Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-lvtdw Total loading time: 0 Render date: 2024-08-16T21:29:22.024Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  04 January 2019

Leslie Ritchie
Affiliation:
Queen's University, Ontario
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

British Library: 939.d, 939.e, 937.g.95–96: “Burney Collection. A collection of notebooks … dealing with the life and work of David Garrick.”Google Scholar
British Library: Add. MS 38169: “Accounts in Public Advertiser (1765–1771).”Google Scholar
British Library: Add. MSS 38728 and 38729: “Minutes of the London Packet.”Google Scholar
British Library: C.61.e.2: George Daniel, “The Jubilee Volume (a Scrapbook).”Google Scholar
Folger Shakespeare Library: B.26.2: Anon., Scrapbook.Google Scholar
Folger Shakespeare Library: T.a.49–64: James Winston, “A dramatic register of theatres and dramatic performances from the beginning to the present.”Google Scholar
Folger Shakespeare Library: T.a.112: Joseph Reed, “Theatrical Duplicity, or a Genuine Narrative of the Conduct of David Garrick Esqr. To Joseph Reed on His Tragedy of Dido Containing All the Letters and Several Conversations Which Passed between the Manager, Author, and Others on That Subject. By the Author of the Register Office.”Google Scholar
Folger Shakespeare Library: W.a.104 (1–13): Richard Cross and William Hopkins, “Cross-Hopkins Theatre Diaries, Drury Lane,” 1747–60, 1762–64, 1768–76.Google Scholar
Folger Shakespeare Library: W.b.467: “Collection of prologues and epilogues and other miscellaneous verses by David Garrick.”Google Scholar
Folger Shakespeare Library: W.b.492 (30): David Garrick, “The Newspaper – a Farce.”Google Scholar
Garrick Club: unaccessioned four-volume scrapbook titled “David Garrick: A Memorial. Memoir, Autograph Correspondence, Shakespere [sic] Plays, Illustrated”: item 25, vol. i, receipt of Henry Baldwin.Google Scholar
Garrick Club: unaccessioned three-volume scrapbook by John Nixon titled “Dramatic Annals: Critiques on Plays and Performers. Vol. i. (–iii). 1741 to 1845”: clipping hand-dated 1773 from vol. i, 1741–1785.Google Scholar
Harvard University Houghton Library: Hyde *2003j-Sj632 Extra-Ill.: Davies, Thomas, Memoirs of the Life of David Garrick. 2 vols. 3rd edn. London: The author, 1781.Google Scholar
Harvard University Houghton Library: Theatre Collection f TS 1116.256.3: “David Garrick; Original Manuscripts, Etc. [of and Relating to David Garrick].”Google Scholar
Harvard University Houghton Library: Theatre Collection GEN TS 1253.84: Joseph Reed, “Theatrical Duplicity: Or a Genuine Narrative of the Conduct of David Garrick Esq: To Joseph Reed on His Tragedy of Dido. Containing All the Letters, & Several Conversations, Which Pass’d between the Manager, Author, & Others on That Subject. By the Author of the Register-Office.”Google Scholar
University of North Carolina at Chapel Hill: 11004-z items 1–3: “Minute Books of St. James’s Chronicle (London, England), 1761–1815.”Google Scholar
Victoria and Albert Museum National Art Library: Forster Collection 48.F.30: David Garrick and James Lacy, “Some Letters that pass’d between Mr. Lacy & Me, upon a Difference between Us.”Google Scholar
Victoria and Albert Museum National Art Library: Forster Collection L4 to 3321: “Printed and ms. extracts from newspapers, magazines, &c. relating to Garrick.”Google Scholar
Yale University Lewis Walpole Library: G286.1–2: “General Evening Post Minutes of Committee of Partners. May 31, 1754 – Aug. 9, 1786.”Google Scholar

Secondary Sources

Ahluwalia, Rohini, Burnkrant, Robert E. and Unnava, H. Rao. “Consumer Response to Negative Publicity: The Moderating Role of Commitment.” Journal of Marketing Research, 37/2 (2000), 203–14.Google Scholar
Anderson, Dorothy. “Reflections on Librarianship: Observations Arising from Examination of the Garrick Collection of Old Plays in the British Library.” British Library Journal, 6 (1980), 16.Google Scholar
Andrews, Alexander. The History of British Journalism, from the Foundation of the Newspaper Press in England to the Repeal of the Stamp Act in 1855, with Sketches of Press Celebrities. 2 vols. London: Richard Bentley, 1859.Google Scholar
Anon. An Account of the British Lying-in Hospital, for Married Women, in Brownlow-Street, Long-Acre, from Its Institution in November 1749, to December the 31st, 1770. London: C. Say, [1771].Google Scholar
Anon. “A Collection of Original Letters from a Young American Gentleman in London, to His Friend, &c. Letter II.” Town and Country Magazine, 6 (1774), 130–32.Google Scholar
Anon. The Drunken News-Writer: A Comic Interlude. As It Is Performed at the Theatre-Royal in the Haymarket. London: G. Smith, 1771.Google Scholar
Anon. D-ry-L-ne P-yh-se Broke Open. In a Letter to Mr. G----. London: Cooper, 1758.Google Scholar
Anon. “James Lacy, Esq. Late Patentee of the Theatre Royal, Drury Lane [with a Portrait].” European Magazine, and London Review, 1809, 274–78.Google Scholar
Anon. A Letter to Mr. Garrick, on His Having Purchased a Patent for Drury-Lane Play-House. London: J. Freeman, [1747].Google Scholar
Anon. A Letter to Mr. Garrick on the Opening of the Theatre, with Observations on the Conduct of Managers, to Actors, Authors, and Audiences: And Particularly to New-Performers. London: J. Coote, 1758.Google Scholar
Anon. Memoirs of that Celebrated Comedian, and Very Singular Genius Thomas Weston. London: S. Bladon, 1776.Google Scholar
Anon. Original Prologues, Epilogues, and Other Pieces Never before Printed. London: Printed for and sold by the Booksellers in Pater-Noster-Row, 1756.Google Scholar
Anon. “Review of The Life of David Garrick; from Original Family Papers, and Numerous Published and Unpublished Sources. By Percy Fitzgerald … London, 1868.” Quarterly Review, 125 (1868), 147.Google Scholar
Anon. “Rev. of Romeo and Juliet, by William Shakespeare.” Gentleman’s Magazine, 1750, 437–38.Google Scholar
Anon. “Rev. of The Sentimental Spouter.” Monthly Review; or Literary Journal, 51 (July–December 1774), 486.Google Scholar
Anon. The Theatrical Bouquet: Containing an Alphabetical Arrangement of the Prologues and Epilogues, Which Have Been Published by Distinguished Wits, from the Time That Colley Cibber First Came on the Stage, to the Present Year. London: T. Lowndes, 1778.Google Scholar
