ponder how Jews of the thirteenth and fourteenth centuries might have reacted to hearing anti-Semitic episodes from Milagros, which may have occurred if Berceo's work was used as a model for instruction. Whether or not there was some reluctance among Jews to imitate a type of poetry that exploited anti-Semitic libels, this did not dissuade them as the works considered in this book testify. Moreover, any trepidation felt by these Jews did not discourage them from entering monasteries and studying with Christian clerics. Jews undoubtedly placed a value on learning cuaderna vía poetry for its capacity to disseminate information through a metrical form whose rhyme facilitated memorization.

The incorporation of cuaderna vía poems into the Jewish liturgy indicates that they enjoyed a widespread appeal, and it would be logical to conclude that these poems were used as such because of their performative character. The Jewish liturgy involves numerous hymns and prayers that are sung aloud by congregants and their spiritual leaders (rabbis or cantors), and the tendency for Christian clerical cuaderna vía poetry to be publicly performed may have encouraged Jews to imitate both its metrical structure and mode of dissemination. Additionally, the requirement for Jews to engage in communal worship may also have played a pivotal role in the popularization of Jewish cuaderna vía liturgical poems. According to the Talmud, Jews are obligated to pray aloud in a quorum of ten adults on certain occasions, including when reading from the Torah and when reciting prayers such as the Amidah. In light of this obligation, it is easy to envision how cuaderna vía poems, which Christian clerics also read aloud in group settings, were assimilated into the Jewish liturgy.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Conclusion
  • Gregory B. Kaplan
  • Book: Jewish Poetry and Cultural Coexistence in Late Medieval Spain
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781641891486.006
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Conclusion
  • Gregory B. Kaplan
  • Book: Jewish Poetry and Cultural Coexistence in Late Medieval Spain
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781641891486.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Gregory B. Kaplan
  • Book: Jewish Poetry and Cultural Coexistence in Late Medieval Spain
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781641891486.006
Available formats
×