Skip to main content Accessibility help
×
Hostname: page-component-7c8c6479df-xxrs7 Total loading time: 0 Render date: 2024-03-29T15:35:59.786Z Has data issue: false hasContentIssue false

Part XIV - Shakespeare’s Early Reception (to 1660)

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Keywords

accommodateagencyallusionappropriateauthoritycommonplacecritical, criticismdiversityemulateeulogyimitateinterpretationintertextualityjudgemoralpassionpleasurepolitical, politicspopularitypublic (sphere)readingreceptionresourceresponserevisionrhetoricselfAlleyn, EdwardThe Booke of Sir Thomas MoorebookkeeperCarthwright, WilliamCrane, RalphDaborne, Robert“Dering MS”Dulwich CollegeThe Game at ChessThe Gypsies Metamorphosed Hand DHenslowe, PhilipHerbert, Sir HenrymanuscriptsThe Masque of BlacknessThe Masque of QueensMaster of the RevelsMiddleton, Thomasprompt booksallusionanthologyaphorismborrowingdatabaseidiominfluencememeParnassus playsplagiarismquotationreputationsententialsoliloquyAlleyn, EdwardAstley, JohnBuc, GeorgeBurbage, RichardChildren of Paul’sChildren of the Queen’s RevelsHeminges, JohnHerbert, HenryKemp, WilliamKing’s MenLord Admiral’s MenLord Chamberlain’s MenQueen Anne’s MenQueen’s MenRevels OfficeRevels’ accountsTheatre (playhouse)Tilney, EdmundWorcester’s MenBanksideBear GardenBlackfriars (playhouse)Cockpit (playhouse), Curtain (playhouse)eyewitness accountFortune (playhouse)Globe (playhouse)Hampton CourtHope (playhouse)illustrationsKing’s MenLongleat HouseLord Chamberlain’s MenMiddle TempleperformancePhoenix (playhouse)printing pressRose (playhouse)Speculum BritanniaeSurvey of LondonSwan (playhouse)Theatre (playhouse)Chapman, GeorgeDaniel, SamuelDymock, Sir EdwardEastward Ho!The Game at ChessHeywood, ThomasThe Isle of GullsJonson, BenMarston, JohnMeasure for MeasureMiddleton, ThomasRed Bull (playhouse)Revels OfficeThe WitchaestheticaestheticsAristotleartA Midsummer Night’s DreammodernityNeoplatonismPlatoRenaissanceSidney, Sir PhilipTimon of AthensadaptationAran en TitusDer bestrafte Brudermord(European) ContinentHamletreceptionThe Spanish TragedyStrolling PlayersSybant, AbrahamTitus AndronicustranslationVenus and Adonis
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Chartier, Roger. The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and the Eighteenth Centuries. Trans. Cochrane, Lydia G.. Stanford: Stanford UP, 1994.Google Scholar
Cogswell, Thomas. “‘The symptomes and vapors of a diseased time’: the Earl of Clare and Early Manuscript Culture.” The Review of English Studies 57 (2006): 310–37.Google Scholar
Craik, Katherine A. Reading Sensations in Early Modern England. Houndmills: Palgrave Macmillan, 2007.Google Scholar
Culler, Jonathan. “Introduction: Critical Paradigms.” “Literary Criticism for the Twenty-First Century.” Publications of the Modern Language Association of America 125. 4 (October 2010): 905–15.Google Scholar
Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell UP, 1997.Google Scholar
Dobranski, Stephen B. Readers and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2005.Google Scholar
Gayton, Edmund. Pleasant Notes on Don Quixote. London: 1654.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press, 2004.Google Scholar
Honigmann, E. A. J. Shakespeare’s Impact on His Contemporaries. Totowa: Barnes and Noble, 1982.Google Scholar
, I. M. A Health to the Gentlemanly profession of Servingmen. London: 1598.Google Scholar
Lesser, Zachary, and Stallybrass, Peter. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (2008): 371420.Google Scholar
Ligon, Richard. True and Exact History of the Island of Barbados. London: 1657.Google Scholar
Middleton, Thomas. A Meeting of Gallants at an Ordinary. London: 1603–04.Google Scholar
Milton, John. Eikonoklastes. London: 1649.CrossRefGoogle Scholar
Nashe, Thomas. Christ’s Tears over Jerusalem. London: 1593.Google Scholar
Owen, Jane. An Antidote Against Purgatory. 1634. Ed. Latz, Dorothey L.. Aldershot and Burlington: Ashgate, 2000.Google Scholar
Radcliffe, David Hill. Edmund Spenser: A Reception History. Columbia: Camden House, 1996.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. Houndmills: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Roberts, Sasha. “Reception and Influence.” The Cambridge Companion to Shakespeare’s Poetry. Ed. Cheney, Patrick. Cambridge: Cambridge University Press, 2007. 260–80.Google Scholar
Scoloker, Anthony. Daiphantus, or, The passions of Love. London: 1604.Google Scholar
Shirley, James. The Example. London: 1634.Google Scholar
Spenser, Edmund. The Shepheardes Calender. London: 1579.Google Scholar
Taylor, Gary. “A Game at Chesse: An Early Form.” Thomas Middleton: The Collected Works. Ed. Taylor, Gary and Lavagnino, John. Oxford: Clarendon, 2007. 1773–79.Google Scholar
Taylor, John. Taylors Travels to Hamburgh in Germanie. London: 1617.Google Scholar
Taylor, John. The World Runs on Wheels. London: 1623.Google Scholar
Tofte, Robert. Alba. London: 1598.Google Scholar
Weever, John. Epigrammes. London: 1599.Google Scholar
Weimann, Robert. Authority and Representation in Early Modern Discourse. Baltimore: Johns Hopkins UP, 1996.CrossRefGoogle Scholar
Whitney, Charles. “Appropriate This.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 3.2 (spring/summer 2008): 122 (pdf).Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.Google Scholar

