Skip to main content Accessibility help
×
Home

Raúl R. Romero (editor). Música, danzas y máscaras en los Andes. Lima: Pontificia Universidad Católica de Perú, Instituto Riva-Agüero, 1993. 411 pp., illustrations, musical examples, bibliographies.

  • John M. Schechter

Abstract

  • An abstract is not available for this content so a preview has been provided below. Please use the Get access link above for information on how to access this content.

Copyright

References

Hide All
Béhague, Gérard 1980South American Masked Dances: an Overview.” The World of Music 22/1:2338.
Bolaños, César, et al. 1978 Mapa de los instrumentos musicales de uso popular en el Perú: clasificación y ubicación geográfica. Lima: Instituto Nacional de Cultura, Oficina de Música y Danza.
Coba Andrade, Carlos 1985 Danzas y Bailes en el Ecuador. Quito: Ediciones Abya-Yala.
Cohen, John 1984 Mountain Music of Peru. 60 min. film. Putnam Valley, New York: Hazardous Films.
Guillermo, Delgado-P. 1983The Devil Mask: A Contemporary Variant of Andean Iconography in Oruro.” In The Power of Symbols: Masks and Masquerade in the Americas, ed. Crumrine, N. R. & Halpin, M., Vancouver: University of British Columbia Press, pp. 131–48.
González Holguín, Diego 1952 Vocabulario dela Lengua General de Todo el Perú, Llamada Lengua Qquichua, o del Inca. Edición del Instituto de Historia. Lima: Imprenta Santa María. Originally published 1608.
d'Harcourt, Raul and Marguérite, 1925 La Musique des Incas et ses survivances. Paris: Paul Geuthner.
Andrade, Moreno, Luis, Segundo 1949 Música y Danzas Autóctonas del Ecuador. Indigenous Music and Dances of Ecuador. Quito: Edit. “Fray Jodoco Rick.”
Olsen, Dale A. 1986-87The Peruvian Folk Harp Tradition: Determinants of Style.” Folk Harp Journal 53:4854; 54:4148; 55:5559; 56:5760; 57:3842; 58:4748; 59:6062.
Schechter, John M. 1979The Inca Cantar Histórico: A Lexico-Historical Elaboration on Two Cultural Themes.” Ethnomusicology 23: 191204.
Schechter, John M. 1983 Corona y baile: Music in the Child's Wake of Ecuador and Hispanic South America, Past and Present.” Latin American Music Review 4: 180.
Schechter, John M. 1992 The Indispensable Harp: Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America. Kent, Ohio: The Kent State University Press.
Schechter, John M. 1994aCorpus Christi and its Octave in Andean Ecuador: Procession and Music, ‘Castles’ and ‘Bulls'.” In Music-Cultures in Contact: Convergences and Collisions, ed. Kartomi, M.J. and Blum, S.. Australian Studies in the History, Philosophy and Social Studies of Music, 2. Sydney: Currency Press, pp. 5972.
Schechter, John M. 1994bDivergent Perspectives on the velorio del angelito: Ritual Imagery, Artistic Condemnation, and Ethnographic Value .” Journal of Ritual Studies 8/2:4384.
Turino, Thomas 1982 “Communication in Performance: The Fiesta of the Virgen del Carmen, Paucartambo, Peru.” M.A. thesis, University of Texas at Austin.
Turino, Thomas 1983The Charango and the Sirena: Music, Magic, and the Power of Love.” Latin American Music Review 4:81119.
Turino, Thomas 1993 Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: The University of Chicago Press.
Yaranga Valderrama, Abdón 1979La Qachwa o Qachua en la Civilización Andina.” In Hommage des Hispanistes Français a Noel Salomon. Barcelona: Editorial Laia, pp. 823–40.

Raúl R. Romero (editor). Música, danzas y máscaras en los Andes. Lima: Pontificia Universidad Católica de Perú, Instituto Riva-Agüero, 1993. 411 pp., illustrations, musical examples, bibliographies.

  • John M. Schechter

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Abstract views

Total abstract views: 0 *
Loading metrics...

* Views captured on Cambridge Core between <date>. This data will be updated every 24 hours.

Usage data cannot currently be displayed