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223 - Measure for Measure: Stage, Film, and Television Productions at the Turn of the Twenty-First Century

from Part XXII - Production History

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Billington, Michael. [review]. The Guardian [London] 28 May 2004.Google Scholar
Burley, Oli. “Talented Cast Has the Measure of Shakespeare Classic.” www.indielondon.co.uk. Accessed 11 August 2014.Google Scholar
Cavendish, Dominic. “Darkness in the Daylight: Measure for Measure at Shakespeare’s Globe.” The Daily Telegraph [London]. www.telegraph.co.uk. 16.Google Scholar
Clover, David. [online review]. http://www.curtainup.com.Google Scholar
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Gardner, Lyn. The Guardian [London] 2 July 2004.Google Scholar
Geckle, George L.Review of Measure for Measure. Royal Shakespeare Company.” Shakespeare Bulletin 13.1 (1995): 1214.Google Scholar
Hemming, Sarah. [review]. Financial Times [London] 22 January 1999: 12.Google Scholar
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Holland, Peter. “Shakespeare Performances in England.” Shakespeare Survey 48 (1996): 191226.Google Scholar
Jackson, Russell. “Shakespeare at Stratford-upon-Avon, 1994–95.” Shakespeare Quarterly 46 (1995): 340–57.CrossRefGoogle Scholar
Maguin, Jean-Marie. “Review of Measure for Measure. Royal Shakespeare Company.” Cahiers Elisabéthains 47 (1995): 105–07.Google Scholar
Mickelthwaite, Brian. Brian’s Culture Blog. 21 December 2004. http://www.brianmicklethwait.com/culture//cat_theatre.shtml. Accessed 15 May 2013.Google Scholar
Nicol, David. “Measure for Measure, a Co-production of Theatre de Complicité and the National Theatre Company at the Olivier Theatre.” Early Modern Literary Studies 10 (2004).Google Scholar
Nightingale, Benedict. [review]. The Times [London] 22 January 1999: 33.Google Scholar
Smith, P. J.Measure for Measure: Directed by Trevor Nunn.” Cahiers Elisabéthains 42 (1992): 80.Google Scholar
Walker, Greg. “Measure for Measure: Directed by Michael Boyd.” Cahiers Elisabéthains 54 (1998): 127.CrossRefGoogle Scholar

Further reading

Nicholls, Graham. Measure for Measure: Text and Performance. London: Macmillan Education, 1986.Google Scholar
Smallwood, Robert. “Twentieth-Century Performance: The Stratford and London Companies.” The Cambridge Companion to Shakespeare on Stage. Ed. Wells, Stanley and Stanton, Sarah. Cambridge: Cambridge University Press, 2006. 98117.Google Scholar

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