Skip to main content Accessibility help
Hostname: page-component-5d59c44645-jb2ch Total loading time: 0 Render date: 2024-02-26T21:14:22.169Z Has data issue: false hasContentIssue false


Published online by Cambridge University Press:  16 May 2019

Benjamin Kohlmann
Albert-Ludwigs-Universität Freiburg, Germany
Matthew Taunton
University of East Anglia
Get access


Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)


Abir-Am, P. G.The Biotheoretical Gathering, Transdisciplinary Authority and the Incipient Legitimation of Molecular Biology in the 1930s’, History of Science, 25 (1987), 170CrossRefGoogle ScholarPubMed
Achebe, C., ‘An Image of Africa: Racism in Conrad’s Heart of Darkness’, The Massachusetts Review, 18 (1977), 782–94. Rpt in Armstrong, P. B. (ed.), The Norton Critical Edition of Heart of Darkness (New York: W. W. Norton, 2006), pp. 336–48Google Scholar
Adorno, T., Minima Moralia: Reflections from Damaged Life, trans. E. F. N. Jephcott (London: Verso, 2005)Google Scholar
Agraz, A., untitled poem in Monteath, P., Writing the Good Fight (Westport: Greenwood, 1994), pp. 180–1Google Scholar
Ahmad, A., In Theory: Classes, Nations, Literatures (London: Verso, 1992)Google Scholar
Ahmed, R. and Mukherjee, S., ‘Introduction’ in Ahmed, R. and Mukherjee, S. (eds.), South Asian Resistances in Britain, 1858–1947 (London: Continuum, 2012), pp. xixxxiGoogle Scholar
Alexander, B., ‘George Orwell and Spain’ in Norris, C. (ed.), Inside the Myth: Orwell: Views from the Left (London: Lawrence and Wishart, 1984), pp. 85102Google Scholar
Allan, T., This Time a Better Earth, ed. Vautour, B. (University of Ottawa Press, 2015)Google Scholar
Alldritt, K., Ralph Vaughan Williams: Composer, Radical, Patriot (Ramsbury: The Crowood Press., 2015)Google Scholar
Althusser, L., ‘Ideology and Ideological State Apparatuses’ in Lenin and Philosophy and Other Essays, trans. Brewster, B. (New York: Monthly Review Press, 2001), pp. 127–86Google Scholar
Anand, M. R., Apology for Heroism: An Essay in Search of Faith (London: Lindsay Drummond, 1946). Rpt as Apology for Heroism: a Brief Autobiography of Ideas (New Delhi: Arnold-Heinemann, 1975)Google Scholar
Anand, M. R.Coolie (Harmondsworth: Penguin, 1936; rpt New Delhi: Penguin, 1993)Google Scholar
Anand, M. R. Lament on the Death of a Master of Arts [1938] (Delhi: Hind Pocket Books, 1963)Google Scholar
Anand, M. R.The Story of My Experiment with a White Lie’, Indian Literature, 10.3 (1967), 2843Google Scholar
Anand, M. R. The Sword and the Sickle [1942] (Delhi: Arnold Heinemann, 1984)Google Scholar
Anand, M. R., Untouchable (London: Penguin, 1935; New York: Penguin, 1940; rpt 2014)Google Scholar
Anand, M. R. ‘Why I Write?’ Kakatiya Journal of English Studies, 2 (1977), 244–55Google Scholar
Anderson, P., ‘The Antimonies of Antonio Gramsci’, New Left Review, 1.100 (1976), 578Google Scholar
Anderson, P.Components of the National Culture’, New Left Review, 1.50 (1968), 357Google Scholar
Anderson, P.A Culture in Contraflow II’, New Left Review, 1.183 (1990), 85137Google Scholar
Anderson, P. ‘The River of Time’, New Left Review, n.s., 25 (2004), 6777Google Scholar
Anker, P., ‘The Bauhaus of Nature’, Modernism/Modernity, 12 (2005), 229–51CrossRefGoogle Scholar
Anon., , ‘Acid Drops’, The Freethinker (28 Aug. 1938), 552Google Scholar
Anon., Do You Write for STORM?Storm, 3 (1933), 23Google Scholar
Anon., ‘Festival of Music for the People: An Ineffective Pageant’, The Times (3 Apr. 1939), 12Google Scholar
Anon., Fifty Penguin Years: Published on the Occasion of Penguin BooksFiftieth Anniversary (Harmondsworth: Penguin, 1985).Google Scholar
Anon., ‘Getting to Fleet Street’, The Journalist (Apr. 1930), 93Google Scholar
Anon., Gunbuster’, Return via Dunkirk (London: Hodder and Stoughton, 1940)Google Scholar
Anon., ‘The Mihaly-Traub System Up-To-Date’, Television and Short-Wave World (Nov. 1936), 635–6Google Scholar
Anon., ‘New paper managed by women’, The Times (12 May 1920), 13Google Scholar
Anon., A Review of PEP work, 1931–36’, Planning, 71 (1936),315Google Scholar
Anon., ‘Spectator’s Notebook’, The Spectator (19 Jan. 1934), 6Google Scholar
Armstrong, T., Modernism, Technology, and the Body (Cambridge University Press, 1998)Google Scholar
Arnheim, R., Radio (Salem, NH: Ayer, 1936/1986)Google Scholar
Ashleigh, C., ‘Here Miners Live!’, Left Review, 2.4 (Jan. 1936), 191–2Google Scholar
Ashleigh, C., ‘These Two Novels Span Years of Struggle’s Growth’, Daily Worker (20 Nov. 1935), 7Google Scholar
Auden, W. H., The Collected Poetry of W. H. Auden (New York: Random House, 1945)Google Scholar
Auden, W. H.Hadrian’s Wall’ in Mendelson, E. (ed.), Plays and Other Dramatic Writings by W. H. Auden, 1928–1938 (Princeton University Press, 1988), pp. 441–55Google Scholar
Auden, W. H.Happy Ending’ in Mendelson, E. (ed.), Collected Poems (New York: Random House, 2007), p. 54Google Scholar
Auden, W. H.The Liberal Fascist’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writings, 1927–1939 (London: Faber and Faber, 1986), pp. 321–27Google Scholar
Auden, W. H.In Memory of W. B. Yeats’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writing (London: Faber and Faber, 1986), pp. 241–3Google Scholar
Auden, W. H.The Orators’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writings, 1927–1939 (London: Faber and Faber, 1986), pp. 59110Google Scholar
Auden, W. H.The Prolific and the Devourer’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writings, 1927–1939 (London: Faber and Faber, 1986), pp. 394406Google Scholar
Auden, W. H.Schoolchildren’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writings, 1927–1939 (London: Faber and Faber, 1986), pp. 216–17Google Scholar
Auden, W. H. Selected Poems, ed. Mendelson, E. (New York: Vintage, 2007)Google Scholar
Auden, W. H.Spain 1937’ in Mendelson, E. (ed.), The English Auden: Poems, Essays and Dramatic Writings, 1927–1939 (London: Faber and Faber, 1977), pp. 210–12Google Scholar
Auden, W. H. and Isherwood, C., ‘The Ascent of f6’ in Mendelson, E. (ed.), Plays and Other Dramatic Writings by W. H. Auden, 1928–1938 (Princeton University Press, 1988), pp. 293355Google Scholar
Auden, W. H. and Isherwood, C. Journey to a War (London: Faber, 1973)Google Scholar
Avery, T., Radio Modernism: Literature, Ethics, and the BBC, 1922–1938 (Aldershot: Ashgate, 2006)Google Scholar
Baer, B. C., ‘Shit Writing: Mulk Raj Anand’s Untouchable, the Image of Gandhi, and the Progressive Writers’ Association’, Modernism/Modernity, 16.3 (2009), 575–95Google Scholar
Bagratovich Khalatov, A., ‘The Cultural Revolution and the Book’, Literature of the World Revolution (1931), Special Number, 6970Google Scholar
Baker, P., ‘Marshall, Arthur Calder- (1908–1992)’ in Oxford Dictionary of National Biography (Oxford University Press, 2004), Scholar
Bakhtin, M. M., ‘Epic and Novel: Toward a Methodology for the Study of the Novel’ in Holquist, M. (ed. and trans.) and Emerson, C. (trans.), The Dialogic Imagination: Four Essays by M. M. Bakhtin (Austin: University of Texas Press, 1981), pp. 340Google Scholar
Baldwin, S., ‘International Affairs’, Hansard, series 5, vol. 270, 10 Nov. 1932, cc 525641, hansard.millbanksystems.comGoogle Scholar
Banfield, S., ‘England, 1918–45’ in Morgan, R. P. (ed.), Modern Times: From World War I to the Present (Basingstoke: Macmillan, 1993), pp. 180205CrossRefGoogle Scholar
Barnard, R., ‘Evelyn Waugh’s Black Mischief’ in Begam, R. and Valdez Moses, M. (eds.), Modernism and Colonialism: British and Irish Literature, 1899–1939 (Durham, NC: Duke University Press, 2007), pp. 162–82Google Scholar
Barry, I., Let’s Go to the Pictures (London: Chatto and Windus, 1926)Google Scholar
Battershill, C., ‘“No One Wants Biography”: the Hogarth Press classifies Orlando’ in Martin, A. and Holland, K. (eds.), Interdisciplinary/Multidisciplinary Woolf (Clemson University Press, 2013), pp. 243–46Google Scholar
Baucom, I., Out of Place: Englishness, Empire, and the Locations of Identity (Princeton University Press, 1999)CrossRefGoogle Scholar
Baudelaire, C., ‘Au lecteur’ in R. Howard (trans.), Les fleurs du mal (Boston: D. R. Godine, 1982)Google Scholar
Baxter, J. (dir.), Let the People Sing, British National PicturesGoogle Scholar
Bayley, H., The Lost Language of Symbolism, 2 vols. (New York: Barnes and Noble, 1912)Google Scholar
Beattie, K., Humphrey Jennings (Manchester University Press, 2010)CrossRefGoogle Scholar
Becher, J., ‘The War Danger and the Task of Revolutionary Writers’, Literature of the World Revolution (1931), Special Number, 41–2Google Scholar
Beech, D., ‘PBS from Within and Without, by the Secretary’, Forge, 2 (1932), 11Google Scholar
Bell, A., Corduroy/Silver Ley/The Cherry Tree (London: John Lane/The Bodley Head, 1936)Google Scholar
Benjamin, W., ‘The Storyteller’ in Arendt, H. (ed.) and H. Zorn (trans.), Illuminations (London: Pimlico, 1999), pp. 83110Google Scholar
Benjamin, W.The Work of Art in the Age of its Technological Reproducibility’ in Eiland, H. and Jennings, M. W. (eds.) and Jephcott, E. (trans.), Selected Writings, vol. iii: 1935–1938 (Cambridge, MA: Belknap Press, 2002), pp. 101–47Google Scholar
Bennett, A., ‘The Future of the American Novel’, North American Review, 195 (Jan. 1912), 7683Google Scholar
Bentley, P., The English Regional Novel (London: Allen and Unwin, 1941)Google Scholar
Berlant, L. and Warner, M., ‘Sex in Public’, Critical Inquiry, 24.2 (1998), 547–66CrossRefGoogle Scholar
Berman, J., Modernist Commitments: Ethics, Politics, and Transnational Modernism (New York: Columbia University Press, 2011)Google Scholar
Bernal, J. D., ‘Architecture and Science’ [1937] in Bernal, , The Freedom of Necessity (London: Routledge and Kegan Paul, 1949), pp. 191201Google Scholar
Bernal, J. D. The Social Function of Science [1939] (London: George Routledge and Sons, 1946)Google Scholar
Bernal, J. D. The World, the Flesh, and the Devil: An Enquiry into the Future of the Three Enemies of the Rational Soul [1929] (Bloomington, IN: Indiana University Press, 1969)Google Scholar
Blanton, C. D., Epic Negation: The Dialectical Poetics of Late Modernism (Oxford University Press, 2015)CrossRefGoogle Scholar
Bluemel, K. (ed.), Intermodernism: Literary Culture in Mid-Twentieth-Century Britain (Edinburgh University Press, 2009)CrossRefGoogle Scholar
Bluemel, K. and McCluskey, M., Rural Modernity in Britain: a Critical Intervention (Edinburgh University Press, 2018)Google Scholar
Bowen, E., The Death of the Heart (London: Vintage, 2012)Google Scholar
Bowen, E. The House in Paris (London: Vintage, 1998)Google Scholar
Bowen, E., ‘Why I go to the cinema’ in Davy, C. (ed.), Footnotes to the Film (London: Peter Davies, 1938), pp. 205–20Google Scholar
Bowlby, R., ‘Walking, Women, and Writing’ in Feminist Destinations and Further Essays on Virginia Woolf (Edinburgh University Press, 1997), pp. 191219Google Scholar
Boyd Rayward, W. (ed.), European Modernism and the Information Society: Informing the Present, Understanding the Past (Aldershot: Ashgate, 2008)Google Scholar
Boyes, G., The Imagined Village: Culture, Ideology and the English Folk Revival (Manchester University Press, 1993)Google Scholar
Brassley, P., ‘British Farming Between the Wars’ in Brassley, P., Burchardt, J. and Thompson, L. (eds.), The English Countryside between the Wars: Regeneration or Decline? (Woodbridge: Boydell Press, 2006), pp. 187–99Google Scholar