Further reading

Altman, Joel. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: U of California P, 1978.Google Scholar
Brayman Hackel, Heidi. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge: Cambridge University Press, 2005.Google Scholar
Dawson, Anthony B., and Yachnin, Paul. The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.Google Scholar
Halasz, Alexandra. The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England. Cambridge: Cambridge University Press, 1997.Google Scholar
Kiernan, Pauline. Staging Shakespeare at the New Globe. New York: St. Martin’s, 1999.CrossRefGoogle Scholar
Love, Harold. Scribal Publication in Seventeenth-Century England. Oxford: Oxford UP, 1993.CrossRefGoogle Scholar
Sharpe, Kevin. Reading Revolutions: The Politics of Reading in Early Modern England. New Haven: Yale UP, 2000.Google Scholar
Sherman, William H. Used Books: Marking Readers in Renaissance England. Philadelphia: U of Pennsylvania P, 2008.Google Scholar
Straznicky, Marta, ed. The Book of the Play: Playwrights Stationers, and Readers in Early Modern England. Amherst: U of Massachusetts P, 2006.Google Scholar

Sources cited

Adams, Joseph Quincy, ed. The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623–1673. New Haven: Yale UP, 1917.Google Scholar
Adams, J. Q.Hill’s List of Early Plays in Manuscript.” The Library 20 (1939): 7199.Google Scholar
Beal, Peter. Catalogue of English Literary Manuscripts, 1450–1700. http://www.celm-ms.org.uk/.Google Scholar
Beal, Peter. A Dictionary of English Manuscript Terminology, 1450–2000. Oxford: Oxford UP, 2007.Google Scholar
Blunden, Edmund. “Some Seventeenth Century Latin Poems by English Writers.” University of Toronto Quarterly 25 (1955–56): 1022.Google Scholar
Capell, Edward. Manuscript Catalogue and Indexes of the Collection of Plays Made by Garrick. British Library shelfmark General Reference Collection SFX 664155.Google Scholar
Cerasano, S. P. “An Inventory of Theatrical Apparel (c. 1601/2).” http://www.henslowe-alleyn.org.uk/essays/costumelist.html.Google Scholar
Dulwich College Alleyn Papers. MSS 1: Articles 32, 70, 71, 89, 138; MSS 19. http://www.henslowe-alleyn.org.uk.Google Scholar
Evans, G. Blakemore. “The ‘Dering MS’ of Shakespeare’s Henry IV and Sir Edward Dering.” Journal of English and Germanic Philology 54 (1955): 498503.Google Scholar
Evans, G. Blakemore. “The Douai Manuscript – Six Shakespearean Transcripts” (1694–95). Philological Quarterly 41 (1962): 158–72.Google Scholar
Evans, G. Blakemore. “New Evidence on the Provenance of the Padua Prompt- Books of Macbeth, Measure for Measure, and Winter’s Tale.” Studies in Bibliography 20 (1967): 239422.Google Scholar
Evans, G. Blakemore. Shakespearean Prompt-Books of the Seventeenth Century. 8 vols. Charlottesville: Bibliographical Society of the University of Virginia, 1960–96.Google Scholar
Freeman, Arthur, and Freeman, Janet Ing. John Payne Collier: Scholarship and Forgery in the Nineteenth Century. 2 vols. New Haven: Yale UP, 2004.Google Scholar
Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Oxford UP, 1955.Google Scholar
Halliwell, James Orchard. Shakespeare’s Play of King Henry the Fourth, Printed from a Contemporary Manuscript. London: Printed for the Shakespeare Society, 1845.Google Scholar
Heminges, John, and Condell, Henrie. “To the Great Variety of Readers.” Mr William Shakespeares Comedies, Histories, & Tragedies Published according to the True Originall Copies. London: Isaac Iaggard and Ed. Blount, 1623.Google Scholar
Honigmann, E. A. J.Shakespeare’s Deletions and False-Starts.” Review of English Studies 56 (2005): 3748.Google Scholar
Ioppolo, Grace. Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse. London: Routledge, 2006.Google Scholar
Ioppolo, Grace. Revising Shakespeare. Cambridge: Harvard UP, 1991.CrossRefGoogle Scholar