Anon. The Theatrical Review: For the Year 1757, and Beginning of 1758. Containing Critical Remarks on the Principal Performers of Both the Theatres. Together with Observations on the Dramatic Pieces, New, or Revived; That Have Been Performed at Either House within That Period. To Which Is Added, a Scale of the Comparative Merit of the above Performers. London: J. Coote, 1758.Google Scholar
Anon. The Thespian Dictionary; or, Dramatic Biography of the present Age; Containing Sketches of the Lives, Lists of the Productions, Various Merits, etc., etc. of All the Principal Dramatists, Composers, Commentators, Managers, Actors, and Actresses of the United Kingdom: Interspersed with Numerous Original Anecdotes, Forming a Complete Modern History of the English Stage. 2nd edn. London: James Cundee, 1805 (1st edn 1802).Google Scholar
Archimagírus Metaphoricus [Kenrick, William]. The Kapélion, or Poetical Ordinary; Consisting of Great Variety of Dishes in Prose and Verse; Recommended to All Who Have a Good Taste or Keen Appetite. London, [1750–51].Google Scholar
Sir Ashburnham, William. A Sermon Preached before His Grace William Duke of Devonshire, President, and the Governors of the London-Hospital, at Mile-End, for the Relief of All Sick and Diseased Persons, Especially Manufacturers, and Seamen in Merchant-Service, &c. At St. Lawrence Jewry, on Monday, April 11, 1763. London: H. Woodfall, [1764].Google Scholar
Aspinall, A.Statistical Accounts of the London Newspapers in the Eighteenth Century.” English Historical Review, 63/247 (1948), 201–32.Google Scholar
Baker, David Erskine. The Companion to the Play-House: Or, an Historical Account of All the Dramatic Writers (and Their Works) That Have Appeared in Great Britain and Ireland, from the Commencement of Our Theatrical Exhibitions, Down to the Present Year 1764. Composed in the Form of a Dictionary, for the More Readily Turning to Any Particular Author, or Performance. 2 vols. London: T. Becket and P.A. Dehondt, C. Henderson, T. Davies, 1764.Google Scholar
Baker, David Erskine and Reed, Isaac. Biographia Dramatica: Or, a Companion to the Playhouse. 3 vols. London, 1812.Google Scholar
Barchas, Janine. Graphic Design, Print Culture, and the Eighteenth-Century Novel. Cambridge University Press, 2003.Google Scholar
Barczewski, Stephanie L. “Yorke, Philip, Second Earl of Hardwicke (1720–1790).” In Matthew, and Harrison, (eds.), Oxford Dictionary of National Biography.Google Scholar
Barker, Hannah. Newspapers, Politics, and Public Opinion in Late Eighteenth-Century England. Oxford: Clarendon Press, 1998.Google Scholar
Barry, Spranger. “The Occasional Prologue Spoken at Covent-Garden Theatre, by Mr. Barry [to Romeo and Juliet].” London Magazine, 1750, 473.Google Scholar
Bataille, Robert R.The Kelly-Garrick Connection and the Politics of Theatre Journalism.” Restoration and Eighteenth-Century Theatre Research, 4/1 (1989), 3948.Google Scholar
Bataille, Robert R. The Writing Life of Hugh Kelly: Politics, Journalism, and Theatre in Late-Eigteenth-Century London. Carbondale: Southern Illinois University Press, 2000.Google Scholar
Beard, Fred K. Humor in the Advertising Business: Theory, Practice, and Wit. Lanham, MD: Rowman & Littlefield, 2008.Google Scholar
Belch, George and Belch, Michael. Advertising and Promotion: An Integrated Marketing Communications Perspective. 9th edn. New York: McGraw-Hill, 2012.Google Scholar
Bellamy, George Anne. An Apology for the Life of George Anne Bellamy, Late of Covent-Garden Theatre. 3rd edn. 5 vols. London: John Bell, for the Author, 1785.Google Scholar
Berger, Jonah, Sorensen, Alan T. and Rasmussen, Scott J.. “Positive Effects of Negative Publicity: When Negative Reviews Increase Sales.” Marketing Science, 29/5 (2010), 815–27.Google Scholar
Bertelsen, Lance. The Nonsense Club: Literature and Popular Culture, 1749–1764. Oxford: Clarendon Press, 1986.Google Scholar
Bickerstaff, Isaac. The Padlock: A Comic Opera. As It Is Perform’d by His Majesty’s Servants, at the Theatre-Royal in Drury-Lane. London: W. Griff[i]n, at Garrick’s Head, [1768?].Google Scholar
Black, Jeremy. The English Press in the Eighteenth Century. London: Croom Helm, 1987.Google Scholar
Blackstone, William, Esq. Commentaries on the Laws of England. 4th edn. 4 vols. Vol. iv. Dublin: John Exshaw, Henry Saunders et al., 1770.Google Scholar
Blagden, Cyprian. The Stationers’ Company: A History, 1403–1959. Cambridge, MA: Harvard University Press, 1960.Google Scholar
Blake, Erin C. and Sillars, Stuart. Extending the Book: The Art of Extra-Illustration. Washington, DC: Folger Shakespeare Library, 2010.Google Scholar
Boaden, James (ed.). The Private Correspondence of David Garrick with the Most Celebrated Persons of His Time; Now First Published from the Originals, and Illustrated with Notes and a New Biographical Memoir of Garrick. 2 vols. London: Henry Colburn and Richard Bentley, 1831.Google Scholar
Bond, Richmond P. and Bond, Marjorie N.. “The Minute Books of the St. James’s Chronicle.” Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia, 28 (1975), 1740.Google Scholar
Boswell, James. Boswell’s London Journal 1762–1763. New York: McGraw-Hill, 1950.Google Scholar
Boswell, James. Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch. London: W. Flexney, [1763].Google Scholar
Boswell, James. The Life of Samuel Johnson, L.L.D. 2 vols. vol. i. London: Henry Baldwin, for Charles Dilly, 1791.Google Scholar
Bourne, H.R. Fox. English Newspapers: Chapters in the History of Journalism. 2 vols. London: Chatto & Windus, 1887.Google Scholar
Bowles, Carington. The Artist’s Assistant in Drawing, Perspective, Etching, Engraving, Mezzotinto Scraping, Painting on Glass, in Crayons, in Water-Colours, and on Silks and Sattins. 5th edn. London: T. Kitchin, 1775.Google Scholar
Boyd, Amanda Weldy. Staging Memory and Materiality in Eighteenth-Century Theatrical Biography. London: Anthem Press, 2018.Google Scholar
Boydell, John. A Catalogue of Prints Published by J. Boydell, Engraver in Cheapside, London. London: J. Boydell, 1773.Google Scholar
Braudy, Leo. The Frenzy of Renown: Fame and Its History. Oxford University Press, 1986.Google Scholar
Brayne, Charles. “Lacy, James (1696–1774).” In Matthew and Harrison (eds.), Oxford Dictionary of National Biography.Google Scholar
Brewer, David. The Afterlife of Character, 1726–1825. Philadelphia: University of Pennsylvania Press, 2005.Google Scholar
