A73:1] “A Browning Letter and Sonnets from the Portuguese.” BSN, 3 (03 1973), 35. ▪ Letter to Mary Schlesinger Talbot, dated 12 Dec. 1887, in which RB describes how he learned of the existence of the sonnets.Google Scholar

A73:2] “A Browning Poem for the Eve of Valentine.” Times (London), 13 02 1971, p. 1. ▪ Prints a 17-line Valentine poem by EBB. Cf. A71:6.Google Scholar

A73:3] “Browning's Latest.” Times Higher Education Supplement (London), 26 01 1973, p. 4. ▪ Prints a hitherto unpublished poetic fragment by RB, recently discovered by John Woolford.Google Scholar

A73:4]The Pied Piper. [See A71:1.] ▪ Rev. by Bulletin of the Center for Children's Books, 25 (05 1972), 136.Google Scholar

A73:5]Allott, Kenneth, ed. Browning: Selected Poems. [See A67:3.]Google Scholar

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A73:6]Altick, Richard, ed. The Ring and the Book. [See A71:3.]Google Scholar

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A73:7]Buckler, William E., ed. The Major Victorian Poets: Tennyson, Browning, Arnold. (Riverside Edition.) Boston: Houghton Mifflin, 1973. ▪ A selection of RB's shorter poems, with four sections from The Ring and the Book. Extensive notes.Google Scholar

A73:8]Collins, Thomas J., ed. The Brownings to the Tennysons. [See A71:4.]Google Scholar

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A73:9]DeLaura, David J. “Ruskin and the Brownings.” [See A72:l.]Google Scholar

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A73:10]Gladish, Robert W.Elizabeth Barrett and the “Centurion”: The Background to an Addition to the Elizabeth Barrett Browning Canon. (Baylor Browning Interests, No. 23.) Waco, Tex.: Armstrong Browning Library, 1973. pp. xviii + 56. ▪ Reprint of EBB's anonymous review of Cornelius Mathews' poetry (and a MS version of the review), followed by a general discussion of the circumstances under which it was written. (“Centurion” was Mathews' nickname.) ▪ Rev. by Gardner B. Taplin, VP, 12 (Autumn, 1974), 241–42.Google Scholar

A73:11]Heydon, Peter N., and Kelley, Philip.eds.Elizabeth Barrett Browning's Letters to Mrs. David Ogilvy 1849–1861, with Recollections by Mrs. Ogilvy. New York: Quadrangle and the Browning Institute, 1973. pp. xxxv + 220. ▪ The letters, which represent “the first major series of Elizabeth's letters to see the public light since 1937,” deal largely with her domestic and social life in Florence.Google Scholar

▪ Rev. by Kelley, Robert E., LJ, 98 (15 12 1973), 3627;Google Scholar

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A73:12]Jack, Ian, ed.Browning: Poetical Works, 1833–1864. [See A70:6.]Google Scholar

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A73:13]Kauvar, Gerald B., and Sorenson, Gerald C., eds. Nineteenth-Century English Verse Drama. Rutherford, N.J.: Fairleigh Dickinson Univ. Press, 1973. ▪ Includes King Victor and King Charles (pp. 223–53), with an introduction by Sorenson.Google Scholar

A73:14]Kelley, Philip, and Hudson, Ronald, eds. Diary by EBB. [See A69:5.]Google Scholar

▪ Rev. by Taplin, Gardner B., VP, 12 (Autumn, 1974), 241.Google Scholar

A73:15]King, Roma A. Jr., ed. The Complete Works of Robert Browning. Vol. 4. Athens: Ohio Univ. Press, 1973. pp. xxviii + 404. ▪ A Blot in the 'Scutcheon, ed. Thomas F. Wilson; Colombe's Birthday, ed. Park Honan; Dramatic Romances and Lyrics, ed. Raymond Fitch; Luria, ed. Morse Peckham. With notes, variant readings, and cumulative indexes of titles and first lines of poems.Google Scholar

▪ Rev. by Joseph, Gerhard, Studies in English Literature, 13 (Autumn, 1973), 717;Google Scholar

Maynard, John, SIB, 4 (Fall, 1974), 78–91.Google Scholar

Vols. 3–4 rev. by Reiman, Donald H., VP, 12 (Spring, 1974), 86–96. Vols. 2–4 rev. by TLS, 22 03 1974, pp. 293–94.Google Scholar

A73:16]Kintner, Elvan, ed. The Letters of Robert Browning and Elizabeth Barrett Barrett 1845–46. [See A69:7.] ▪Google Scholar

Rev. by Taplin, Gardner B., VP, 12 (Autumn, 1974), 242.Google Scholar

A73:17]Korg, Jacob, ed. The Poetry of Robert Browning. [See A71:9.]Google Scholar

▪ Rev. by Harris, Robert R., LJ, 97 (1 05 1972), 1699; Choice, 9 (June 1972), 504;Google Scholar