Ireland, William. An Authentic Account of the Shaksperian Manuscripts. London: 1796.Google Scholar
Ireland, William. The Confessions of W. H. I. containing the particulars of his fabrication of the Shakspeare Manuscripts; together with anecdotes and opinions (hitherto unpublished) of many distinguished persons in the literary, political and theatrical world. London: T. Goddard, 1805.Google Scholar
Ireland, William. Miscellaneous Papers and Legal Instruments under the Hand and Seal of W. Shakespeare, including the Tragedy of King Lear, and a small fragment of Hamlet, from the original MSS, in the possession of S I. London: 1796.Google Scholar
Lennam, T. N. S.Sir Edward Dering’s Collection of Playbooks, 1619–1624.” Shakespeare Quarterly 16 (1965): 145–53.CrossRefGoogle Scholar
Love, Harold. Scribal Publication in 17th-Century England. Oxford: Clarendon, 1993.Google Scholar
Malone, Edmund. An Inquiry into the authenticity of certain miscellaneous papers and legal instruments published, December 24, 1795 and attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton. London: T. Cadell, 1796.Google Scholar
McMillin, Scott. The Elizabethan Theatre and The Book of Sir Thomas More. Ithaca: Cornell UP, 1987.Google Scholar
Moseley, Humphrey. “The Stationer to the Reader.” Comedies and tragedies written by Francis Beaumont and Iohn Fletcher Gentlemen. Never printed before, and now published by the authours originall copies. London: Humphrey Robinson, 1647.Google Scholar
Schoenbaum, Samuel. Shakespeare’s Lives. Oxford: Clarendon, 1970.Google Scholar
Shakespeare, William. A Midsummer Night’s Dream. Ed. Foakes, R. A.. Cambridge: Cambridge University Press, 1984.Google Scholar
Shakespeare, William. The Tragicall Historie of Hamlet Prince of Denmarke. London: printed by I. R. for N. L., 1604.Google Scholar
Wells, Stanley, and Taylor, Gary, eds. William Shakespeare: A Textual Companion. Oxford: Oxford UP, 1987. Rpt. New York: Norton, 1997.Google Scholar
Williams, George Walton, and Evans, Gwynne Blakemore. “Introduction” to The History of King Henry IV, as revised by Sir Edward Dering, Bart. Charlottesville: UP of Virginia, 1974.Google Scholar
Woudhuysen, W. H. Sir Philip Sidney and the Circulation of Manuscripts, 1558–1640. Oxford: Oxford UP, 1996.Google Scholar
Yeandle, Laetitia. “The Dating of Sir Edward Dering’s Copy of ‘The History of Henry IV.’Shakespeare Quarterly 37 (1986): 224–26.CrossRefGoogle Scholar

Further reading

Beal, Peter. Index of English Literary Manuscripts, 1450–1700. 4 vols. London: Mansell, 1980–93.Google Scholar
Casson, Leslie F.Notes on a Shakespeare First Folio in Padua.” Modern Language Notes 51 (1936): 417–23.Google Scholar
Evans, G. Blakemore. “The Merry Wives of Windsor: The Folger Manuscript.” Shakespeare Text, Language, Criticism: Essays in Honour of Marvin Spevack. Ed. Fabian, Berhard and von Rosador, Kurt Tetzeli. Hildesheim: Olms-Weidmann, 1987. 5795.Google Scholar
Greg, W. W.The Bakings of Betsy.” Collected Papers. Ed. Maxwell, J. C.. Oxford: Clarendon, 1966. 4874.Google Scholar
Honigmann, E. A. J.Sir Thomas More and Asylum Seekers.” Shakespeare Survey 57 (2004): 225–35.Google Scholar
Ioppolo, Grace. “Creating the First Early Modern English Theatre History Archive: Edward Alleyn, William Cartwright and British Library Egerton Manuscript 1994.” “In the Prayse of Writing”: Essays on Early Modern Manuscripts, 1500–1700. Ed. Cerasano, S. P. and May, Steven W.. London: The British Library, 2012. 145–68.Google Scholar
Pendleton, Thomas A.The Non-Shakespearian Language of ‘Shall I Die.’Review of English Studies 40 (1989): 323–51.Google Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds. English Professional Theatre, 1530–1660. Cambridge: Cambridge University Press, 2000.Google Scholar

