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15 - Costumes

from Part II - Theater

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bessell, Jaq. “Research Bulletin. The 2000 Globe Season. The White Company. Hamlet.” Issue 17, March 2001. http://www.shakespearesglobe.com/uploads/files/2015/02/hamlet_2000.pdf. Accessed November 2010.Google Scholar
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Chedgzoy, Kate. Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture. Manchester: Manchester UP, 1995.Google Scholar
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Further reading

Bailey, Amanda. Flaunting: Style and the Subversive Male Body in Renaissance England. Toronto: U of Toronto P, 2007.Google Scholar
Boyes-Watson, John. “E. W. Godwin’s Articles on the Architecture and Costume of Shakespeare’s Plays.” Theatre Notebook 47 (1993): 164–67.Google Scholar
Cerasano, S. P.‘Borrowed Robes,’ Costume Prices, and the Drawing of Titus Andronicus.” Shakespeare Studies 22 (1994): 4557.Google Scholar
Foakes, R. A., and Tickert, R. T., eds. Introduction to Henslowe’s Diary. Cambridge: Cambridge University Press, 1961.Google Scholar
Hodgdon, Barbara. “Bride-ing the Shrew: Costumes that Matter.” Shakespeare Survey 60 (2007): 7283.Google Scholar
Hunt, Alan. Governance of the Consuming Passions: A History of Sumptuary Law. London: Macmillan, 1996.Google Scholar
Jones, Ann Rosalind, and Stallybrass, Peter. Renaissance Clothing and the Materials of Memory. Cambridge: Cambridge University Press, 2001.Google Scholar
Kern Paster, Gail. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca: Cornell UP, 1993.CrossRefGoogle Scholar
Levine, Laura. Men in Women’s Clothing: Anti-theatricality and Effeminization, 1579–1642. Cambridge: Cambridge University Press, 1994.Google Scholar
MacIntyre, Jean. Costumes and Scripts in Elizabethan Theatres. Edmonton: U of Alberta P, 1992.Google Scholar
Monks, Aoife. The Actor in Costume. Basingstoke: Palgrave Macmillan, 2010.Google Scholar
Mowat, Barbara A.‘The Getting Up of the Spectacle’: The Role of the Visual on the Elizabethan Stage, 1576–1600.” The Elizabethan Theatre IX. Ed. Hibbard, G. R.. Port Credit: P. D. Meany/U of Waterloo, 1981.Google Scholar
Newman, Karen. “Sartorial Economies and Suitable Style: Woodstock and Shakespeare’s Richard II.” Costume et deguisement dans le theatre de Shakespeare et de ses contemporains. Ed. Kapitaniak, Pierre and Déprats, Jean-Michel. Actes des congrès de la Société française Shakespeare 26. Paris: Société française Shakespeare, 2008. 7186. http://www.societefrancaiseshakespeare.org/document.php?id=1461.Google Scholar
Orgel, Stephen. “Seeing through Costume.” Costume et deguisement dans le theatre de Shakespeare et de ses contemporains. Eds. Kapitaniak, Pierre and Déprats, Jean-Michel. Actes des congrès de la Société française Shakespeare 26. Paris: Société française Shakespeare, 2008. 87106. http://www.societefrancaiseshakespeare.org/document.php?id=1461.Google Scholar
Ribeiro, Aileen. Fashion and Fiction: Dress in Art and Literature in Stuart England. New Haven: Yale UP, 2005.Google Scholar
Richardson, Catherine. Clothing Culture, 1350–1650. Aldershot: Ashgate, 2004.Google Scholar
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001.Google Scholar
Schuleter, June. “Rereading the Peacham Drawing.” Shakespeare Quarterly 50.2 (1999): 171–84.Google Scholar
Tiramani, Jenny. “Janet Arnold and the Globe Wardrobe: Handmade Clothes for Shakespeare’s Actors.” The Journal of the Costume Society 34 (2000): 118–22.Google Scholar
Vincent, Susan. Dressing the Elite: Clothes in Early Modern England. Oxford: Berg, 2003.Google Scholar

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