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The neoliberal enterprise of NGOs has transformed the left-leaning politics of the political theatre movement in the Punjab region of Pakistan. Commencing in the 1980s, this theatre acted as a vibrant movement of the Left, challenging the brutal military dictatorship of General Zia. At a later stage, its politics changed to the neoliberal politics of NGOs, giving way to economics and the agenda of international donor organizations of the Global North. This article demonstrates the turn-around of theatre company Ajoka’s recent production Saira aur Miara (2019) and focuses on the production’s politics, together with its text, design, and performance modes in aesthetic terms. A materialist and context-specific political approach examines to what extent class struggle and leftist ideas inform this company’s ideological imaginings and how much it has moved away from its original political position. It indicates the tensions and contradictions that have been created during this change and because of it.
In this volume, Gabriel Zuchtriegel revisits the idea of Doric architecture as the paradigm of architectural and artistic evolutionism. Bringing together old and new archaeological data, some for the first time, he posits that Doric architecture has little to do with a wood-to-stone evolution. Rather, he argues, it originated in tandem with a disruptive shift in urbanism, land use, and colonization in Archaic Greece. Zuchtriegel presents momentous architectural change as part of a broader transformation that involved religion, politics, economics, and philosophy. As Greek elites colonized, explored, and mapped the Mediterranean, they sought a new home for the gods in the changing landscapes of the sixth-century BC Greek world. Doric architecture provided an answer to this challenge, as becomes evident from parallel developments in architecture, art, land division, urban planning, athletics, warfare, and cosmology. Building on recent developments in geography, gender, and postcolonial studies, this volume offers a radically new interpretation of architecture and society in Archaic Greece.
The concluding chapter contextualizes the study of ancient Doric architecture against the backdrop of European colonialism and modern globalization. The evolutionary explanation of the Doric temple can be seen as part of a broader tendency in the West of naturalizing and normalizing Greek/Western culture as world culture by tracing it back to universal principles. The critique of the evolutionary narrative makes it possible to appreciate the disruptive and innovative character of the Doric order as part of a historical shift in the wielding of religious and political power and in the relation between Greek communities and the landscapes they inhabited. Population growth, social change, and political innovation led to urbanization, colonization, and land reclamation on an unprecedented scale. These processes challenged the traditional religious system, which was based on an intrinsic relation between the divinities and the natural features of the landscape. The Doric temple can be seen as a response to this situation: by redefining the sacred space, “inhabited” by the gods, it also redefined what was outside the sacred precinct, the “profane” land that was subject to new forms of exploitation, land distribution, and colonization.
The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and demonstrate what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.
“The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and demonstrate what reading an Australian novel looks like in practice.”
First Nations Australian literature has often been the object of incomprehension and derogation by settler critics – something a deeper perspective of “presencing” can overcome. This chapter takes a decolonial perspective and highlights the self-assertion of First Nations writers against invidious characterization, such as that received by the poetic work of Oodgeroo Noonuccal in the 1960s. It demonstrates how nonIndigenous readers can approach texts by First Nations authors not as “tourists” but as “invited guests.”
Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field's interests in theory help us understand what's going on, half-spoken, in the disciplinary unconscious.
In 1828, five years after the premiere in Venice of Rossini's final Italian opera, Semiramide, Gaetano Rossi's libretto was again set to music, this time by the famed bel canto tenor and composer Manuel García in Mexico City. The opera, one of the first to be composed in Latin America after the collapse of the Spanish empire, was intended to demonstrate independent Mexico's ability not just to import Italian opera from Europe but also to produce new works. Instead of proving Mexico's credentials as a successful operatic nation, however, García's Semiramide became a problematic space for bringing to light tensions between underlying colonial resistance and the new liberal influence of France, England and Italy. This article contextualises this momentous operatic event within the wider frame of Mexico's nation building and investigates how the manifold political tensions and cultural contradictions of Mexico's postcolonial transition were absorbed and amplified by both García's composition and its staging.