Sources cited

Allot, Robert, ed. Englands Parnassus: or The choysest Flowers of our Moderne Poets. London: 1600.Google Scholar
An. Sc. Daiphantus. London: 1604.Google Scholar
, T. A. The Massacre of Money. London: 1602.Google Scholar
Baron, Robert. Pocula Castalia. London: 1650.Google Scholar
Bayly, Thomas. Herba Parietis: or, The Wall-Flower. London: 1650.Google Scholar
Beaumont, Francis. The Knight of the Burning Pestle. London: 1606–07.Google Scholar
Bentley, Gerald Eades. Shakespeare and Jonson: Their Reputations in the Seventeenth Century Compared. 2 vols. Chicago: U of Chicago P, 1945.Google Scholar
Bloomfield, Morton W.Quoting and Alluding: Shakespeare in the English Language.” Shakespeare: Aspects of Influence. Ed. Evans, G. B.. Cambridge: Harvard UP, 1976. 120.Google Scholar
Blount, Thomas. The Academie of Eloquence. London: 1654.Google Scholar
Bodenham, John. Belvedere. London: 1600.Google Scholar
Bold, Henry. Poems Lyrique. London: 1648.Google Scholar
Brathwaite, Richard. A Strappado for the Divell. London: 1615.Google Scholar
Brome, Richard. The Queen and Concubine. In his Five New Playes. London: 1659.Google Scholar
Bruster, Douglas. Quoting Shakespeare: Form and Culture in Early Modern Drama. Lincoln: U of Nebraska P, 2000.Google Scholar
Bull, Henry. Christian Praiers and Holy Meditations. London: 1570.Google Scholar
Burton, Robert. Anatomy of Melancholy. Oxford: 1624.Google Scholar
Cartwright, William. Comedies, Tragi-comedies, With other Poems. London: 1651.Google Scholar
Clarke, John. Paræmiologia Anglo-Latina. London: 1639.Google Scholar
Cleveland, John. Clievelandi Vindiciae. London: 1644.Google Scholar
Corbet, Richard. Certain Elegant Poems, written by Dr. Corbet. London: 1647.Google Scholar
Cotgrave, John. English Treasury of Wit and Language. London: 1655.Google Scholar
Daborne, Robert. The Poor-Mans Comfort. A Tragi-Comedy. London: 1655.Google Scholar
Davenant, William. The Tragedy of Albovine. London: 1629.Google Scholar
Davies, John. Wittes Pilgrimage. London: 1605 (?).Google Scholar
A Description of Loue. London: 1620.Google Scholar
D’Urfey, Thomas. A Fool’s Preferment, or, the Dukes of Dunstable. London: 1688.Google Scholar
[Eikon e piste] or The faithfull Pourtraicture of a Loyall Subject. London: 1649.Google Scholar
Ferrand, Jacques. Erotomania. Oxford: 1640.Google Scholar
Fletcher, John, and Massinger, Philip. The Little French Lawyer. London: 1619–23.Google Scholar
Freeman, Thomas. “To Master W. Shakespeare.” Rubbe, and a Great Cast. London: 1614.Google Scholar
Frost, David L. The School of Shakespeare: The Influence of Shakespeare on English Drama, 1600–42. Cambridge: Cambridge University Press, 1968.Google Scholar
Garey, Samuel. Two Treatises. London: 1605.Google Scholar
Goffe, Thomas. The Tragedy of Orestes. London: 1633.Google Scholar
Hall, Thomas. An Apologie for the Ministry. London: 1660.Google Scholar
A Helpe to Discourse. London: 1619.Google Scholar
Heminges, William. Jewes Tragedy. London: 1662.Google Scholar
Heywood, Thomas. The Fayre Mayde of the Exchange. London: 1607.Google Scholar
Honigmann, E. A. J. Shakespeare’s Impact on His Contemporaries. Totowa: Barnes and Noble, 1982.Google Scholar
Hoy, Cyrus. “Shakespeare and the Drama of His Time.” Shakespeare: Aspects of Influence. Ed. Evans, G. B.. Cambridge: Harvard UP, 1976. 2141.Google Scholar
Jenkins, Harold, ed. Hamlet. The Arden Shakespeare. New York: Methuen, 1982.Google Scholar
Jonson, Ben. Every Man Out of His Humour. London: 1600.Google Scholar
Leishman, J. B., ed. The Three Parnassus Plays (1598–1601). London: Ivor Nicholson and Watson, 1949.Google Scholar
Markham, Jarvis, and Machin, Lewis. The Dumbe Knight. London: 1608.Google Scholar
Marmion, Shackerley. The Antiquary. London: 1641.Google Scholar
Marston, John. Scourge of Villanie. London: 1598.Google Scholar
Marston, John. Eastward Ho. London: 1605.Google Scholar
Marston, John. Parasitaster, Or the Fawne. London: 1606.Google Scholar
Marston, John. What You Will. London: 1607.Google Scholar
Mennes, John. Wit Restor’d. London: 1658.Google Scholar
Meres, Francis. Palladis Tamia. London: 1598.Google Scholar
Munro, John. “More Shakspere Allusions.” Modern Philology 13 (1916): 150.CrossRefGoogle Scholar
Munro, John, ed. The Shakspere Allusion-Book: A Collection of Allusions to Shakspere from 1591 to 1700. Originally compiled by Ingleby, C. M., Smith, L. Toulmin, and Furnivall, F. J.. 2 vols. London: Chatto and Windus, 1909. Reissued with a preface by Chambers, Edmund. London: Oxford UP, 1932.Google Scholar
Nicholson, Samuel. Acolastus his After-Witte. London: 1600.Google Scholar
Otway, Thomas. Caius Marius. London: 1679.Google Scholar
The Philosophers Banquet. London: 1614.Google Scholar
Poole, Joshua. The English Parnassuss; or, a helpe to English Poesie. London: 1657.Google Scholar
Randolph, Thomas. Hey for Honesty, Down with Knavery. London: 1651.Google Scholar
Randolph, Thomas. The Jealous Lovers. Cambridge: 1632.Google Scholar
Reynolds, John. Dolarnys Primerose. London: 1606.Google Scholar
Saltonstall, Wye. Picturae Loquentes. London: 1631.Google Scholar
Sampson, William. The Vow Breaker. London: 1636.Google Scholar
Sheppard, Samuel. The Joviall Crew. London: 1650–51.Google Scholar
Sheppard, Samuel. The Loves of Amandus and Sophronia. London: 1650.Google Scholar
Shirley, James. The Example. London: 1634.Google Scholar
Shirley, James. The Schoole of Complement. London: 1631.Google Scholar
, J. S. Wit’s Labyrinth, or A briefe and compendious Abstract of most witty, ingenious, wise and learned Sentences and Phrases. London: 1648.Google Scholar
Sutton, Edward. Anthropophagus. London: 1623.Google Scholar
Swan, John. Speculum Mundi. London: 1670Google Scholar
Swinhoe, Gilbert. Tragedy of the Unhappy Fair Irene. London: 1658.Google Scholar
Walkington, Thomas. The Optick Glasse of Humors. London: 1607.Google Scholar
Weever, John. Epigrammes. London: 1599.Google Scholar
The Wisdom of Doctor Dodypoll. London: 1600.Google Scholar
Younge, Richard. The Whole Duty of a Christian. London: 1653.Google Scholar

