Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-12-06T03:03:31.508Z Has data issue: false hasContentIssue false

7 - Magnificence at the Royal Courts in the Islamic World

from Part II - Early Modern Global Entanglements

Published online by Cambridge University Press:  04 August 2023

Christopher Breward
Affiliation:
National Museums of Scotland
Beverly Lemire
Affiliation:
University of Alberta
Giorgio Riello
Affiliation:
European University Institute, Florence
Get access

Summary

The Ottoman, Safavid, and Mughal empires are the focus of this chapter, which between them covered a stretch of Eurasia between Budapest and Murshidabad in Bengal (India). Royal magnificence is the lens through which I will assess the fashion dynamics of these imperial dynasties. The Ottoman realm included Southeastern Europe, with the capital city of Istanbul straddling the border between Europe and Asia. From 1516 to 1517, Egypt, Iraq, and Syria – in the broad and historical sense of the latter term – were part of the territory controlled by the sultans as well. Apart from the brief timespans during which the Safavids held Iraq, their realm corresponded roughly to present-day Iran and sections of Afghanistan. Other regions that today are part of Afghanistan, including Kabul, were part of the Mughal Empire, which had expanded first over the territories covered by today’s Pakistan and northern India. In the second half of the sixteenth century, moreover, Emperor Akbar (r. 1556–1605) added the highly productive territories of Bengal and Gujarat to his realm. About a hundred years later, Aurangzeb (r.

Type
Chapter
Information
The Cambridge Global History of Fashion
From Antiquity to the Nineteenth Century
, pp. 193 - 230
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Arça, Alpaslan, Sibel, ‘Ayasofya Müzesi Şehzadeler Türbesi’nde Tespiti Yapılan Tekstil Buluntuları’, in Hitzel, Frédéric (ed.), 14th International Congress of Turkish Art: Paris, Collège de France 19–21 September 2011 (Paris: ICTA, 2013), 7380.Google Scholar
Atasoy, Nurhan and Uluç, Lale, Impressions of Ottoman Culture in Europe: 1453–1699 (Istanbul: Armaggan Yayınları and The Turkish Cultural Foundation, 2012).Google Scholar
Esin, Atıl, Levni and the Surnâme: The Story of an Eighteenth-Century Ottoman Festival (Istanbul: Koçbank, 1999).Google Scholar
Dale, Stephen, The Muslim Empires of the Ottomans, Safavids and Mughals (Cambridge: Cambridge University Press, 2010).Google Scholar
Jahāngīr, , The Jahangirnama: Memoirs of Jahāngīr, Emperor of India, trans. and ed. Thackston, Wheeler M. (Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery; New York: Oxford University Press, 1999).Google Scholar
Kafadar, Cemal, ‘Eyüp’te Kılıç Kuşanma Törenleri’, in Artan, Tülay (ed.), Eyüp: Dün/ Bugün, 11–12 Aralık 1993 (Istanbul: Tarih Vakfı Yurt Yayınları, 1994), 5061.Google Scholar
Komaroff, Linda (ed.), Gifts of the Sultans: The Art of Giving at the Islamic Courts (Los Angeles: Museum Associates/Los Angeles County Museum of Arts, 2011).Google Scholar
Lal, Ruby, Empress: The Astonishing Reign of Nur Jahan (London and New York: W. W. Norton, 2018).Google Scholar
McDowell, Joan Allgrove, ‘Textiles’, in Ferrier, Ronald. W. (ed.), The Arts of Persia (New Haven and London: Yale University Press, 1989), 157–70.Google Scholar
Molà, Luca, ‘Material Diplomacy: Venetian Luxury Gifts to the Ottoman Empire in the Late Renaissance’, in Biedermann, Zoltán, Gerritsen, Anne, and Riello, Giorgio (eds.), Global Gifts: The Material Culture of Diplomacy in Early Modern Eurasia (Cambridge: Cambridge University Press, 2018), 5687.Google Scholar
Necipoğlu, Gülru, Architecture, Ceremonial, and Power: The Topkapı Palace in the Fifteenth and Sixteenth Centuries (New York, Cambridge, MA, and London: The Architectural History Foundation and MIT Press, 1991).Google Scholar
Phillips, Amanda, ‘The Historiography of Ottoman Velvets, 2011–1572: Scholars, Craftsmen, Consumers’, Journal of Art Historiography, 6 (2012), 126.Google Scholar
Kiel, Reindl, Hedda, ‘Diamonds are a Vizier’s Best Friends or: Merzifonlu Kara Mustafa’s Jewelry Assets’, in Akçetin, Elif and Faroqhi, Suraiya (eds.), Living the Good Life: Consumption in the Qing and Ottoman Empires of the Eighteenth Century (Leiden: Brill, 2017), 409–32.Google Scholar
Rezavi, Syed Nadeem, Ali, Fathpur Sikri Revisited (Delhi: Oxford University Press, 2013).Google Scholar
Wright, Elaine, Stronge, Susan, and Thackston, W. M., Muraqqa’: Imperial Mughal Albums from the Chester Beatty Library Dublin (Alexandria, VA: Art Services International, 2008).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×