Hancher, Michael, Yearbook of English Studies, 3 (1973), 318–19.Google Scholar

A73:18]Pope, Willard B., ed. Invisible Friends. [See A72:4.]Google Scholar

▪ Rev. by Rounds, Stephen R., LJ, 98 (15 02 1973), 535; Choice, 10 (March 1973), 87;Google Scholar

Jones, Leonidas M., Keats-Shelley Journal, 23 (1974), 148–49;Google Scholar

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A73:19]Solacolu, Barbu, trans. Sonetele unei portungheze. Bucharest: “Universe,” 1971. pp. 100. ▪ English text and Romanian translation of Sonnets from the Portuguese. Illustrated by Vasile Kazar.Google Scholar

A73:20]Turner, Paul W., ed. Men and Women. [See A72:5.]Google Scholar

▪ Rev. by Maxwell, J. C., Notes and Queries, NS 20 (07 1973), 270.Google Scholar

A73:21]Wingate, Bettye. “A Note on a Robert Browning Letter.” SIB, 1 (Spring, 1973), 32–33. ▪ Letter to W. Hamlet Smith, dated 10 Feb. 1887–printed in Letters of Robert Browning, ed. Hood, p. 261, and elsewhere—is transcribed for the first time in its entirety. (Reproduced on p. 17.)Google Scholar

B73:1]Abbott, Nedah. “A Bibliography of the Brownings (1968–First Quarter 1972).” SIB, 1 (Spring, 1973), 63–91. ▪ 397 items, arranged alphabetically. A continuation of B69:14.Google Scholar

B73:2] “Additions to the Collection.” Armstrong Browning Library Newsletter, No. 8 (04 1973), p. 5. ▪ Covers the period April 1969 through March 1973.Google Scholar

B73:3] “Browning in Many Media.” BSN, 3 (03 1973), 36–37. ▪ On recent radio programs, concerts, etc.Google Scholar

B73:4]Crowell, Norton, A Reader's Guide to Robert Browning. [See B72:3.]Google Scholar

▪ Rev. by McSweeney, Kerry, Queen's Quarterly, 80 (Winter, 1973), 643–44;Google Scholar

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B73:5] “Doctoral Dissertations in Progress.” SIB, 1 (Fall, 1973), 70.Google Scholar

B73:6]East, Sally K. C.Browning Music: A Descriptive Catalog of the Music Related to Robert Browning and Elizabeth Barrett Browning in the Armstrong Browning Library: 1972. Waco, Tex.: Armstrong Browning Library, 1973. pp. xv + 414. ▪ “There are 594 entries related to RB and 290 to EBB.” Main entries followed by indexes of composers, arrangers, editors, titles, and “performance medium.” Brief biographical sketches of most of the composers.Google Scholar

▪ Rev. by Ferguson, Linda C., American Music Teacher, 23 (06–07 1974), 4243.Google Scholar

B73:7]Freeman, Ronald E. “A Checklist of Publications (July 1972–December 1972).” SIB, 1 (Spring, 1973), 57–62.Google Scholar

B73:8]Freeman, Ronald E. “A Checklist of Publications (January 1973–June 1973).” SIB, 1 (Fall, 1973), 20–22.Google Scholar

B73:9]Hudson, Gladys W., comp. An Elizabeth Barrett Browning Concordance. With a Foreword by Jack W. Herring. 4 vols. Detroit: Gale Research Company, 1973. pp. xx + 440; vii + 441–1086; vii + 1087–1602; vii + 1603–2074. ▪ Computer-assisted, based on Poetical Works, ed. Kenyon (1898) and New Poems (1915). The volumes are divided as follows: (1) Juvenilia, The Seraphim and Other Poems, Chaucer Modernised; (2) Poems, 1844, Poems, 1850, Sonnets from the Portuguese, Casa Guidi Windows; (3) Aurora Leigh; (4) Poems Before Congress, Last Poems, Translations, Posthumous Poems. Vol. 1 also has a table of word frequency.Google Scholar

▪ Rev. by Timko, Michael, SIB, 2 (Spring, 1974), 96–99; American Notes and Queries, 12 (April 1974), 124–25.Google Scholar

B73:10]Joseph, Gerhard. “Recent Studies in the Nineteenth Century.” Studies in English Literature, 13 (1973), 701–29. ▪ For RB, see pp. 716–17.Google Scholar

B73:11]Kelley, Philip, and Peterson, William S.. “Browning's Final Revisions.” BIS, 1 (1973), 87–118. ▪ The proper copy-text for RB is his 1888–89 Poetical Works as emended by two lists of corrections and revisions in his hand (here reproduced).Google Scholar

B73:12]King, Roma A. Jr. “Robert Browning: A Review of the Year's Research.” SIB, 2 (Fall, 1973), 7–19.Google Scholar

B73:13]Maynard, John. “Browning's ‘Sicilian Pastoral.’” Harvard Library Bulletin, 20 (1972), 436–43. ▪ Records and discusses variant readings in an early draft of “Love Among the Ruins.”Google Scholar