Brewer, John. “‘The Most Polite Age and the Most Vicious’: Attitudes towards Culture as a Commodity, 1660–1800.” In Bermingham, Ann and Brewer, John (eds.), The Consumption of Culture 1600–1800: Image, Object, Text, 341–61. London and New York: Routledge, 1995.Google Scholar
Bulloch, J.M. The Art of Extra-Illustration, ed. Crossland, T.W.H.. London: Anthony Treherne, 1903.Google Scholar
Burden, Michael. “Shakespeare and Opera.” In Sabor, Peter and Ritchie, Fiona (eds.), Shakespeare in the Eighteenth Century, 204–26. Cambridge University Press, 2012.Google Scholar
Burney, Fanny. The Early Journals and Letters of Fanny Burney, ed. Troide, Lars. 3 vols. Oxford: Clarendon Press, 1988.Google Scholar
Burnim, Kalman A. David Garrick, Director. University of Pittsburgh Press, 1961.Google Scholar
Burnim, Kalman A.Looking Upon His Like Again: Garrick and the Artist.” In Kenny, Shirley Strum (ed.), British Theatre and Other Arts, 1660–1800, 182218. Washington, DC:Folger Shakespeare Library; London: Associated University Presses, 1983.Google Scholar
B.Y.The Disputes between the Director of D---Y, and the Pit Potentates: Being a Letter to a Friend, Concerning the Behaviour of the Melancholly Manager of the Suff’ring Theatre; and Some Considerations on the Late Disturbances and the Causes Thereof: With a Few Hints on the Heroes and Heroines, G-RR--K, C-BB-R, Etc. The Whole Relating to Some Remarkable Occurrences in the Year 1744. London: M. Cooper, 1744.Google Scholar
Campbell, Archibald. Lexiphanes, a Dialogue. Imitated from Lucian, and Suited to the Present Times. London: J. Knox, 1767.Google Scholar
Cibber, Theophilus. Cibber’s Two Dissertations on the Theatres. London: Printed for the Author, [1757].Google Scholar
Clayton, Timothy. The English Print 1688–1802. New Haven, CT and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1997.Google Scholar
[Colman, George, the elder]. A Letter of Abuse, to D---D G-----K, Esq. London: J. Scott, 1757.Google Scholar
Colman, George [the elder] and Garrick, David,. The Clandestine Marriage, a Comedy. 2nd edn. London: T. Becket and P.A. De Hondt, R. Baldwin, R. Davis, and T. Davies, 1766.Google Scholar
Colman, George [the younger] (ed.). Posthumous Letters, from Various Celebrated Men: Addressed to Francis Colman, and George Colman, the Elder: With Annotations and Occasional Remarks, by George Colman, the Younger. London: T. Cadell and W. Davies; W. Blackwood, 1820.Google Scholar
[Combe, William]. Sanitas, Daughter of Aesculapius. To David Garrick, Esq. A Poem. London: G. Kearsly, 1772.Google Scholar
Conaway, Charles. “‘Thou’rt the Man’: David Garrick, William Shakespeare, and the Masculinization of the Eighteenth-Century Stage.” Restoration and Eighteenth-Century Theatre Research, 19/1 (2004), 2242.Google Scholar
[Cooke, William]. Memoirs of Charles Macklin, Comedian, with the Dramatic Characters, Manners, Anecdotes, &c. Of the Age in Which He Lived: Forming an History of the Stage During Almost the Whole of the Last Century. 2 vols. Vol. i, London: James Asperne, 1804.Google Scholar
Cowan, Brian. The Social Life of Coffee: The Emergence of the British Coffeehouse. New Haven, CT: Yale University Press, 2005.Google Scholar
Crabbe, George. The News-Paper: A Poem. London: J. Dodsley, 1785.Google Scholar
Cross, Richard. The Adventures of John Le-Brun. 2 vols. London: G. Hawkins, 1739.Google Scholar
Cumberland, Richard. Memoirs of Richard Cumberland, Written by Himself. Philadelphia, PA: Parry and McMillan, 1856; first published 1806.Google Scholar
Cunningham, Vanessa. Shakespeare and Garrick. Cambridge University Press, 2008.Google Scholar
Danchin, Pierre (ed.). The Prologues and Epilogues of the Eighteenth Century: The Third Part: 1737–1760. Vol. 5. Nancy: Éditions Messene, 1990.Google Scholar
Davies, Thomas. Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakspeare: With a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick, and Other Celebrated Comedians. 3 vols. London: Printed for the Author, 1783–84.Google Scholar
Davies, Thomas. Memoirs of the Life of David Garrick, Esq., Interspersed with Characters and Anecdotes of His Theatrical Contemporaries. New edn. 2 vols. London: The author, 1780.Google Scholar
[Davies, Thomas and Johnson, Samuel]. Miscellaneous and Fugitive Pieces. 3 vols. Vol. ii. London: T. Davies, 1773.Google Scholar
Diderot, Denis. L’origine du Paradoxes sur le comédien: La partition intérieure. 2nd edn. Paris: J. Vrin, 1980; 1st edn 1773.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon Press, 1995.Google Scholar
Dodsley, Robert. A Collection of Poems by Several Hands. 3 vols. 2nd edn. London: Printed for R. Dodsley, 1748.Google Scholar
Downer, Alan S. “The Diary of Benjamin Webster.” Theatre Annual, 1945, 47–64.Google Scholar
Downie, J.A.Periodicals, the Book Trade and the ‘Bourgeois Public Sphere.’Media History, 14/3 (2008), 261–74.Google Scholar
A Dramatic Author” [Murphy, Arthur]. A Defence of Mr. Garrick, in Answer to the Letter-Writer. With Remarks Upon Plays and Players, and the Present State of the Stage. London: R. Stevens, [1759?].Google Scholar
Duke, Charles R. and Carlson, Les. “Applying Implicit Memory Measures: Word Fragment Completion in Advertising Tests.” Journal of Current Issues and Research in Advertising, 16/2 (1994), 2939.Google Scholar
Eckersley, L. Lynette. “Joseph Reed.” In Matthew and Harrison (eds.), Oxford Dictionary of National Biography.Google Scholar
E.F.” [Foote, Samuel?]. Mr. Garrick’s Conduct, as Manager of the Theatre-Royal in Drury-Lane, Considered. In a Letter Addressed to Him. London: C. Corbett, [1747].Google Scholar
Ellis, Markman. “Coffee-House Libraries in Mid-Eighteenth-Century London.” The Library: Transactions of the Bibliographical Society, 10/1 (March 2009), 340.Google Scholar
England, Martha Winburn. “Garrick and Stratford.” Bulletin of the New York Public Library, 66 (1962), 7392, 178–204, 61–72.Google Scholar
Fahrner, Robert. “A Reassessment of Garrick’s The Male Coquette: Or, Seventeen-Hundred Fifty Seven as Veiled Discourse.” Eighteenth-Century Life, 17/3 (1993), 113.Google Scholar
Feather, John. A History of British Publishing. 2nd edn. New York and London: Routledge, 2006; 1st edn 1988.Google Scholar
Ferdinand, C.Y. Benjamin Collins and the Provincial Newspaper Trade in the Eighteenth Century. Oxford: Clarendon Press, 1997.Google Scholar
