Series Editor’s Preface
Published online by Cambridge University Press: 26 September 2020
Summary
Two or more currents flowing into or through each other create a turbulent crosscurrent, more powerful than its contributory flows and irreducible to them. Time and again, modern European thought creates and exploits crosscurrents in thinking, remaking itself as it flows through, across and against discourses as diverse as mathematics and film, sociology and biology, theology, literature and politics. The work of Gilles Deleuze, Jacques Derrida, Slavoj Žižek, Alain Badiou, Bernard Stiegler and Jean-Luc Nancy, among others, participates in this fundamental remaking. In each case disciplines and discursive formations are engaged, not with the aim of performing a predetermined mode of analysis yielding a ‘philosophy of x’, but through encounters in which thought itself can be transformed. Furthermore, these fundamental transformations do not merely seek to account for singular events in different sites of discursive or artistic production but rather to engage human existence and society as such, and as a whole. The cross-disciplinarity of this thought is therefore neither a fashion nor a prosthesis; it is simply part of what ‘thought’ means in this tradition.
Crosscurrents begins from the twin convictions that this remaking is integral to the legacy and potency of European thought, and that the future of thought in this tradition must defend and develop this legacy in the teeth of an academy that separates and controls the currents that flow within and through it. With this in view, the series provides an exceptional site for bold, original and opinion-changing monographs that actively engage European thought in this fundamentally crossdisciplinary manner, riding existing crosscurrents and creating new ones. Each book in the series explores the different ways in which European thought develops through its engagement with disciplines across the arts, humanities, social sciences and sciences, recognising that the community of scholars working with this thought is itself spread across diverse faculties. The object of the series is therefore nothing less than to examine and carry forward the unique legacy of European thought as an inherently and irreducibly cross-disciplinary enterprise.
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- The Desert in Modern Literature and PhilosophyWasteland Aesthetics, pp. vi - viiPublisher: Edinburgh University PressPrint publication year: 2020