B73:14]Metzdorf, Robert F., comp. A Checklist of Manuscripts in the Library of Arthur A. Houghton, Jr. New York: privately printed, 1969. ▪ For the Brownings, see pp. 12–15. Includes 26 letters of RB, 151 letters of EBB, and many MSS of EBB's poems (including Sonnets from the Portuguese).Google Scholar

B73:15]Munich, Adrienne. “The Browning Collection in the New York Public Library.” SIB, 1 (Fall, 1973), 23–25. ▪ Surveys the Browning holdings of the Manuscript Division, the Rare Book Room, and the Berg Collection.Google Scholar

B73:16]Peckham, Morse. “Lessons To Be Learned from the Ohio Browning Edition.” SIB, 1 (Fall, 1973), 71–73. ▪ On errors in the edition and the need for emending RB's text.Google Scholar

B73:17] “Performances, Symposiums, and Exhibits.” SIB, 1 (Spring, 1973), 31.Google Scholar

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B73:19]Peterson, William S., and Keenan, Richard C.. “Robert and Elizabeth Barrett Browning: An Annotated Bibliography for 1971.” BIS, 1 (1973), 173–86.Google Scholar

B73:20] “Research in Progress.” SIB, 1 (Fall, 1973), 69–70.Google Scholar

B73:21]Tobias, R. C. “Victorian Poetry.” Victorian Newsletter, No. 43 (Spring, 1973), pp. 8–11. ▪ Survey of scholarship and criticism, 1962–72.Google Scholar

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C73:1]Allen, Frank. “Ariosto and Browning: A Reexamination of ‘Count Gismond.’” VP, 11 (1973), 15–25. ▪ RB drew upon the Genevra-Airodant episode of Ariosto's Orlando Furioso and the Hero-Claudio episode of Much Ado About Nothing.Google Scholar

C73:2]Allen, Margaret V. “‘This Impassioned Yankee’: Margaret Fuller's Writing Revisited.” Southwest Review, 58 (1973), 162–71. ▪ EBB's disparagement of Fuller's writings has contributed to the poor literary reputation of the latter (pp. 163–64).Google Scholar

C73:3]Altick, Richard D.Victorian People and Ideas: A Companion for the Modern Reader of Victorian Literature. New York: Norton, 1973. ▪ See index.Google Scholar

C73:4]Antippas, A. P. “Browning's ‘The Guardian Angel’: A Possible Early Reference to Ruskin.” VP, 11 (1973), 342–44. ▪ RB may have been offering a refutation of Ruskin's low estimate of Guercino in Modern Painters.Google Scholar

C73:5]Armstrong, Isobel. [Review of Browning Newsletter, Nos. 1–9.] BSN, 3 (07 1973), 26–31.Google Scholar

C73:6]Baly, Elaine. “Talking of the Brownings—Robert's Relations.” BSN, 3 (12 1973), 3–19. ▪ Mostly about Reuben Browning and his family. Includes an obituary and photograph of Reuben B., facsimiles of three RB letters, and music for a waltz composed by Christina Browning.Google Scholar

Additional comments by Elaine Baly, the Rev. Lane, Anthony J., and the editor in BSN, 4 (03 1974), 23–24. Corrections by R. E. Alton, July 1974, p. 29.Google Scholar

C73:7]Barker, Dudley. G. K. Chesterton: A Biography. New York: Stein and Day, 1973. ▪ See index.Google Scholar

C73:8]Barker, Felix. “Dear Love: Comedy Theatre.” Evening News (London), 17 05 1973.* ▪ Review of Jerome Kilty's play based on the love letters. See C70:37.Google Scholar

C73:9]Barnes, Clive. “The Theater: ‘I Love Thee Freely.’” New York Times, 18 09 1973, p. 37. ▪ A dramatized version of the love letters, written by Benjamin B. Zavin.Google Scholar

C73:10]Benvenuto, Richard. “Lippo and Andrea: The Pro and Contra of Browning's Realism.” Studies in English Literature, 13 (1973), 643–52. ▪ “In ‘Andrea del Sarto,’ Browning questions and rejects as a way to the Incarnational moment not only Andrea's art, but Lippo's too, an art he had accepted and defended as Incarnational in ‘Fra Lippo Lippi’.”Google Scholar

C73:11]Berman, R. J.Browning's Duke. [See C72:5.]Google Scholar

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C73:12]Bischoff, Volker. “Browning's ‘The Statue and the Bust’: Eine Motivanalyse.” Archiv für das Studium der Neueren Sprachen und Literaturen, 209 (1972), 113–19.Google Scholar

C73:13]Bisson, Claude P. “Problèmes de méthodologie stylistique: description, explication, évaluation. Avec application à l'étude de la variation intratextuelle dans The Ring and the Book de Robert Browning.” Doctoral thesis, Univ. of Lyon, 1973.*Google Scholar

C73:14]Bolton, Roy. “London Browning Society News.” BSN, 3 (07 1973), 34–35.Google Scholar

C73:15]Bolton, Roy. “London Browning Society News.” BSN, 3 (12 1973), 39–40.Google Scholar