Further reading

Greenfield, Sayre N.Quoting Hamlet in the Early Seventeenth Century.” Modern Philology 105.3 (2008): 510–34.Google Scholar
Jones, Fred L.Echoes of Shakspere in Later Elizabethan Drama.” Publications of the Modern Language Association of America 45 (1930): 791803.Google Scholar
Marder, Louis. His Exits and His Entrances: The Story of Shakespeare’s Reputation. Philadelphia: Lippincott, 1963.Google Scholar
McGinn, Donald Joseph. Shakespeare’s Influence on the Drama of His Age: Studied in “Hamlet.” New Brunswick: Rutgers UP, 1938.Google Scholar
Moss, Ann. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon, 1996.Google Scholar
Rhodes, Neil. Shakespeare and the Origins of English. Oxford: Oxford UP, 2004.CrossRefGoogle Scholar
Thorn Drury, G. More Seventeenth-Century Allusions to Shakespeare and His Works. London: Dobell, 1924.Google Scholar
Thorn Drury, G. Some Seventeenth-Century Allusions to Shakespeare and His Works not Hitherto Collected. London: Dobell, 1920.Google Scholar
Vickers, Brian, ed. Shakespeare: The Critical Heritage. Vol. 1. London: Routledge and Kegan Paul, 1974.Google Scholar

Sources cited

Bawcutt, N. W. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels, 1623–73. Oxford: Clarendon, 1996.Google Scholar
Bentley, G. E.The King’s Men at the Blackfriars.” Shakespeare Survey 1 (1948): 3850.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Dutton, Richard. “‘Discourse in the Players, But No Disobedience’: Sir Henry Herbert’s Problems with the Players and Archbishop Laud, 1632–34.” Ben Jonson Journal 5 (1998): 3762.Google Scholar
Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge: Cambridge University Press, 2004.Google Scholar
Gurr, Andrew. The Shakespearian Playing Companies. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
Heywood, Thomas. An Apology for Actors. London: 1612.Google Scholar
Kernan, Alvin. Shakespeare, The King’s Playwright. New Haven: Yale UP, 1995.Google Scholar
Streitberger, W. R., ed. Jacobean and Caroline Revels Accounts, 1603–42. Malone Society Collections 13. Oxford: Malone Society, 1986.Google Scholar

Further reading

Schoenbaum, Steven. William Shakespeare: A Compact Documentary Life. Rev. ed. Oxford: Oxford UP, 1987.Google Scholar