Brennecke, D., Das Lebenswerk Max Buttings (Leipzig: Deutscher Verlag für Musik, 1973)Google Scholar
Brett Young, F., The House under the Water (London: Heinemann, 1932)Google Scholar
Bridson, D. G., ‘Aaron’s Field’ in The Christmas Child (London: Falcon, 1950), pp. 5391Google Scholar
Bridson, D. G. Prospero and Ariel: The Rise and Fall of Radio: a Personal Recollection (London: Gollancz, 1971)Google Scholar
Brierley, W., Means-Test Man [1935] (Nottingham: Spokesman, 2011)Google Scholar
Briggs, A., The History of Broadcasting in the United Kingdom, 4 vols. (Oxford University Press, 1965), vol. iiGoogle Scholar
Brittain, V., Testament of Friendship: the Story of Winifred Holtby (London: Virago Press, 1980)Google Scholar
Britzolakis, C., ‘“This way to the exhibition”: Genealogies of Urban Spectacle in Jean Rhys’s Interwar Fiction’, Textual Practice, 21.3 (2007), 457–82CrossRefGoogle Scholar
Brooke, S. ‘The Body and Socialism: Dora Russell in the 1920s’, Past and Present, 189 (2005), 147–77CrossRefGoogle Scholar
Brooker, P. and Thacker, A., ‘Commitment to the New: Introduction’ in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955 (Oxford University Press, 2009), pp. 591–8Google Scholar
Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, 3 vols. (Oxford University Press, 2009–13)Google Scholar
Brown, A., J. D. Bernal: the Sage of Science (Oxford University Press, 2005)CrossRefGoogle Scholar
Brown, E. and Grover, M. (eds.), Middlebrow Literary Culture: the Battle of the Brows, 1920–1960 (Basingstoke: Palgrave, 2012)CrossRefGoogle Scholar
Budd, S., Varieties of Unbelief: Atheists and Agnostics in English Society, 1850–1960 (London: Heinemann, 1977)Google Scholar
Bullivant, J., ‘Musical Modernism and Left-Wing Politics in 1930s Britain’. PhD Diss., Oxford University (2009)Google Scholar
Burdekin, K., Swastika Night (Feminist Press at the City University of New York, 1985)Google Scholar
Burton, A., The British Consumer Co-operative Movement and Film, 1890s–1960s (Manchester University Press, 2005)Google Scholar
Burton, A.A Feminist Reading of Lewis Grassic Gibbon’s A Scots Quair’ in Hawthorn, J. (ed.), The British Working-Class Novel in the Twentieth Century (London: Edwin Arnold, 1984), pp. 3546Google Scholar
Butts, M., ‘Brightness Falls’ in Several Occasions (London: Wishart, 1932), pp. 7394Google Scholar
Butts, M. The Taverner Novels (New York: McPherson, 1992)Google Scholar
Butts, M. Traps for Unbelievers (London: Penguin, 1932)Google Scholar
Butts, M. ‘With or Without Buttons’ in Last Stories (London: Brendin, 1938), pp. 179–99Google Scholar
Calder-Marshall, A., Challenge to Schools: a Pamphlet on Public School Education (London: Hogarth Press, 1935)Google Scholar
Calder-Marshall, A. The Changing Scene (London: Chapman and Hall, 1937)Google Scholar
Calder-Marshall, A. Dead Centre (London: Jonathan Cape, 1935)Google Scholar
Calder-Marshall, A. Pie in the Sky (London: Jonathan Cape, 1937)Google Scholar
Campbell, R., ‘Flowering Rifle in Collected Works, ed. Alexander, P., Chapman, M. and Leveson, M., 4 vols. (Craighall: Donker, 1985), vol. i, pp. 496605Google Scholar
Campbell, R.La Mancha in Wartime’ in Collected Works, ed. Alexander, P., Chapman, M. and Leveson, M., 4 vols. (Craighall: Donker, 1985), vol. i, p. 436Google Scholar
Cann, T., Len Lye: The Body Electric (Birmingham: Ikon Gallery, 2010)Google Scholar
Cantor, R., ‘Twas postwar stalemate period’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 53Google Scholar
Cappell, R., ‘Jamboree at the Albert Hall’, Daily Telegraph (3 Apr. 1939), 8Google Scholar
Cardew, A., ‘A Clerical Heretic’, Literary Guide and Rationalist Review (Mar. 1936), 57Google Scholar
Carroll, L., Alice’s Adventures in Wonderland, illust. A Rado (London: W. H. Cornelius, 1945)Google Scholar
Cary, J., Mister Johnson (New York: Time, 1962; London: Faber and Faber, 2009)Google Scholar
Casanova, P., The World Republic of Letters, trans. M. B. Debevoise (Cambridge, MA: Harvard University Press, 2004)Google Scholar
Cavell, S., Pursuits of Happiness: the Hollywood Comedy of Remarriage (Cambridge, MA: Harvard University Press, 1981)Google Scholar
Çelik, Z., Displaying the Orient: Architecture of Islam at Nineteenth-Century World’s Fairs (Berkeley: University of California Press, 1992)Google Scholar
Césaire, A., The Original Cahier d’un retour au pays natal: Bilingual Edition [Notebook of a Return to the Native Land], ed. and trans. Eshleman, C. and James Arnold, A. (Middletown: Wesleyan University Press, 2013)Google Scholar
Chambers, C. (ed.), The Continuum Companion to Twentieth Century Theatre (London: Continuum, 2002)Google Scholar
Chion, M., The Voice in the Cinema, ed. and trans. Gorbman, C. (New York: Columbia University Press, 1999)Google Scholar
Churchill, W., The Second World War, vol 1: The Gathering Storm (Boston: Mariner Books, 1986)Google Scholar
Clark, K., Moscow, the Fourth Rome: Stalinism, Cosmopolitanism and the Evolution of Soviet Culture, 1931–1941 (Cambridge, MA: Harvard University Press, 2011)CrossRefGoogle Scholar
Clarke, A. C., ‘Travel by Wire’ in The Collected Stories of Arthur C. Clarke (London: Gollancz, 2001)Google Scholar
Clarke, S. N. (ed.), The Essays of Virginia Woolf, 6 vols. (London: The Hogarth Press, 2011)Google Scholar
Cleary, J., ‘Realism after Modernism and the Literary World-System’, Modern Language Quarterly, 73.3 (2012), 255–68CrossRefGoogle Scholar
Cohen, D. R., ‘Annexing the Oracular Voice: Form, Ideology, and the BBC’ in Cohen, D. R., Coyle, M. and Lewty, J. (eds.), Broadcasting Modernism (Gainesville, FL: University of Florida Press, 2009), pp. 142–57CrossRefGoogle Scholar
Cohen, D. R.Modernism on Radio’ in Brooker, P., Gasiorek, A., Longworth, D. and Thacker, A. (eds.), The Oxford Handbook of Modernisms (Oxford University Press, 2010), pp. 582–98Google Scholar
Cole, M., ‘Books for the Multitude, III’, The Listener (5 Jan. 1938), 4243Google Scholar
Cole, M. Books and the People (London: The Hogarth Press, 1938)Google Scholar
Cole, S., The Violet Hour (Oxford University Press, 2012)CrossRefGoogle Scholar
Collard, D., ‘The Documentary Moment’ in Sharpe, T. (ed.), W. H. Auden in Context (Cambridge University Press, 2012), pp. 228–36Google Scholar
Colls, R. and Dodd, P. (eds.), Englishness: Politics and Culture, 1880–1920 (London: Croom Helm, 1986)Google Scholar
Conférence de Tachkent, ‘Appel des écrivains des pays d’Asie et d’Afrique aux écrivains mauronde entier’, Présence Africaine, n.s., 22 (Oct.–Nov. 1958), 136Google Scholar
Conley, T., ‘The Talkie: Early Cinematic Conversations’ in Salamensky, S. I. (ed.), Talk Talk Talk: the Cultural Life of Everyday Conversation (New York: Routledge, 2001), pp. 8393Google Scholar
Connolly, C., Enemies of Promise (1938) (Harmondsworth: Penguin, 1961; repr. University of Chicago Press, 2008)Google Scholar
Conrad, J., Heart of Darkness, with, The Congo Diary, ed. Hampson, Robert (London: Penguin, 1995)Google Scholar
Constantine, S., The Making of British Colonial Development Policy, 1914–1940 (London: Frank Cass, 1984)Google Scholar
Cooper, F., Decolonization and African Society: the Labor Question in French and British Africa (Cambridge University Press, 1996)Google Scholar
Cooper, L., National Provincial [1938] (London: Victor Gollancz, 1987)Google Scholar
Cope, D., Bibliography of the Communist Party of Great Britain (London: Lawrence and Wishart, 2016)Google Scholar
Cornford, J., ‘A Letter from Aragon’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 41Google Scholar
Corp, W. G., (ed.), The Book Trade Handbook 1937 (London: John Lane/The Bodley Head, 1937)Google Scholar
Cox, C. B., and Dyson, A. E., ‘Literary Criticism’ in Cox, C. B. and Dyson, A. E. (eds.), The Twentieth-Century Mind: History, Ideas, and Literature in Britain, 3 vols. (Oxford University Press, 1972), vol. iii, pp. 440–63Google Scholar
Crary, J., Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA: MIT Press, 1990)Google Scholar
Croft, A., Red Letter Days: British Fiction in the 1930s (London: Lawrence and Wishart, 1990)Google Scholar
Crosland, M., ‘Adrian Bell’ in Johnson, G. M. (ed.), British Novelists between the Wars (Detroit: Gale Research, 1998), Dictionary of Literary Biography vol. 191, p. 18Google Scholar
Cunard, N., Authors Take Sides on the Spanish Civil War (London: Left Review, 1937)Google Scholar
Cunningham, V., British Writers of the Thirties (Oxford University Press, 1988)Google Scholar
Cunningham, V.Introduction’ in Morgan, C., The Voyage (London: Capuchin, 2009), pp. 912Google Scholar
Cunningham, V. (ed.), The Penguin Book of Spanish Civil War Verse (Harmondsworth: Penguin, 1980)Google Scholar
Curran, J., ‘The Era of the Press Barons’ in Curran, J. and Seaton, J. (eds.), Power without Responsibility: Press, Broadcasting and the Internet in Britain (London: Routledge, 2010), pp. 3753Google Scholar
Curran, J.Introduction’, in Curran, J., Smith, A. and Windgate, P. (eds.), Impacts and Influences: Media Power in the Twentieth Century (London: Routledge, 1987), 78Google Scholar
Dane, C., ‘What’s Wrong with the New Novels?’, The Listener, 122 (1931), 821Google Scholar
Danius, S., The Senses of Modernism (Ithaca: Cornell University Press, 1997)Google Scholar
Darwin, J., The Empire Project: The Rise and Fall of the British World-System, 1830–1970 (Cambridge University Press, 2009)CrossRefGoogle Scholar
Davidson, B., Africa in Modern History: Themes and Outlines (New York: Macmillan, 1968)Google Scholar
Davis, H., Worship and Theology in England: the Ecumenical Century, 1900 to the Present (Grand Rapids, MI: Eerdmans, 1996)Google Scholar
Davis, T. S., The Extinct Scene: Late Modernism and Everyday Life (New York: Columbia University Press, 2016)Google Scholar
Day-Lewis, C., The Complete Poems (Stanford University Press, 1992)Google Scholar
Day-Lewis, C. ‘The Revolution in Literature’, The Listener, 324 (1935), 511–37Google Scholar
Day-Lewis, C.Virginia Woolf: Educated Man’s Daughter’, New Masses (9 Aug. 1938), 22Google Scholar
De Gaulle, C., The Complete War Memoirs of Charles De Gaulle, trans. J. Griffin and R. Howard (New York: Carroll and Graf, 1998)Google Scholar
Deleuze, G., Cinema II: the Time-Image, trans. H. Tomlinson and R. Galeta (London: Athlone Press, 1989)Google Scholar
Deming, R. H. (ed.), James Joyce: the Critical Heritage (London: Routledge and Kegan Paul, 1970)Google Scholar
Denning, M., The Cultural Front: the Laboring of American Culture in the Twentieth Century (New York: Verso, 1996)Google Scholar
Denning, M., ‘The Novelists’ International’ in Moretti, F. (ed.), The Novel: History, Geography, and Culture, vol.i (Princeton University Press, 2006), pp. 703–25Google Scholar
Dennis, R., Cities in Modernity: Representations and Productions of Metropolitan Space, 1840–1930 (Cambridge University Press, 2008)Google Scholar
Dinsdale, A., Television (Seeing by Wire or Wireless) (London: W. S. Caines for Sir Isaac Pitman and Sons, 1926)Google Scholar
Dinsman, M., Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics during World War II (London: Bloomsbury Academic, 2014)Google Scholar
Doctor, J., The BBC and Ultra-Modern Music, 1922–1936 (Cambridge University Press, 1999)Google Scholar
DuBois, W. E. B., ‘The African Roots of War’, Atlantic Monthly, 115.3 (May 1915), 713–14Google Scholar
Dunlop, J., ‘Brunete, 12 July 1937’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 63Google Scholar
Dunlop, M. T., ‘Emphases of Modernism’, Modern Churchman, 22.1 (Apr. 1932), 718Google Scholar