This article studies practices of knowledge production during counterterrorism financing court cases in European courts. Developments in international law have contributed to novel regulations to criminalise and prosecute the funding of terrorism in advance of terrorist violence. In this study, we study how court cases have become important spaces for contesting and evaluating multiple knowledge claims on terrorist threat and suspicion by analysing case proceedings from both the Netherlands and the United Kingdom. Building on recent debates in International Relations and postcolonial theory, we make two contributions. First, building on insights from postcolonial literature on ‘abyssal thinking’, we illustrate how legal practices differentiate between different ways of knowing by dismissing certain experiences as ‘emotional’ or ‘subjective’ in contrast to the assumed objectivity of other knowledge claims. We argue that decisions on what counts as knowledge in a court setting are situated in a specific sociopolitical setting, whereby particular knowledge and life-worlds are recognised at the expense of others. Second, we empirically show how the novel criminal laws shifts the responsibility to know terrorist threat from the state to ordinary citizens. We illustrate how the court reinforces new security logics where the state can entertain doubt, uncertainty, and trust in their practices, while the citizens cannot.
The methodological risks of defining religion a priori are discussed. The alternative is to study ideas, groups, and institutions that are defined, perceived or contested as religious. In any given case, the dimension of religion that is at stake is identified (specifically, one or all of the three Bs: belief, belonging or behaving) along with which specific interactions between the three are at play for both political and religious communities. The interaction between the two sets of three Bs, religious and political, can explain the politicization of religion and vice versa in specific contexts. From these findings, three trends emerge that cut across all the cases and would be worth further exploration: the loss of local autonomy of religious communities, the securitization of religion and the blurring of the national and international political division. In closing, the respective limits of variable-centered investigations and postcolonial studies are discussed.
This chapter surveys Richard Wright’s contemporary reception, from his dramatic rise to literary fame through works of naturalist fiction, to the existential novels he wrote in exile, to his later nonfiction on the decolonization process in Africa and Asia. Although his career has often been reduced to a peak with Native Son and a subsequent decline, Wright’s complex and changing critical reception can best be understood through the shifting relationships between American literary intellectuals, discourses of race and racism, and global geopolitics. This chapter examines the political debates that lingered over Wright’s work from his earliest publications; it explains the critical resentment for his exile and interest in existentialism; and it emphasizes how his journalistic writing represents early, and generally well-reviewed, contributions to an emerging interest in the post-colonial world. These final books, too often overlooked today, offer important evidence of Wright’s ongoing interest in black leadership, the relationship between racial solidarity and liberal geopolitics, and the challenges facing an African diaspora.
This chapter gives an overview of the book in how it deals with dignity in the 2011 Egyptian Revolution in the context of the Arab Uprisings. Dignity or karama in Arabic is a nebulous concept that challenges us to reflect about various issues such as identity, human rights, and faith. This chapter shows that the research to write this book was prompted by the complexity of dignity demands at a time when the region of North Africa and the Middle East was drifting in the socio-political event of the “Arab Spring” or Arab Uprisings. The main motivation in the research was to investigate understandings of karama in the specific context of Egypt during the 2011 protests. To do so, the focus was on interviews with participants in the 2011 protests and analysis of art forms that emerged during protests and in which there was an explicit expression of dignity/lack of dignity. The chapter presents the argument and contribution of the book, the importance of terminology and layers of meanings, and finally the wider context for dignity slogans. The chapter ends by presenting the book structure and the thematic chapters.
This chapter focuses on the theme of dignity as identity and particularly Arab identity. One of the important components in the construction of nationality is consolidating a sense of identity. Karama/dignity – in the sense of being an image of God with inherent worth – has supported for millennia a sense of identity for humans. In the discussion of karama as identity in the slogans of the 2011 Arab Uprisings in Egypt, the chapter shows that there is a widespread understanding of the lack of dignity in Arab contexts, mostly due to oppressive political regimes in a postcolonial setting, which can be seen through various expressions of karama as identity in arts and in the interviews. The chapter also highlights how identity politics are also essential to increasingly globalized societal contexts around the world.
This chapter focuses on the theme of dignity as a human right. There is first a brief general review of a few relevant philosophical debates about human dignity and human rights that are concerned with societal progress in the way karama as a human right, was sometimes interpreted by protesters. Then, the chapter moves on to a closer look at a postcolonial review of similar debates. After reviewing some relevant passages from interviews and other expressions of karama as a human right in Egypt, the chapter ends with an overall analysis of this specific theme in light of the material previously presented.
