Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Chapter 8 - Decline of Reputation in the 1980s
from Part 1 - Life and Afterlife
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Summary
Less than two decades after he appeared on the cover of Time magazine in 1963, James Baldwin, the one-time bestselling author, darling of critics, and civil rights icon, was considered passé. The author was keenly aware of his diminished standing. “I’m very vulnerable to all of that,” he acknowledged in a 1985 interview with the New York Times, “but after all, that’s not what it’s all about.” Baldwin still believed he was producing good work – and, as significantly, that he had great work ahead of him. But he also knew the difficulty of sustaining public interest, particularly as a middle-aged bisexual black writer in the post–civil rights era.
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- Information
- James Baldwin in Context , pp. 76 - 89Publisher: Cambridge University PressPrint publication year: 2019