Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-17T16:44:14.191Z Has data issue: false hasContentIssue false

Musical Efficacy: Musicking to Survive—the Case of the Pygmies

Published online by Cambridge University Press:  07 March 2019

Extract

It is certainly nothing new to point out that Pygmies, hunter-gatherers of the African equatorial rainforest, are known as a people who sing and dance—in other words, who “music“†—a lot. Their music, for the most part vocal polyphony, has been abundantly recorded and reproduced on 78-rpm records and on CDs. Many

Type
Articles
Copyright
Copyright © 2011 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliography

Arom, Simha 1966 Notes for La musique des Pygmées Ba-Benzélé (cf. Arom and Dournon 1966 in discography).Google Scholar
Arom, Simha 1973 Notes for Aka Pygmy Music (cf. Arom 1973 in discography).Google Scholar
Arom, Simha 1978 Notes for Anthologie de la musique des Pygmées Aka (cf. Arom 1978 in discography).Google Scholar
Arom, Simha 1983Musicologie et ethnomusicologie.” In Encyclopédie des Pygmées Aka, ed. Jacqueline M. C. Thomas and Serge Bahuchet, livre 1, fasc. 1:2934.Google Scholar
Arom, Simha 1991La musique omniprésente.” In Encyclopédie des Pygmées Aka, ed. Jacqueline M. C. Thomas and Serge Bahuchet, livre 1, fasc. 2:227–34 (in collaboration with Vincent Dehoux).Google Scholar
Arom, Simha, and Fūrniss, Suzanne 1992The Pentatonic System of the Aka Pygmies of the Central African Republic.” In European Studies in Ethnomusicology: Historical Developments and Recent Trends; Selected Papers Presented at the VIIth European Seminar in Ethnomusicology, Berlin, Oct. 1–6, 1990, ed. Baumann, Max-Peter, Simon, Artur, and Wegner, Ulrich, 159–73. Wilhelmshafen: Florian Nœtzel Verlag.Google Scholar
Arom, Simha, and Martin, Denis-Constant 1992 Notes for Polyphonies vocales des Pygmées Benzélé (cf. Arom and Martin 1992 in discography).Google Scholar
Bahuchet, Serge 1985 Les Pygmées Aka et la forět centrafricaine. Paris: Selaf.Google Scholar
Bahuchet, Serge 1995De la musique considérée comme une philosophie (chez les Pygmées Aka de Centrafrique).” In Ndroje balendro: Musiques, terrains, et disciplines; Textes offerts à Simha Arom, 5765. Paris: Éditions Peeters-Selaf.Google Scholar
Ballif, Noël 1954 Les Danseurs de Dieu: Chez les Pygmées de la Sangha. Paris: Hachette.Google Scholar
Ballif, Noël 1992 Les Pygmées de la grande forět. Paris: L'Harmattan.Google Scholar
Bouet, Jacques, Lortat-Jacob, Bernard, and Rădulescu, Speranţa 2002 À tue-těte: Chant et violon au Pays de l'Oach, Roumanie. Nanterre: Société d'ethnologie.Google Scholar
Boulez, Pierre 1958Contrepoint.” In Encyclopédie de la musique. Paris: Fasquelle.Google Scholar
Brăiloiu, Constantin 1949À propos du jodel.” In Kongress-Bericht, Internationale Gesellschaft für Musikwissenschaft, Basel, 1949, 6971. Bâle: Bärenreiter Verlag.Google Scholar
Brandel, Rose 1961 The Music of Central Africa. The Hague: Martinus Nijhoff.CrossRefGoogle Scholar
Bundo, Daisuke 2001Social Relationship Embodied in Singing and Dancing Performances among the Baka.” African Studies Monographs, supplementary issue 26:85101.Google Scholar
