Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-20T04:23:05.923Z Has data issue: false hasContentIssue false

U

Published online by Cambridge University Press:  18 November 2022

Vassiliki Kolocotroni
Affiliation:
University of Glasgow
Olga Taxidou
Affiliation:
University of Edinburgh
Get access

Summary

THE UNCANNY

The uncanny is a term that troubles definitions. Ernst Jentsch's 1906 essay ‘On The Psychology of the Uncanny’ [Zur Psychologie des Unheimlichen] ventured an equation of the uncanny with the unfamiliar, but it was Sigmund Freud who both popularised the term for modern usage and uncovered its ambiguity in his 1919 essay ‘The Uncanny’ (Das Unheimliche). Freud shows that heimlich contains its own duality, as it means both the familiar, or homely, and the secret, or hidden: its ambivalence of meaning thus develops and coincides with the unheimlich, the unhomely. That paradox of the uncanny thus unfolds first in language and is captured in the signifier in which the concept is formalised. Taking E. T. A. Hoffmann’s ‘The Sandman’ [Der Sandmann] as a case study, Freud demonstrates how what returns in the uncanny encounter with the Sandman, who threatens to remove children's eyes, is the suppression of a childhood fear of blinding resulting in the castration complex. The essay brings together PSYCHOANALYSIS and aesthetics in a literary reading that excavates Friedrich Schelling's definition, quoted by Freud, of the uncanny as a revelation of that which is hidden coming to light; building on Jentsch, Freud designates the uncanny not as the unfamiliar but as the affective sensation evoked by that class of things that are at once strange and known: objects and experiences of the uncanny retain a fundamental ambivalence, revealing in the frightening a repression of that which has already been.

READING

Freud, Sigmund (2001) The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XVII, ed. and trans. James Strachey. London: Vintage, pp. 217–56.

Masschelein, Anneleen (2012) The Unconcept: The Freudian Uncanny in Late Twentieth-Century Theory. New York: SUNY Press.

Royle, Nicholas (2003) The Uncanny. Manchester: Manchester University Press.

Weber, Samuel (1973) ‘The Sideshow, or: Remarks on a Canny Moment’, MLN, 88 (6): 1102–33.

URANIANISM

The German jurist and homophile campaigner Karl Heinrich Ulrichs first coined the terms ‘Uranier’ and ‘Urning’ in the 1860s. Drawing on the discussion of Uranian love in Plato's Symposium, Ulrichs sought to offer an affirmative explanation of same-sex desire between men.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×