Select Bibliography

doi:10.1017/9781139856454.017

Primary Sources

America: An Epic Rhapsody, Boston Symphony Orchestra (21 December 1928)

Baal Shem Suite, Boston Symphony Orchestra (2 February 1951)

Commentary to Six Preludes for Organ (New York: G. Schirmer, Inc., 1950), 2

Commentary to Four Wedding Marches (New York: G. Schirmer, Inc., 1951), 3

Concerto Grosso [No. 1] for string orchestra with piano obbligato, Boston Symphony Orchestra (24 December 1925)

Deux Psaumes for soprano and orchestra, Boston Symphony Orchestra (14 November 1919)

‘Ernest Bloch’, in Morgenstern, S. (ed.), Composers on Music (New York: Pantheon Books, Inc., 1959), 413–14

‘Ernest Bloch’s Memorable Experience at an Eastside Synagogue Service [1918]: The Remarkable Vidui of the Famous Musician’, translated from the French by Charles Cushing, Ernest Bloch Society Bulletin No. 7 (Mill Valley, CA, 1974), 2; reprinted in Macy Nulman (ed.), Journal of Jewish Music and Liturgy, 2/1, 1977–8 (New York: The Cantorial Council of America), 63–5

‘Ernest Bloch Surveys the Problem of Music Education’, Musical America, 28/4 (21 May 1921), 3, 40

Evocations, San Francisco Symphony Orchestra (11 February 1938)

‘Excerpts from an Introductory Lecture – University of California, Berkeley, August 1947’, Ernest Bloch Society Bulletin No. 9 (1976), 1–2

Four Episodes for chamber orchestra, Boston Symphony Orchestra (29 December 1927)

‘Gustave Mahler et la Deuxième Symphonie’, Courrier Musical, Paris, 7th year, 13 (1 July 1904), 408–11

Helvetia (premiere) (Boston, 20 March 1939)

Hiver-Printemps, Boston Symphony Orchestra (29 April 1921)

‘How and When to Begin Musical Training’, Musician, 29 (April 1924), 29

Israel Symphony, New York Philharmonic-Symphony Orchestra (28–31 December 1944)

‘Les grands concerts’, in Courrier Musical (Paris, 15 March 1904), 189–91

Letter to Philip Hale, Boston Symphony Orchestra Program Notes (23–24 March 1917), 1132–6

Letter to Disciples of Alfred Steiglitz, Manuscripts, 4 (1922), 74

Letter to Lillian Hodgehead and Ada Clement, Ernest Bloch Collection, University of California, Berkeley (23 April 1925) (published in Móricz 1996, 211)

Letter to Nicolas Slonimsky, 31 December 1928 (see Gertrude Norman and Miriam Schrifte below)

Letter to Artur Rodzinsky (1892–1958), conductor of the New York Philharmonic-Symphony Orchestra, quoted by Olin Downes in ‘Mahler and Bloch’, New York Times (28 November 1943) II: 5

Letter to Olin Downes, 9 July 1954 (reproduced in Lewinski and Dijon 1998: I:77)

Letter to Olin Downes, reproduced in Olin Downes, ‘A Great Composer at 75’, in The Music of Ernest Bloch: A Program Manual. New York: National Jewish Music Council, 1956 (also New York Times, 24 July 1955)

Macbeth: Two Symphonic Interludes, Three Jewish Poems, America, Boston Symphony Orchestra (17 March 1939), 887–93²

‘Man and Music’ (trans. W. Frank), The Seven Arts (March 1917), 493–502; reprinted in Musical Quarterly, 19/4 (October 1933), 374–81

‘Music II’, in A School in Action: A Symposium (New York: E. P. Dutton, 1922), 145–234

‘Musical Education’, in Women’s City Club Magazine (San Francisco, November 1927), 7–8

‘My Sacred Service’ (transcript of lecture: San Francisco Conservatory of Music, 16 September 1933), (1933b), in Bloch, S. and Heskes, I., Ernest Bloch: Creative Spirit (1976), 11–16

‘On the Interpretation of his music – Bloch to Szigeti’, in Ernest Bloch Society Bulletin No. 13 (1981), 2

‘Pensieri sulla vita e sull’arte’, in Rassegna Musicale (January 1932), 48–52

Program Note for the All Bloch Concert, 22 January 1933 (1933a), Rome: Augusteo; translated into Italian by Mary Tibaldi Chiesa; translated into English as quoted in Birch, J. N. (1939) Boston Symphony Orchestra Program Notes (17–18 March 1939), 890–3

Program Notes, Cleveland Orchestra, thirty-sixth season, 1953–4 (26 and 28 November 1953), 183–5

‘Proper Music Education’, in Women’s Forum (Akron, Ohio, 15 October 1922), 11

‘Quatrième Concert d’Abonnement’, in La Musique en Suisse (Neuchâtel, 1 January 1902), 106–7

‘Réponse à un siffleur’, in La Musique en Suisse (Neuchâtel, 1 November 1902), 53–6

Sacred Service (Avodath Hakodesh), Schola Cantorum, New York (11 April 1934), 6–13

Schelomo, Boston Symphony Orchestra (13 April 1923)

‘Securing the Best Results from Piano Study’, The Etude, 41/9 (September 1923), 591

Sinfonia Breve, BBC Symphony Orchestra (11 April 1953)

Sleeve note: Israel Symphony, Fritz Litschauer conducting the Vienna State Opera Orchestra and Soloists of the Akademie Choir, Vanguard Recording Society, Inc. New York, VRS 423

Sleeve note: Viola Suite [1919], Composers Recordings, Inc., CRI SD450 (1981)

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Trois Poèmes Juifs, Boston Symphony Orchestra (23 March 1917)

[Untitled manifesto in French, English and German] Musica Hebraica, 1–2 (Jerusalem, 1938), 12

‘Viola Suite’ [1919] Boston Symphony Orchestra (11 December 1925)

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