Sources cited

Beaumont, Francis. The Knight of the Burning Pestle. The Dramatic Works of the Beaumont and Fletcher Canon. Ed. Bowers, Fredson. 10 vols. Cambridge: Cambridge University Press, 1966. 1: 3110.Google Scholar
Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon, 1930.Google Scholar
Foakes, R. A. Illustrations of the English Stage, 1580–1642. Stanford: Stanford UP, 1985.Google Scholar
Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale: Southern Illinois UP, 1999.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press, 1996.Google Scholar
Levin, Richard. “The Longleat Manuscript and Titus Andronicus.” Shakespeare Quarterly 53.3 (2002): 323–40.Google Scholar
Middleton, Thomas. The Puritan. Thomas Middleton: The Collected Works. Ed. Taylor, Gary and Lavagnino, John. Oxford: Clarendon, 2007. 509–42.Google Scholar
Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances, 1590–1890. London: Sussex UP, 1975.Google Scholar
Schlueter, June. “Rereading the Peacham Drawing.” Shakespeare Quarterly 50.2 (1999): 171–84.Google Scholar
Shakespeare, William. Macbeth. Ed. Braunmuller, A. R.. Cambridge: Cambridge University Press, 1997.Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Hughes, Alan. Rev. ed. Cambridge: Cambridge University Press, 2006.Google Scholar

Further reading

Bourne, Claire M. L.‘High Designe’: Beaumont and Fletcher Illustrated.” English Literary Renaissance 44.2 (2014): 275327.Google Scholar
Crosbie, Christopher. “The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath.” English Literary Renaissance 44.2 (2014): 221–40.Google Scholar
Jakacki, Diane K.‘Canst Paint a Doleful Cry?’: Promotion and Performance in the Spanish Tragedy Title-Page Illustration.” Early Theatre 13.1 (2010): 1336.Google Scholar
Womack, Peter. “Nobody, Somebody and King Lear.” New Theatre Quarterly 23 (2007): 195207.Google Scholar

Sources cited

Bellany, Alastair. The Politics of Court Scandal in Early Modern England: News Culture and the Overbury Affair, 1603–1660. Cambridge: Cambridge University Press, 2002.Google Scholar
Bruster, Douglas. “The Structural Transformation of Print in Late Elizabethan England.” Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. Houndmills: Palgrave Macmillan, 2003. 6593.Google Scholar
Chamberlain, John. The Letters of John Chamberlain. Ed. McClure, Norman Egbert. 2 vols. Philadelphia: American Philosophical Society, 1939.Google Scholar
Cogswell, Thomas, and Lake, Peter. “Buckingham Does the Globe: Henry VIII and the Politics of Popularity in the 1620s.” Shakespeare Quarterly 60 (2009): 253–78.Google Scholar
Coke, Edward. The Selected Writings and Speeches of Sir Edward Coke. Ed. Sheppard, Steve. 3 vols. Indianapolis: Liberty Fund, 2003.Google Scholar
Crashaw, William. A sermon preached at the Crosse, Feb. xiiij. 1607. London: H.L. for Mathew Lownes, 1609. (Short Title Catalogue [STC] 6028.)Google Scholar
Douglas, Audrey, and Greenfield, Peter, eds. Cumberland, Westmorland, Gloucestershire. Records of Early English Drama (REED). Toronto: U of Toronto P, 1986.Google Scholar
Dutton, Richard. Ben Jonson, Volpone and the Gunpowder Plot. Cambridge: Cambridge University Press, 2008.Google Scholar
Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. London: Macmillan, 1991.Google Scholar
Erler, Mary C., ed. Ecclesiastical London. Records of Early English Drama (REED). London: British Library; Toronto: U of Toronto P, 2008.Google Scholar
Gosson, Stephen. Playes confuted in fiue actions. London: Imprinted for Thomas Gosson, [1582]. (STC 12095.)Google Scholar
Hammer, Paul E. J.Shakespeare’s Richard II, the Play of 7 February 1601, and the Essex Rising.” Shakespeare Quarterly 59 (2008): 135.CrossRefGoogle Scholar
Heywood, Thomas. An Apology for Actors. London: Nicholas Okes, 1612. (STC 13309.)Google Scholar
Melton, John. A sixe-folde politician. London: E[dward] A[llde] for Iohn Busby, 1609. (STC 17805.)Google Scholar
Mulholland, Paul. “The Date of The Roaring Girl.” Review of English Studies ns 28 (1977): 1831.Google Scholar
Poole, Kristen. “Saints Alive! Falstaff, Martin Marprelate, and the Staging of Puritanism.” Shakespeare Quarterly 46 (1995): 4775.Google Scholar
Taylor, Gary. “The Fortunes of Oldcastle.” Shakespeare Survey 38 (1986): 85100.Google Scholar
Wickham, Glynne W. G., Berry, Herbert, and Ingram, William, eds. English Professional Theatre, 1530–1660. Cambridge: Cambridge University Press, 2000.Google Scholar
Worden, Blair. “Literature and Political Censorship in Early Modern England.” Too Mighty to Be Free: Censorship and the Press in Britain and the Netherlands. Ed. Duke, A. C. and Tamse, C. A.. Zutphen: De Walburg Pers, 1987. 4562.Google Scholar