Eade, J., Placing London: From Imperial Capital to Global City (New York: Berghahn Books, 2000)CrossRefGoogle Scholar
Eaden, J., and Renton, D., The Communist Party of Great Britain since 1920 (Basingstoke: Palgrave, 2002)CrossRefGoogle Scholar
Eagleton, T., Literary Theory: an Introduction, 2nd edn (Oxford: Blackwell, 1996)Google Scholar
Edmondson, B., Making Men: Gender, Literary Authority, and Women’s Writing in Caribbean Narrative (Durham, NC: Duke University Press, 1999)Google Scholar
Edney, E., ‘Salud!’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 33Google Scholar
Edwards, R. D., Victor Gollancz: a Biography (London: Gollancz, 1987)Google Scholar
Ehrlich, C., ‘The Marketplace’ in Banfield, S. (ed.), Blackwell History of Music in Britain, vol. vi: The Twentieth Century (Oxford: Blackwell, 1995), pp. 3953Google Scholar
Eliot, T.S., ‘The Decay of the Music Hall’ [1923] in Eliot, T. S., Selected Prose (Harmondsworth: Penguin, 1953)Google Scholar
Eliot, T.S.East Coker’ in Collected Poems, 1909–1962 (New York: Harcourt, 1991), p. 186Google Scholar
Eliot, T.S.Marie Lloyd’ [1922] in Eliot, T. S., Selected Prose (Harmondsworth: Penguin, 1953), pp. 172–4Google Scholar
Eliot, T. S.The Music of Poetry’ [1942] in Kermode, F. (ed.), Selected Prose of T. S. Eliot (New York: Harcourt Brace/Farrar Straus and Giroux, 1988), pp. 107–14Google Scholar
Eliot, T. S.A Note of Introduction’ in Jones, D., In Parenthesis (New York: NYRB Classics, 2003), pp. viiviiiGoogle Scholar
Eliot, T. S.Tradition and the Individual Talent’ in Selected Essays (London: Faber and Faber, 1976), pp. 311Google Scholar
Eliot, T. S.The Waste Land’ in Complete Poems and Plays (London: Faber, 1969), pp. 5980Google Scholar
Elistratova, E., ‘The Work of Harold Heslop’, International Literature, 1 (1932), 99102Google Scholar
Ellis, B., ‘Which Would You Shoot – the Prostitute or the Scab? Some Thoughts on Proletarian Art’, The Worker (17 Oct. 1930), 4Google Scholar
Ellis, S., British Writers and the Approach of World War II (Cambridge University Press, 2015)Google Scholar
Ellis Roberts, R., ‘Orthodoxy and the New Novel’ in Dark, S. (ed.), Orthodoxy Sees It Through (London: Arthur Baker, 1934), pp. 253–74Google Scholar
Emery, M. L., Jean Rhys at ‘World’s End’: Novels of Colonial and Sexual Exile (Austin: University of Texas Press, 1990)Google Scholar
Empson, W., Some Versions of Pastoral [1935] (Harmondsworth: Penguin, 1995)Google Scholar
Esty, J., ‘Excremental Postcolonialism’, Contemporary Literature, 40.1 (1999), 2259CrossRefGoogle Scholar
Esty, J. A Shrinking Island: Modernism and National Culture in England (Princeton University Press, 2004)CrossRefGoogle Scholar
Esty, J. Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford University Press, 2012)Google Scholar
Esty, J. and Lye, C., ‘Peripheral Realisms Now’, Modern Language Quarterly, 73.3 (2012), 269–88CrossRefGoogle Scholar
Farred, G. (ed.), Rethinking C. L. R. James (Cambridge: Blackwell, 1992)Google Scholar
Farrell, J. T., A Note on Literary Criticism (1936) in Deming, R. H. (ed.), James Joyce: the Critical Heritage (London: Routledge and Kegan Paul, 1970)Google Scholar
Feather, J., A History of British Publishing (London: Routledge, 2006)Google Scholar
Feigel, L., Literature, Cinema, and Politics, 1930–1945: Reading between the Frames (Edinburgh University Press, 2010)CrossRefGoogle Scholar
Ferguson, R., Aberrations in Black: Toward a Queer of Color Critique (Minneapolis: University of Minnesota Press, 2003)Google Scholar
Ferrall, C. and McNeill, D., Writing the 1926 General Strike: Literature, Culture, Politics (Cambridge University Press, 2015)CrossRefGoogle Scholar
Ferreira, A., ‘The Sexual Politics of Ectogenesis in the To-day and To-morrow Series’, Interdisciplinary Science Reviews, 34 (2009), 3255CrossRefGoogle Scholar
Filreis, A., Counter-Revolution of the Word: the Conservative Attack on Modern Poetry, 1945–1960 (Chapel Hill: University of North Carolina Press, 2008)Google Scholar
Floyd, K., The Reification of Desire: Toward a Queer Marxism (Minneapolis: University of Minnesota Press, 2009)Google Scholar
Foltz, J., ‘Vehicles of the Ordinary: W. H. Auden and Cinematic Address’ in Costello, B. and Galvin, R. (eds.), Auden at Work (London: Palgrave Macmillan, 2015), pp. 4968CrossRefGoogle Scholar
Fordham, F., ‘Between Theological and Cultural Modernism: the Vatican’s Oath against Modernism, September 1910’, Literature and History, 22.1 (2013), 824CrossRefGoogle Scholar
Fordham, F.Early Television and Joyce’s Finnegans Wake: New Technology and Flawed Power’ in Feldman, M., Tonning, E. and Mead, H. (eds.), Broadcasting in the Modernist Era (London: Bloomsbury, 2014), pp. 3956Google Scholar
Forkert, A., ‘British Musical Modernism Defended against its Devotees’, PhD diss., Royal Holloway University of London (2014)Google Scholar
Forrester, J., ‘The Psychoanalytic Passion of J. D. Bernal in 1920s Cambridge’, British Journal of Psychotherapy, 26 (2010), 397404CrossRefGoogle Scholar
Forrester, J. and Cameron, L., Freud in Cambridge (Cambridge University Press, 2017)Google Scholar
Forster, E. M., ‘Prefatory note’ inTwo Cheers for Democracy (London: Edward Arnold, 1951), pp. xiiixivGoogle Scholar
Foucault, M., The Courage of Truth: Lectures at the Collège de France, 1983–1984, trans. G. Burchell (New York: Palgrave Macmillan, 2012)Google Scholar
Fox, R., The Novel and the People (London: Lawrence and Wishart, 1979)Google Scholar
Freud, S., ‘The Uncanny’ in The Uncanny, trans. D. McLintock (London: Penguin, 2003), pp. 121–62Google Scholar
Frogley, A., ‘Constructing Englishness in Music: National Character and the Reception of Ralph Vaughan Williams’ in Frogley, A. (ed.), Vaughan Williams Studies (Cambridge University Press, 1996), pp. 122Google Scholar
Frye, N., Anatomy of Criticism: Four Essays (Princeton University Press, 1957)CrossRefGoogle Scholar
Fussell, P., The Great War and Modern Memory (Oxford University Press, 2000)Google Scholar
Fyrth, J. and Alexander, S., Women’s Voices from the Spanish Civil War (London: Lawrence and Wishart, 1991)Google Scholar
Gajarawala, T. J., ‘Some Time Between Revisionist and Revolutionary: Unreading History in Dalit Literature’, PMLA, 126.3 (2011), 575–91Google Scholar
Garcia, H., The Truth about Spain! (Brighton: Sussex Academic Press, 2010)Google Scholar
Gardner, L. A., Taxing Colonial Africa: the Political Economy of British Imperialism (Oxford University Press, 2012)Google Scholar
Gascoyne, D. Selected Poems (London: Enitharmon, 1994)Google Scholar
General Post Office Film Library, God’s Chillun (London: British Film Institute Archive, 1938)Google Scholar
Geoghegan, V., ‘Olaf Stapledon: Utopia and Worship’, Utopian Studies, 16 (2005), 347–64Google Scholar
Gibbon, G., A Scots Quair [1932–4] (Harmondsworth: Penguin, 1986)Google Scholar
Gibbs, P., ‘Here, then, is something of England…’ in Giles, J. and Middleton, T. (eds.), Writing Englishness, 1900–1950 (London: Routledge, 1995), pp. 33–4Google Scholar
Gikandi, S., Maps of Englishness: Writing Identity in the Culture of Colonialism (New York: Columbia University Press, 1996)Google Scholar
Gikandi, S. Slavery and the Culture of Taste (Princeton University Press, 2011)Google Scholar
Giles, J. and Middleton, T. (eds.), Writing Englishness, 1900–1950 (London: Routledge, 1995)Google Scholar
Gitelman, L. and Collins, T. M., ‘Medium Light: Revisiting Edisonian Modernity’, Critical Quarterly, 51 (2009), 114Google Scholar
Gladkov, F., Cement, trans. A. S. Arthur and C. Ashleigh (Evanston: Northwestern University Press, 1994)Google Scholar
Glendinning, V., Elizabeth Bowen (New York: Alfred A. Knopf, 1978)Google Scholar
Glick, E., Materializing Queer Desire: Oscar Wilde to Andy Warhol (Buffalo: SUNY University Press, 2009)Google Scholar
Gollancz, V., ‘Editorial’, Left Book News, 1 (1936)Google Scholar
Gollancz, V.Editorial’, Left Book News, 2 (1936)Google Scholar
Gollancz, V.Editorial’, Left Book News, 4 (1936)Google Scholar
Gollancz, V.Editorial’, Left Book News, 6 (1936)Google Scholar
Gollancz, V. ‘Editorial’, Left News, 31 (1938), 1033–4Google Scholar
Goodby, J., The Poetry of Dylan Thomas: Under the Spelling Wall (Liverpool University Press, 2013)Google Scholar
Gopinath, P., Scarecrows of Chivalry: English Masculinities after Empire (Charlottesville: University of Virginia Press, 2013)Google Scholar
Gordon, E. W., ‘On or About December 1928 the Hogarth Press Changed: E. McKnight Kauffner, Art, Markets and the Hogarth Press, 1928-39’ in Southworth, H. (ed.), Leonard and Virginia Woolf: the Hogarth Press and the Networks of Modernism (Edinburgh University Press, 2012), pp. 179205Google Scholar
Gorky, M., ‘Soviet Literature’ in Zhdanov, A., Gorky, M., Bukharin, N., Radek, K., and Stetsky, A., Problems of Soviet Literature, Problems of Soviet Literature (London: Martin Lawrence, 1934), pp. 2769Google Scholar
Gramsci, A., Selections from the Prison Notebooks, ed. and trans. Hoare, Q. and Smith, G. N. (London: Lawrence and Wishart, 1971)Google Scholar
Graves, R. and Hodge, A., The Long Week-end: a Social History of Great Britain, 1918–1939 (London: Faber, 1940)Google Scholar
Green, G., ‘Dressing Station’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 45Google Scholar
Green, H., ‘The English Novel of the Future’, Contact, 1.2 (1950), 21–4Google Scholar
Green, H. Pack My Bag: a Self-Portrait (New York: New Directions, 2004)Google Scholar
Greene, G., ‘At Home’ in Collected Essays (London: Vintage, 2014), pp. 333–6Google Scholar
Greene, G. It’s a Battlefield [1934] (London: Vintage, 2002)Google Scholar
Greene, G.Memories of a Film Critic’ [1958] in D. Parkinson (ed.), Mornings in the Dark: the Graham Greene Reader (Harmondsworth: Penguin, 1993), pp. 447–8Google Scholar
Greene, G. Ways of Escape (London: Vintage, 1999)Google Scholar
Greenwood, W., Love on the Dole [1933] (Harmondsworth: Penguin, 1969)Google Scholar
Grierson, J., ‘The GPO Gets Sound’, Cinema Quarterly, 2.4 (1934), 215–21Google Scholar
Gruffudd, P., ‘Biological Cultivation: Lubetkin’s Modernism at London Zoo in the 1930s’ in Philo, C. and Wilbert, C. (eds.), Animal Spaces, Beastly Places: New Geographies of Human–Animal Relations (London: Routledge, 2000), pp. 223–41Google Scholar
Gruffudd, P. ‘“Science and the stuff of life”: Modernist Health Centres in 1930s London’, Journal of Historical Geography, 27 (2001), 395416CrossRefGoogle ScholarPubMed
Guillory, J., ‘Genesis of the Media Concept’, Critical Inquiry, 36.2 (2010), 321–62CrossRefGoogle Scholar
Guillory, J.Gunbuster’, , Return via Dunkirk (London: Hodder and Stoughton, 1940)Google Scholar
Gwynn-Browne, A., FSP: an NCO’s Description of His and Others’ First Six Months of War, January 1st–June 1st, 1940 (Bridgend: Seren, 2002)Google Scholar
H. D. A. M., ‘An Anglican Elmer Gantry’, The Modern Churchman, 22.3 (1932), 161–2Google Scholar
Haffenden, J. (ed.), W. H. Auden: the Critical Heritage (London: Routledge and Kegan Paul, 1983)Google Scholar
Haldane, J. B. S., Daedalus: Or Science and the Future [1924] (London: Kegan Paul, Trench, Trubner and Co., 1925)Google Scholar
Hall, D., A Pleasant Change from Politics: Music and the British Labour Movement between the Wars (Cheltenham: New Clarion Press, 2001)Google Scholar
Hall, S., ‘The Social Eye of Picture Post, Working Papers in Cultural Studies, 2 (1972), 71120Google Scholar