C73:16]Brestensky, Dennis F. “A Funny Thing Happened on the Way to a Play.” Modern Language Studies, 1 (Summer, 1971), 3–8. ▪ On Pippa Passes as “poetry of experience.”Google Scholar

C73:17]Brooks, Harold F. “Lord Jim and Fifine at the Fair.” Conradiana, 3, No. 1 (1970–1971), 9–25. ▪ Similarities of the symbols of the butterfly and the swimmer in the two works.Google Scholar

C73:18]Brooks, Jean R.Thomas Hardy: The Poetic Structure. Ithaca, N.Y.: Cornell Univ. Press, 1971. ▪ See index.Google Scholar

C73:19]Brown, Margaret. “The Shelley Collection, Casa Magni, Lerici, Italy.” BSN, 3 (12 1973), 38. ▪ Emphasizes the Brownings' interest in Shelley.Google Scholar

C73:20] “The Browning Hum.” New Yorker, 49 (26 05 1973), 36–38. ▪ Account of the annual New York Browning Society luncheon, at which Anthony Burgess spoke on “Browning and the Modern Age.”Google Scholar

C73:21] “Browning Poem as a Panto.” Croydon Advertiser, 9 07 1971.* ▪ Review of musical version of “The Pied Piper” presented by Coloma Preparatory School.Google Scholar

C73:22] “Brownings' Home Saved in Italy.” Times (London), 7 06 1972, p. 6. ▪ On Casa Guidi.Google Scholar

C73:23]Brugière, Bernard. “La metaphor de L'Anneau dans The Ring and the Book de R. Browning.” Le romantisme anglo-américain: Mélanges offerts à Louis Bonnerot, ed. Asselineau, Roger et al. (Études anglaises.) Paris: Didier, 1971. (pp. 257–66) ▪ The ring metaphor in relation to RB's view of the nature of art.Google Scholar

C73:24]Cameron, Kenneth W., ed. Victorian Notebook: Literary Clippings from Nineteenth-Century American Newspapers Concerning Tennyson, Scott, Shelley, Browning, Kingsley and Others. Hartford, Conn.: Transcendental Books, 1970. ▪ “This collection of Victorian newspaper clippings was put together in the 1880's and 1890's by an American who, it seems, lived in Philadelphia and subscripted to eastern periodicals, especially to the Philadelphia Public Ledger.… Browning and Tennyson were his favorites on the European side of the Atlantic…” (p. 2).Google Scholar

C73:25]Carleton, Frances B. “The Dramatic Monologue: Vox Humana.” DAI, 33 (1972), 269A (Univ. of Texas, Austin). ▪ “The concern of this study is with the philosophical, aesthetic, and psychological attributes of the dramatic monologue from roots in early antiphonal song, through certain precursors of the art in Elizabethan poetry, to the zenith of its artistic expressiveness in the work of Robert Browning in the nineteenth century.”Google Scholar

C73:26] Carpenter, Ann. “The Salvation Motif in Browning's Poetry.” CCTE: Proceedings of Conference of College Teachers of English of Texas, 38 (1973), 18–22. ▪ The salvation motif is used as a means of reconciling the actual and the ideal.Google Scholar

C73:27]Cassidy, John A.Robert W. Buchanan. (Twayne's English Authors Series, No. 157.) New York: Twayne, 1973. ▪ See index.Google Scholar

C73:28]Chakraborty, S. C. “The Medley of ‘Isms’ in Robert Browning.” Punjab University Research Bulletin (Arts), 4 (10 1973), 3–42. ▪ The “isms” discussed are optimism, theism, spiritualism, Puritanism, asceticism, Christianism [sic], Judaism, mysticism, and transcendentalism.Google Scholar

C73:29]Chakraborty, S. C. “Physiognomy in Robert Browning.” Punjab University Research Bulletin (Arts), 3 (10 1972), 31–70. ▪ RB's interest in human physiology is related to his psychological concerns.Google Scholar

C73:30]Clarke, Alan P. “Limitation and Expansion in Robert Browning's Pauline, Paracelsus, and Sordello.” DAI; 34 (1973), 3337–38A (Univ. of Denver). ▪ “This is a study of the forces of limitation and expansion in Robert Browning's three early narrative poems.… I have presented first individual investigations of each poem and then a conclusion in which all three poems are considered as a unit.”Google Scholar

C73:31]Colgan, Celeste M. “A Reading of Browning's Parleyings with Certain People of Importance in Their Day.” DAI, 34 (1973), 3385–86A (Univ. of Maryland). ▪ A general study of the themes and technique of the poem.Google Scholar

C73:32]Collins, Thomas J. “The Poetry of Robert Browning: A Proposal for Reexamination.” Texas Studies in Literature and Language, 15 (1973), 325–40. ▪ The “synthetist” form of Sordello, rather than the dramatic monologue, is the key to understanding RB's poetry.Google Scholar