Further reading

Bellany, Alastair. “The Embarrassment of Libels: Perceptions and Representations of Verse Libelling in Early Stuart England.” The Politics of the Public Sphere in Early Modern England. Ed. Lake, Peter and Pincus, Steven. Manchester: Manchester UP, 2007. 144–67.Google Scholar
Shuger, Debora K. Censorship and Cultural Sensibility: The Regulation of Language in Tudor-Stuart England. Philadelphia: U of Pennsylvania P, 2006.Google Scholar
Sisson, Charles Jasper. Lost Plays of Shakespeare’s Age. Cambridge: Cambridge University Press, 1936.Google Scholar
Thompson, John B. Political Scandal: Power and Visibility in the Media Age. Cambridge: Polity, 2000.Google Scholar

Sources cited

Adorno, Theodor. Aesthetic Theory. Ed. Adorno, Gretel and Tiedemann, Rolf. Trans. Hullot-Kentnor, Robert. Minneapolis: U of Minnesota P, 1997.Google Scholar
Bruster, Douglas. Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. New York: Palgrave, 2003.Google Scholar
Dawson, Anthony B., and Minton, Gretchen E., eds. Timon of Athens. By Shakespeare, William and Middleton, Thomas. Arden Shakespeare Third Series. London: Arden, 2008.Google Scholar
Drummond, William. “Ben Jonson’s Literary Table-Talk (1619).” English Renaissance Literary Criticism. Ed. Vickers, Brian. Oxford: Clarendon, 1999. 526–36.Google Scholar
Grady, Hugh. Shakespeare and Impure Aesthetics. Cambridge: Cambridge University Press, 2009.Google Scholar
Grady, Hugh, ed. Shakespeare and Modernity: From Early Modern to Millennium. London: Routledge, 2000.Google Scholar
Jonson, Ben. “Ben Jonson on Shakespeare (1623–37).” The Norton Shakespeare. Ed. Greenblatt, Stephen et al. New York: Norton, 1997. 3360–61.Google Scholar
Joughin, John J.Bottom’s Secret....” Spiritual Shakespeares. Ed. Fernie, Ewan. London: Routledge, 2005. 130–56.Google Scholar
Jowett, John. “Introduction.” The Life of Timon of Athens. By Shakespeare, William and Middleton, Thomas. Ed. Jowett, John. Oxford: Oxford UP, 2004. 1153.Google Scholar
Kant, Immanuel. Critique of Judgment. 1790. Trans. Pluhar, Werner S.. Indianapolis: Hackett, 1987.Google Scholar
Marrapodi, Michele, ed. Shakespeare, Italy and Intertextuality. Manchester: Manchester UP, 2004.Google Scholar
Plato, , The Republic of Plato. Trans. Cornford, Francis MacDonald. Oxford: Oxford UP, 1941.Google Scholar
Scaligero, Giulio Cesare. Poetices Libri Septum. Leiden: apud Antonium Vincentium, 1561.Google Scholar
Scaligero, Giulio Cesare. Select Translations from Scaliger’s Poetics. Trans. Padelford, Frederick Morgan. New York: Holt, 1905.Google Scholar
Sir Sidney, Philip. A Defence of Poetry. 1595. English Renaissance Literary Criticism. Ed. Vickers, Brian. Oxford: Clarendon, 1999. 336–91.Google Scholar
Universidad de Zaragoza Departamento filogia inglesa. “Julius Caesar Scaliger (1484–1558).” http://www.unizar.es/departamentos/filologia_inglesa/garciala/hypercritica/03.Renaissance/Renaissance.3.2.html. N. d. Accessed 12 January 2011.Google Scholar
Whitney, Charles. “Ante-aesthetics: Towards a Theory of Early Modern Audience Response.” Shakespeare and Modernity: From Early Modern to Millennium. Ed. Grady, Hugh. London: Routledge, 2000. 4060.Google Scholar

Further reading

Dubrow, Heather. The Challenges of Orpheus: Lyric Poetry and Early Modern England. Baltimore: Johns Hopkins UP, 2007.Google Scholar
Fernie, Ewan. “Shakespeare and the Prospect of Presentism.” Shakespeare Survey 58 (2005): 169–84.Google Scholar
Greenblatt, Stephen. “Shakespearean Beauty Marks.” Shakespeare’s Freedom. Chicago: U of Chicago P, 2010. 1848.Google Scholar
Joughin, John J.Shakespeare, Modernity, and the Aesthetic: Art, Truth, and Judgement in The Winter’s Tale.” Shakespeare and Modernity: From Early Modern to Millennium. Ed. Grady, Hugh. London: Routledge, 2000. 6184.Google Scholar
Joughin, John J., and Malpas, Simon, ed. The New Aestheticism. Manchester: Manchester UP, 2003.Google Scholar
Kiefer, Frederick. Shakespeare’s Visual Theatre: Staging the Personified Characters. Cambridge: Cambridge University Press, 2003.Google Scholar
Robson, Mark. “Defending Poetry, or, Is there an Early Modern Aesthetic?The New Aestheticism. Ed. Joughin, John J. and Malpas, Simon. Manchester: Manchester UP, 2003. 119–30.Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.Google Scholar