Hamilton, P., Hangover Square (London: Penguin, 1974)Google Scholar
Hamilton, P. Impromptu in Moribundia [1939] (London: Faber, 2011)Google Scholar
Hammill, F. and Hussey, M., Modernism’s Print Cultures (London: Bloomsbury, 2010)Google Scholar
Hamnett, C. and Randolph, B., ‘The 1930s Flat Boom’ in Cities, Housing and Profits: Flat Break-up and the Decline of Private Renting (London: Hutchinson, 1988), pp. 20–2Google Scholar
Hansard Parliamentary Papers, ‘Colonial Development Bill: Clause 1 – powers to make advances for the purposes of colonial development’ (18 July 1929), hansard.millbanksystems.comGoogle Scholar
Haraway, D. J., Crystals, Fabrics, and Fields: Metaphors of Organicism in Twentieth-Century Developmental Biology (New Haven: Yale University Press, 1976)Google Scholar
Haraway, D. J., ’TM’ (London: Routledge, 1997)Google Scholar
Harding, J., Experiment in Cambridge: “A Manifesto of Young England”’, Cambridge Quarterly, 27 (1998), 287309CrossRefGoogle Scholar
Hardwick, J. C., A Letter to an Archbishop (London: Hogarth, 1932)Google Scholar
Hardwick, J. C. A Professional Christian (London: Cape, 1932)Google Scholar
Harker, J., America the Middlebrow: Women’s Novels, Progressivism, and Middlebrow Authorship between the Wars (Boston: University of Massachusetts Press, 2007)Google Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction and William Walton (Cambridge University Press, 2012)Google Scholar
Harris, L., ‘What Happened to the Motley Crew? C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness’, Social Text, 30.3 (2012), 4975CrossRefGoogle Scholar
Hart, J. D., The Popular Book: a History of America’s Literary Taste (Berkeley: University of California Press, 1950)Google Scholar
Havinden, M. and Meredith, D., Colonialism and Development: Britain and its Tropical Colonies, 1850–1960 (London: Routledge, 1993)Google Scholar
Hayward, R., ‘The Biopolitics of Arthur Keith and Morley Roberts’ in Lawrence, C. and Mayer (eds.), A.-K., Regenerating England: Science, Medicine and Culture in Inter-War Britain, Clio Medica 60 (Amsterdam: Editions Rodopi, 2000), pp. 251–74Google Scholar
Head, D., Modernity and the English Rural Novel (Cambridge University Press, 2017)CrossRefGoogle Scholar
Healey, D., Homosexual Desire in Revolutionary Russia: the Regulation of Sexual and Gender Dissent (University of Chicago Press, 2001)Google Scholar
Healey, D.Homosexual Existence and Existing Socialism: New Light on the Repression of Male Homosexuality in Stalin’s Russia’, GLQ: a Journal of Lesbian and Gay Studies, 8.3 (2002), 349–78CrossRefGoogle Scholar
Heinemann, M., ‘English Poetry and the War in Spain: Some Records of a Generation’ in Hart, S. M. (ed.), No Pasaran! Art, Literature and the Spanish Civil War (London: Tamesis Books, 1988), pp. 4664Google Scholar
Henderson, P., The Novel Today (London: The Bodley Head, 1936)Google Scholar
Hendy, D., Radio in the Global Age (Malden, MA: Polity, 2000)Google Scholar
Heslop, H., Last Cage Down [1935] (London: Lawrence and Wishart, 1984)Google Scholar
Heslop, H. review of ‘USSR in Construction’, The Worker (13 Feb. 1930), 4Google Scholar
Heslop, H. ‘Ten Thousand Men’, International Literature, 2 (1933), 3840Google Scholar
Hicks, G., ‘Life, Liberalism, and Revolution’, New Masses (7 July 1936), 25Google Scholar
Hilliard, C., To Exercise Our Talents: the Democratization of Writing in Britain (Cambridge, MA: Harvard University Press, 2006)CrossRefGoogle Scholar
Hilliard, C.The Literary Underground of 1920s London’, Social History, 33.2 (2008), 164–82CrossRefGoogle Scholar
Hilliard, C.Modernism and the Common Writer’, Historical Journal, 48.3 (2005), 769–87Google Scholar
Hilliard, C. ‘Producers by Hand and by Brain: Working-Class Writers and Left-Wing Publishers in 1930s Britain’, Journal of Modern History, 78 (2006), 3764Google Scholar
Hilliard, C.The Twopenny Library: The Book Trade, Working-Class Readers, and “Middlebrow” Novels in Britain, 1930–42’, Twentieth Century British History, 25.2 (2014), 199220CrossRefGoogle ScholarPubMed
Hobsbawm, E., How to Change the World: Reflections on Marx and Marxism (New Havenn: Yale University Press, 2011)Google Scholar
Hoggart, R., The Uses of Literacy: Aspects of Working Class Life (London: Penguin, 2009)Google Scholar
Holman, V., Print for Victory: Book Publishing in England, 1939–1945 (London: British Library, 2008)Google Scholar
Holtby, A., ‘Holtby to Jean McWilliam, 2 Nov. 1933’ in Holtby, A. and McWilliam, J., (eds.), Letters to a Friend (London: Collins, 1937), p. 458Google Scholar
Holtby, W., ‘The Age of Convention: Youth and its Rituals’, Yorkshire Post (12 Jan. 1929)Google Scholar
Holtby, W.Desperate Remedies: How to Cure the Teaching Profession’, Manchester Guardian (17 Feb. 1931), 6Google Scholar
Holtby, W.Farms in Fiction’, The Schoolmistress, 103.2668 (1933), n.pGoogle Scholar
Holtby, W.Feminism Divided’, Time and Tide (6 Aug. 1926), 714–15Google Scholar
Holtby, W. ‘In Defence of Music Halls’, typescript article, Winifred Holtby Collection, Hull History Centre, L WH/1/1.12/01pGoogle Scholar
Holtby, W.John Galsworthy, OM’, The Schoolmistress, 103.2670 (1933), n.pGoogle Scholar
Holtby, W. ‘On the NUT conference’, The Schoolmistress, 104.2681 (1933)Google Scholar
Holtby, W. ‘The Russians’, The Schoolmistress, 103.2677 (1933)Google Scholar
Holtby, W. ‘Some Letters from Winifred Holtby [to Lady Rhondda, 20 Oct. 1933]’, Time and Tide (18 Apr. 1936), 554Google Scholar
Holtby, W.Some Letters from Winifred Holtby [to Lady Rhondda, Jan. 1932]’, Time and Tide (11 Apr. 1936), 518–19Google Scholar
Holtby, W. South Riding (London: Collins, 1936; London: Fontana, 1974)Google Scholar
Holtby, W.Uplift in England: Bigger and Better Committees’, Yorkshire Post (3 Jan. 1929)Google Scholar
Hopley, C., ‘Orwell’s Language of Waste Land and Trench’, College Literature, 11.1 (1984), 5970Google Scholar
Horne, J. and Kramer, A., German Atrocities 1914: a History of Denial (New Haven: Yale University Press, 2001)Google Scholar
Horrocks, R., Art that Moves: the Art of Len Lye (Auckland University Press, 2009)Google Scholar
Howkins, A., ‘Class Against Class: The Political Culture of the Communist Party of Great Britain, 1930-5’ in Gloversmith, F. (ed.), Class, Culture, and Social Change: a New View of the 1930s (Brighton: Harvester, 1980), pp. 250–77Google Scholar
Howkins, A.Death and Rebirth?: English Rural Society, 1920-1940’ in Brassley, P., Burchardt, J. and Thompson, L. (eds.), The English Countryside between the Wars: Regeneration or Decline? (Woodbridge: Boydell and Brewer, 2006), pp. 10–25Google Scholar
Howkins, A. The Death of Rural England: a Social History of the Countryside since 1900 (London: Routledge, 2003)Google Scholar
Howkins, A.The Discovery of Rural England’ in Colls, R. and Dodd, P. (eds.), Englishness: Politics and Culture, 1880–1920 (London: Croom Helm, 1986), pp. 6288Google Scholar
Hubble, N., Mass-Observation and Everyday Life: Culture, History, Theory (Basingstoke: Palgrave Macmillan, 2006)CrossRefGoogle Scholar
Hucker, D., Public Opinion and the End of Appeasement in Britain and France (New York: Routledge, 2016)CrossRefGoogle Scholar
Hughes, J., ‘“Divine right” or Democracy? The Royal Society “revolt” of 1935’, Notes and Records of the Royal Society, 64 (2010), 101–17CrossRefGoogle Scholar
Hurcombe, M., France and the Spanish Civil War (London: Ashgate, 2011)Google Scholar
Hurewitz, D., Bohemian Los Angeles and the Making of Modern Politics (Berkeley: University of California Press, 2007)Google Scholar
Hutner, G., What America Read: Taste, Class, and the Novel, 1920–1960 (Chapel Hill: University of North Carolina Press, 2009)CrossRefGoogle Scholar
Huxley, A., Brave New World [1932] (London: Chatto and Windus, 1938; London: Granada, 1981)Google Scholar
Huxley, A.Silence is Golden: Being the Misanthropic Reflections of an English Novelist on First Hearing a Picture Talk’ in Huxley, A., Do What You Will (London: Chatto and Windus, 1929), pp. 5261Google Scholar
Huxley, A.Where Are the Movies Moving?’ in Huxley, A., Essays Old and New (London: Chatto and Windus, 1926), pp. 182–7Google Scholar
Hynes, S., The Auden Generation: Literature and Politics in England in the 1930s (London: Faber, 1976)Google Scholar
Hynes, S., A War Imagined (New York: Atheneum, 1991)Google Scholar
Indian Progressive Writers’ Association, ‘Manifesto of the Indian Progressive Writers’ Association, London’, Signed by M. R. Anand, Dr K. S. Bhat, Dr J. C. Ghose, Dr S. Sinha, M. D. Taseer, and S. S. Zaheer, Left Review, 2.5 (1936), n.pGoogle Scholar
Iriye, A., Cultural Internationalism and World Order (Baltimore: Johns Hopkins University Press, 1997)CrossRefGoogle Scholar
Isherwood, C., Berlin Stories (New York: New Directions, 2008)Google Scholar
Isherwood, C., ‘Goodbye to Berlin’ in The Berlin Stories (New York: New Directions, 1963), pp. 1207Google Scholar
Isherwood, C. Goodbye to Berlin: the Berlin Novels (London: Vintage, 1999)Google Scholar
Isherwood, C. Lions and Shadows (London: Vintage, 2013)Google Scholar
Jackson, A., British Women and the Spanish Civil War (London: Routledge, 2002)Google Scholar
Jaillant, L., Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955 (London: Pickering & Chatto, 2014)Google Scholar
James, C. L. R., The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution, [1938] (New York: Vintage, 1963)Google Scholar
James, R., Popular Culture and Working Class Taste in Britain, 1900–1939: a Round of Cheap Diversions? Manchester: Manchester University Press, 2010)CrossRefGoogle Scholar
James, W., Essays on Radical Empiricism (Cambridge, MA: Harvard University Press, 1976)Google Scholar
Jameson, F., ‘Modernism and Imperialism’ in Nationalism, Colonialism, and Literature (Minneapolis: Minnesota University Press, 1990), pp. 4366Google Scholar
Jameson, F.The Politics of Utopia’, New Left Review, n.s., 26 (2004), 3554Google Scholar
Jameson, S., Journey from the North: Autobiography of Storm Jameson, 2 vols. (London: Virago, 1969–70)Google Scholar
Jameson, S. ‘New Documents’, Fact, 4 (1937), 112; rpt in Deane, P. (ed.), History in our Hands (Leicester University Press, 1998), pp. 311–18Google Scholar
Jardine, B.Mechanical Subjectivity: Mass-Observation and the Scientific Citizen in Interwar Britain’ in Bangham, J. and Kaplan, J. (eds.), Invisibility and Labour in the Human Sciences (Berlin: Max Planck Institute for the History of Science, 2016), pp. 2538Google Scholar
Jardine, B. ‘Scientific Moderns’, unpublished PhD thesis, University of Cambridge (2011)Google Scholar
Jefferies, Douglas to Gore Graham, 15 Nov. 1932, intercepted letter, Security Service Personal File, ‘George Douglas Jefferies’, PRO KV2/2806, The National ArchivesGoogle Scholar
Jeffrey, T. and McClelland, K., ‘A World Fit to Live In: The Daily Mail and the Middle Classes, 1918–39’ in Curran, J., Smith, A. and Windgate, P. (eds.), Impacts and Influences: Media Power in the Twentieth Century (London: Routledge, 1987), pp. 2752Google Scholar
Jenkins, N., ‘Appendix: Auden and Spain’ in Bucknell, K. and Jenkins, N. (eds.), W. H. Auden: ‘The Map of All My Youth’: Early Works, Friends and Influences (Oxford: Clarendon Press, 1990), pp. 8893Google Scholar
Jennings, H., ‘The Boyhood of Byron’, Contemporary Poetry and Prose, 8 (1936), 146–7Google Scholar
Jennings, H. ‘Rock Painting and La Jeune Peinture, Experiment, 7 (1931), 3740Google Scholar