Cavalli-Sforza, Luigi L. 1986 Ed. African Pygmies. Orlando: Academic Press.Google Scholar
Dehoux, Vincent, and Guillaume, Henri 1995Chasse, sexualité et musique. Un arc musical des Pygmées Aka.” In Ndroje balendro: Musiques, terrains, et disciplines', Textes offerts à Simha Arom, 6786. Paris: Éditions Peeters-Selaf.Google Scholar
Demesse, Vincent 1980 Techniques et economie des Pygmées Babinga. Paris: Institut d'ethnologie.Google Scholar
Dobbins, Franck 1998 Ed. “La musique, de tous les passe-temps le plus beau… “: Hommage à Jean-Michel Vaccaro. Paris: Klincksieck.Google Scholar
Feld, Steven 1984Sound Structure as Social Structure.” Ethnomusicology 28/3: 383409 (Symposium on comparative sociomusicology).CrossRefGoogle Scholar
Feld, Steven 1996Pygmy POP: A Genealogy of Schizophrenic Mimesis.” Yearbook for Traditional Music 28:135.CrossRefGoogle Scholar
Fūrniss, Suzanne 1991La technique du jodel chez les Pygmées Aka (Centrafrique): Étude phonétique et acoustique.” Cahiers de musique traditionnelle, “Voix” 4:167–87.CrossRefGoogle Scholar
Fūrniss, Suzanne 2000La conception de la musique vocale chez les Aka: Terminologie et combinatoire des paramètres.” Journal des Africanistes 69/2: 147–62.Google Scholar
Fūrniss, Suzanne, and Bahuchet, Serge 1995Existe-t-il des instruments de musique pygmées?” In Ndroje balendro: Musiques, terrains et disciplines; Textes offerts à Simha Arom, 87109. Paris: Éditions Peeters-Selaf.Google Scholar
Gardin, Jean-Claude 1987Vers une épistémologie pratique en sciences humaines.” In La Logique du plausible, ed. Gardin, Jean-Claude et al., 27100. 2nd ed. Paris: Éditions de la Maison des sciences de l'homme.Google Scholar
Grimaud, Yvette 1957 Notes sur la musique des Bochiman comparée à celle des Pygmées Babinga. With the collaboration of Gilbert Rouget. Bilingual texts and musical transcriptions to accompany the disc Musique bochiman et musique pygmée. Peabody Museum and Musée de 1'Homme (cf. Rouget 1957b in discography).Google Scholar
Keil, Charles 1984Responses to Feld and Roseman.” Ethnomusicology 28/3: 446–49.Google Scholar
Keil, Charles 1998Call and Response: Applied Sociomusicology and Performance Studies.” Ethnomusicology 42/2: 303–12.Google Scholar
Keil, Charles 2000 Review of Musicking, by Christopher Small. Ethnomusicology 44/1: 161–63.Google Scholar
Kisliuk, Michelle 1998 Seize the Dance! BaAka Musical Life and the Ethnography of Performance. With 2 CDs. New York: Oxford University Press.Google Scholar
Kubik, Gerhard 2004 Totemismus. Ethnopsychologische Forschungmaterialien und Interpretationen aus Ost- und Zentralafrika, 1962–2002. Mūnster: Lit Verlag, [chapter 3 (pp. 4958) is entirely dedicated to the Jenge (alias Edzingi) of the Bangombe Pygmies of the Haute-Sangha.]Google Scholar
Lévi-Strauss, Claude 1958L'efficacité symbolique.” In Anthropologie structurale. Paris: Plon (orig. pub. 1949).Google Scholar
Lomax, Alan 1964Phonotactique du chant populaire.” L'Homme 4/1: 555.CrossRefGoogle Scholar
Lomax, Alan 1976 Cantometrics: An Approach to the Anthropology of Music. Berkeley: University of California-Extension Media Center.Google Scholar