C73:33]Cornet, Robert J. “The Structures of Unreliability in Browning's Men and Women.” DAI, 34 (1973), 1273A (Pennsylvania State Univ.). ▪ An analysis of the dramatic monologues based on linguistics, cognitive psychology, and the work of Barbara Herrnstein Smith and E. D. Hirsch.Google Scholar

C73:34]Cramer, Maurice B. “The Ring and the Book: ‘Underthought.’” Directions in Literary Criticism: Contemporary Approaches to Literature, ed. Weintraub, Stanley and Young, Philip. University Park: Pennsylvania State Univ. Press, 1973. (pp. 168–90) ▪ Distinguishes between the conscious ideas of the poem and the “underthought” or undercurrent of ideas emerging from the metaphoric language.Google Scholar

C73:35]Crowder, Ashby Bland. “Browning Echoing Pope.” SIB, 1 (Fall, 1973), 67. ▪ Section II of The Inn Album.Google Scholar

C73:36]Crowder, Ashby Bland. “Browning's Intention in Christmas Eve.” Aevum (Milan), 47 (1973), 336–42. ▪ The poem's speaker is a dramatic creation rather than RB himself.Google Scholar

C73:37]Crowder, Ashby Bland Jr. “Browning's The Inn Album.” Ph.D. thesis, Univ. of London, 1972.*Google Scholar

C73:38]Crowder, Ashby Bland. “A Note on Section VIII of Browning's The Inn Album.” SIB, 1 (Spring, 1973), 21–23. ▪ The significance of two operatic allusions.Google Scholar

C73:39]Cundiff, Paul A.Browning's Ring Metaphor and Truth. [See C72:13.]Google Scholar

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C73:40]Dahl, Curtis. “Browning and the Historical Novel of Antiquity.” SIB, 1 (Spring, 1973), 5–16. ▪ “An examination of the parallels between a certain group of [nineteenth-century] philosophic-religious historical novels and Browning's poems.”Google Scholar

C73:41]DeLaura, David. “A Profile: Thomas J. Collins.” SIB, 1 (Fall, 1973), 88–90. ▪ On the author of Robert Browning's Moral-Aesthetic Theory 1833–1855 (C67:10).Google Scholar

C73:42]DiFederico, Frank R., and Markus, Julia. “The Influence of Robert Browning on the Art of William Wetmore Story.” BIS, 1 (1973), 63–85. ▪ The Browningesque qualities of both Story's poetry and his sculpture are examined. Illustrated.Google Scholar

C73:43]Dilling, Margaret W. “Robert Browning's ‘Master Hugues of Saxe-Gotha.’” SIB, 1 (Fall, 1973), 37–43. ▪ Fugal elements in the poem.Google Scholar

C73:44]Dilworth, Ernest. Walter Savage Landor. (Twayne's English Authors Series, No. 125.) New York: Twayne, 1971. ▪ See index.Google Scholar

C73:45] “DoorsClose on the Browning Museum.” Times (London), 9 09 1971, p. 6. ▪ Miss Ruth Borchardt was evicted from Casa Guidi for nonpayment of rent.Google Scholar

C73:46]Dress, Michael. “Music for Pippa Passes.” BSN, 3 (07 1973), 22–26. ▪ Dress' music for the 1968 production of Pippa Passes in Oxford is reproduced.Google Scholar

C73:47]Edel, Leon. Henry James. 5 vols. Philadelphia: Lippincott, 1953–1972. ▪ See indexes.Google Scholar

C73:48]Editors of the Ohio University Browning Edition. “An Announcement from the Ohio University Browning Edition.” SIB, 1 (Fall, 1973), 50–51. ▪ On the resignation of Morse Peckham from the Editorial Board of the edition. Cf. B73:16.Google Scholar

C73:49]Felgar, Robert. “Browning as a Scholarly Interpreter.” SIB, 1 (Fall, 1973), 74–83. ▪ RB plays the role of learned scholar “in the endings of numerous poems.”Google Scholar

C73:50]Felgar, Robert. “Browning in His Own Voice.” BSN, 3 (07 1973), 3–10. ▪ A survey of RB's nondramatic poems.Google Scholar

C73:51]Fleissner, Robert F. “‘Looking as if She Were Alive’: Dorian Gray as the Last Duchess.” SIB, 1 (Fall, 1973), 57–59. ▪ “[Probably] Wilde borrowed his basic aestheticist theme from ‘My Last Duchess.’”Google Scholar

C73:52]Garratt, Robert F. “Browning's Dramatic Monologue: The Strategy of the Double Mask.” VP, 11 (1973), 115–25. ▪ Not only does RB create an imaginary speaker, but that speaker also plays a self-concealing role.Google Scholar

C73:53]Govil, O. P. “Satire in Browning's Fifine at the Fair.” Nineteenth Century Studies (Calcutta), 1973, pp. 146–63.* ▪ Attempts to highlight the poem's dramatic and dialectical character and to show how “a vein of satire consistently runs through it.”Google Scholar

C73:54]Gransden, K. W. “The Figure of Lazarus in Tennyson and Browning.” Ariel: A Review of International English Literature, 3 (01 1972), 93–98. ▪ Treats “Epistle of… Karshish,” “Andrea del Sarto,” and “Abt Vogler.”Google Scholar

