Editor's Note
Editor's Note: Multidisciplinary Extensions of Analysis
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- 25 June 2014, pp. 1-2
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Editor's Note: Dance in the Museum
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- 13 January 2015, pp. 1-4
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Editor's Note: The Choreographic Composite
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- 18 September 2014, pp. 1-3
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Dialogues
Play Dead: Dance, Museums, and the “Time-Based Arts”
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- 13 January 2015, pp. 6-23
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Articles
The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha's Sharira (2001)
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- 18 September 2014, pp. 5-19
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Inheriting Dance's Alternative Histories
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- 25 June 2014, pp. 5-22
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Dialogues
Experience as Artifact: Transformations of the Immaterial
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- 13 January 2015, pp. 24-31
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Articles
Tap and Teeth: Virtuosity and the Smile in the Films of Bill Robinson and Eleanor Powell
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- 18 September 2014, pp. 21-37
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Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism
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- 25 June 2014, pp. 23-40
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Dialogues
OCCUPY MoMA: The (Risks and) Potentials of a Musée de la danse!
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- 13 January 2015, pp. 32-44
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Articles
The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease
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- 18 September 2014, pp. 39-56
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The Ambulatory Aesthetics of Yvonne Rainer's Trio A
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- 25 June 2014, pp. 41-60
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The Pilates Pelvis: Racial Implications of the Immobile Hips
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- 18 September 2014, pp. 57-72
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Dialogues
Manifesto for a National Choreographic Centre
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- 13 January 2015, pp. 45-48
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Articles
Textual Matters: Making Narrative and Kinesthetic Sense of Crystal Pite's Dance-Theater
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- 25 June 2014, pp. 61-83
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Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency
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- 25 June 2014, pp. 85-94
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“Indian Ballerinas Toe Up”: Maria Tallchief and Making Ballet “American” in the Tribal Termination Era
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- 18 September 2014, pp. 73-96
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Dialogues
Interview with Boris Charmatz
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- 13 January 2015, pp. 49-52
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Review Essays
Choreographing Empathy: Kinesthesia in Performance
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- 18 September 2014, pp. 98-104
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Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde
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- 25 June 2014, pp. 96-103
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