Fitzgerald, Percy Hetherington. The Life of David Garrick; from Original Family Papers, and Numerous Published and Unpublished Sources. 2 vols. London: Tinsley Brothers, 1868.Google Scholar
[Foote, Samuel?]. Under pseud. “E.F.Mr. Garrick’s Conduct, as Manager of the Theatre-Royal in Drury-Lane, Considered. In a Letter Addressed to Him. London: C. Corbett, [1747].Google Scholar
[Foote, Samuel]. A Treatise on the Passions, So Far as They Regard the Stage; with a Critical Enquiry into the Theatrical Merit of Mr. G--K, Mr. Q--N, and Mr. B---Y. The First Considered in the Part of Lear, and the Two Last Opposed in Othello. London: Corbet, [1747]Google Scholar
Francklin, Thomas. A Sermon Preached at the Parish-Church of St. Anne, Westminster, on Thursday, May the 10th, 1758. Before the Governors of the Middlesex-Hospital, for Sick and Lame; and for Lying-in Married Women. London: Published at the Request of the Society, 1758.Google Scholar
Freeman, Lisa. Character’s Theatre: Genre and Identity on the Eighteenth-Century English Stage. Philadelphia: University of Pennsylvania Press, 2002.Google Scholar
Garrick, David. The Journal of David Garrick, Describing His Visit to France and Italy in 1763, ed. Stone, George Winchester. New York: Modern Language Association of America, 1939.Google Scholar
Garrick, David. The Letters of David Garrick, ed. Little, David M. and Kahrl, George M., assoc. ed. Wilson, Phoebe deK.. 3 vols. Cambridge, MA: Harvard University Press, 1963.Google Scholar
Garrick, David. The Poetical Works of David Garrick, Esq. Now First Collected into Two Volumes. With Explanatory Notes, ed. Kearsley, George. 2 vols. London: George Kearsley, 1785.Google Scholar
Garrick, David. Selected Verse, ed. Hainsworth, John. Armidale, Aus.: University of New England, 1981.Google Scholar
[Garrick, David]. An Essay on Acting: In which will be consider’d the Mimical Behaviour of a Certain fashionable faulty Actor, and the Laudableness of such unmannerly, as well as inhumane Proceedings. To which will be added, A short Criticism On His acting Macbeth. London: W. Bickerton, 1744.Google Scholar
[Garrick, David]. The Farmer’s Return from London. An Interlude. London: Dryden Leach, for J. and R. Tonson, 1762.Google Scholar
[Garrick, David?]. Reasons why David Garrick, Esq; Should Not appear on the Stage, in a Letter to John Rich, Esq; London: J. Cooke, 1759.Google Scholar
[Garrick, David?]. The Sick Monkey, A Fable. London: J. Fletcher, 1765.Google Scholar
Genest, John. Some Account of the English Stage from the Restoration in 1660 to 1830. 10 vols. New York: Burt Franklin, 1965; 1st edn 1832.Google Scholar
[Gentleman, Francis]. The Dramatic Censor; or, Critical Companion. 2 vols. London: J. Bell, C. Etherington, 1770.Google Scholar
George, Mary Dorothy. Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, vol. v: 1771–1783 (London: By order of the Trustees, 1935).Google Scholar
Gibbon, Edward. Gibbon’s Journal to January 28th, 1763, ed. Low, D.M.. London: Chatto & Windus, 1929.Google Scholar
Goldsmith, Oliver. Retaliation: A Poem. Including Epitaphs on the Most Distinguished Wits of This Metropolis. London: G. Kearsly, 1774.Google Scholar
Gomeldon, Jane.The Medley. Newcastle: J. White and T. Saint, 1766.Google Scholar
Graciano, Andrew. “The Memoir of Benjamin Wilson, F.R.S. (1721–88): Painter and Electrical Scientist.” Walpole Society, 74 (2012), 165244.Google Scholar
Granger, Rev. James. A Biographical History of England, from Egbert the Great to the Revolution: Consisting of Characters Disposed in Different Classes, and Adapted to a Methodical Catalogue of Engraved British Heads: Intended as an Essay Towards Reducing Our Biography to System, and a Help to the Knowledge of Portraits; Interspersed with Variety of Anecdotes, and Memoirs of a Great Number of Persons, Not to Be Found in Any Other Biographical Work: With a Preface, Shewing the Utility of a Collection of Engraved Portraits to Supply the Defect, and Answer the Various Purposes, of Medals. 2nd edn. 4 vols. London: T. Davies, J. Robson, G. Robinson, T. Becket, T. Cadell, and T. Evans, 1775; 1st edn 1769.Google Scholar
Granger, Rev. James. Letters between the Rev. James Granger, M.A. Rector of Shiplake, and Many of the Most Eminent Literary Men of His Time: Composing a Copious History and Illustration of His Biographical History of England with Miscellanies, and Notes of Tours in France, Holland, and Spain, by the Same Gentleman. London: Nicols and Son, for Longman, Hurst, Rees, and Orme, 1805.Google Scholar
Gray, Charles Harold. Theatrical Criticism in London to 1795. New York: Benjamin Blom, 1931.Google Scholar
Griffith, Elizabeth. The School for Rakes: A Comedy. 2nd edn. London: T. Becket and P. De Hondt, 1769.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger and Frederick Lawrence. Cambridge: Polity Press, 1989.Google Scholar
Haig, Robert L. The Gazetteer 1735–1791: A Study in the Eighteenth-Century English Newspaper. Carbondale: Southern Illinois University Press, 1960.Google Scholar
Halter-Maker, A” [Reed, Joseph]. A Sop in the Pan for a Physical Critick: In a Letter to Dr. Sm*ll*t, Occasion’d by a Criticism on a Late Mock-Tragedy, Call’d Madrigal and Trulletta. London: W. Reeve, 1759.Google Scholar
Handover, P.M. A History of the London Gazette 1665–1965. London: Her Majesty’s Stationery Office, 1965.Google Scholar
Hargraves, Matthew. Candidates for Fame: The Society of Artists of Great Britain 1760–1791. New Haven, CT: Yale University Press, 2006.Google Scholar
Hargreaves, Ian. Journalism: A Very Short Introduction. Oxford University Press, 2005.Google Scholar
Harris, Michael. London Newspapers in the Age of Walpole: A Study of the Origins of the Modern English Press. London: Associated University Presses, 1987.Google Scholar
Harris, Michael. “The Management of the London Newspaper Press During the Eighteenth Century.” Publishing History, 4 (1978), 95112.Google Scholar
Harris, Michael. “Scratching the Surface: Engravers, Printsellers and the London Book Trade in the Mid-18th Century.” In Hunt, Arnold, Mandelbrote, Giles and Shell, Alison (eds.), The Book Trade & Its Customers 1450–1900: Historical Essays for Robin Myers, 95114. New Castle, DE: Oak Knoll Press; Winchester: St Paul’s Bibliographies, 1997.Google Scholar
