Skip to main content Accessibility help
×
Home
Hostname: page-component-99c86f546-66nw2 Total loading time: 1.196 Render date: 2021-12-02T18:05:43.114Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "metricsAbstractViews": false, "figures": true, "newCiteModal": false, "newCitedByModal": true, "newEcommerce": true, "newUsageEvents": true }

Further Reading

Published online by Cambridge University Press:  22 May 2020

Ric Knowles
Affiliation:
University of Guelph, Ontario
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Armitstead, Claire. ‘Lifting the Theatre: The London International Festival of Theatre’. Contemporary British Theatre, edited by Shank, Theodore. Palgrave Macmillan, 1994, pp. 152–65.Google Scholar
Bennett, Andy, Taylor, Jodie, and Woodward, Ian, eds. The Festivalization of Culture. Ashgate, 2014.Google Scholar
Bradby, David, and Delgado, Maria M., eds. Contemporary Theatre Review, vol. 14, no. 4, 2003, Special Issue on Festivals.Google Scholar
Caust, Jo, and Glow, Hilary. ‘Festivals, Artists and Entrepreneurialism: The Role of the Adelaide Fringe Festival’. International Journal of Event Management Research, vol. 6, no. 2, 2011, pp. 114.Google Scholar
Duffy, Michelle, Waitt, Gordon, Gorman-Murray, Andrew, and Gibson, Chris. ‘Bodily Rhythms: Corporeal Capacities to Engage with Festival Spaces’. Emotion, Space and Society, vol. 4, 2011, pp. 1724.CrossRefGoogle Scholar
Falassi, Alessandro, ed. Time Out of Time: Essays on the Festival. University of New Mexico Press, 1987.Google Scholar
Falconi, Jorge Perez. ‘Space and Festivalscapes’. Platform, vol. 5, no. 2, 2011, pp. 1227.Google Scholar
Finkel, Rebecca. ‘A Picture of the Contemporary Combined Arts Festival Landscape’. Cultural Trends, vol. 18, no. 1, 2009, pp. 321.CrossRefGoogle Scholar
Frew, Elspeth A., and Ali-Knight, Jane. ‘Independent Theatres and the Creation of a Fringe Atmosphere’. International Journal of Culture, Tourism and Hospitality Research, vol. 3, no. 3, 2009, pp. 211–27.CrossRefGoogle Scholar
Frew, Elspeth A., and Ali-Knight, Jane. ‘Creating High and Low Art: Experimentation and Commercialization at Fringe Festivals’. Tourism Culture & Communication, vol. 10, no. 3, 2010, pp. 231–45.CrossRefGoogle Scholar
Gibbs, James, ed. African Theatre, vol. 11, 2012, Special Issue on Festivals.Google Scholar
Gibson, Chris, and Connell, John, eds. Festival Places: Revitalizing Rural Australia. Channel View, 2011.CrossRefGoogle Scholar
Gilbert, Helen, and Lo, Jacqueline. ‘Marketing Difference at the Adelaide Festival’. Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. Palgrave Macmillan, 2007, pp. 112–30.Google Scholar
Giorgi, Liana, Sassatelli, Monica, and Delanty, Gerard, eds. Festivals and the Cultural Public Sphere. Routledge, 2011.Google Scholar
Graver, David, and Kruger, Loren. ‘Locating Theatre: Regionalism and Interculturalism at the Edinburgh Festival’. Performing Arts Journal, vol. 44, 1993, pp. 7794.Google Scholar
Harvie, Jen. ‘The Edinburgh Festivals: Globalization and Democracy’. Staging the UK. Manchester University Press, 2005, p. 74.111.Google Scholar
Hauptfleisch, Temple, Lev-Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar, and Schoenmakers, Henri, eds. Festivalising!: Theatrical Events, Politics and Culture. Rodopi, 2007.CrossRefGoogle Scholar
Holledge, Julie, and Tompkins, Joanne. ‘Arts Festivals: Celebrating or Redistributing Culture?Women’s Intercultural Performance. Routledge, 2000, pp. 155–9.Google Scholar
