Reviews
Giorgio Strehler. by David L. Hirst. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xii + 140. £32.50.
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- 23 January 2009, pp. 174-175
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Ariane Mnouchkine and the Théâtre du Soleil. By Adrian Kiernander. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xiv + 172. £35; $54.95.
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- 23 January 2009, pp. 175-176
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Make Man Talk True: Nigerian Drama in English Since 1970. By Chris Dunton. (New Perspectives on African Literature Series, 5.) London: Hans Zell Publishers, 1992. Pp. 215. £45.
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- 23 January 2009, pp. 176-177
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Laban for Actors and Dancers. By Jean Newlove. London: Nick Hern Books, 1993. Pp. 158. £9.99.
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- 23 January 2009, p. 177
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One Night Stands. By Michael Billington. London: Nick Hern Books, 1993. Pp. xvi + 382. £17.99.
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- 23 January 2009, pp. 177-178
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Drama Today: A Critical Guide to British Drama, 1970–1990. By Michelene Wandor. Longman and the British Council: London and New York, 1993. Pp. x + 81 + illus. £5.99.
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- 23 January 2009, pp. 178-179
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Art Therapy and Drama Therapy: Masks of the Soul. By Sue Jennings and Åse Minde. London and Philadelphia: Jessica Kingsley Publishers, 1993. Pp. 222. £25.
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- 23 January 2009, pp. 179-180
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Towards A Third Theatre: Eugenio Barba and The Odin Teatret. By Ian Watson. (With a foreword by Richard Schechner) London and New York: Routledge, 1993. Pp. xx + 195. £35.
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- 23 January 2009, p. 180
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Theatre and Cultural Interaction. By Maria Shevtsova. Sydney: Studies in Society and Culture No. 9, 1993. Pp. xii + 221 + illus. AUS $25.
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- 23 January 2009, pp. 180-181
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Knowledge and Performance (Comparative Criticism 14). Edited by E. S. Schaffer. Cambridge: Cambridge University Press, 1992. Pp. xxvi + 281. £40.
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- 23 January 2009, pp. 181-182
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Theatre and the World: Performance and the Politics of Culture. By Rustom Bharucha. London and New York: Routledge, 1993. Pp. 253. £35 Hb; £12.99 Pb.
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- 23 January 2009, p. 182
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The Semiotics of Theater. By Erika Fischer-Lichte. Translated by Jeremy Gaines and Doris L. Jones. Bloomington and Indianapolis: Indiana University Press, 1992. Pp. vii + 336. £40.
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- 23 January 2009, pp. 182-183
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Gender in Performance: The Presentation of Difference in the Performing Arts. Edited by Senelick Laurence. Hanover, New Hampshire: Tufts University/University Press of New England, 1992. Pp. xiv + 348. $49.50 Hb; $22.50 Pb.
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- 23 January 2009, pp. 183-184
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Other
Books Received
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- 23 January 2009, pp. 186-187
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Front matter
TRI volume 19 issue 2 Cover and Front matter
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- 23 January 2009, pp. f1-f5
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Back matter
TRI volume 19 issue 2 Back matter
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- 23 January 2009, pp. b1-b4
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