Harris, Michael. “The Structure, Ownership and Control of the Press, 1620–1780.” In Boyce, George, Curran, James and Wingate, Pauline (eds.), Newspaper History from the Seventeenth Century to the Present Day, 8297. London: Constable; Beverly Hills, CA: SAGE, 1978.Google Scholar
[Henry, Earl of Bathurst]. The Case of the Unfortunate Martha Sophia Swordfeager. London, 1771.Google Scholar
Highfill, Philip H., Burnim, Kalman A. and Langhans, Edward A. (eds.). A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800. 16 vols. Carbondale: Southern Illinois University Press, 1973–93.Google Scholar
Hill, John. The Actor: Or, a Treatise on the Art of Playing. London: R. Griffiths, 1755.Google Scholar
[Hill, John]. An Account of the Tragedy of Cleone. London: M. Cooper, 1758.Google Scholar
Hindle, Wilfred. The Morning Post 1772–1937: Portrait of a Newspaper. London: George Routledge & Sons, 1937.Google Scholar
Holland, Peter. “David Garrick: ‘3dly, as an Author.’Studies in Eighteenth-Century Culture, 25 (1996), 3962.Google Scholar
Holland, Peter. “Hearing the Dead: The Sound of David Garrick.” In Holland, Peter and Cordner, Michael (eds.), Players, Playwrights, Playhouses: Investigating Performance, 1660–1800, 248–70. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Holland, Peter. (ed.). Great Shakespeareans, vol. ii: Garrick, Kemble, Siddons, Kean. London: Continuum, 2010.Google Scholar
Hume, Robert D.Garrick in Dublin in 1745–46.” Philological Quarterly, 93/4 (2014), 507–40.Google Scholar
Hume, Robert D.John Rich as Manager and Entrepreneur.” In Barlow, Jeremy and Joncus, Berta (eds.), The Stage’s Glory: John Rich (1692–1761), 2960. Newark: University of Delaware Press, 2011.Google Scholar
Hume, Robert D.The Value of Money in Eighteenth-Century England: Incomes, Prices, Buying Power – and Some Problems in Cultural Economics.” Huntington Library Quarterly, 77/4 (2015), 373416.Google Scholar
Hume, Robert D. and Milhous, Judith. “Receipts at Drury Lane: Richard Cross’s Diary for 1746–47.” Theatre Notebook, 49 (1995), 1226, 69–90.Google Scholar
Hunter, David. “The Diary of John Stede, London Theatre Prompter from about 1710 to the 1760s.” Theatre Notebook: A Journal of the History and Technique of the British Theatre, 62/3 (2008), 163–66.Google Scholar
An Impartial Hand” [Macklin, Charles?]. Stage Policy Detected; or Some Select Pieces of Theatrical Secret History Laid Open: In a Letter to a Certain Manager on His Imaginary Justification of His Late Conduct. London: J. Robinson, 1744.Google Scholar
Inglis, Fred. A Short History of Celebrity. Princeton University Press, 2010.Google Scholar
Johnson, Samuel. A Dictionary of the English Language: in which The Words are deduced from their Originals, and Illustrated in their Different Significations by Examples from the best Writers. 2nd edn. 2 vols. London: W. Strahan, for J. Knapton; C. Hitch and L. Hawes; A. Millar; R. and J. Dodsley; and M. and T. Longman, 1756.Google Scholar
Jonson, Ben. The Works of Ben. Jonson. 7 vols. Vol. 1. London: D. Midwinter, W. Innys and J. Richardson et al., 1756.Google Scholar
[J.T.]. A Letter of Compliment to the Ingenious Author of a Treatise on the Passions, So Far as They Regard the Stage; with a Critical Enquiry into the Theatrical Merit of Mr. G---K, Mr. Q---N, and Mr. B---Y, &c. With Some Further Remarks on Mr. M--N. And a Few Hints on Our Modern Actresses, Particularly Mrs. C---R and Mrs. P----D. London: C. Corbett, 1747.Google Scholar
Kendall, Alan. David Garrick: A Biography. New York: St. Martin’s Press, 1985.Google Scholar
Kenrick, William. A Letter to David Garrick, Esq. From William Kenrick, LL.D. [Containing Love in the Suds: A Town Eclogue. Being the Lamentation of Roscius for the Loss of His Nyky]. London: J. Wheble, 1772.Google Scholar
Kenrick, William. A Letter to David Garrick, Esq., Occasioned by His Having Moved the Court of King’s Bench against the Publisher of Love in the Suds, or the Lamentations of Roscius for His Nyky. London: J. Wheble, 1772.Google Scholar
[Kenrick, William]. Under pseud. Archimagírus, Metaphoricus. The Kapélion, or Poetical Ordinary; Consisting of Great Variety of Dishes in Prose and Verse; Recommended to All Who Have a Good Taste or Keen Appetite. London, [1750–51].Google Scholar
King, Richard (reviser). The Complete Modern London Spy, for the Present Year, 1781; or, a Real New, and Universal Disclosure, of the Secret, Nocturnal, and Diurnal Transactions, in and About the Cities of London and Westminster, and the Borough of Southwark. London: Alex. Hogg, T. Lewis, 1781.Google Scholar
Knapp, Mary E. A Checklist of Verse by David Garrick. Charlottesville: University of Virginia Press for the Bibliographical Society of the University of Virginia, 1955.Google Scholar
Knapp, Mary E.Garrick’s Verses to the Marquis of Rockingham.” Philological Quarterly, 29/1 (1950), 7881.Google Scholar
Knapp, Mary E. A Revision of a Checklist of Verse by David Garrick. New Haven, CT, 1974.Google Scholar
Knight Hunt, F. The Fourth Estate: Contributions towards a History of Newspapers, and of the Liberty of the Press. 2 vols. London: David Bogue, 1850.Google Scholar
Kobialka, Michal. “Words and Bodies: A Discourse on Male Sexuality in Late Eighteenth-Century English Representational Practices.” Theatre Research International, 28/1 (2003), 119.Google Scholar
Lilti, Antoine. The Invention of Celebrity, trans. Lynn Jeffress. Cambridge: Polity Press, 2017 (French edn 2015).Google Scholar
“A Lover of Truth and Justice.” “Particular Relation of a Late Remarkable Affair and Particulars of Mr. Barretti’s Trial.” Town and Country Magazine, 1769, 509–12.Google Scholar
[Lowndes, Thomas]. The Theatrical Manager: A Dramatic Satire. London: T. Lowndes, 1751.Google Scholar
Luckhurst, Mary and Moody, Jane. Theatre and Celebrity in Britain, 1660–2000. New York: Palgrave Macmillan, 2005.Google Scholar
[Macklin, Charles]. Mr. Macklin’s Reply to Mr. Garrick’s Answer. To Which Are Prefix’d, All the Papers Which Have Publickly Appeared, in Regard to This Important Dispute. London: J. Roberts and A. Dodd, 1743.Google Scholar
[Macklin, Charles?]. Under pseud. “An Impartial Hand.” Stage Policy Detected; or Some Select Pieces of Theatrical Secret History Laid Open: In a Letter to a Certain Manager on His Imaginary Justification of His Late Conduct. London: J. Robinson, 1744.Google Scholar