Jamieson, Kirstie. ‘The Festival Gaze and Its Boundaries’. Space & Culture, vol. 7, no. 1, 2004, pp. 6475.CrossRefGoogle Scholar
Johansson, Marjana. ‘Performing Diversity at Festivals’. Making Sense of Arts Management: Research, Cases and Practices, edited by Johansson, Tanja and Luonila, Mervi. Unigrafia, 2017, pp. 92–8.Google Scholar
Johansson, Marjana, and Kociatkiewicz, Jerzy. ‘City Festivals: Creativity and Control in Staged Urban Experiences’. European Urban and Regional Studies, vol. 18, no. 4, 2011, pp. 392405.CrossRefGoogle Scholar
Johnson, Henry. ‘Asian Festivalscapes: The Festivalization of Asia in the Making of Aotearoa/New Zealand’. New Zealand Journal of Asian Studies, vol. 17, no. 2, 2015, pp. 1740.Google Scholar
Klaic, Dragan, ed. Festivals in Focus. Regional Observatory on Financing Culture in East-Central Europe, 2014.Google Scholar
Knowles, Ric. ‘Festivals: What Good Are They? What Are They Good At? The Case of Edinburgh 2017’. Theatre Journal, vol. 70, 2018, pp. 369–82.CrossRefGoogle Scholar
Knowles, Ric. ‘International Festivals’. Reading the Material Theatre. Cambridge University Press, 2004, pp. 180200.Google Scholar
Knowles, Ric, ed. Theatre Studies in Canada/Recherches théâtrales au Canada, vol. 40, no. 1–2, 2019, Special Issue on Festivals.Google Scholar
Mackley-Crump, Jared. ‘The Festivalization of Pacific Cultures in New Zealand: Diasporic Flow and Identity within Transcultural Contact Zones’. Musicology Australia, vol. 35, no. 1, 2013, pp. 2040.CrossRefGoogle Scholar
Martin, Jacqueline E., Seffrin, Georgia K., and Wissler, Rodney C.. ‘The Festival Is a Theatrical Event’. Theatrical Events: Borders, Dynamics, Frames, edited by Cremona, Vicky, Eversmann, Peter, van Maanen, Hans, Sauter, Willem, and Tulloch, John. Amsterdam: Rodopi, 2004, pp. 91110.Google Scholar
McMahon, Christina. Recasting Transnationalism through Performance: Theatre Festivals in Cape Verde, Mozambique, and Brazil. Palgrave, 2014.CrossRefGoogle Scholar
Orel, Barbara. ‘National Festivals and the Challenges of Internationalization’. Theater, vol. 41, no. 1, 2011, pp. 96101.Google Scholar
Patsalides, Savas. ‘Who’s There? Theatre Festivals in Search of a Postmodern Audience’. Theater, vol. 41, no. 1, 2011, pp. 8692.Google Scholar
Phipps, Peter. ‘Indigenous Festivals in Australia: Performing the Postcolonial’. Ethnos, vol. 81, no. 4, 2016, pp. 683–96.CrossRefGoogle Scholar
Phipps, Peter. ‘Performances of Power: Indigenous Cultural Festivals as Globally Engaged Cultural Strategy’. Alternatives: Global, Local, Political, vol. 35, no. 3, 2010, pp. 217–40.CrossRefGoogle Scholar
Quinn, Bernadette. ‘Arts Festivals and the City’. Urban Studies, vol. 42, no. 5–6, 2005, pp. 927–43.CrossRefGoogle Scholar
Quinn, Bernadette. ‘Arts Festivals, Urban Tourism and Cultural Policy’. Journal of Policy Research in Tourism, Leisure and Events, vol. 2, no. 3, 2010, pp. 264–79.CrossRefGoogle Scholar
Ronström, Owe. ‘Four Facets of Festivalisation’. Puls-Journal for Ethnomusicology and Ethnochoreology, vol. 1, 2015, pp. 6783.Google Scholar
Sala, Luc. Festivalization: The Boom in Events. Boekencoőperatie Nederland u.a., 2015.Google Scholar
Sautur, Willmar, ed. Theatre Research International, vol. 30, no. 3, 2005, Special Issue on Festivals.Google Scholar
Staub, August W.The Social Uses of Festival: Transformation and Disfiguration’. South African Theatre Journal, vol. 6, no. 1, 1992, pp. 2532.CrossRefGoogle Scholar
