Theatre Research International: Volume 20 - Issue 1

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Theatre Research International
ISSN: 0307-8833

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Volume 20 - Issue 1 - Spring 1995

Contents

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Reviews

Twentieth-Century European Drama. Edited by Brian Docherty. New York: St. Martin's Press, 1994. Pp. 228. $39.95
David Bradey
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23 January 2009, pp. 64-65
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Joan's Book: Joan Littlewood's Peculiar History As She Tells It. By Joan Littlewood, London: Methuen, 1994. Pp. xx + 796. £20.
Steve Nicholson
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23 January 2009, p. 65
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Double Binds: Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson. By Johan Callens. Amsterdam & Atlanta: Rodopi, 1993. Costerus New Series 87. Pp. 261. £30.75.
Alfred Nordmann
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23 January 2009, pp. 66-67
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Theatre on Trial: Samuel Beckett's Later Drama. By Anna McMullan. London and New York: Routledge, 1993. Pp. vi + 156. £30.
Gordon Armstrong
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23 January 2009, pp. 67-68
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Conversations with Pinter. By Mel Gussow. London: Nick Hern Books, 1994. Pp. 158. £12.99.
Bill Naismith
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23 January 2009, pp. 68-69
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True Lies: The Architecture of The Fantastic in The Plays of Sam Shepard. By Jim McGhee. New York: Peter Lang, 1993. Pp. 224. £28.
Paul Whiteley
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23 January 2009, p. 69
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The Story of the Theatre Royal. By Ian Bevan. Sydney: Currency Press, 1993. Pp. 266. AUS $45.
Josephine Fantasia
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23 January 2009, pp. 69-70
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Scene Design in The American Theatre from 1915 to 1960. By Orville K. Larson. Fayetteville & London: The University of Arkansas Press, 1989. Pp. 385 + illus. $40.
Christian Wittwer
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23 January 2009, pp. 70-71
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Foreign Shakespeare: Contemporary Performance. Edited by Dennis Kennedy. Cambridge: Cambridge University Press, 1993. Pp. xviii + 311 + illus. £35; $54.95
Brian Singleton
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23 January 2009, pp. 71-72
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Contemporary Feminist Theatres: To Each Her Own. By Lizbeth Goodman. (Gender in Performance Series.) London and New York: Routledge, 1993. Pp. xiv + 314. £11.99; $17.95.
Janelle Reinelt
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23 January 2009, pp. 72-74
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Harlem in Review: Critical Reactions to Black American Writers, 1917–1939. By John Bassett. Selinsgrove: Susquehanna University Press, 1992. Pp. 232. $36.50.
I. Peter Ukpokodu
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23 January 2009, pp. 74-75
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Crosswinds: An Anthology of Black Dramatists in the Diaspora. Edited by William B. Branch. Bloomington: Indiana University Press, 1993. Pp. 448. $39.95/17.95
Kathy A. Perkins
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23 January 2009, pp. 75-76
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Das Festspiel: Formen, Funktionen, Perspektiven. Edited by Balz Engler and Georg Kreis. Willisau: Theaterkultur-Verlag, 1988. Pp. 288 + ill.
Anna-Marie Taylor
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23 January 2009, pp. 76-77
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Theaterwissenschaft Heute: Eine Einführung. Edited by Renate Möhrmann. Berlin: Dietrich Reimer Verlag1990. Pp. 396. DM38.
Moray McGowan
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23 January 2009, pp. 77-78
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Books Received

Books Received
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23 January 2009, pp. 79-80
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Announcement

‘The Shoah and Performance’
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23 January 2009, p. 81
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Front matter

TRI volume 20 issue 1 Cover and Front matter
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23 January 2009, pp. f1-f5
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Back matter

TRI volume 20 issue 1 Back matter
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23 January 2009, pp. b1-b7
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Page 2 of 2

First
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1
2
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Theatre Research International

Refine listing

Actions for selected content:

Volume 20 - Issue 1 - Spring 1995

Reviews

Twentieth-Century European Drama. Edited by Brian Docherty. New York: St. Martin's Press, 1994. Pp. 228. $39.95

Joan's Book: Joan Littlewood's Peculiar History As She Tells It. By Joan Littlewood, London: Methuen, 1994. Pp. xx + 796. £20.

Double Binds: Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson. By Johan Callens. Amsterdam & Atlanta: Rodopi, 1993. Costerus New Series 87. Pp. 261. £30.75.

Theatre on Trial: Samuel Beckett's Later Drama. By Anna McMullan. London and New York: Routledge, 1993. Pp. vi + 156. £30.

Conversations with Pinter. By Mel Gussow. London: Nick Hern Books, 1994. Pp. 158. £12.99.

True Lies: The Architecture of The Fantastic in The Plays of Sam Shepard. By Jim McGhee. New York: Peter Lang, 1993. Pp. 224. £28.

The Story of the Theatre Royal. By Ian Bevan. Sydney: Currency Press, 1993. Pp. 266. AUS $45.

Scene Design in The American Theatre from 1915 to 1960. By Orville K. Larson. Fayetteville & London: The University of Arkansas Press, 1989. Pp. 385 + illus. $40.

Foreign Shakespeare: Contemporary Performance. Edited by Dennis Kennedy. Cambridge: Cambridge University Press, 1993. Pp. xviii + 311 + illus. £35; $54.95

Contemporary Feminist Theatres: To Each Her Own. By Lizbeth Goodman. (Gender in Performance Series.) London and New York: Routledge, 1993. Pp. xiv + 314. £11.99; $17.95.

Harlem in Review: Critical Reactions to Black American Writers, 1917–1939. By John Bassett. Selinsgrove: Susquehanna University Press, 1992. Pp. 232. $36.50.

Crosswinds: An Anthology of Black Dramatists in the Diaspora. Edited by William B. Branch. Bloomington: Indiana University Press, 1993. Pp. 448. $39.95/17.95

Das Festspiel: Formen, Funktionen, Perspektiven. Edited by Balz Engler and Georg Kreis. Willisau: Theaterkultur-Verlag, 1988. Pp. 288 + ill.

Theaterwissenschaft Heute: Eine Einführung. Edited by Renate Möhrmann. Berlin: Dietrich Reimer Verlag1990. Pp. 396. DM38.

Books Received

Books Received

Announcement

‘The Shoah and Performance’

Front matter

TRI volume 20 issue 1 Cover and Front matter

Back matter

TRI volume 20 issue 1 Back matter

Theatre Research International

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Volume 20 - Issue 1 - Spring 1995

Reviews

Books Received

Announcement

Front matter

Back matter