Jennings, H.Study for a Long Report’, Contemporary Poetry and Prose, 8 (1936)Google Scholar
Jennings, H.Surrealism’, Contemporary Poetry and Prose (Dec. 1936), 16Google Scholar
Jennings, H. ‘Three reports’, Contemporary Poetry and Prose, 2 (1936), 3941Google Scholar
Jennings, H. ‘Three Reports’, Contemporary Poetry and Prose, 4/5 (1936), 94–5Google Scholar
Jones, J., ‘Shoni in Shaftesbury Avenue’, The Welsh Review, 2.1 (1939), 40–4, modernistmagazines.comGoogle Scholar
Jones, L., We Live [1939] (London: Lawrence and Wishart, 1978)Google Scholar
Joyce, J., Finnegans Wake (London: Faber and Faber, 1968)Google Scholar
Joyce, P., The State of Freedom: a Social History of the British State since 1800 (Cambridge University Press, 2013)CrossRefGoogle Scholar
Juler, E., Grown but Not Made: British Modernist Sculpture and the New Biology (Manchester University Press, 2015)Google Scholar
Julien, H., ‘School Novels, Women’s Work, and Maternal Vocationalism’, NWSA Journal, 19.2 (2007), 118–37Google Scholar
Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006)Google Scholar
Kaestle, C. F., H. Damon-Moore, L. C. Stedman, K. Tinsley and W. V. Trollinger, Jr, Literacy in the United States: Readers and Reading since 1880 (New Haven: Yale University Press, 1991)Google Scholar
Kalliney, P., The Commonwealth of Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics (Oxford University Press, 2013)CrossRefGoogle Scholar
Kalliney, P. Modernism in a Global Context (London: Bloomsbury, 2016)Google Scholar
Keane, D., Ireland and the Problem of Information: Irish Writing, Radio, Late Modernist Communication (University Park, PA: Pennsylvania State University Press, 2014)Google Scholar
Keith, J., Unbecoming Americans: Writing Race and Nation from the Shadows of Citizenship, 1945–1960 (New Brunswick: Rutgers University Press, 2013)Google Scholar
Khayyám, O., Rubaiyát of Omar Khayyám, trans. E. Fitzgerald, illus. A. Rado (Leicester: Edgar Backus, 1945)Google Scholar
Kildea, P., ‘Britten, Auden and “otherness”’ in Cooke, M. (ed.), The Cambridge Companion to Benjamin Britten (Cambridge University Press, 1999), pp. 3653CrossRefGoogle Scholar
Kingsford, R. J. L., The Publishers Association, 1896–1946 (Cambridge University Press, 1970)Google Scholar
Kirkpatrick, B. J., A Bibliography of Virginia Woolf (London: Rupert Hart-Davis, 1967)Google Scholar
Koestler, A., Spanish Testament (London: Gollancz, 1937)Google Scholar
Kohlmann, B., Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (Oxford University Press, 2014)CrossRefGoogle Scholar
Kohlmann, B.Introduction’ in Kohlmann, B. and Gregory, R. (eds.), Utopian Spaces of Modernism: British Literature and Culture, 1885–1945 (Basingstoke: Palgrave Macmillan, 2012), pp. 115Google Scholar
Lacey, K., Listening Publics: the Politics and Experience of Listening in the Media Age (Malden, MA: Polity Press, 2013)Google Scholar
Lago, M., Hughes, L. K. and MacLeod Walls, E. (eds.), The BBC Talks of E. M. Forster, 1929–1960 (Columbia, MO: University of Missouri Press, 2008)Google Scholar
Lambert, C., Music Ho! A Study of Music in Decline (London: The Hogarth Press, 1985)Google Scholar
Lane, A., ‘All About the Penguin Books’, The Bookseller (22 May 1935), 497Google Scholar
Larkin, B., Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria (Durham, NC: Duke University Press, 2008)Google Scholar
Laski, H. J., ‘The Road to Wigan Pier’, Left News, 11 (1937), 275–6Google Scholar
Lauwerys, J. A., ‘Television, Baird, and Miracles to Be’, Saturday Review, 156.4065 (1933), 316–17Google Scholar
Lawrence, D. H., The First Lady Chatterley [1944] (Harmondsworth: Penguin, 1973)Google Scholar
Lawrence, D. H. Lady Chatterley’s Lover [1928], ed. Squires, M. (Harmondsworth: Penguin, 1994)Google Scholar
Lawrie, A., The Beginnings of University English: Extramural Study, 1885–1910 (Basingstoke: Palgrave, 2014)CrossRefGoogle Scholar
Leavis, Q. D., Fiction and the Reading Public (1932; rpt London: Chatto and Windus, 1939, 1968; London: Pimlico, 2000)Google Scholar
Lee, C., The Hidden Public: the Story of the Book-of-the-Month Club (Garden City, NY: Doubleday, 1958)Google Scholar
Lehmann, J., ‘Manifesto’, New Writing, 1.1 (1936)Google Scholar
Lehmann, J. Prometheus and the Bolsheviks (London: Cresset Press, 1937)Google Scholar
Lehmann, J. (ed.), New Writing, 2.4 (1937), modernistmagazines.comGoogle Scholar
Lehmann, R., The Weather in the Streets [1936] (Harmondsworth: Penguin, 1972)Google Scholar
Levi, E., ‘“Those damn foreigners”: Xenophobia and British Musical Life During the First Half of the Twentieth Century’ in Fairclough, P. (ed.), Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds (Farnham: Ashgate, 2013), pp. 8196Google Scholar
Levine, P. and Bashford, A., ‘Introduction: eugenics and the modern world’ in Bashford, P. and Levine, A. (eds.), The Oxford Handbook of the History of Eugenics (Oxford University Press, 2010), pp. 324Google Scholar
Lewis, C., Sagittarius Rising (London: Greenhill, 1993)Google Scholar
Lewis, J., Penguin Special: the Life and Time of Allen Lane (London: Viking, 2005)Google Scholar
Lewis, W., The Apes of God (Santa Barbara: Black Sparrow Press, 1984)Google Scholar
Lewis, W. The Art of Being Ruled, ed. Dasenbrock, R. W. (Santa Rosa: Black Sparrow Press, 1989)Google Scholar
Lewis, W. Blasting and Bombardiering: an Autobiography, 1914–1926 (London: John Calder, 1992)Google Scholar
Lewis, W. The Hitler Cult (London: Dent, 1939)Google Scholar
Lewis, W. The Revenge for Love, ed. Dasenbrock, R. W. (Santa Rosa: Black Sparrow Press, 1991)Google Scholar
Lewis, W. The Vulgar Streak (Santa Barbara: Black Sparrow Press, 1985)Google Scholar
Lih, L. H., Lenin Rediscovered: What Is to Be Done? in Context (Leiden: Brill, 2006)CrossRefGoogle Scholar
Lloyd, J. T., ‘Elmer Gantry’, The Freethinker (24 Apr. 1927), 260Google Scholar
Lockley, R. M., I Know an Island (London: George Harrap, 1938)Google Scholar
Lodge, D., ‘Dialogue in the Modern Novel’ in After Bakhtin: Essays on Fiction and Criticism (London: Routledge, 1990), pp. 7586Google Scholar
Lodge, D. The Modes of Modern Writing (London: Bloomsbury, 1977)Google Scholar
Lonsdale, S.“We agreed that women were a nuisance in the office, anyway”: the portrayal of women journalists in early twentieth-century British fiction’, Journalism Studies, 14.4 (2013), 461–75Google Scholar
Lowerson, J., ‘Battles for the Countryside’ in Gloversmith, F. (ed.), Class, Culture, and Social Change: a New View of the 1930s (Chichester: Harvester, 1980), pp. 258–65Google Scholar
Ludwig, E., Leaders of Europe (London: Watson, 1934)Google Scholar
Ludwig, E. Talks with Mussolini, trans. E. and C. Paul (Boston: Little, Brown, 1932)Google Scholar
Lukács, G., The Theory of the Novel: a Historico-Philosophical Essay on the Forms of Great Epic Literature, trans. A. Bostock. (Cambridge, MA: MIT Press, 1971)Google Scholar
Lumsden, A., ‘“Women’s Time”: Reading the Quair as a Feminist Text’ in Palmer McCulloch, M. and Dunnigan, S. M. (eds.), A Flame in the Mearns: Lewis Grassic Gibbon, a Centenary Celebration (Glasgow: Association of Scottish Literary Studies, 2003), pp. 4153Google Scholar
Lunn, E., Marxism and Modernism (Berkeley: University of California Press, 1984)Google Scholar
Lye, L., Figures of Motion: Selected Writings, ed. Curnow, W. and Horrocks, R. (Auckland University Press, 1984)Google Scholar
Lye, L.Film That Needs no Camera’, The Australian (21 Dec. 1968)Google Scholar
Lye, L. No Trouble (London: Seizin Press, 1930); rpt in Lye, L., Figures of Motion: Selected Writings, ed. Curnow, W. and Horrocks, R. (Auckland University Press, 1984)Google Scholar
Lye, L. Zizz! The Life and Art of Len Lye: In His Own Words, ed. Horrocks, R. (Wellington, NZ: Awa Press, 2015)Google Scholar
Lygo, E., ‘Promoting Soviet Culture in Britain: The History of the Society for Cultural Relations between the Peoples of the British Commonwealth and the USSR, 1924–1945’, Modern Language Review, 108.2 (2013), 571–96Google Scholar
Lynd, R. S. and Lynd, H. M., Middletown in Transition: a Study in Cultural Conflicts (New York: Harcourt, Brace, 1937)Google Scholar
McAleer, J., Popular Reading and Publishing in Britain, 1914–1950 (Oxford: Clarendon Press, 1992)Google Scholar
Macaulay, Rose, Going Abroad (London: Collins, 1939)Google Scholar
Macaulay, Rose Letters to a Friend, ed. Babington Smith, C. (London: Collins, 1961)Google Scholar
McCleery, A., ‘The Paperback Evolution: Tauchnitz, Albatross and Penguin’ in Matthews, N. and Moody, N. (eds.), Judging a Book by Its Cover: Fans, Publishers, and the Marketing of Fiction (Basingstoke: Palgrave, 2007), pp. 317Google Scholar
McCombs, M., Setting the Agenda: the Mass Media and Public Opinion (Cambridge: Polity Press, 2004)Google Scholar
Macdonald, H., ‘“What makes you a scientist is the way you look at things”: Ornithology and the Observer, 1930–1955’, Studies in the History and Philosophy of Biological and Biomedical Sciences, 33 (2002), 5377Google Scholar
Macdonald, K. (ed.), The Masculine Middlebrow, 1880–1950 (Basingstoke: Palgrave, 2011)CrossRefGoogle Scholar
McGucken, W., ‘On Freedom and Planning in Science: the Society for Freedom in Science, 1940–46’, Minerva, 16 (1978), 4272CrossRefGoogle Scholar
Mackay, M., Modernism and World War II (Cambridge University Press, 2007)Google Scholar
McKibbin, R., Classes and Cultures: England, 1918–1951 (Oxford University Press, 1998)Google Scholar
McKibbin, R. Parties and People: England, 1914–1951 (Oxford University Press, 2010)CrossRefGoogle Scholar
McLaren, A., Reproduction by Design: Sex, Robots, Trees, and Test-Tube Babies in Interwar Britain (University of Chicago Press, 2012)CrossRefGoogle Scholar
McLean, T., ‘Have We no Dante for Today’s Aquinas?’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 91Google Scholar
McLuhan, M., Understanding Media: the Extensions of Man [1964] (Cambridge, MA: MIT Press, 1994)Google Scholar
MacNeice, L., Out of the Picture (London: Faber, 1937)Google Scholar
Madge, C., ‘Press, Radio, and Social Consciousness’ in Day-Lewis, C. (ed.), The Mind in Chains (London: Frederick Muller, 1937), pp. 145–63Google Scholar
Majumdar, R. and McLaurin, A. (eds.), Virginia Woolf: the Critical Heritage (London: Routledge and Kegan Paul, 1975)Google Scholar
Malik, H., ‘The Marxist Literary Movement in India and Pakistan’, Journal of Asian Studies, 26.4 (1967), 649–64Google Scholar
Mallios, P., Our Conrad: Constituting American Modernity (Palo Alto, CA: Stanford University Press, 2010)CrossRefGoogle Scholar
Mandler, P., ‘Against “Englishness”: English Culture and the Limits to Rural Nostalgia, 1850-1940’, Transactions of the Royal Historical Society, 7 (1997),155–75CrossRefGoogle Scholar
Marcus, L., ‘“The Creative Treatment of Actuality”: John Grierson, Documentary Cinema and “Fact” in the 1930s’ in Bluemel, K. (ed.), Intermodernism Literary Culture in Mid-Twentieth-Century Britain (Edinburgh University Press), pp. 189207Google Scholar
Marks, P., ‘Art and Politics in the 1930s: the European Quarterly, Left Review, and Poetry and the People in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955 (Oxford University Press, 2009), pp. 623–46Google Scholar
Marshall, D., ‘I have stood to upon some lousy dawns’ in Jump, J. (ed.), Poems from Spain (London: Lawrence and Wishart, 2006), p. 47Google Scholar
Marx, J., The Modernist Novel and the Decline of Empire (Cambridge University Press, 2005)Google Scholar