Stevens, Quentin, and Shin, HaeRan. ‘Urban Festivals and Local Social Space’. Planning, Practice & Research, vol. 29, no. 1, 2014, pp. 120.CrossRefGoogle Scholar
Stevenson, Karen. The Festival of Pacific Arts: Celebrating 40 Years. Secretariat of the Pacific Community (SPC), 2012.Google Scholar
Stoeltje, Beverly J.Festival’. Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook, edited by Bauman, Richard. Oxford University Press, 1992, pp. 261–71.Google Scholar
Thomasson, Sarah. Producing the Festival City: Place Myths and the Festivals of Adelaide and Edinburgh. Dissertation, Queen Mary University of London, 2015.Google Scholar
Toraldo, Maria Laura. ‘Mobilising the Cultural Consumer through the Senses: Festivals as Sensory Experiences’. International Journal of Work, Organisation and Emotion, vol. 5, no. 4, 2013, pp. 384400.CrossRefGoogle Scholar
Van Aalst, Irina, and van Melik, Rianne. ‘City Festivals and Urban Development: Does Place Matter?European Urban and Regional Studies, vol. 19, no. 2, 2012, pp. 195206.CrossRefGoogle Scholar
Varney, Denise, Eckersall, Peter, Hudson, Chris, and Hatley, Barbara. ‘Cultural Exchange, Arts Festivals and Markers of Modernity’. Theatre and Performance in the Asia-Pacific. Palgrave Macmillan, 2013, pp. 201–16.CrossRefGoogle Scholar
Waterman, Stanley. ‘Carnivals for Élites? The Cultural Politics of Arts Festivals’. Progress in Human Geography, vol. 22, no. 1, 1998, pp. 5474.CrossRefGoogle Scholar
Wehle, Philippa. ‘The Avignon Vision’. PAJ: A Journal of Performance and Art, vol. 35, no. 1, 2013, pp. 7380.Google Scholar
Willems-Braun, Bruce. ‘Situating Cultural Politics: Fringe Festivals and the Production of Spaces of Intersubjectivity’. Environment and Planning D: Society and Space, vol. 12, no. 1, 1994, pp. 75104.CrossRefGoogle Scholar
Yeoman, Ian. Festival and Events Management: An International Arts and Culture Perspective. Routledge, 2004.CrossRefGoogle Scholar
Zaiontz, Keren. Theatre & Festivals. Palgrave, 2018.Google Scholar
Zarrilli, Phillip B.Religious and Civic Festivals: Early Drama and Theatre in Context’. Theatre Histories: An Introduction, edited by Zarrilli, Phillip B., McConachie, Bruce, Williams, Gary Jay, and Sorgenfrei, Carol Fisher. Routledge, 2006, pp. 5398.Google Scholar
Zherdev, Nikolay. ‘Festivalization as a Creative City Strategy’. IN3 Working Paper Series [Doctoral Working Paper Series DWP 14-002]. https://cercles.diba.cat/documentsdigitals/pdf/E140137.pdf. 20 April 2019.Google Scholar

Send book to Kindle

To send this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle.

Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Ric Knowles, University of Guelph, Ontario
  • Book: The Cambridge Companion to International Theatre Festivals
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108348447.019
Available formats
×

Send book to Dropbox

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox.

  • Further Reading
  • Edited by Ric Knowles, University of Guelph, Ontario
  • Book: The Cambridge Companion to International Theatre Festivals
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108348447.019
Available formats
×

Send book to Google Drive

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive.

  • Further Reading
  • Edited by Ric Knowles, University of Guelph, Ontario
  • Book: The Cambridge Companion to International Theatre Festivals
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108348447.019
Available formats
×