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114 - Christopher Marlowe

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Arata Ide
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Acheley, ThomasAdmiral’s MenAeneasAlasco, AlbertusAldrich, ThomasAlleyn, EdwardAlleyn, JohnAntonio and MellidaatheismBaines, RichardBeard, ThomasBentley, JohnBishop of WinchesterBlount, EdwardBradley, WilliamBull, EleanorBurbage, RichardCambridge UniversityCanterburyChapman, GeorgeChildren of Paul’sChildren of the ChapelchivalryCorpus Christi College, CambridgeCovell, WilliamCynthia’s RevelsDekker, ThomasDeptfordDudley, Robert, Earl of LeicesterDuke HumphreyDuke of BuckinghamDutch Churchyard in Broad StreetField, RichardFlushingFolgate, NortonFrysar, IngramGager, WilliamGod’s scourgeGosson, StephenGreene, RobertGreenes Groats-worth of WitteGresshop, JohnHalliwell, EdwardHarvey, GabrielHekatompathiaHell’s Broke LooseHog LaneHolinshed, RaphaelInns of CourtJoan la PucelleJonson, BenKing Edward VI School, Stratford-upon-AvonKing’s School, CanterburyKyd, ThomaslibelLucy, WilliamLyly, JohnA Mad World, My MastersMarston, JohnMenaphonMeres, FrancisMiddleton, ThomasNashe, ThomasA New Letter of Notable ContentsNorgate, RobertOvidian poetsOxford UniversityPalladis TamiaParker, MatthewPeele, GeorgePembroke Hall, CambridgePembroke’s MenPerimedes the BlacksmithPlayes Confuted in Five ActionsPoetasterPrivy CouncilPuckering, JohnPuritanismQueen’s MenRheimsRichard, Duke of GloucesterRowlands, SamuelScadburySt. Paul’s churchyardSwift, HugoTalbot, JohnThexton, RobertThorpe, ThomasTrinity College, Cambridgeuniversity dramaWalsingham, ThomasWatson, ThomasWither, GeorgeWriothesley, Henry, Earl of Southampton
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 886 - 892
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Beard, Thomas. The Theatre of Gods Iudgements. London: Adam Islip, 1597.Google Scholar
Boas, Frederick S. University Drama in the Tudor Age. Oxford: Clarendon, 1914.Google Scholar
Covell, William. Polimanteia. Cambridge: John Legate, 1595.Google Scholar
Dasent, John Roche, ed. Acts of the Privy Council of England: New Series, 32 vols. London: Her Majesty’s Stationery Office, 1890–1907.Google Scholar
Dekker, Thomas. A Knights Conjuring. London: Thomas Creede, 1607.Google Scholar
Eccles, Mark. Christopher Marlowe in London. Cambridge: Harvard UP, 1934.Google Scholar
Gair, W. Reavley, ed. Antonio and Mellida. Manchester: Manchester UP, 1991.Google Scholar
Gosson, Stephen. Playes Confuted in Five Actions. London: imprinted for Thomas Gosson, 1582.Google Scholar
Greene, Robert. Greenes Groats-worth of Witte. London: imprinted by J. Wolfe for William Wright, 1592.Google Scholar
Greene, Robert. Perimedes the Blacksmith. London: printed by John Wolfe for Edward White, 1588.Google Scholar
Harvey, Gabriel. A New Letter of Notable Contents. London: printed by John Wolfe, 1593.Google Scholar
Hotson, J. Leslie. The Death of Christopher Marlowe. Cambridge: Harvard UP, 1925Google Scholar
Jonson, Ben. Ben Jonson. Ed. Herford, C. H., Simpson, Percy, and Simpson, Evelyn. 11 vols. Oxford: Clarendon, 1925–52.Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe. 2nd ed. Ed. Bowers, Fredson. 2 vols. Cambridge: Cambridge University Press, 1981.Google Scholar
Meres, Francis. Palladis Tamia. London: Cuthbert Burbie, 1598.Google Scholar
Nashe, Thomas. The Works of Thomas Nashe. 5 vols. Eds. McKerrow, Ronald B. and Wilson, F. P.. Oxford: Basil Blackwell, 1958.Google Scholar
Nelson, Alan, ed. Cambridge. Records of Early English Drama. 2 vols. Toronto: U of Toronto P, 1989.Google Scholar
Rowlands, Samuel. Hell’s Broke Loose. London: printed by W. W., 1605.Google Scholar
Taylor, Gary, and Lavagnino, John, eds. Thomas Middleton: The Collected Works. Oxford: Clarendon, 2007.Google Scholar
Wernham, R. B. “Christopher Marlowe at Flushing in 1592.” English Historical Review 91 (1976): 344–45.Google Scholar
Wither, George. Britain’s Remembrancer. London: John Grismond, 1628.Google Scholar

Further reading

Bate, Jonathan. The Genius of Shakespeare. Oxford: Oxford UP, 2008.Google Scholar
Cheney, Patrick, ed. The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press, 2004.Google Scholar
Jackson, MacDonald P. “Francis Meres and the Cultural Contexts of Shakespeare’s Rival Poet Sonnets.” Review of English Studies ns 56.244 (2005): 224–46.Google Scholar
Kuriyama, Constance Brown. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell UP, 2002.Google Scholar
Levin, Richard. “The Contemporary Perception of Marlowe’s Tamburlaine.” Medieval and Renaissance Drama in England. Vol. 1. Ed. Barroll, J. Leeds. New York: AMS Press, 1984. 51–70.Google Scholar
Moulton, Ian Frederick. Before Pornography: Erotic Writing in Early Modern England. Oxford: Oxford UP, 2000.Google Scholar
Nicholl, Charles. The Reckoning: The Murder of Christopher Marlowe. London: Jonathan Cape, 1992.Google Scholar
Riggs, David. The World of Christopher Marlowe. London: Faber and Faber, 2004.Google Scholar
Shapiro, James. Rival Playwrights: Marlowe, Jonson, Shakespeare. New York: Columbia UP, 1991.Google Scholar
Urry, William. Christopher Marlowe and Canterbury. London: Faber and Faber, 1988.Google Scholar

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