This chapter focuses on the theme of dignity as materialism. In this chapter, the relationship between materialism and dignity/karama suggested in the interviews and in some of the protesters’ demands during the 2011 uprisings in Egypt is first set in the context of the political and economic project of development in today’s modern and global societies. Then, the chapter provides a review of some of the critiques of this political and economic project of development in modern societies and in structural adjustments exposed in new models for socioeconomic progress, particularly to provide for an alternative to strict materialism. The chapter points to the context of a rise of human rights and human dignity discourses that support nonmaterial dimensions of wellbeing and confront it to the representations of karama related to materialism seen in the study. This rise has been seen not only in different societies but also in designing new development models that are precisely concerned with more egalitarian economic conditions for more social justice.
This chapter focuses on the theme of dignity as faith. First, the chapter attempts to clarify the use of the term “faith” as opposed to “religion.” The notion of dignity/karama is not just related to Islam, but also to a social condition that is embedded in one’s religious status and the accompanying process of socialization. The discussion of a human’s worth, central to understanding dignity/karama, is often related to religious studies. Given the broad context of this relationship, the focus here is to look only at the scholarship suggested from the interviews: notably dignity for Spinoza, for Pico della Mirandola, and for the secularists versus Islamists and in their debate with each other. The chapter gives milestones for the understanding of the discussion of karama and faith/religion in the interviews presented in this chapter.
While literary modernism is often associated with Euro-American metropolises such as London, Paris or New York, this book considers the place of the colonial city in modernist fiction. From the streets of Dublin to the shop-houses of Singapore, and from the botanical gardens of Bombay to the suburbs of Suva, the monumental landscapes of British colonial cities aimed to reinforce empire's universalising claims, yet these spaces also contradicted and resisted the impositions of an idealised English culture. Inspired by the uneven landscapes of the urban British empire, a group of twentieth-century writers transformed the visual incongruities and anachronisms on display in the city streets into sources of critique and formal innovation. Showing how these writers responded to empire's metrocolonial complexities and built legacies, Modernism in the Metrocolony traces an alternative, peripheral history of the modernist city.
If affect theory is principally concerned to account for the visceral forces and intensities that relate human and non-human bodies, how might it help to make sense of the force and intensity of capitalist cultures of accumulation and extraction as they are lived, felt, and understood by subaltern bodies living and dying in the Global South? In what ways might the transmission of affect associated with the political and economic legacies of European colonialism shape the understanding of such contemporary cultures of accumulation, extraction, and dispossession? And how might technologies of representation, such as printed books, help to illuminate the ways in which the sign systems of the market economy, the media, and the state affect the bodies and lived environments of those who feel the slow violence of debt, capital accumulation, and dispossession most acutely? This chapter tries to address these questions by considering how subaltern histories are registered affectively through the transmission of human remains. Building on poststructuralist theories of subaltern affect and psychoanalytic accounts of affect in the decolonial thought of Frantz Fanon, it suggests that the histories of those whose lives are deemed without value and denied expression in hegemonic forms of speech and representation are nevertheless transmitted in the embodied experiences of subalternity.
The following paper argues for a critical creative paedagogy as a means of meaningfully engaging with Indigenous and decolonial philosophies. We showcase our critical frameworks and pathways for teaching a decolonial and Indigenous university course where philosophy and arts meet to engage with complex colonial, racial and epistemological questions. We first frame our theoretical and philosophical stance within critical postcolonial, Indigenous and decolonial studies. We then describe an epistemological critique within western philosophical discourse that will gesture towards a decolonial pathway to arts and discuss our creative teaching approach grounded in decolonial and Indigenous theories. Lastly, we reach to a critical and decolonial space where ‘southern’ philosophies can be ‘heard’ in their fullest complexity. We contend that creative writing and visual arts grounded in critical decolonial and Indigenous theories provide a space in which a decolonised knowledge seems possible.
The introduction outlines the scope of the book, its purpose and research questions. The three regions of investigation – the Sulu Sea, the Strait of Malacca and Indochina − are introduced, and the basis for the comparative research design is explained. A critical discussion of the historiography of piracy in Southeast Asia to date serves to situate the study in the international research frontlines in the field. The dichotomy between the absolutist and relativist perspectives on piracy in Southeast Asia is clarified. The biases and problems of the latter perspective, which currently dominates in the field of research, is discussed at some length. It is concluded that a cross-cultural concept of piracy is both possible and fruitful as a point of departure for research. The historiographic and methodological point of departure for the study, particularly New Imperial History, Connected Histories of Empire and the framework of Concurrences, are introduced along with the main historical sources and disposition of the book.