Marandola, Fabrice 2000L'apport des nouvelles technologies à 1'étude des échelles musicales d'Afrique centrale.” Journal des Africanistes 69/2: 109–11.Google Scholar
Nattiez, Jean-Jacques 1987 Musicologie générale et sémiologie. Paris: Christian Bourgois.Google Scholar
Roche, Simone (Dreyfus) 1952Collection Musée de l'Homme (catalogue des disques provenant de la mission Ogooué-Congo).” In Archives de la musique enregistrée, 6066. Paris: UNESCO.Google Scholar
Rouget, Gilbert 1948 Notes for the three Boîte à Musique discs. 30 cm, 78 rpm (cf. Rouget 1948a in discography).Google Scholar
Rouget, Gilbert 1949Les travaux d'ethnographie musicale de la mission Ogooué-Congo.” Comptes rendus sommaires de l'Institut français d'anthropologie 43/3: 4.Google Scholar
Rouget, Gilbert 1952Notes sur les travaux d'ethnographie musicale de la mission Ogooué-Congo.” In Confěrencia Internacional dos Africanistas Occidentals em Bissau 5, pt. 2, 195204. Lisbon.Google Scholar
Rouget, Gilbert 1956 Notes for Musique pygmée de la Haute-Sangha (cf. Rouget 1957a in discography).Google Scholar
Rouget, Gilbert 1957 Ed. Notes sur la musique des Bochiman comparée à celle des Pygmées Babinga (cf. Grimaud 1957 above and Rouget 1957b in discography below).Google Scholar
Rouget, Gilbert 1963Musique de l'Afrique noire.” In Histoire de la musique 1, 215–37. “Encyclopédie de la Pléiade.” Paris: Gallimard.Google Scholar
Rouget, Gilbert 1981 Ed. Courrier du CNRS. Special supplement to no. 42, Ethnomusicologie et représentations de la musique [13 cm, 33 rpm disc inserted].Google Scholar
Rouget, Gilbert 1980 La Musique et la transe: Esquisse d'une théorie générale des relations de la musique et de la possession. Preface by Michel Leiris. Paris: Gallimard (“Tel”) (reprinted in 1990).Google Scholar
Rouget, Gilbert 1985 Music and Trance: A Theory of the Relations between Music and Possession. Trans. Brunhilde Biebuyck in collaboration with Gilbert Rouget. Chicago: University of Chicago Press.Google Scholar
Rouget, Gilbert 2004L'efficacité musicale: Musiquer pour survivre; Le cas des Pygmées.” In “Musique et anthropologie,” special issue, L'Homme 171–72:2752. With tracks 1–4 on the accompanying CD (p. 557).CrossRefGoogle Scholar
Sallée, Pierre 1975 Notes for Gabon. Musique des Pygmées Bibayak (cf. Sallée 1975 in discography).Google Scholar
Sallée, Pierre 1981 “Jodel et procédés contrapuntiques des Pygmées.” In Courrier du CNRS, ed. Gilbert Rouget.Google Scholar
Sarno, Louis, 1995 Bayaka: The Extraordinary Music of the Babenzele Pygmies. With CD. Roslyn, NY: Ellipsis Arts. [Cited in Kisliuk 1998]Google Scholar
Schebesta, Paul 1940 Les Pygmées. Paris: Gallimard (translated from German).Google Scholar
Small, Christopher 1996 “Musicking: A Ritual in Social Space.” In MUSE (http://www.musekids.org).Google Scholar
Small, Christopher 1998 Musicking: The Meanings of Performing and Listening. Hanover: Wesleyan University Press.Google Scholar
Thomas, Jacqueline M. C., and Bahuchet, Serge 1983 Ed. Encyclopédie des Pygmées Aka, 1: Les Pygmées Aka (fasc. 1). Paris: Lacito-Selaf.Google Scholar
Thompson, Robert Farris, and Bahuchet, Serge 1991 Pygmées? Paris: Musée Dapper.Google Scholar
