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Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationappropriationcommercializationcultural stratificationfestivalsglobalizationhigh or elite culturelow or popular culturemass culturemass mediamiddlebrow culturepublic sphereSchlockspearShakespopArmour, RichardBaring, MauriceBazagonov, M. S.Bobrick, Samburlesquecomic misquotationsThe Complete Works of William Shakespeare (Abridged)Dead LettersDowling, MauriceDuffett, ThomasEmpress of MoroccoHamlet IIHamlet TravestieMock-TempestMyers, Robert J.“Othello Rap”parodyPatent Theatres Monopoly ActPoole, JohnPratchett, TerryrapReduced Shakespeare CompanysatireShakespeare in the RedtravestyTwisted Tales from ShakespeareWyrd SistersadaptationappropriationburlesqueDavenant, WilliamfeministFletcher, JohnGarrick, Davidpoliticalspin-offTate, Nahumadaptationappropriationcreativitylanguagemisquotationquotationpopular culturereceptionadaptations of Shakespeare’s life for theaterBond, EdwardBrecht, BertoltChekhov, AntonDane, Clemence (Winifred Ashton)feminist adaptations of Shakespeare for theaterGarcía Lorca, FedericoJarry, AlfredMarowitz, Charlesmodern dramaOtway, Thomaspostcolonial adaptations of Shakespeare for theaterShaw, George BernardStein, PeterStoppard, TomThe Wars of the Roses (1963)Wesker, ArnoldWhelan, PeterYiddish adaptations of Romeo and Juliet for theaterBoydell, JohnBritishnessChandos portraitclass consciousnesscolor lithographyconventioncultural capitalcultural valuefilmGarrick, Davidgeniusglobal marketsimageInternetmarketplaceprintradioShakespeare as brandShakespeare as cultural valueShakespeare GalleryShakespearean iconographysouvenirsStratford JubileetelevisionTonson, JacobvalueWeb siteyouth cultureaudio technologyballadCanadian adaptations of ShakespeareElizabethan lute songfilm adaptationglobalizationhip-hopmass culturemusic makingpop culturepopular musicrapShakespeareShakespearean adaptationturntablingadaptationAs You Like ItBelsey, CatherineBernhardt, SarahBlackfriars (playhouse)Bloom, HaroldBradley, A. C.Cavendish, MargaretcharacterClarke, Mary CowdenColeridge, Samuel TaylorDryden, JohnEliot, T. S.FacebookFalstafffan fictionForster, E. M.Freud, SigmundGoldberg, JonathanHamletHamlet (character)Hazlitt, WilliamHolinshed, RaphaeliconiconoclastsJameson, AnnaJohnson, SamuelKing LearKing Lear (character)Knight, G. WilsonKnights, L. C.Lady MacbethLeavis, F. R.MacbethmediaThe Merry Wives of WindsorMortimer, John HamiltonOliviaOlivier, LaurenceOpheliaOrgel, Stephenpopular cultureReformationRichard IIIRichard III (character)RomanticismRomeo and JulietSchlegel, August WilliamSinfield, AlanSlights, JessicaTwelfth NightVerdi, GiuseppeVermeule, BlakeyViolavisual cultureWest Side StoryWithnail and IYachnin, PaulYouTubeappropriationburlesqueChinadrowningFacebookHamletIndiaJapanOpheliavisual artswateryoung adult fictionanti-Semitismcostumecultural remembrancefilm adaptationHolocaustreceptionShylockstage historystereotypeThe Merchant of VeniceGrupo GalpãoRomeo and JulietShakespeareShakespeare in BrazilVillela, GabrielcomedyDickens, CharlesFalstaffHenry VKenrick, Williamobesity in literature and dramasacksherryQuin, JamesVerdi, GiuseppeWelles, OrsonWindsorabuseArgentinacharismaclownclowningcrimes of state terrorismcrueltyformatLady AnnLatin AmericaMadres de Plaza de Mayomissing prisonersmilitary groupspolitical movespoliticstyrantRichard of GloucesterusurperWar of the Rosesactorscomplete works in Russianinterpretationliterary criticismmystery playpoetryprotagonistpublic interestpsychological dramaRussian stageShakespearean tragedysymbolismtranslationtrue-to-life methodabsolutismfamily tieshubrisinitiation ritesjusticemadnessmad Tomnew eraold agepovertypowersocial responsibilityArzamasova, E.Bartoshevich, AlekseyBelinsky, VissarionButusov, Y.Dostoevsky, FyodorFokin, V.HamletHamletismiconic imageKara, YuriKozintsev, GrigoriLunacharsky, A.Mikhailovsky, N.Pasternak, BorisPinsky, L.Polevoy, NikolaiRussian criticismRussian cultureStanislavsky, K. S.Sumarokov, Alexander“superfluous man”Tarkovsky, A.theater productionstranslationsTurgenev, I.Vannovsky, A.Viskovatov, StepanVronchenko, Mikhail
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Publisher: Cambridge University Press
Print publication year: 2016

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