Mannings, David. “Reynolds, Garrick, and the Choice of Hercules.” Eighteenth-Century Studies, 17/3 (1984), 259–83.Google Scholar
Marsden, Jean I.Improving Shakespeare: From the Restoration to Garrick.” In Wells, Stanley and Stanton, Sarah (eds.), The Cambridge Companion to Shakespeare on Stage, 2136: Cambridge University Press, 2002.Google Scholar
Martial. Epigrams of Martial, &c. With Mottos from Horace, &c. Translated, Imitated, Adapted, and Addrest to the Nobility, Clergy, and Gentry, trans. Rev. Mr. Scott, . London: J. Wilkie, J. Walter and H. Parker, 1773.Google Scholar
Massinger, Philip. The Dramatick Works of Philip Massinger, ed. Mason, John Monck. 4 vols. London: T. Davies, T. Payne, L. Davis, J. Nichols, T. Evans, W. Davis, H. Payne, 1779.Google Scholar
Matthew, H.C.G. and Harrison, Brian (eds.). Oxford Dictionary of National Biography. Oxford University Press, 2004.Google Scholar
McIntyre, Ian. Garrick. London: Penguin, 1999.Google Scholar
McPherson, Heather. Art and Celebrity in the Age of Reynolds and Siddons. University Park: Pennsylvania State University Press, 2017.Google Scholar
McPherson, Heather. “Theatrical Celebrity and the Commodification of the Actor.” In Swindells, Julia and Taylor, David Francis (eds.), The Oxford Handbook of the Georgian Theatre 1737–1832, 192212. Oxford University Press, 2014.Google Scholar
Merians, Linda E.The London Lock Hospital and the Lock Asylum for Women.” In Merians, Linda E. (ed.), The Secret Malady: Venereal Disease in Eighteenth-Century Britain and France, 128–46. Lexington: University Press of Kentucky, 1996.Google Scholar
Milhous, Judith. “Company Management.” In Hume, Robert D. (ed.), London Theatre World, 1660–1800, 134. Carbondale and Edwardsville: Southern Illinois University Press, 1980.Google Scholar
Milhous, Judith. “Reading Theatre History from Account Books.” In Cordner, Michael and Holland, Peter (eds.), Players, Playwrights, Playhouses: Investigating Performance, 1660–1800, 101–34. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Milhous, Judith and Hume, Robert D.. “David Garrick and Box-Office Receipts at Drury Lane in 1742–43.” Philological Quarterly, 67/3 (1988), 323–44.Google Scholar
Montagu, Elizabeth Robinson. An Essay on the Writings and Genius of Shakespear, Compared with the Greek and French Dramatic Poets. With Some Remarks Upon the Misrepresentations of Mons. De Voltaire. London: J. Dodsley, Mess. Baker and Leigh, J. Walter, T. Cadell, J. Wilkie, 1769.Google Scholar
Morell, Thomas. A Sermon Preached at the Anniversary Meeting of the Sons of the Clergy, in the Cathedral Church of St. Paul, on Thursday, May 14, 1772 … Published at the Request of the Stewards. To Which Is Added, a List of the Several Amounts Arising from the Collections Made at the Anniversary Meeting of the Sons of the Clergy, since the Year 1721. London: John and Francis Rivington, [1772].Google Scholar
[Morgan, MacNamara]. A Letter to Miss Nossiter. Occasioned by Her First Appearance on the Stage: In Which Is Contained Remarks Upon Her Manner of Playing the Character of Juliet; Interspersed with Some Other Theatrical Observations. London: W. Owen, G. Woodfall, 1753.Google Scholar
Murphy, Arthur. The Life of David Garrick, Esq. 2 vols. London: J. Wright, J.F. Foot, 1801.Google Scholar
Murphy, Arthur. The Works of Arthur Murphy, Esq. 7 vols. London: T. Cadell, 1786.Google Scholar
[Murphy, Arthur]. Under pseud. “A Dramatic Author.” A Defence of Mr. Garrick, in Answer to the Letter-Writer. With Remarks Upon Plays and Players, and the Present State of the Stage. London: R. Stevens, [1759?].Google Scholar
National Archives of Great Britain. “Court of King’s Bench.” National Archives, www.nationalarchives.gov.uk/records/research-guides/kings-bench.htm.Google Scholar
MrNeither-Side, .” An Impartial Examen of the Present Contests between the Town and the Manager of the Theatre. With Some Proposals for Accommodating the Present Misunderstandings between the Town and the Manager, Offer’d to the Consideration of Both Parties. London: M. Cooper, 1744.Google Scholar
Nichols, John (ed.). Illustrations of the Literary History of the Eighteenth Century: Consisting of Authentic Memoirs and Original Letters of Eminent Persons; and Intended as a Sequel to the Literary Anecdotes. 8 vols. London: J.B. Nichols and Son, 1828.Google Scholar
Nicoll, Allardyce. The Garrick Stage: Theatres and Audience in the Eighteenth Century. Manchester University Press, 1980.Google Scholar
Nicols, John. A Sermon Preached at the Parish Church of St. Andrew, Holborn, on Thursday, March 26, 1767, before the President, Vice-Presidents, Treasurer, and Governors, of the City of London Lying-in Hospital for Married Women, at Shaftesbury-House in Aldersgate-Street. London: Published at the Request of the Society by C. Say, for the charity, [1767].Google Scholar
Sir Nipclose, Nicholas [Gentleman, Francis]. The Theatres: A Poetical Dissection. London: John Bell and C. Etherington, 1772.Google Scholar
Noble, Rev. Mark (ed.). A Biographical History of England, from the Revolution to the End of George I’s Reign; Being a Continuation of the Rev. J. Granger’s Work: Consisting of Characters Disposed in Different Classes, and Adapted to a Methodical Catalogue of Engraved British Heads; Interspersed with a Variety of Anecdotes, and Memoirs of a Great Number of Persons, Not to Be Found in Any Other Biographical Work. 3 vols. London: W. Richardson, Darton and Harvey, W. Baynes, 1806.Google Scholar
O’Donoghue, Freeman. Catalogue of Engraved British Portraits Preserved in the Department of Prints and Drawings in the British Museum. 6 vols. London: By order of the Trustees, 1908.Google Scholar
Old Bailey Proceedings Online, www.oldbaileyonline.org. October 1769, Trial of Joseph Baretti (T17691018–9).Google Scholar
Old Bailey Proceedings Online, www.oldbaileyonline.org. September 1765, Trial of Benjamin Robert Turbot (T17650918–24).Google Scholar
“Old Comedian.” The Life and Death of David Garrick, Esq. The Celebrated English Roscius. 2nd edn. London: J. Pridden, S. Bladon, J. Mathews, 1779.Google Scholar
Pedicord, Harry William. The Theatrical Public in the Time of Garrick. New York: King’s Crown Press, 1954.Google Scholar
Pettegree, Andrew. The Invention of News: How the World Came to Know About Itself. New Haven, CT: Yale University Press, 2014.Google Scholar