Tsuru, Daisaku 1998Diversity of Ritual Spirit Performances among the Baka Pygmies of Southeastern Cameroon.” African Studies Monographs, supplementary issue 25:4784.Google Scholar
Turnbull, Colin 1957-58 Notes for Folkways FE 4457 [The Pygmies of the Ituri Forest (1958)] and FE 4483 [Music of Ituri Forest (1957)] discs. Later edition 1991 (cf. Turnbull and Chapman 1991 in discography).Google Scholar
Turnbull, Colin 1961 The Forest People. New York: Simon and Schuster. [Reissued in 1987]Google Scholar
Turnbull, Colin 1963 Le Peuple de la forět. Paris: Stock.Google Scholar
Turnbull, Colin 1986Survivals Factors among Mbuti and Other Hunters of the Equatorial African Rain Forest.” In African Pygmies, ed. Cavalli-Sforza, Luigi L., 103–23. Orlando: Academic Press.Google Scholar
Turnbull, Colin 1987 The Forest People. New York: Simon and Schuster. [Reissue of 1961 ed.]Google Scholar
Wallin, Nils L., Merker, Björn, and Brown, Steven 2000 Ed. The Origins of Music. Cambridge, MA: The MIT Press.Google Scholar
Arom, Simha 1973 Aka Pygmy Music. 1 LP disc, 30 cm, 33⅓ rpm. Phsilips 6586-016. UNESCO Musical Sources.Google Scholar
Arom, Simha 1978 Anthologie de la musique des Pygmées Aka (Centrafrique). 3 LP discs, 30 cm, 33⅓ rpm. OCORA 558 526 – 558 528.Google Scholar
Arom, Simha, and Dournon, Geneviève 1966 La Musique des Pygmées Ba-Benzélé. 1 LP disc, 30 cm, 33⅓ rpm. Bärenreiter Musicaphon BM 341.2301. UNESCO Collection.Google Scholar
Arom, Simha, and Martin, Denis-Constant 1992 Polyphonies vocales des Pygmées Benzélé, République centrafricaine. 1 CD. Maison des Cultures du Monde W 260042.Google Scholar
Demolin, Didier 1991 Pygmées du Haut-Zaïre: Kango, Efe, Asua. 1 CD. Musée Dapper find 190.Google Scholar
Kisliuk, Michelle 1998 Seize the Dance! CD 1 and 2 (cf. Kisliuk 1998 in bibliography).Google Scholar
Lomax, Alan 1951 Ed. World Library of Folk and Primitive Music, vol. 2: French Africa. 1 LP disc, 30 cm, 33⅓ rpm. Columbia Masterworks SL-205. Side B, track 4: “Babinga, Bangombe et Babenzele. Cris de chasse, chant magique [yeli], Djoboko, Sandzo, Edjingi.”Google Scholar
Pepper, Herbert 1958 Anthologie de la vie africaine: Moyen-Congo, Gabon. Various pieces recorded among the BaNgombe Pygmies and published on 3 LP discs, 30 cm, 33⅓ rpm. Ducretet-Thomson 320 C 126 – 320 C 128.Google Scholar
Rouget, Gilbert 1947 (O-C M)† Music of Equatorial Africa. Ethnic Folkways EFL 1402. Record 1427, 25 cm, 78 rpm (republished in 1950 (LP), Folkways FE 4402).Google Scholar
Rouget, Gilbert 1948a (O-C M) Musiques pygmées et nègres d'Afrique-Équatoriale-Française. 3 discs, 30 cm, 78 rpm. Boîte à Musique 108–110 (republished as Rouget 1957a).Google Scholar
Rouget, Gilbert 1948b (O-C M) Musique de deux groupes de Pygmées, BaBenzélé et BaNgombé, région de Ouesso, ancien Moyen-Congo; Titres: Djoboko, Yéli, Edjingi, Boukéla, Sandzo, Elanda. A series of 10 78-rpm discs (6 of 25 cm, and 4 of 30 cm). Musée de l'Homme B 16 – B 25. [These discs are located at the Bibliothèque nationale de France with the call numbers: C010308-312, C010308-312-316, and B001456-459.]Google Scholar