Mason, H. A., ‘Education by Book Club?’, Scrutiny, 6.3 (1937), 240–6Google Scholar
Massingham, H. J., ‘Introduction’ in Thompson, F., Lark Rise to Candleford (London: Penguin, 1973)Google Scholar
Matthews, S., ‘“Say not the Struggle Naught Availeth … ”: F. R. Leavis and Scrutiny (1932–53)’. in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955 (Oxford University Press, 2009), pp. 833–55Google Scholar
Mayer, A., Political Origins of the New Diplomacy, 1917–1918 (New Haven: Yale University Press, 1959)Google Scholar
Mayhew, L. H., ‘The society of women journalists’, The Journalist (Apr. 1930), 83Google Scholar
Medalie, D., ‘Bloomsbury and Other Values’ in Bradshaw, D. (ed.), The Cambridge Companion to E. M.Forster (Cambridge University Press, 2007), pp. 3246CrossRefGoogle Scholar
Mellor, L., ‘Listening-in to the long 1930s’, Critical Quarterly, 58.4 (2016), 113–32CrossRefGoogle Scholar
Mellor, L. Reading the Ruins: Modernism, Bombsites and British Culture (Cambridge University Press, 2011)CrossRefGoogle Scholar
Mellor, L. and Salton-Cox, G. (eds.), The Long 1930s, special issue of Critical Quarterly, 57.3 (2015)Google Scholar
Mendelson, E., ‘Textual Notes to Hadrian’s Wall’ in Mendelson, E. (ed.), Plays and Other Dramatic Writings by W. H. Auden, 1928–1938 (Princeton University Press, 1988), pp. 674–76Google Scholar
Mengham, R.Bourgeois News: Humphrey Jennings and Charles Madge’, New Formations, 44 (Autumn 2001), 2633Google Scholar
Mengham, R.“National Papers Please Reprint”: Surrealist Magazines in Britain’ in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955 (Oxford University Press, 2009), pp. 688706Google Scholar
Mepham, J., ‘Varieties of Modernism, Varieties of Incomprehension: Patrick Hamilton and Elizabeth Bowen’ in McKay, M. and Stonebridge, L. (eds.), British Fiction after Modernism: the Novel at Mid-Century (Basingstoke: Palgrave Macmillan, 2007), pp. 5976CrossRefGoogle Scholar
Middlebrow Network, ‘Defining the Middlebrow’, middlebrow-network.comGoogle Scholar
Millar, J. P. M., Thirty Years of Independent Working Class Education (London: National Council of Labour Colleges, 1939)Google Scholar
Miller, A., ‘The Younger English Poets’, Saturday Review of Literature (23 June 1934), 768Google Scholar
Miller, J., ‘Is Bad Writing Necessary? George Orwell, Theodor Adorno, and the Politics of Language’, Lingua Franca, 9.9 (2000), 3344Google Scholar
Miller, T., Late Modernism: Politics, Fiction, and the Arts between the World Wars (Berkeley: University of California Press, 1999)Google Scholar
Mimnermus, , ‘Parliament and a Prayer Book’, The Freethinker (1 Jan. 1928), 3Google Scholar
Mitchell, D., Britten and Auden in the Thirties: the Year 1936 (Woodbridge: Boydell, 2000)Google Scholar
Mitchison, N., ‘The Annual Dinner and Reunion of the Rationalist Press Association’, Literary Guide and Rationalist Review (July 1932), 433Google Scholar
Mitchison, N. Vienna Diary (London: Victor Gollancz, 1934)Google Scholar
Mitchison, N. You May Well Ask: A Memoir, 1920–1940 (London: Victor Gollancz, 1979)Google Scholar
Mitford, N., Wigs on the Green (New York: Vintage, 2010)Google Scholar
Monteath, P., Writing the Good Fight (Westport: Greenwood, 1994)Google Scholar
Moran, J., Armchair Nation: an Intimate History of Britain in Front of the TV (London: Profile Books, 2013)Google Scholar
Moretti, F., Modern Epic: the World-System from Goethe to García Marquez, trans. Q. Hoare (London: Verso, 1996)Google Scholar
Morgan, C., ‘The Future of Entertainment’ in The BBC Year-Book 1930 (London: BBC, 1930), pp. 41–3Google Scholar
Morgan, K., Against Fascism and War: Ruptures and Continuities in British Communist Party Politics, 1935–41 (Manchester University Press, 1989)Google Scholar
Moseley, S. A., The Private Diaries of Sydney Moseley (London: Max Parish, 1960)Google Scholar
Mosley, C., ‘Introduction’ in Mitford, N., Wigs on the Green (New York: Vintage, 2010), pp. ixxixGoogle Scholar
Muggeridge, M., The Thirties: 1930–1940 in Great Britain (London: Hamish Hamilton, 1940)Google Scholar
Muggeridge, M. Winter in Moscow (London: Eyre and Spottiswode, 1934)Google Scholar
Muir, E., Latitudes (New York: B. W. Huebsch, 1924)Google Scholar
Muir, E. The Structure of the Novel (London: Hogarth, 1928)Google Scholar
Mulhern, F., ‘Forever Orwell’, New Left Review, 87 (2014), 132–42Google Scholar
Muñoz, J. E., Cruising Utopia: the Then and There of Queer Futurity (New York University Press, 2009)Google Scholar
Murphy, K., Behind the Wireless: a History of Early Women at the BBC (London: Palgrave, 2016)CrossRefGoogle Scholar
Nancy, J.-L., On the Commerce of Thinking: Of Books and Bookstores (New York: Fordham University Press, 2009)Google Scholar
Nash, M., Defying Male Civilization: Women in the Spanish Civil War (Denver: Arden, 1995)Google Scholar
Neavill, G. B., ‘Victor Gollancz and the Left Book Club’, Library Quarterly, 41.3 (1971), 197215Google Scholar
Needham, J., Integrative Levels: a Revaluation of the Idea of Progress (Oxford: Clarendon Press, 1937)Google Scholar
Needham, J. and Needham, D., ‘A Crystallographic “Arrowsmith”’, Nature, 134 (1934), 890Google Scholar
Nelson, C., Revolutionary Memory: Rediscovering the Poetry of the American Left (London: Routledge, 2001)Google Scholar
Nelson, C. The Wound and the Dream (Urbana: University of Illinois Press, 2002)Google Scholar
Noland, C., Voices of Negritude in Modernist Print: Aesthetic Subjectivity, Diaspora, and the Lyric Regime (New York: Columbia University Press, 2015)Google Scholar
Norrie, I., Mumby’s Publishing and Bookselling in the Twentieth Century (London: Bell and Hyman, 1982)Google Scholar
Norris, C., ‘Language, Truth, and Ideology: Orwell and the Post-War Left’ in Norris, C. (ed.), Inside the Myth: Orwell: Views from the Left (London: Lawrence and Wishart, 1984), pp. 242–62Google Scholar
North, J., Literary Criticism: a Concise Political History (Cambridge, MA: Harvard University Press, 2017)CrossRefGoogle Scholar
Ogden, C. K., Richards, I. A. and Wood, J., The Foundations of Aesthetics (London: Allen and Unwin, 1922)Google Scholar
O’Higgins, R., The Correspondence of Alan Bush and John Ireland, 1927–1961 (Aldershot: Ashgate, 2006)Google Scholar
Orwell, G.Appendix X: Classified Lists of Orwell’s Pamphlets’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998) vol. xx, pp. 259–86Google Scholar
Orwell, G.“As I Please”, 18, 31st March 1944’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xvi, pp. 137–41Google Scholar
Orwell, G. ‘“As I please”, 36, 4th Aug. 1944’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xvi, pp. 317–19Google Scholar
Orwell, G.Bookshop Memories’ in Orwell, S. and Angus, I. (eds.), The Collected Essays, Journalism and Letters of George Orwell, 4 vols. (Harmondsworth: Penguin, 1970), vol. i, pp. 242–6Google Scholar
Orwell, G. Burmese Days (New York: Harcourt, Brace, 1950)Google Scholar
Orwell, G. Collected Pamphlets, British Library, Scholar
Orwell, G. Coming Up for Air (London: Secker and Warburg, 1973)Google Scholar
Orwell, G.The Frontiers of Art and Propaganda’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xii, pp. 484–6Google Scholar
Orwell, G.Gandhi in Mayfair: Review of Beggar My Neighbour by Lionel Fielden’ in Davison, P. (ed.), The Complete Works, 20 vols. (London: Secker and Warburg, 1998), vol. xv, pp. 209–16Google Scholar
Orwell, G. Homage to Catalonia (San Diego: Harcourt, 1980); (Toronto: Penguin, 2000); also in Davison, P. (ed.), The Complete Works, 20 vols. (London: Secker and Warburg, 1986), vol. viGoogle Scholar
Orwell, G.Inside the Whale’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xii, pp. 86115Google Scholar
Orwell, G.Introduction to British Pamphleteers, vol. i’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xix, pp. 106–15Google Scholar
Orwell, G. Keep the Aspidistra Flying (London: Penguin, 2014)Google Scholar
Orwell, G.London Letter’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xv, pp. 106–11Google Scholar
Orwell, G.Looking Back on the Spanish War’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xiii, pp. 497511Google Scholar
Orwell, G.My Country Right or Left’ in Davidson, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 2000), vol. xiiGoogle Scholar
Orwell, G.The Prevention of Literature’ (1945) in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xvii, pp. 369–81Google Scholar
Orwell, G.The Proletarian Writer’ [1940] in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xii, pp. 294–9Google Scholar
Orwell, G.Review of Pamphlet Literature, The New Statesman and Nation, 9 Jan. 1943’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xiv, pp. 300–3Google Scholar
Orwell, G. The Road to Wigan Pier (Orlando: Harcourt, 1958; Harmondsworth: Penguin, 2001); also in Davison, P. (ed.), The Complete Works, 20 vols. (London: Secker and Warburg, 1987)Google Scholar
Orwell, G. ‘To the Editor, Time and Tide’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xi, pp. 113–15Google Scholar
Davison, P.Unpublished Response to Authors Take Sides on the Spanish War’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xi, pp. 66–8Google Scholar
Davison, P.Why I Join the ILP’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xi, pp. 167–9Google Scholar
Davison, P.Why I Write’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xviii, pp. 316–21Google Scholar
Davison, P.You and the Atom Bomb’ in Davison, P. (ed.), The Complete Works of George Orwell, 20 vols. (London: Secker and Warburg, 1998), vol. xvii, pp. 316–23Google Scholar
Orwell, S., and Angus, I. (eds.), The Collected Essays, Journalism and Letters of George Orwell, 4 vols. (London: Secker and Warburg, 1968)Google Scholar
Osborne, H., ‘Counter-Space in Charles Lahr’s Progressive Bookshop’ in Osborne, H. (ed.), The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Twentieth Century (Farnham: Ashgate, 2015), pp. 131–61Google Scholar
Owen, W., Selected Poetry and Prose, ed. Breen, Jennifer (London: Routledge, 1998)Google Scholar
Owen, W.Strange Meeting’ in Day-Lewis, C. (ed.), The Collected Poems of Wilfred Owen (London: Chatto and Windus, 1963), p. 35Google Scholar
Parikka, J., What Is Media Archaeology? (Cambridge: Polity Press, 2012)Google Scholar
Parker, P., Isherwood: a Life (London: Picador, 2005)Google Scholar
Parrinder, P., Utopian Literature and Science: From the Scientific Revolution to Brave New World and Beyond (Basingstoke: Palgrave Macmillan, 2015)CrossRefGoogle Scholar
Parsons, D., Streetwalking the Metropolis: Women, the City and Modernity (Oxford University Press, 2000)CrossRefGoogle Scholar
Paul, R., ‘“A big change”: Intersectional Class and Gender in John Sommerfield’s May Day, Nordic Journal of English Studies, 11.2 (2012), 120–37CrossRefGoogle Scholar
Pease, D. E., ‘Introduction’ in James, C. L. R., Mariners, Renegades and Castaways: the Story of Herman Melville and the World We Live In, ed. Pease, D. E. (Hanover: University Press of New England, 2001)Google Scholar
Peterson, E., The Life Organic: the Theoretical Biology Club and the Roots of Epigenetics (University of Pittsburgh Press, 2016)Google Scholar
Petrou, M., Renegades (Vancouver: University of British Columbia Press, 2008)Google Scholar
Phelps, W., ‘The Methods of Joyce’, New Masses (Feb. 1930), 26Google Scholar
Pirie, P. J., The English Musical Renaissance (London: St Martin’s Press, 1979)Google Scholar
Plaatje, S. T., Mhudi (Portsmouth, NH: Heinemann, 1978)Google Scholar