C73:55]Gregory, Horace. Spirit of Time and Place: Collected Essays. New York: Norton, 1973. ▪ “Robert Browning: An ‘Escaped Victorian’” (pp. 84–94) is a reprint of his introduction to Robert Browning: Selected Poetry (A56:2).Google Scholar

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C73:58]Guralnick, Elissa S. “Browning's Transcendental Platan: Sordello Reconsidered.” DAI, 34 (1973), 2626A (Yale Univ.). ▪ A study of the poem's imagery and of its relationship to RB's other works.Google Scholar

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C73:62]Harrold, William E.The Variance and the Unity: A Study of the Complementary Poems of Robert Browning. Athens: Ohio Univ. Press, 1973. pp. ix + 244. ▪ RB's technique of writing complementary poems—which finds its highest achievement in The Ring and the Book— “is essentially a poetic method that achieves artistic balance by a series of particular comparisons and contrasts, which frequently are manifested in paradox and irony.”Google Scholar

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C73:69]Heydon, Peter N. “Whatever Became of the Pauline Poet?” BSN, 3 (03 1973), 5–21. ▪ The subsequent appearances in RB's poems of a figure like the poet-narrator of Pauline.Google Scholar

C73:70]Honan, Park. “On Robert Browning and Romanticism.” BIS, 1 (1973), 147–72. ▪ Review essay.Google Scholar

C73:71]Hope, Emily Blanchard. “Saving Casa Guidi.” BIS, 1 (1973), 1–29. ▪ A record of the various attempts to preserve the Brownings' Florentine apartment, culminating in the successful effort of the New York Browning Society during 1971–72. A list of contributors to the Casa Guidi Fund is appended. Illustrated.Google Scholar

C73:72]Hudson, Derek. Munby: Man of Two Worlds. The Life and Diaries of Arthur J. Munby, 1828–1910. London: John Murray, 1972. ▪ See index.Google Scholar

C73:73]Huguenin, Charles A., and Chetta, Peter N.. “The Story and the Browning Couples.” SIB, 1 (Fall, 1973), 28–31. ▪ On W. W. Story's sculpture The Angel of Grief (photograph on p. 35).Google Scholar

C73:74]Hunt, Martha C. “The Browning Societies of America, Their History and Accomplishments.” M.A. thesis, Baylor Univ., 1972.*Google Scholar

C73:75]Jack, Ian. Browning's Major Poetry. Oxford: Clarendon Press, 1973. pp. xiv + 308. ▪ “My aim has been to trace the successive stages in his poetic life, from his strange beginnings through his years of greatness and on to the threshold of the comparative decline of his last twenty years, and to analyse his principal poems not only in themselves but also in relation to their position in his work as a whole” (p. ix). Stops with The Ring and the Book.Google Scholar

▪ Rev. by Luckett, Richard, Spectator, 29 12 1973, pp. 845–46; TLS, 22 Mar. 1974, p. 294;Google Scholar

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C73:75.1]Keenan, Richard C. “Browning and Shelley.” BIS, I (1973), 119–45. ▪ Shelley's influence upon RB's poetry remains evident until the latter's death.Google Scholar

C73:76]Kelly, Richard. “Daniel Home, Mr. Sludge, and a Forgotten Browning Letter.” SIB, 1 (Fall, 1973), 44–49. ▪ A comparison of “Mr. Sludge, ‘the Medium’” and RB's epistolary account of a séance.Google Scholar

C73:77]Kimball, Jim C. “Browning Realia and Its Significance: A Documentation of the Museum Items in the Armstrong Browning Library.” M.A. thesis, Baylor Univ., 1972.*Google Scholar

C73:78]Krump, Jacqueline. “Robert Browning's Palace of Art.” Costerus: Essays in English and American Literature and Language, 9 (1973), 65–69. ▪ Similarities between the Aprile passage in Part II of Paracelsus and Tennyson's “Palace of Art.”Google Scholar

C73:79]Landor, Walter Savage. Landor: A Biographical Anthology, ed. Van Thai, Herbert. London: Allen and Unwin, 1973. ▪ See index.Google Scholar

C73:80]Lanning, Carmen. “Browning's Concept of a Poet.” M.A. thesis, Baylor Univ., 1973.*Google Scholar

C73:81]Lanning, Carmen. “Unpublished Browning Picture.” SIB, 1 (Spring, 1973), 35. ▪ The photograph, taken in the middle or late 1870's, is reproduced on p. 20.Google Scholar

C73:82]Leisgang, Waltraud. “Fra Lippo Lippi: A Picture-Poem.” BSN, 3 (12 1973), 20–32. ▪ Pictorial elements in the poem. Corrections by Leisgang, BSN, 4 (July 1974), 29.Google Scholar

C73:83]Lenzi, Vanda et al. “Singolare Fortuna di un Quadro e di una Poesia.” Studi del Liceo-Ginnasio Statale di Cento, 2 (1972), 177–211. ▪ On Guercino's “Guardian Angel” and RB's poem.Google Scholar

