Hostname: page-component-7bb8b95d7b-pwrkn Total loading time: 0 Render date: 2024-09-21T01:56:55.712Z Has data issue: false hasContentIssue false
  • English
  • Français

Binzasara: Music and Dance at Sensōji in Edo/Tōkyō

Published online by Cambridge University Press:  07 March 2019

Gerald Groemer
Get access Rights & Permissions [Opens in a new window]

Extract

Dengaku, literally “field music” or “field entertainment,” figures as one of the most important genres of traditional Japanese music, that is, music developed in Japan before the Meiji period (1868–1912). Dengaku has played a role in ceremonies at major religious institutions since at least the twelfth century and continues to be performed at many locations today, including the Kasuga Wakamiya shrine in Nara prefecture, the Nachi shrine in Wakayama prefecture, the Mikachi Hachiman shrine in Fukuchiyama (Kyōto-fu), the Yasaka shrine in Yasaka-chō (Kyōto-fu), the Hie shrine in Yashiro (Kyoto), the Ωji shrine in Tōkyō-to, the Kanasayama shrines in Ibaraki prefecture, Mōtsūji in Hiraizumi (Iwate prefecture), Sensōji in downtown Tokyo, and other religious institutions throughout the land.

Type
Articles
Information
Yearbook for Traditional Music , Volume 43 , 2011 , pp. 37 - 61
Copyright
Copyright © 2011 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