Rouget, Gilbert 1951 (?) (O-C M) in Alan Lomax, ed., World Library of Folk and Primitive Music (cf. Lomax 1951).Google Scholar
Rouget, Gilbert 1957a (O-C M) Musique pygmée de la Haute-Sangha. 1 LP disc, 25 cm, 33⅓ rpm. La Boîte à musique LD 325. Collection Musée de l'Homme LD 14. [Call number at the Bibliothèque nationale de France: E001163.]Google Scholar
Rouget, Gilbert 1957b Ed. Bushman Music and Pygmy Music (Musique bochiman et musique pygmée). Recordings of the Marshall expedition (1953) and of the Ogooué-Congo Mission (1946). 1 disc, 30 cm, 33⅓ rpm. Notes by Lorna Marshall. Peabody Museum (Cambridge, MA) and Musée de l'Homme LD9 (cf. Grimaud 1957 in bibliography).Google Scholar
Rouget, Gilbert 1958 (O-C M) Chant rituel de chasse. Collection universelle de musique populaire enregistrée […]. Ed. Constantin Brăiloiu. UNESCO and Musée d'ethnographie of Geneva, disc 3-II, 2 (78 rpm). Republished on LP by the Archives internationales de musique populaire enregistrée, AIMP I B. Ed. Laurent Aubert. Geneva, 1984.Google Scholar
Rouget, Gilbert 2004L'efficacité musicale: Musiquer pour survivre; Le cas des Pygmées.” In “Musique et anthropologie,” special issue, L'Homme 171–72:2752. With tracks 1–4 on the accompanying CD (p. 557).CrossRefGoogle Scholar
Sallée, Pierre 1975 Gabon: Musique des Pygmées Bibayak. 1 LP disc, 30 cm, 33⅓ rpm. OCORA 558 504.Google Scholar
Sallée, Pierre 1976 Pygmées et Bochimans. Musique et traditions du monde, ed. H. de Fraysseix. 1 LP disc, 30 cm, 33⅓ rpm. CBS 80212.Google Scholar
Turnbull, Colin, and Chapman, Francis 1991 Mbuti Pygmies of the Ituri Forest. Ed. Kisliuk, Michelle. 1 CD. Washington: Smithsonian Folkways SF 40401 (republication of Turnbull 1957–58).Google Scholar
Dupont, Jacques (director), Séchan, Edmond (cameraman), and Gaisseau, P.-D. (assistant) 1947 Au pays des Pygmées. Black-and-white film, 35 mm, 24 min. Paris, SDAC. Post-synchronized sound, sound recording: André Didier.Google Scholar
Dupont, Jacques, and Séchan, Edmond 1947 Danses congolaises. Black-and-white film, 35 mm, ± 10 min. Paris, SDAC. Post-synchronized sound, sound recording: André Didier.Google Scholar
Arom, Simha 1973 Aka Pygmy Music. 1 LP disc, 30 cm, 33⅓ rpm. Phsilips 6586-016. UNESCO Musical Sources.Google Scholar
Arom, Simha 1978 Anthologie de la musique des Pygmées Aka (Centrafrique). 3 LP discs, 30 cm, 33⅓ rpm. OCORA 558 526 – 558 528.Google Scholar
Arom, Simha, and Dournon, Geneviève 1966 La Musique des Pygmées Ba-Benzélé. 1 LP disc, 30 cm, 33⅓ rpm. Bärenreiter Musicaphon BM 341.2301. UNESCO Collection.Google Scholar
Arom, Simha, and Martin, Denis-Constant 1992 Polyphonies vocales des Pygmées Benzélé, République centrafricaine. 1 CD. Maison des Cultures du Monde W 260042.Google Scholar
Demolin, Didier 1991 Pygmées du Haut-Zaïre: Kango, Efe, Asua. 1 CD. Musée Dapper find 190.Google Scholar
Kisliuk, Michelle 1998 Seize the Dance! CD 1 and 2 (cf. Kisliuk 1998 in bibliography).Google Scholar
Lomax, Alan 1951 Ed. World Library of Folk and Primitive Music, vol. 2: French Africa. 1 LP disc, 30 cm, 33⅓ rpm. Columbia Masterworks SL-205. Side B, track 4: “Babinga, Bangombe et Babenzele. Cris de chasse, chant magique [yeli], Djoboko, Sandzo, Edjingi.”Google Scholar
