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114 - Christopher Marlowe

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Acheley, ThomasAdmiral’s MenAeneasAlasco, AlbertusAldrich, ThomasAlleyn, EdwardAlleyn, JohnAntonio and MellidaatheismBaines, RichardBeard, ThomasBentley, JohnBishop of WinchesterBlount, EdwardBradley, WilliamBull, EleanorBurbage, RichardCambridge UniversityCanterburyChapman, GeorgeChildren of Paul’sChildren of the ChapelchivalryCorpus Christi College, CambridgeCovell, WilliamCynthia’s RevelsDekker, ThomasDeptfordDudley, Robert, Earl of LeicesterDuke HumphreyDuke of BuckinghamDutch Churchyard in Broad StreetField, RichardFlushingFolgate, NortonFrysar, IngramGager, WilliamGod’s scourgeGosson, StephenGreene, RobertGreenes Groats-worth of WitteGresshop, JohnHalliwell, EdwardHarvey, GabrielHekatompathiaHell’s Broke LooseHog LaneHolinshed, RaphaelInns of CourtJoan la PucelleJonson, BenKing Edward VI School, Stratford-upon-AvonKing’s School, CanterburyKyd, ThomaslibelLucy, WilliamLyly, JohnA Mad World, My MastersMarston, JohnMenaphonMeres, FrancisMiddleton, ThomasNashe, ThomasA New Letter of Notable ContentsNorgate, RobertOvidian poetsOxford UniversityPalladis TamiaParker, MatthewPeele, GeorgePembroke Hall, CambridgePembroke’s MenPerimedes the BlacksmithPlayes Confuted in Five ActionsPoetasterPrivy CouncilPuckering, JohnPuritanismQueen’s MenRheimsRichard, Duke of GloucesterRowlands, SamuelScadburySt. Paul’s churchyardSwift, HugoTalbot, JohnThexton, RobertThorpe, ThomasTrinity College, Cambridgeuniversity dramaWalsingham, ThomasWatson, ThomasWither, GeorgeWriothesley, Henry, Earl of Southampton
Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

Beard, Thomas. The Theatre of Gods Iudgements. London: Adam Islip, 1597.Google Scholar
Boas, Frederick S. University Drama in the Tudor Age. Oxford: Clarendon, 1914.Google Scholar
Covell, William. Polimanteia. Cambridge: John Legate, 1595.Google Scholar
Dasent, John Roche, ed. Acts of the Privy Council of England: New Series, 32 vols. London: Her Majesty’s Stationery Office, 1890–1907.Google Scholar
Dekker, Thomas. A Knights Conjuring. London: Thomas Creede, 1607.Google Scholar
Eccles, Mark. Christopher Marlowe in London. Cambridge: Harvard UP, 1934.CrossRefGoogle Scholar
Gair, W. Reavley, ed. Antonio and Mellida. Manchester: Manchester UP, 1991.Google Scholar
Gosson, Stephen. Playes Confuted in Five Actions. London: imprinted for Thomas Gosson, 1582.Google Scholar
Greene, Robert. Greenes Groats-worth of Witte. London: imprinted by J. Wolfe for William Wright, 1592.Google Scholar
Greene, Robert. Perimedes the Blacksmith. London: printed by John Wolfe for Edward White, 1588.Google Scholar
Harvey, Gabriel. A New Letter of Notable Contents. London: printed by John Wolfe, 1593.Google Scholar
Hotson, J. Leslie. The Death of Christopher Marlowe. Cambridge: Harvard UP, 1925Google Scholar
Jonson, Ben. Ben Jonson. Ed. Herford, C. H., Simpson, Percy, and Simpson, Evelyn. 11 vols. Oxford: Clarendon, 1925–52.Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe. 2nd ed. Ed. Bowers, Fredson. 2 vols. Cambridge: Cambridge University Press, 1981.Google Scholar
Meres, Francis. Palladis Tamia. London: Cuthbert Burbie, 1598.Google Scholar
Nashe, Thomas. The Works of Thomas Nashe. 5 vols. Eds. McKerrow, Ronald B. and Wilson, F. P.. Oxford: Basil Blackwell, 1958.Google Scholar
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Rowlands, Samuel. Hell’s Broke Loose. London: printed by W. W., 1605.Google Scholar
Taylor, Gary, and Lavagnino, John, eds. Thomas Middleton: The Collected Works. Oxford: Clarendon, 2007.Google Scholar
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Wither, George. Britain’s Remembrancer. London: John Grismond, 1628.Google Scholar

Further reading

Bate, Jonathan. The Genius of Shakespeare. Oxford: Oxford UP, 2008.Google Scholar
Cheney, Patrick, ed. The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Jackson, MacDonald P.Francis Meres and the Cultural Contexts of Shakespeare’s Rival Poet Sonnets.” Review of English Studies ns 56.244 (2005): 224–46.Google Scholar
Kuriyama, Constance Brown. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell UP, 2002.Google Scholar
Levin, Richard. “The Contemporary Perception of Marlowe’s Tamburlaine.” Medieval and Renaissance Drama in England. Vol. 1. Ed. Barroll, J. Leeds. New York: AMS Press, 1984. 5170.Google Scholar
Moulton, Ian Frederick. Before Pornography: Erotic Writing in Early Modern England. Oxford: Oxford UP, 2000.Google Scholar
Nicholl, Charles. The Reckoning: The Murder of Christopher Marlowe. London: Jonathan Cape, 1992.Google Scholar
Riggs, David. The World of Christopher Marlowe. London: Faber and Faber, 2004.Google Scholar
Shapiro, James. Rival Playwrights: Marlowe, Jonson, Shakespeare. New York: Columbia UP, 1991.Google Scholar
Urry, William. Christopher Marlowe and Canterbury. London: Faber and Faber, 1988.Google Scholar

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