All publishers are in Tokyo unless otherwise noted.Google Scholar
Addiss, Stephen, Groemer, Gerald, and Rimer, J. Thomas 2006 Ed. Traditional Japanese Arts and Culture: An Illustrated Sourcebook. Honolulu: University of Hawaii Press.CrossRefGoogle Scholar
Yūshun, Amino 1982 Sensōji-shi danshō. Sensōji.Google Scholar
Asakusa-shi 1976 Mikan zuihitsu hyakushu, vol. 2:127–93. Chūō Kōronsha.Google Scholar
Bukō nenpyō 1968 2 vols. Kaneko Mitsuharu, ed. Heibonsha.Google Scholar
“Chōroku yonen Wakamiya-matsuri dengaku-tō no ki” 1974 Geinōshi Kenkyūkai, ed. In Nihon shomin bunka shiryō shūsei, vol. 2 (Dengaku, sarugaku), 37–48. San'ichi Shobō.Google Scholar
Chūyūki 1965 7 vols. (Zōho) shiryō taisei, vols. 9–15. Kyoto: Rinsen Shoten.Google Scholar
Daisenji engi 1971 Sasaki Kazuo, ed. Tottori-ken Yonago-shi: Inaba Shobō.Google Scholar
“Dengaku hōshi yurai no koto” 1902 (Kaitei) Shiseki shūran, vol. 16:527–50. Kondō Kappansho.Google Scholar
Edo kanoko 1970 Sumiya Shobō.Google Scholar
Edo sunago 1981 In Koike Shōtarō, ed., Edo sunago, 13–319. Tōkyōdō.Google Scholar
Eiga monogatari (ge) 1965 Nihon koten bungaku taikei, vol. 76. Matsumura Hiroji, Yamanaka Yutaka, eds. Iwanami Shoten.Google Scholar
Groemer, Gerald 2007 “Female Shamans in Eastern Japan during the Edo Period.” Asian Folklore Studies 66/1–2:27–53.Google Scholar
Groemer, Gerald 2010 “Sacred Dance at Sensōji: The Development of a Tradition.” Asian Ethnology 69/2: 265–92.Google Scholar
Groemer, Gerald 2011 “The ‘Masters of Sacred Dance’ in Eastern Japan during the Edo Period.” Japan Review 23.Google Scholar
in press “Tamura Hachidayū and the Control of Sacred Dance during the Edo Period.” Japanese Journal of Religious Studies.Google Scholar
Haikai fudemame 1926 In Mitamura Engyo, ed., Edo nenjū gyōji, 89–91. Tokyo: Shun'yōdō.Google Scholar
Yasuji, Honda 1984 Tōkyō-to minzoku geinō-shi, jōkan. Tokyo: Kinseisha.Google Scholar
Yasuji, Honda 1996 Honda Yasuji chosaku-shū (Nihon no dentō geinō), Vol. 9, dengaku 2. Tokyo: Kinseisha.Google Scholar
Hur, Nam-lin 2000 Prayer and Play in Late Tokugawa Japan: Asakusa Sensōji and Edo Society. Cambridge, MA: Harvard University Press.Google Scholar
Isojūrō, Itō 1986 Dengaku-shi no kenkyū. Yoshikawa Kōbunkan.Google Scholar
Hitoshi, Iwasaki 1998 “'Edo tenka matsuri e-byōbu’ no kōsatsu: saireishi no kanten kara.” Kokka 104/4 (November): 21–28.Google Scholar
Jinrin kinmōzui 1990 Asakura Haruhiko, ed. Heibonsha.Google Scholar
Kankon shiryō 1975 Nihon zuihitsu taisei, series 1, vol. 12:203–306. Yoshikawa Kōbunkan.Google Scholar
Kenshōkai, Kasuga 1976 Ed. Kasuga dengaku seinō chōsa hōkoku. Nara: Kasuga Kenshōkai.Google Scholar
Kofi ruien 1909 Gakumu-bu. Uji-yamada: Jingūji-chō.Google Scholar
Kokka man ‘yō-shu 1926 In Mitamura Engyo, ed., Edo nenjū gyōji, 18–27. Shun'yōdō.Google Scholar
Kanzan, Matsudaira 1942 Sensōji-shi, (ge [vol. 2]). Amino Yūshun, ed. Sensōji Shuppan-bu.Google Scholar
Seizan, Matsura 1977 Kasshi yawa, vol. 2. Nakamura Yukihiko and Nakano Mitsutoshi, eds. Heibonsha.Google Scholar
McCullough, William H., and McCullough, Helen Craig 1980 A Tale of Flowering Fortunes: Annals of Japanese Aristocratic Life in the Heian Period. 2 vols. Stanford, CA: Stanford University Press.Google Scholar
Meigetsu-ki 1970 4 vols. Kokusho Kankōkai.Google Scholar
Kōkichi, Nagata 1987 Kanagawa-ken minzoku geinōshi (zōho kaitei-ban). Kinseisha.Google Scholar
Masato, Naitō 2003 Edo meisho-zu byōbu. Shōgakkan.Google Scholar
Nihon kiryaku 1965 In Nihon kiryaku kōhen, Hyakurenshō ([Shintei zōho] Kokushi taikei, vol. 11), 1–190. Yoshikawa Kōbunkan.Google Scholar
Nihon ongaku daijiten 1989 Hirano Kenji, Kamisangō Yūkō, and Gamō Satoaki, eds. Heibonsha.Google Scholar
Nihon shomin seikatsu shiryō shūsei 1979 Vol. 22 (sairei). San'ichi Shobō.Google Scholar
O'Neill, P. G. 1958 Early Nō Drama: Its Background, Character and Development 1300–1450. London: Lund Humphries.Google Scholar
Plutschow, Herbert 1996 Matsuri: The Festivals of Japan. Richmond, Surrey: Curzon Press.Google Scholar
Rath, Eric C. 2002 “Chanters at the Gate: Ritual/Performing Arts of Fifteenth-Century Japanese Outcasts.” Medieval and Early Modern Ritual: Formalized Behavior in Europe, China and Japan, ed. Rollo-Koster, Joëlle, 174–92. Leiden: Brill.Google Scholar
Raz, Jacob 1985 “Popular Entertainment and Politics: The Great Dengaku of 1096.” Monumenta Nipponica 40/3: 283–98.Google Scholar
Rimer, J. Thomas, and Masakazu, Yamazaki 1984 On the Art of the Nō Drama: The Major Treatises of Zeami. Princeton, NJ: Princeton University Press.Google Scholar
Saihan zōho Edo sō-ganoko meisho taizen 1973 Hanasaki Kazuo, ed. Watanabe Shoten.Google Scholar
Saitō Gesshin nikki 1997– 5 vols. Dai Nihon ko-kiroku. Tōkyō Daigaku Shiryō Hensanjo, ed. Iwanami 2003 Shoten.Google Scholar
Bijutsukan, Santorii 1992 Ed. Odoru sugata mau sugata: Buyō no keifu. Santorii Bijutsukan.Google Scholar
Sensōji nikki 1978– [Publication in progress; at present 30 vols, issued]. Kinryūzan Sensōji.Google Scholar
Shokoku zue nenjū gyōji taisei 1978 Girei Bunka Kenkyūjo, ed. Ωfūsha.Google Scholar
Taiheiki 1960–62 3 vols. Nihon koten bungaku taikei, vols. 34–36. Iwanami Shoten.Google Scholar
Tatsuyuki, Takano 1915 “Dengaku-shi.” Kabu ongyoku kōsetsu, 1–174. Rokugōkan.Google Scholar
Kōju, Takayanagi 1919 “Sanja Gongen binzasara matsuri.” Dozoku to densetsu 1/4: 36–41.Google Scholar
Tōkyō-shi shikō, shūkyō-hen 1932 (vol. 1); 1940 (vol. 3). Tōkyō Shiyakusho.Google Scholar
Tōtō kikō 1981 Shin enseki jisshu, vol. 3:205–80. Chūō Kōronsha.Google Scholar
Tōto saijiki 1970 (vols. 1–2) Asakura Haruhiko, ed. Heibonsha.Google Scholar
Yukinobu, Ueki 2001 Yama hoko yatai no matsuri: Furyū no kaika. Hakusuisha.Google Scholar
Kōzō, Yamaji 1990 Okina no za: Geinōmin-tachi no chūsei. Heibonsha.Google Scholar
Kōzō, Yamaji 2006 “Shishi-mai no genkei to sono hen'yō.” Minzoku geinō kenkyū 41:1–19.Google Scholar
Kōzō, Yamaji 2010 Chūsei geinō no teiryū. Iwata Shoin.Google Scholar
Zōho Edo sō-ganoko meisho taizen 1980 Edo sōsho, vol. 3 (books 1–3), vol. 4 (books 4–6). Edo Sōsho Kankōkai.Google Scholar
Zōho Edo nenjū gyōji 1926 In Mitamura Engyo, ed;, Edo nenjū gyōji, 175–216. Shun'yōdō.Google Scholar
Zoku Edo sunago 1981 In Koike Shōtarō, ed., Edo sunago, 320–520. Tōkyōdō.Google Scholar