C73:84] “London Browning Society News.” BSN, 3 (03 1973), 37–38.Google Scholar

C73:85]McComb, John K. “The Ever-Present Past in Robert Browning's Poetry.” DAI, 33 (1973), 6367A (Johns Hopkins Univ.). ▪ “These two interdependent processes of experience, the accretion of memories and their sudden synthesis, are the means for Browning by which the soul approaches God.”Google Scholar

C73:86]McGann, Jerome J.Swinburne: An Experiment in Criticism. Chicago: Univ. of Chicago Press, 1972. ▪ See index.Google Scholar

C73:87]Magnin, Rabbi Edgar F. “Robert Browning: Philosopher-Poet.” New Age, 80 (12 1972), 44–46.*Google Scholar

C73:88]Markus, Julia. “Browning's ‘Andrea’ Letter at Wellesley College: A Correction of DeVane's Handbook.” SIB, 1 (Fall, 1973), 52–57. ▪ DeVane's assertions about the genesis of “Andrea del Sarto” are not supported by the letter.Google Scholar

C73:89]Maynard, John. “Browning Juvenilium?” (letter). TLS, 23 03 1973, p. 325. ▪ Argues that “On Louvel's Reply,” poem previously attributed to RB, was written by RB, Sr. Comment by Alastair Ross, 30 Mar., p. 353.Google Scholar

C73:90]Monteiro, George. “Browning's Fra Pandolf.” SIB, 1 (Fall, 1973), 55–57. ▪ Though there is no historical model for Fra Pandolf in “My Last Duchess,” there is a prototype in folklore.Google Scholar

C73:91]Morenberg, Max. “The Syntax of Robert Browning's Poetry.” DAI, 33 (1973), 4391A (Florida State Univ.). ▪ “This study was designed (1) to objectify various intuitively held opinions of Browning's style using the methods of modern descriptive linguistics, and (2) to indicate how the descriptive analysis can be applied to critical studies.”Google Scholar

C73:92]Moulton-Barrett, Edward R.Talking about the Barretts: A Prologue and an Epilogue to the Play “The Barretts of Wimpole Street”. [New York]: privately printed, 1973. pp. 16. ▪ “This lecture was prepared for delivery at Browning Society Meetings in New York and Boston in October, 1973. The aim in printing it is to raise funds for the restoration and furnishings of the Browning apartment at Casa Guidi in Florence, which has been acquired by the Browning Institute. The proceeds of the sale of copies of the text will be given to the Browning Institute for this purpose.”Google Scholar

C73:93]Norman, Geraldine. “Browning Institute Buys 36 Letters from Elizabeth to a Friend for £4,200.” Times (London), 30 11 1971, p. 15. ▪ The letters were to Mrs. David Ogilvy. See A73:ll.Google Scholar

C73:94]Omans, Glen A. “Elizabeth Barrett Browning” and “R. Browning.” The McGraw-Hill Encyclopedia of World Biography, ed. Eggenberger, David I.. New York: McGraw-Hill, 1973. (II, 195–97)Google Scholar

C73:95]Otten, Terry. The Deserted Stage. [See C72:52.] ▪ Rev. by Roma A. King, Jr., VP, 12 (Spring, 1974, supplement), 22–23.Google Scholar

C73:96]Parker, David. “The Great Gatsby: Two Versions of the Hero.” English Studies, 54 (1973), 37–51. ▪ Compares Gatsby with “Childe Roland” (pp. 39–42).Google Scholar

C73:97]Patterson, Rebecca. The Riddle of Emily Dickinson. Boston: Houghton Mifflin, 1973. ▪ See index.Google Scholar

C73:98]Peck, John F. “Pound's Idylls and Chapters on Catullus, Landor, and Browning.” DAI, 34 (1973), 1290A (Stanford Univ.). ▪ Sordello examined as a source of the Cantos.Google Scholar

C73:99]Perrine, Laurence. Sound and Sense: An Introduction to Poetry. 4th ed.New York: Harcourt Brace Jovanich, 1973. ▪ Discusses “Meeting at Night” (pp. 50–51).Google Scholar

C73:100]Peterson, William S., ed. BIS. Vol. 1. New York: Browning Institute, 1973. pp. x + 209. ▪ Articles are listed separately in this bibliography.Google Scholar

▪ Rev. by Woolford, John, BSN, 4 (03 1974), 26–32; TLS, 22 Mar. 1974, p. 294;Google Scholar

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C73:102]Popescu, Adrian. “Traduceri din poezia universală” Steaua, 24 (15 02 1973), 12, 14. ▪ Includes discussion of Romanian translation of RB's poems.Google Scholar

C73:103]Poston, Lawrence III., “Browning's Political Skepticism: Sordello and the Plays.” Publications of the Modern Language Association, 88 (1973), 260–70. ▪ RB is “concerned with exploring the limitations of politics, and in the process manifests a genuine skepticism as to the efficacy of most political commitments.”Google Scholar