Plomer, H.R., Dix, E.R. McC., Gray, G.J. and Bushnell, G.H.. A Dictionary of the Printers and Booksellers Who Were at Work in England, Scotland and Ireland, from 1726 to 1775. Oxford University Press for the Bibliographical Society, 1968.Google Scholar
Pointon, Marcia. “Casts, Imprints, and the Deathliness of Things: Artifacts at the Edge.” Art Bulletin, 96/2 (2014), 170–95.Google Scholar
Pointon, Marcia. Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England. New Haven, CT: Yale University Press, 1993.Google Scholar
Sir Prior, James. Life of Edmund Malone, Editor of Shakespeare. London: Smith, Elder, 1860.Google Scholar
Pruitt, John. “David Garrick’s Invisible Nemeses.” Restoration and Eighteenth-Century Theatre Research 23/1 (2008), 218.Google Scholar
[Purdon, Edward]. A Letter to David Garrick, Esq; on Opening the Theatre. In Which, with Great Freedom, He Is Told How He Ought to Behave. London: I. Pottinger, 1769.Google Scholar
Raven, James. The Business of Books: Booksellers and the English Book Trade 1450–1850. New Haven, CT: Yale University Press, 2007.Google Scholar
Raven, James. Publishing Business in Eighteenth-Century England. Woodbridge: Boydell Press, 2014.Google Scholar
Reed, Joseph. Dido; a Tragedy. As It Was Performed at the Theatre Royal in Drury Lane, with Universal Applause. London: Nichols and Son, 1808.Google Scholar
Reed, Joseph. Madrigal and Trulletta. A Mock-Tragedy. Acted (under the Direction of Mr. Cibber) at the Theatre-Royal in Covent-Garden. With Notes by the Author, and Dr. Humbug, Critick and Censor-General. London: W. Reeve, 1758.Google Scholar
[Reed, Joseph]. Under pseud. Halter-Maker, A. A Sop in the Pan for a Physical Critick: In a Letter to Dr. Sm*ll*t, Occasion’d by a Criticism on a Late Mock-Tragedy, Call’d Madrigal and Trulletta. London: W. Reeve, 1759.Google Scholar
[Reed, Joseph]. “To the Printer.” The Universal Museum, Or Gentleman’s and Ladies Polite Magazine of History, Politicks, and Literature for 1764, 581–83.Google Scholar
Riccoboni, Lewis [Luigi]. A General History of the Stage, from Its Origin. 2nd edn. London: W. Owen and Lockyer Davis, 1754.Google Scholar
Ritchie, Leslie. “Garrick’s Male-Coquette and Theatrical Masculinities.” In King, Shelley and Schlick, Yaël (eds.), Refiguring the Coquette, 164–98. Lewisburg, PA: Bucknell University Press, 2008.Google Scholar
Ritchie, Leslie. “Pox on Both Your Houses: The Battle of the Romeos.” Eighteenth-Century Fiction, 27/3–4 (2015), 373–94.Google Scholar
Ritchie, Leslie. “The Spouters’ Revenge: Apprentice Actors and the Imitation of London’s Theatrical Celebrities.” The Eighteenth Century: Theory and Interpretation, 53/1 (2012), 4171.Google Scholar
Roach, Joseph R. It. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Roach, Joseph R. The Player’s Passion: Studies in the Science of Acting. London: Associated University Presses, 1985.Google Scholar
Rogers, C. S. and Rizzo, Betty. “Kenrick, William (1729/30–1779).” In Matthew and Harrison (eds.), Oxford Dictionary of National Biography.Google Scholar
Rolt, Richard. A Poetical Epistle from Shakespear in Elysium, to Mr. Garrick, at Drury-Lane Theatre. London: J. Newbery and W. Owen, 1752.Google Scholar
Royal Society of Artists of Great-Britain. A Catalogue of the Pictures, Sculptures, Designs in Architecture, Models, Drawings, Prints, &c. Exhibited at the Great Room in Spring-Garden, Charing-Cross, May the First, 1769. London: William Bunce, 1769.Google Scholar
Rusnak, Matthew. “The Trial of Giuseppe Baretti, October 20th 1769: A Literary and Cultural History of the Baretti Case.” PhD thesis. Rutgers University (2008).Google Scholar
Sabor, Peter and Yachnin, Paul (eds.). Shakespeare and the Eighteenth Century. Aldershot: Ashgate, 2008.Google Scholar
Saunders, Robert. A Catalogue of the Library, Splendid Books of Prints, Poetical and Historical Tracts, of David Garrick, Esq. Removed from His Villa at Hampton, and House on the Adelphi Terrace, with the Modern Works Added Thereto by Mrs. Garrick. London: Robert Saunders, 1823.Google Scholar
Sawyer, Paul. “John Rich’s Contribution to the Eighteenth-Century London Stage.” In Richards, Kenneth and Thomson, Peter (eds.), The Eighteenth-Century English Stage: The Proceedings of a Symposium Sponsored by the Manchester University Department of Drama, 85104. London: Methuen, 1972.Google Scholar
Sayer, Robert and Smith, John. Dramatic Characters, or Different Portraits of the English Stage. London: Robert Sayer and Jo[h]n Smith, 1770.Google Scholar
Schoch, Richard. “‘A Supplement to Public Laws’: Arthur Murphy, David Garrick, and ‘Hamlet with Alterations.’” Theatre Journal, 57/1 (2005), 2132.Google Scholar
Schoch, Richard. Writing the History of the British Stage, 1660–1900. Cambridge University Press, 2016.Google Scholar
Mr. Scott, Rev. William. A Sermon Preached at the Court End of the Town and in the City, on Sunday October 25, 1772. On the King’s Accession to the Throne of These Realms. Dedicated to Mr. Garrick. London: J. Wilkie, J. Walter and H. Parker, 1773.Google Scholar
Scouten, Arthur Hawley (ed.). The London Stage, 1660–1800: A Calendar of Plays, Entertainments & Afterpieces Together with Casts, Box-Receipts and Contemporary Comment Compiled from the Playbills, Newspapers and Theatrical Diaries of the Period, Part 3: 1729–1747. 2 vols. Carbondale: Southern Illinois University Press, 1961.Google Scholar
Shaddy, Robert A.Grangerizing: ‘One of the Unfortunate Stages of Bibliomania.’” Book Collector, 49/4 (2000), 535–46.Google Scholar
Shakespeare, William. Antony and Cleopatra; an Historical Play, Written by William Shakespeare: Fitted for the Stage by Abridging Only; and Now Acted, at the Theatre-Royal in Drury-Lane, by His Majesty’s Servants. London: J. and R. Tonson, [1758].Google Scholar
Shakespeare, William. Bell’s Edition of Shakespeare’s Plays, as They Are Now Performed at the Theatres Royal in London; Regulated from the Prompt Books of Each House. 5 vols. London: John Bell and C. Etherington, 1774.Google Scholar
Shakespeare, William. [Illustrated Plates for] Bell’s Edition of Shakespeare’s Works Compleat, Including His Poems … To Complete the First Five Volumes. London: John Bell, [1773–76?].Google Scholar
Shakespeare, William, adapted by Garrick, David. Romeo and Juliet. By Shakespear. With Some Alterations, and an Additional Scene: As It Is Performed at the Theatre-Royal in Drury-Lane. London: J. and R. Tonson, and S. Draper, 1748.Google Scholar