Polanyi, K., The Great Transformation (Boston: Beacon, 2001)Google Scholar
Pollard, W., Rosamond Lehmann and Her Critics: the Vagaries of Literary Reception (Aldershot: Ashgate, 2004)Google Scholar
Ponsonby, A., Falsehood in Wartime (London: Allen and Unwin, 1928)Google Scholar
Postman, N., ‘The reformed English curriculum’ in Eurich, A. C. (ed.), High School, 1980: the Shape of the Future in American Secondary Education (New York: Pitman, 1970), pp. 160–8Google Scholar
Potter, R., ‘Modernist rights: International PEN, 1921–1936’, Critical Quarterly, 55.2 (2013), 6680Google Scholar
Powell, A., The Kindly Ones (A Dance to the Music of Time, 2nd Movement) (University of Chicago Press, 1995)Google Scholar
Price, K., ‘Finite but Unbounded: Experiment Magazine, Cambridge, England, 1928–31’, Jacket, 20 (2002), n.p., jacketmagazine.comGoogle Scholar
Priestley, J. B., Angel Pavement (London: William Heinemann, 1930)Google Scholar
Priestley, J. B. An English Journey (London: William Heinemann, 1934)Google Scholar
Purdon, J., Modernist Informatics: Literature, Information, and the State (Oxford University Press, 2016)CrossRefGoogle Scholar
Radek, K., ‘Contemporary World Literature and the Tasks of Proletarian Art’ in Zhdanov, A., Gorky, M., Bukharin, N., Radek, K., and Stetsky, A., Problems of Soviet Literature (London: Martin Lawrence, 1934), pp. 73162Google Scholar
Radway, J. A., A Feeling for Books: the Book of the Month Club, Literary Taste, and Middle Class Desire (Chapel Hill: University of North Carolina Press, 1997)Google Scholar
Rae, P., ‘Double Sorrow: Proleptic Elegy and the End of Arcadianism in 1930s Britain’, Twentieth Century Literature, 49.2 (2003), 248–9Google Scholar
Rae, P.Grieving in a New Way for New Losses: British Elegies on the Spanish Civil War’ in Raychaudhury, A. (ed.), The Spanish Civil War: History, Memory, Representation (Cardiff: University of Wales Press, 2013), pp. 124–41Google Scholar
Rae, P. ‘Orwell le modernist’, Agone, 45 (2011), 926Google Scholar
Rae, P.Orwell’s Heart of Darkness: The Road to Wigan Pier as Modernist Anthropology’, Prose Studies: History, Theory, Criticism, 22.2 (1999), 72102CrossRefGoogle Scholar
Rainey, L., Institutions of Modernism: Literary Elites and Public Culture (New Haven: Yale University Press, 1998)Google Scholar
Rao, R., Kanthapura (New York: New Directions, 1963)Google Scholar
Raymond, E., Tell England (London: Cassell, 1930)Google Scholar
Raymond, E. We, the Accused (New York: Lippincott, 1935)Google Scholar
Reid, B., ‘The Left Book Club in the Thirties’ in Clark, J., Heinemann, M., Margolies, D. and Snee, C. (eds.), Culture and Crisis in Britain in the Thirties (London: Lawrence and Wishart, 1979), pp. 193207Google Scholar
Rhondda, Lady M., ‘Editorial’, Time and Tide (14 May 1920), 1137Google Scholar
Rhondda, Lady M.Winifred Holtby’, Time and Tide (5 Oct. 1935), 1390Google Scholar
Rhys, J., After Leaving Mr Mackenzie (London: Penguin, 2000)Google Scholar
Rhys, J. Good Morning, Midnight (Harmondsworth: Penguin, 1969; London: Penguin, 2000)Google Scholar
Rhys, J. Quartet (London: Penguin, 2000)Google Scholar
Rhys, J. Voyage in the Dark [1934] (Harmondsworth: Penguin, 1969; London: Penguin, 2000)Google Scholar
Rice, T., ‘God’s Chillun’, editorial note in the GPO Film Unit Collection, We Live in Two Worlds (London: British Film Institute, 2009), vol. ii, pp. 65–6Google Scholar
Richards, I. A., Science and Poetry (London: Kegan Paul, 1926), pp. 44, 59Google Scholar
Richards, J., Dream Palace: Cinema and Society in 1930s Britain (London: I. B. Tauris, 2010)Google Scholar
Rickword, E., ‘Straws for the wary: antecedents to fascism’, Left Review, 1.1 (1934), 1925Google Scholar
Riding, L., Experts Are Puzzled (London: Jonathan Cape, 1930)Google Scholar
Riley, M., British Music and Modernism, 1895–1960 (Farnham: Ashgate, 2010)Google Scholar
Ritschel, D., The Politics of Planning: the Debate on Economic Planning in Britain in the 1930s (Oxford University Press, 1997)CrossRefGoogle Scholar
Rodden, J., The Politics of Literary Reputation: the Making and Claiming of ‘St George’ Orwell (New Brunswick: Transaction 2009)Google Scholar
Rodger, I., Radio Drama (London: Macmillan, 1982)CrossRefGoogle Scholar
Rodgers, T., ‘The Right Book Club: Text Wars, Modernity and Cultural Politics in the Late Thirties’, Literature and History, 12.2 (2003), 115CrossRefGoogle Scholar
Rolo, C., Radio Goes to War (London: Faber, 1943)Google Scholar
Roscow, G. (ed.), Bliss on Music: Selected Writings of Arthur Bliss, 1920–1975 (Oxford University Press, 1991)Google Scholar
Rose, J., The Intellectual Life of the British Working Classes (New Haven: Yale University Press, 2001)Google Scholar
Rose, J. and Anderson, P. J. (eds.), British Literary Publishing Houses, 1881–1965 (Detroit: Gale Research, 1991)Google Scholar
Rose, L., ‘Rogues and Vagabonds’: Vagrant Underworld in Britain, 1815–1985 (Abingdon: Routledge, 1988)Google Scholar
Rosenfeld, P., ‘James Joyce: Charlatan or Genius?American Mercury (July 1939), 367–71Google Scholar
Ross Williamson, H., ‘Notes at Random’, The Bookman, 82.487 (Apr. 1932), 16Google Scholar
Rotha, P., Documentary Film (London: Faber, 1936)Google Scholar
Rothermere, Lord H., ‘Hurrah for the Blackshirts’, Daily Mail (9 Jan. 1934)Google Scholar
Rozendal, M., ‘Rebel Poets and Critics’ in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. ii (New York: Oxford University Press, 2012), pp. 903–22Google Scholar
Rubin, J. S., The Making of Middlebrow Culture (Chapel Hill: University of North Carolina Press, 1992)Google Scholar
Rukeyser, M., Savage Coast, ed. Kennedy-Epstein, R. (New York: The Feminist Press, 2013)Google Scholar
Russell, B. The Scientific Outlook (London: Allen and Unwin, 1931)Google Scholar
Russell, D. W. B., Hypatia: Or, Woman and Knowledge (London: Kegan Paul, Trench, Trubner and Co., 1925)Google Scholar
Ryan, M.-L., Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (Baltimore: Johns Hopkins University Press, 2001)Google Scholar
Said, E., Culture and Imperialism (New York: Knopf, 1993)Google Scholar
Saint-Amour, P. K., Tense Future: Modernism, Total War, Encyclopedic Form (Oxford University Press, 2015)CrossRefGoogle Scholar
Salton-Cox, G., ‘Boy Meets Camera: Christopher Isherwood, Sergei Tretiakov, and the Queer Potential of the First Five-Year Plan’, Modern Language Quarterly, 76.4 (2015), 465–90CrossRefGoogle Scholar
Salton-Cox, G.Literary Praxis Beyond the Melodramas of Commitment: Edward Upward, Soviet Aesthetics and Leftist Self-Fashioning’, Comparative Literature, 65.4 (2013), 419Google Scholar
Salton-Cox, G. Queer Communism and the Ministry of Love: Sexual Revolution in British Writing of the 1930s (Edinburgh University Press, 2018)CrossRefGoogle Scholar
Samuels, S., ‘The Left Book Club’, Contemporary History, 1.2 (1966), 6586CrossRefGoogle Scholar
Sargeant, A., British Cinema: a Critical History (London: BFI, 2005)Google Scholar
Saunders, M. and Hurwitz, B. (eds.), ‘The To-day and To-morrow Series and the Popularization of Science’, Interdisciplinary Science Reviews, 34.1 (2009)Google Scholar
Saylor, E., ‘“It’s Not Lambkins Frisking At All”: English Pastoral Music and the Great War’, Musical Quarterly, 91.1–2 (2008), 3959CrossRefGoogle Scholar
Scannell, P. and Cardiff, D., A Social History of British Broadcasting (Cambridge, MA: Blackwell, 1991)Google Scholar
Scheding, F., ‘Problematic Tendencies: Émigré Composers in London, 1933–1945’ in Levi, E. (ed.), The Impact of Nazism on Twentieth-Century Music (Vienna: BöhlauVerlag, 2014), pp. 247–71Google Scholar
Schwartz, A., The Third Spring: G. K. Chesterton, Graham Greene, Christopher Dawson and David Jones (Washington, DC: Catholic University of America Press, 2005)Google Scholar
Schwartz, S., ‘Rewriting George Orwell’, The New Criterion, 20.1 (2001), 63Google Scholar
Scott, D., ‘Colonial Governmentality’, Social Text, 43 (1995), 191220CrossRefGoogle Scholar
Scott, D. Conscripts of Modernity: The Tragedy of Colonial Enlightenment (Durham, NC: Duke University Press, 2004)Google Scholar
Scott, H. G. (ed. and trans.), Problems of Soviet Literature: Reports and Speeches at the First Soviet Writers’ Congress (New York: International Publishers , n.d)Google Scholar
Scott, P., The Property Masters: a History of the British Commercial Property Sector (London: Taylor and Francis, 1996)Google Scholar
Scott-James, R. A., ‘Modern Accents in English Literature’, The Bookman (Sept. 1931), 26Google Scholar
Seed, D., Cinematic Fictions: the Impact of the Cinema on the American Novel (Liverpool University Press, 2011)Google Scholar
Sharpe, E. R. (ed.), Hugh Garner’s Best Stories (University of Ottawa Press, 2015)Google Scholar
Sidnell, M., Dances of Death: the Group Theatre of London in the Thirties (London: Faber, 1984)Google Scholar
Sloterdijk, P., God’s Zeal: the Battle of the Three Monotheisms, trans. Wieland Hoban (Cambridge: Polity Press, 2009)Google Scholar
Smith, A., A City Stirs (London: Chapman, 1939)Google Scholar
Smith, S., Over the Frontier (London: Jonathan Cape, 1938)Google Scholar
Snaith, A., ‘“A Savage from the Cannibal Islands”: Jean Rhys and London’ in Brooker, P. and Thacker, A. (eds.), Geographies of Modernism: Literatures, Cultures, Spaces (London: Routledge, 2005), pp. 7685Google Scholar
Snee, C., ‘Working-Class Literature or Proletarian Writing’ in Clark, J., Heinemann, M., Margolies, D. and Snee, C. (eds.), Culture and Crisis in Britain in the Thirties (London: Lawrence and Wishart, 1979), pp. 165–91Google Scholar
Snell, K. D. M., ‘The Regional Novel: Themes for Interdisciplinary Research’ in Snell, K. D. M. (ed.), The Regional Novel in Britain and Ireland, 1800–1990 (Cambridge University Press, 1998), pp. 153CrossRefGoogle Scholar
Snow, C. P., The Search [1934] (Harmondsworth: Penguin, 1968)Google Scholar
Sommerfield, J., May Day (London: Lawrence and Wishart, 1984; repr. London: London Books, 2010)Google Scholar
Sommerfield, J. Trouble in Porter Street (London: Fore, 1938)Google Scholar
Southworth, H., ‘Introduction’ in Southworth, H. (ed.), Leonard and Virginia Woolf: the Hogarth Press and the Networks of Modernism (Edinburgh University Press, 2010), pp. 126Google Scholar
Spender, S., ‘Stephen Spender’ in Crossman, R. (ed.), The God that Failed: Six Studies in Communism (London: Hamish Hamilton, 1950), pp. 231–72Google Scholar
Spender, S. Trial of a Judge (London: Faber and Faber, 1938)Google Scholar
Spender, S. Vienna (New York: Random House, 1935)Google Scholar
Spender, S. World within World (London: Hamish Hamilton, 1951)Google Scholar
Stalin, J., ‘A Year of Great Change: On the Occasion of the Twelfth Anniversary of the October Revolution’ in Stalin, J. V., Works, 13 vols. (Moscow: Foreign Languages Publishing House, 1954), vol. xii, pp. 124–41Google Scholar
Stannard, M. (ed.), Evelyn Waugh: the Critical Heritage (London: Routledge and Kegan Paul, 1984)Google Scholar
Stapledon, O., Last and First Men [1930] (London: Gollancz, 2003)Google Scholar
Stephens, M. A., Black Empire: the Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962 (Durham, NC: Duke University Press, 2005)Google Scholar
Stevenson, R., ‘General Editor’s Preface’ in Plain, G., Literature of the 1940s: War, Postwar and ‘Peace’ (Edinburgh University Press, 2015), ixxiGoogle Scholar
Stewart, V., ‘Mid-Twentieth Century Stories’ in Einhaus, A.-M. (ed.), The Cambridge Companion to the English Short Story (Cambridge University Press, 2016), pp. 115–27Google Scholar