Sources cited

Braekman, Willy. Shakespeare’s Titus Andronicus: Its Relationship to the Play of 1620 and Jan Vos’s Aran en Titus. Ghent: Seminar of English and American Literature of the University of Ghent, 1969.Google Scholar
Brandt, George W., ed. German and Dutch Theatre, 1600–1848. Cambridge: Cambridge University Press, 1993.Google Scholar
Brennecke, Ernest. Shakespeare in Germany, 1590–1700. Chicago: U of Chicago P, 1964.Google Scholar
Gundolf, Friedrich. Shakespeare und der Deutsche Geist. Berlin: Verlag Bondi, 1911. Rpt. 1922.Google Scholar
Helmers, Helmer. “The Taming of the Shrew en een Nederlanse klucht uit de zeventiende eeuw.” Folio (Utrecht) 11 (2004): 523.Google Scholar
Hilton, Julian. The “Englische Komedianten” in German-Speaking States, 1592–1620: A Generation of Touring Performers as Mediators between English and German Cultures. Unpublished PhD Diss. Oxford University, 1983.Google Scholar
Hoenselaars, Ton. “‘The pollicie of Playes is very necessary’: The Tempest and the Idle Players in the New World.” L’Oisiveté au temps de la Renaissance. Ed. Jones-Davies, M.-T.. Paris: Presses de L’Université de Paris-Sorbonne, 2002. 181208.Google Scholar
Hoenselaars, Ton. “Translation Futures: Shakespearians and the Foreign Text.” Shakespeare Survey 62 (2009): 273–82.Google Scholar
Hoenselaars, Ton, and Van Dijkhuizen, Jan Frans. “Shakespeare in de zeventiende eeuw: The Taming of the Shrew in Amsterdam (1654) en Zittau (1658).” Documenta (Ghent) 15 (1997): 155–66.Google Scholar
Hoppe, H. R.English Acting Companies at the Court of Brussels in the Seventeenth Century.” Review of English Studies ns 15 (1955): 2633.Google Scholar
Hoppe, H. R.English Actors at Ghent in the Seventeenth Century.” Review of English Studies 25 (1949): 305–21.Google Scholar
Klein, Kareen. “Performing Shakespeare on the Seventeenth-Century German Wanderbühne.” Unpublished paper contributed to ESRA conference, University of Pisa, 2009.Google Scholar
Limon, Jerzy. Gentlemen of a Company: English Players in Central and Eastern Europe, 1590–1660. Cambridge: Cambridge University Press, 1985.Google Scholar
Price, L. M. Die Aufnahme englisher Literatur in Deutschland, 1500–1900. Berne: Francke Verlag, 1961.Google Scholar
Riewald, J. G.New Light on the English Actors in the Netherlands.” English Studies 41 (1960): 6592.CrossRefGoogle Scholar
Schrickx, Willem. “English Actors at the Courts of Wolfenbüttel, Brussels and Graz during the Lifetime of Shakespeare.” Shakespeare Survey 33 (1980): 153–68.Google Scholar
Schrickx, Willem. “Pickelherring and the English Actors in Germany.” Shakespeare Survey 36 (1983): 135–47.Google Scholar
Van Nassau-Sarolea, A.Abraham Sybant, Strolling Player and first Dutch Shakespeare Translator.” Theatre Research 13 (1973): 3859.Google Scholar
Williams, Simon. Shakespeare on the German Stage. Vol. 1: 1586–1914. Cambridge: Cambridge University Press, 1990.Google Scholar

Further reading

Cohn, Albert. Shakespeare in Germany in the Sixteenth and Seventeenth Centuries. London: Asher and Co., 1865.Google Scholar
Creizenach, Wilhelm. Die Schauspiele der englischen Komödianten. Berlin: W. Spemann, 1888.Google Scholar
De Vos, Jozef. “Shakespeare en het culturele leven in Zuid-Nederland (part I).” Handelingen van de Koninklijke Zuidnederlandse Maatschappij voor Taal-en Letterkunde en Geschiedenis 32 (1978): 6196.Google Scholar
Klein, Kareen. “Shakespeare on the German Wanderbühne in the Seventeenth Century: Romio and Julieta and Der Bestrafte Brudermord.” Unpublished PhD Diss. University of Geneva, 2012.Google Scholar
Schrickx, Willem. Foreign Envoys and Travelling Players in the Age of Shakespeare and Jonson. Wetteren: Universa, 1986.Google Scholar
Wikland, Erik. Elizabethan Players in Sweden, 1591–92. Stockholm: Almqvist and Wiksells, 1971.Google Scholar
Worp, J. A.De invloed der engelsche letterkunde op ons tooneel in de 17de eeuw.” De Tijdspiegel 3 (1887): 266300.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×