Pepper, Herbert 1958 Anthologie de la vie africaine: Moyen-Congo, Gabon. Various pieces recorded among the BaNgombe Pygmies and published on 3 LP discs, 30 cm, 33⅓ rpm. Ducretet-Thomson 320 C 126 – 320 C 128.Google Scholar
Rouget, Gilbert 1947 (O-C M)† Music of Equatorial Africa. Ethnic Folkways EFL 1402. Record 1427, 25 cm, 78 rpm (republished in 1950 (LP), Folkways FE 4402).Google Scholar
Rouget, Gilbert 1948a (O-C M) Musiques pygmées et nègres d'Afrique-Équatoriale-Française. 3 discs, 30 cm, 78 rpm. Boîte à Musique 108–110 (republished as Rouget 1957a).Google Scholar
Rouget, Gilbert 1948b (O-C M) Musique de deux groupes de Pygmées, BaBenzélé et BaNgombé, région de Ouesso, ancien Moyen-Congo; Titres: Djoboko, Yéli, Edjingi, Boukéla, Sandzo, Elanda. A series of 10 78-rpm discs (6 of 25 cm, and 4 of 30 cm). Musée de l'Homme B 16 – B 25. [These discs are located at the Bibliothèque nationale de France with the call numbers: C010308-312, C010308-312-316, and B001456-459.]Google Scholar
Rouget, Gilbert 1951 (?) (O-C M) in Alan Lomax, ed., World Library of Folk and Primitive Music (cf. Lomax 1951).Google Scholar
Rouget, Gilbert 1957a (O-C M) Musique pygmée de la Haute-Sangha. 1 LP disc, 25 cm, 33⅓ rpm. La Boîte à musique LD 325. Collection Musée de l'Homme LD 14. [Call number at the Bibliothèque nationale de France: E001163.]Google Scholar
Rouget, Gilbert 1957b Ed. Bushman Music and Pygmy Music (Musique bochiman et musique pygmée). Recordings of the Marshall expedition (1953) and of the Ogooué-Congo Mission (1946). 1 disc, 30 cm, 33⅓ rpm. Notes by Lorna Marshall. Peabody Museum (Cambridge, MA) and Musée de l'Homme LD9 (cf. Grimaud 1957 in bibliography).Google Scholar
Rouget, Gilbert 1958 (O-C M) Chant rituel de chasse. Collection universelle de musique populaire enregistrée […]. Ed. Constantin Brăiloiu. UNESCO and Musée d'ethnographie of Geneva, disc 3-II, 2 (78 rpm). Republished on LP by the Archives internationales de musique populaire enregistrée, AIMP I B. Ed. Laurent Aubert. Geneva, 1984.Google Scholar
Rouget, Gilbert 2004L'efficacité musicale: Musiquer pour survivre; Le cas des Pygmées.” In “Musique et anthropologie,” special issue, L'Homme 171–72:2752. With tracks 1–4 on the accompanying CD (p. 557).CrossRefGoogle Scholar
Sallée, Pierre 1975 Gabon: Musique des Pygmées Bibayak. 1 LP disc, 30 cm, 33⅓ rpm. OCORA 558 504.Google Scholar
Sallée, Pierre 1976 Pygmées et Bochimans. Musique et traditions du monde, ed. H. de Fraysseix. 1 LP disc, 30 cm, 33⅓ rpm. CBS 80212.Google Scholar
Turnbull, Colin, and Chapman, Francis 1991 Mbuti Pygmies of the Ituri Forest. Ed. Kisliuk, Michelle. 1 CD. Washington: Smithsonian Folkways SF 40401 (republication of Turnbull 1957–58).Google Scholar
Dupont, Jacques (director), Séchan, Edmond (cameraman), and Gaisseau, P.-D. (assistant) 1947 Au pays des Pygmées. Black-and-white film, 35 mm, 24 min. Paris, SDAC. Post-synchronized sound, sound recording: André Didier.Google Scholar
Dupont, Jacques, and Séchan, Edmond 1947 Danses congolaises. Black-and-white film, 35 mm, ± 10 min. Paris, SDAC. Post-synchronized sound, sound recording: André Didier.Google Scholar