Stradling, R., Your Children Will Be Next (Cardiff: University of Wales Press, 2008)Google Scholar
Strawbridge, W. A., Education and the World Crisis: Being the Presidential Address of W. A. Strawbridge to the Tenth Annual Meeting of the National Council of Labour Colleges (London: National Council of Labour Colleges, 1931)Google Scholar
Street, A. G., Farmer’s Glory (London: Faber and Faber, 1934)Google Scholar
Strong, L. A. G., ‘English Poetry Since Brooke’, American Mercury (May 1935), 5662Google Scholar
Strong, L. A. G. ‘James Joyce and the New fiction’, American Mercury, 35 (May 1935), 433–7Google Scholar
Swingler, R., ‘Short Stories’, Left Review, 3.12 (Jan. 1938), 702–3Google Scholar
Taussig, M., The Magic of the State (New York: Routledge, 1997)Google Scholar
Tebbel, J., A History of Book Publishing in the United States, vol. i (New York: Bowker, 1978)Google Scholar
Temple, M., The British Press (Maidenhead: Open University Press, 2008)Google Scholar
Thomas, A., ‘Démocratie ou Bolchevisme’, L’Humanité (9 Nov. 1918), 12Google Scholar
Thompson, E. P., Persons and Polemics (London: Merlin Press, 1993)Google Scholar
Thompson, F., Lark Rise to Candleford: a Trilogy (London: Penguin, 1973)Google Scholar
Thorpe, A., ‘The Communist International and the British Communist Party’ in Thorpe, A. and Ress, T. (eds.), International Communism and the Communist International (Manchester University Press, 1998), pp. 6786Google Scholar
Tippett, M., ‘A Magnetic Friendship: An Attraction of Opposites’ in Stevenson, R. (ed.), Time Remembered: Alan Bush – an 80th Birthday Symposium (Kidderminster: Bravura, 1980)Google Scholar
Todd, S., The People: the Rise and Fall of the Working Class, 1910–2010 (London: John Murray, 2014)Google Scholar
Tonning, E., Modernism and Christianity (London: Palgrave Macmillian, 2014)CrossRefGoogle Scholar
Townsend Warner, S., ‘Celia’ in 24 Short Stories by Graham Greene, James Laver and Sylvia Townsend Warner (London: Cresset Press, 1939), pp. 1535Google Scholar
Townsend Warner, S.More Joy in Heaven’ in 24 Short Stories by Graham Greene, James Laver and Sylvia Townsend Warner (London: Cresset Press, 1939), pp. 112Google Scholar
Townsend Warner, S.The Way by Which I Have Come’, The Countryman (Jan. 1939), 475Google Scholar
Trotsky, L., Art and Revolution (New York: Pathfinder Press, 1992)Google Scholar
Trotter, D., Literature in the First Media Age: Britain between the Wars (Cambridge, MA: Harvard University Press, 2013)Google Scholar
Troy, W., ‘The Lawrence Myth’, Partisan Review, 4. 2 (Jan. 1938), 45Google Scholar
Turner, C., Marketing Modernism between the Two World Wars (Amherst: University of Massachusetts Press, 2003)Google Scholar
Upward, E., Journal 1931–4, Supplementary Papers of Edward Upward, Add. MS 89002/1/3, British LibraryGoogle Scholar
Upward, E. The Railway Accident and Other Stories (Harmondsworth: Penguin, 1972)Google Scholar
Vaninskaya, A., ‘“It Was a Silly System”: Writers and Schools, 1879–1939’, Modern Language Review, 105.4 (2010), 952–75Google Scholar
Vattimo, G., Belief, trans. L. D’Iscrito and D. Webb (Cambridge: Polity Press, 1999)Google Scholar
Vaughan Williams, R., ‘Nationalism and Internationalism’ in Vaughan Williams, R., National Music and Other Essays, 2nd edn (Oxford University Press, 1987), pp. 154–9Google Scholar
Verma, N., Theater of the Mind: Imagination, Aesthetics, and American Radio Drama (University of Chicago Press, 2012)CrossRefGoogle Scholar
Vidler, A., The Architectural Uncanny: Essays in the Modern Unhomely (Cambridge, MA: MIT Press, 1999)Google Scholar
Viertel, B., ‘The Function of the Director’, CinemaQuarterly, 2.4 (1934), 206–10Google Scholar
Viswanathan, G., Masks of Conquest: Literary Study and British Rule in India (New York: Columbia University Press, 1989)Google Scholar
Walford Davies, D., ‘Ronald Lockley’s Archipelagic Imagination’ in Allen, N., Groom, N. and Smith, J. (eds.), Coastal Works: Cultures of the Atlantic Edge (Oxford University Press, 2016), pp. 131–60Google Scholar
Wallis, M., ‘Pageantry and the Popular Front: Ideological Production in the ’Thirties’, New Theatre Quarterly, 10.38 (1994), 132–56CrossRefGoogle Scholar
Wallis, R., Britain, Germany, and the Road to the Holocaust: British Attitudes towards Nazi Atrocities (London: I. B. Tauris, 2014)Google Scholar
Walpole, H., ‘Vita Sackville-West’, The Bookman (Sept. 1930), 21Google Scholar
Warner, M., Publics and Counterpublics (New York: Zone, 2005)Google Scholar
Warner, R., The Professor (New York: Alfred Knopf, 1939)Google Scholar
Warwick Research Collective, Combined and Uneven Development: Towards a New Theory of World Literature (Liverpool University Press, 2015)Google Scholar
Waugh, E., Black Mischief (New York: Little, Brown, 1932)Google Scholar
Waugh, E. A Handful of Dust (New York: Little, Brown, 1934)Google Scholar
Waugh, E. Scoop (London: Penguin, 2003)Google Scholar
Waugh, E. Vile Bodies (Boston: Back Bay, 1999)Google Scholar
Webb, M., Precious Bane (University of Notre Dame Press, 1980)Google Scholar
Weinreb, B., ‘No. 4 Parton Street: The History of a Left-Wing Bookshop’, Camden History Review, 13 (1985), 1518Google Scholar
Wells, H. G., The New World Order: Whether It Is Attainable, How It Can Be Attained, and What Sort of World at Peace Will Have to Be (London: Secker and Warburg, 1940)Google Scholar
Wells, H. G. The Shape of Things to Come: the Ultimate Revolution (London: Hutchinson, 1933)Google Scholar
Wells, H. G. What Are We to Do with Our Lives? (London: Heinemann, 1931)Google Scholar
Wentworth-James, G. de S., The Television Girl (London: Hurst and Blackett, 1928)Google Scholar
Werskey, G., ‘The Marxist Critique of Capitalist Science: A History in Three Movements?’, Science as Culture, 16 (2007), 397461CrossRefGoogle Scholar
West, A., Crisis and Criticism (London: Lawrence and Wishart, 1937)Google Scholar
West, G., ‘Mr West’s Preface’, inThe British Poets, Including Translations, 100 vols. (Chiswick: C. Whittingham, 1822), vol. lxxxix, pp. 720Google Scholar
West, R., Black Lamb and Grey Falcon: a Journey through Yugoslavia (Edinburgh: Canongate, 1993)Google Scholar
Whittier-Ferguson, J., Mortality and Form in Late Modernist Literature (Cambridge University Press, 2014)CrossRefGoogle Scholar
Whitworth, M. H., ‘The Enemies of Cant: The Athenaeum (1919–21) and The Adelphi (1923–48)’ in Brooker, P. and Thacker, A. (eds.), The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955 (Oxford University Press, 2009), pp. 364–88Google Scholar
Wiegand, W., Part of Our Lives: a People’s History of the American Public Library (Oxford University Press, 2015)Google Scholar
Wiener, M., English Culture and the Decline of the Industrial Spirit, 1850–1950 (Cambridge University Press, 1981)Google Scholar
Wild, T., Village England: a Social History of the Countryside (London: I. B. Tauris, 2004)CrossRefGoogle Scholar
Wilkinson, E., Clash [1929] (Nottingham: Trent Editions, 2004)Google Scholar
Williams, K., British Writers and the Media, 1930–45 (New York: St Martin’s Press, 1996)CrossRefGoogle Scholar
Williams, R., The Country and the City (Oxford University Press, 1973)Google Scholar
Williams, R. Marxism and Literature (Oxford University Press, 1977)Google Scholar
Williams, R. Politics and Letters: Interviews with New Left Review (London: Verso, 1979)Google Scholar
Williams, R.Region and Class in the Novel’ in Williams, R., Writing in Society (London: Verso, 1983), pp. 229–38Google Scholar
Williams, W. E., ‘Can Literature Survive, II: Theatre, Cinema and Broadcasting’, The Listener, 346 (1935), 370–1Google Scholar
Williams-Ellis, A., ‘Soviet Literature’, rpt in Britain and the Soviets (London: Martin Lawrence, 1936), pp. 142–50Google Scholar
Williams-Ellis, A.Soviet Writers’ Conference’, Left Review, 1.2 (Nov. 1934), 1718Google Scholar
Willis, J. H. Jr,Leonard and Virginia Woolf as Publishers: the Hogarth Press, 1917–41 (Charlottesville, VA.: University of Virginia Press, 1992)Google Scholar
Willison, I., ‘Introduction’ in Willison, I., Gould, W. and Chernaik, W. (eds.), Modernist Writers and the Marketplace (Basingstoke: Palgrave Macmillan, 1996), pp. xiixviiiCrossRefGoogle Scholar
Wilson, E., Axel’s Castle: a Study in the Imaginative Literature of 1870–1930 (New York: W. W. Norton, 1959)Google Scholar
Wilson, E. The Shores of Light: a Literary Chronicle of the 1920s and 1930s (New York: Noonday, 1967)Google Scholar
Wilson, N., ‘Virginia Woolf, Hugh Walpole, the Hogarth Press, and the Book Society’, English Literary History, 79.1 (2012), 237–60Google Scholar
Winston, B., Fires Were Started (London: BFI, 1999)Google Scholar
Wollaeger, M., Modernism, Media and Propaganda (Princeton University Press, 2006)Google Scholar
Woloch, A., Or Orwell: Writing and Democratic Socialism (Cambridge, MA: Harvard University Press, 2016)CrossRefGoogle Scholar
Woolf, L., Downhill All the Way: an Autobiography of the Years 1919–1939 (London: Hogarth Press, 1968)Google Scholar
Woolf, L. and Woolf, V., ‘Are Too Many Books Written and Published?’, PMLA, 121.1 (2006), 235–44Google Scholar
Woolf, V., Between the Acts (Orlando: Harcourt, 2008)Google Scholar
Woolf, V. The Common Reader: Second Series (London: The Hogarth Press, 1932)Google Scholar
Woolf, V. The Death of the Moth and Other Essays (London: The Hogarth Press, 1942)Google Scholar
Woolf, V. ‘The Leaning Tower’ in Woolf, L. (ed.), The Moment and Other Essays (London: The Hogarth Press, 1947), pp. 105–25; also in Collected Essays, 4 vols. (London: The Hogarth Press, 1966), vol. ii, pp. 162–76Google Scholar
Woolf, V. ‘Modern Fiction’ inThe Common Reader (London: The Hogarth Press, 1968), pp. 184–95Google Scholar
Woolf, V. Moments of Being (NY: Harcourt, Brace, 1985)Google Scholar
Woolf, V.Professions for Women’ in Woolf, L. (ed.), The Death of the Moth and Other Essays (London: The Hogarth Press, 1942)Google Scholar
Woolf, V.Street Haunting’ in Bradshaw, D. (ed.), Selected Essays (Oxford University Press, 2008), pp. 177–87Google Scholar
Thoughts on Peace in an Air Raid’ in Bradshaw, D. (ed.), Selected Essays (Oxford University Press, 2008), pp. 216–20Google Scholar
Woolf, V. The Years, ed. Johnson, J. (London: Penguin, 1998)Google Scholar
Woolmer, J. H. (ed.), A Checklist of the Hogarth Press, 1917–1938 (London: The Hogarth Press, 1976)Google Scholar
Worley, M., Class against Class: the Communist Party in Britain between the Wars (London: I. B. Tauris, 2002)Google Scholar
Wright, P., Iron Curtain: From Stage to Cold War (Oxford University Press, 2009)Google Scholar
Wright, R., Later Works (New York: Library of America, 1991)Google Scholar
Yeates, V. M., Winged Victory (London: Buchan and Enright, 1985)Google Scholar
Young, R. J. C., Postcolonialism: an Historical Introduction (Malden, MA: Wiley-Blackwell, 2001)Google Scholar
Zaagsma, G., Jewish Volunteers, the International Brigades, and the Spanish Civil War (London: Bloomsbury, 2017)Google Scholar
Zhdanov, A. A., ‘Soviet Literature – the Richest in Ideas, the Most Advanced Literature’ in Zhdanov, A., Gorky, M., Bukharin, N., Radek, K., and Stetsky, A., Problems of Soviet Literature (London: Martin Lawrence, 1934), pp. 1526Google Scholar
Zimmerman, E., ‘“Always the same stairs, always the same room”: the Uncanny Architecture of Jean Rhys’s Good Morning, Midnight’, Journal of Modern Literature, 38.4 (2015), 7492CrossRefGoogle Scholar