Shakespeare, William, adapted by Cibber, Theophilus. Romeo and Juliet, a Tragedy, Revis’d, and Alter’d from Shakespear … To Which Is Added, a Serio-Comic Apology, for Part of the Life of Mr. Theophilus Cibber, Comedian. Written by Himself. London: C. Corbett, 1748.Google Scholar
Shawe-Taylor, Desmond et al. Every Look Speaks: Portraits of David Garrick. Bath: Moore Stephens, 2003.Google Scholar
Sherman, Stuart. “Garrick Among Media: The ‘Now Performer’ Navigates the News.” PMLA, 126/4 (2011), 966–82.Google Scholar
[Shirley, William.] A Bone for the Chroniclers to Pick; or a Take-Off Scene from Behind the Curtain. A Poem. London: J. Coote, J. Scott, 1758.Google Scholar
[Shirley, William]. Brief Remarks on the Original and Present State of the Drama: To Which Is Added Hecate’s Prophecy, Being a Characteristic Dialogue Betwixt Future Managers, and Their Dependents. London: S. Hooper, J. Morley, J. Scott, 1758.Google Scholar
Simco, John. A Catalogue of Books, Prints, and Books of Prints, for 1792. London: John Simco, [1792].Google Scholar
Smith, Dane Farnsworth and Lawhon, M.L.. Plays About the Theatre in England, 1737–1800, or, the Self-Conscious Stage from Foote to Sheridan. Lewisburg, PA: Bucknell University Press, 1979.Google Scholar
Smith, Nicholas D. An Actor’s Library: David Garrick, Book Collecting and Literary Friendships. New Castle, DE: Oak Knoll Press, 2017.Google Scholar
Smollett, Tobias. “The Character of Mr. Garrick.” Gentleman’s Magazine, 12, October (1742), 527.Google Scholar
Solomon, Harry M. The Rise of Robert Dodsley: Creating the New Age of Print. Carbondale: Southern Illinois University Press, 1996.Google Scholar
Stone, George Winchester Jr.Garrick’s Long Lost Alteration of Hamlet.” PMLA, 49/3 (1934), 890921.Google Scholar
Stone, George Winchester, (ed.). The London Stage 1660–1800: A Calendar of Plays, Entertainments & Afterpieces Together with Casts, Box-Receipts and Contemporary Comment Compiled from the Playbills, Newspapers and Theatrical Diaries of the Period, Part 4: 1747–1776, 3 vols. Carbondale: Southern Illinois University Press, 1962.Google Scholar
Stone, George Winchester Jr. and Kahrl, George M., David Garrick: A Critical Biography. Carbondale: Southern Illinois University Press, 1979.Google Scholar
Taylor, Diana. The Archive and the Repertoire. Durham, NC: Duke University Press, 2003.Google Scholar
Thane, John. Thane’s Catalogue for 1773, of a Curious and Valuable Collection of Prints, Drawings, and Books of Prints, Both Ancient and Modern. [London], 1773.Google Scholar
Thieme, John. “Spouting, Spouting-Clubs and Spouting Companions.” Theatre Notebook, 29/1 (1975), 916.Google Scholar
Thomson, Peter. On Actors and Acting. University of Exeter Press, 2000.Google Scholar
Tierney, James E. (ed.). The Correspondence of Robert Dodsley 1733–1764. Cambridge University Press, 1988.Google Scholar
Ukers, William. All About Coffee. New York: Tea and Coffee Trade Journal Company, 1922.Google Scholar
Urban, Sylvanus.” “Historical Chronicle.” Gentleman’s Magazine, 1765, 442 and 489.Google Scholar
Vickers, Brian (ed.). William Shakespeare: The Critical Heritage, vol. v: 1765–1774. London: Routledge, 1979.Google Scholar
Walpole, Horace. The Yale Edition of Horace Walpole’s Correspondence, ed. Lewis, W.S., 48 vols. New Haven, CT: Yale University Press, 1937–83.Google Scholar
Wanko, Cheryl. Roles of Authority: Thespian Biography and Celebrity in Eighteenth-Century Britain. Lubbock: Texas Tech University Press, 2003.Google Scholar
Wark, Robert R.The Gentle Pastime of Extra-Illustrating Books.” Huntington Library Quarterly, 56/2 (1993), 151–62.Google Scholar
Warton, Joseph. Essay upon the Genius and Writings of Pope. 2 vols. London: M. Cooper, 1756.Google Scholar
Watson, George (ed.). The New Cambridge Bibliography of English Literature. vol. ii. Cambridge University Press, 1971.Google Scholar
Werkmeister, Lucyle. The London Daily Press 1772–1792. Lincoln: University of Nebraska Press, 1963.Google Scholar
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. New York: St. Martin’s Press, 1991.Google Scholar
Whincop, Thomas. Scanderbeg: Or, Love and Liberty. A Tragedy. To Which Are Added a List of All the Dramatic Authors, with Some Account of Their Lives, and of All the Dramatic Pieces Ever Published in the English Language, to the Year 1747. London: W. Reeve, 1747.Google Scholar
Wiles, Roy M. Freshest Advices: Early Provincial Newspapers in England. Columbus: Ohio State University Press, 1965.Google Scholar
[Williams, David]. A Letter to David Garrick, Esq. On His Conduct as Principal Manager and Actor at Drury-Lane. London: S. Bladon, 1772.Google Scholar
[Williams, David]. A Letter to David Garrick, Esq. On His Conduct as Principal Manager and Actor at Drury-Lane. With a Preface and Notes, by the Editor. London: J. Williams and G. Corrall, [1778].Google Scholar
Wilson, Michael S.Garrick, Iconic Acting, and the Ideologies of Theatrical Portraiture.” Word & Image: A Journal of Verbal/Visual Enquiry, 6/4 (1990), 368–94.Google Scholar
Winston, James. “The Manager’s Note-Book. – No. V.” New Monthly Magazine and Humorist, 52/207 (1838), 379–87.Google Scholar
Winter, William. The Press and the Stage: An Oration. New York: Lockwood & Coombes, 1889.Google Scholar
Worrall, David. Celebrity, Performance, Reception: British Georgian Theatre as Social Assemblage. Cambridge University Press, 2013.Google Scholar
Zachs, William. The First John Murray and the Late Eighteenth-Century London Book Trade. Oxford University Press for the British Academy, 1998.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Leslie Ritchie, Queen's University, Ontario
  • Book: David Garrick and the Mediation of Celebrity
  • Online publication: 04 January 2019
  • Chapter DOI: https://doi.org/10.1017/9781108661942.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Leslie Ritchie, Queen's University, Ontario
  • Book: David Garrick and the Mediation of Celebrity
  • Online publication: 04 January 2019
  • Chapter DOI: https://doi.org/10.1017/9781108661942.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Leslie Ritchie, Queen's University, Ontario
  • Book: David Garrick and the Mediation of Celebrity
  • Online publication: 04 January 2019
  • Chapter DOI: https://doi.org/10.1017/9781108661942.009
Available formats
×