C73:104]Priestley, J. B.Victoria's Heyday. London: Heinemann, 1972. ▪ See index.Google Scholar

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C73:106]Radley, Virginia L.Elizabeth Barrett Browning. [See C72:58.] ▪ Rev. by Gardner B. Taplin, VP, 12 (Autumn, 1974), 243.Google Scholar

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C73:109]Rivers, Charles. “Robert Browning's Paracelsus: A Study in Romantic Irony.” Northwest Missouri State College Studies, 33 (1 02 1972), 1–33.Google Scholar

C73:110]Robert Browning–His Life and Poetry. Chicago: International Film Bureau, [1973?]. ▪ A 21-minute color film.Google Scholar

C73:111]Roberts, Mark. The Tradition of Romantic Morality. London: Macmillan, 1973. ▪ Chap. 3, “The Browning System,” discusses “Bishop Blougram's Apology” in relation to Carlyle's moral system.Google Scholar

C73:112]Rosenthal, Ricky. “Brownings' Casa Guidi To Open as Museum.” Christian Science Monitor, 15 08 1973, p. 10.Google Scholar

C73:113]Ruskin, John. Sublime and Instructive: Letters from John Ruskin to Louisa, Marchioness of Waterford, Anna Blunden and Ellen Heaton, ed. Surtees, Virginia. London: Michael Joseph, 1972. ▪ Appendix (pp. 258–61) prints a series of EBB letters—some unpublished—to various correspondents. See also index.Google Scholar

C73:114]Ryals, Clyde de L. “Balaustion's Adventure: Browning's Greek Parable.” Publications of the Modern Language Association, 88 (1973), 1040–48. ▪ “Through the young girl from Rhodes who narrates the poem Browning presents a parable of personal salvation gained through love and the creative powers. The poem is thus a further exploration of the major themes of The Ring and the Book and, insofar as it interrelates those themes, a more successful work.”Google Scholar

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C73:118]Shapiro, Arnold. “‘Brother Newman’ and Bishop Blougram.” SIB, 1 (Fall, 1973), 59–66. ▪ RB drew upon Newman's. Lectures (1851), in “Bishop Blougram's Apology.”Google Scholar

C73:119]Shea, Michael T. “I. ‘The Uncreating Word’: The Poetical Identities of William Cowper. II. Milton: The ‘Sociable Angel’ of Paradise Lost. III. Browning and Tennyson and the Uses of the Past.” DAI, 34 (1973), 2578–79A (Rutgers Univ.). ▪ The “two contrasting evaluations of the Renaissance” by RB and Tennyson.Google Scholar

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C73:121]Siegchrist, Mark. “The Puritan St. Jerome in Browning's ‘Fra Lippo Lippi.’” SIB, 1 (Fall, 1973), 26–27. ▪ St. Jerome symbolizes not only sexual puritanism but also aesthetic puritanism.Google Scholar

C73:122]Smith, Martha. “Wiant's Lifelong Dream Comes True; ‘Exile’ Premiere Unfolds Success.” Charleston [W.Va.] Gazette-Mail, 18 06 1972.* ▪ Premiere of William Wiant's cantata based on “A Drama of Exile.”Google Scholar

C73:123]Stark, Freya. “In Defense of Asolo.” Country Life, 150 (7 10 1971), 892–95. ▪ Much on RB's associations with Asolo. Illustrated.Google Scholar

C73:124]Stirling, Edwin M. “Browning and the Rossetti Circle: The Rise and Fall of a Relationship.” DAI, 33 (1973), 5693–94A (Northwestern Univ.). ▪ The mutual influence upon each other of RB and “the Rossetti circle in the Pre-Raphaelite movement.”Google Scholar

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C73:129]Turner, W. Craig. “Browning Cousin Identified.” SIB, 1 (Spring, 1973), 34–35. ▪ The cousin mentioned in RB's letter to EBB of 27 June 1846 is Louisa Jane Browning.Google Scholar

C73:130]Turner, Willard Craig. “The Poet Robert Browning and His Kinsfolk by His Cousin, Cyrus Mason.” M.A. thesis, Baylor Univ., 1971.* ▪ See C71:46.Google Scholar

C73:131]Walsh, John E.The Hidden Life of Emily Dickinson. New York: Simon and Schuster, 1971. ▪ See index for influence of both RB and EBB upon Dickinson.Google Scholar

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C73:133]Watkins, Charlotte C. “Robert Browning's ‘The Inn Album’ and the Periodicals.” Victorian Periodicals Newsletter, 4 (12 1973), 11–17. ▪ Topical allusions in the poem as revealed by an examination of contemporary periodicals.Google Scholar

C73:134]Watson, J. R., ed. Browning: ‘Men and Women’ and Other Poems. A Casebook. London: Macmillan, 1974, pp. 256. ▪ Reprints excerpts from a number of Victorian and modern critical essays on Men and Women. Also includes an editor's introduction, two parodies, suggestions for further reading, etc.Google Scholar

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