Renaissance Quarterly: Volume 72 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 72 - Winter 2019

Contents

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Georges de La Tour and the Enigma of the Visible. Dalia Judovitz. New York: Fordham University Press, 2018. xvi + 158 pp. $20.99.
Martha Hollander
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05 June 2019, pp. 617-618
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Rembrandt's Holland. Larry Silver. Renaissance Lives. London: Reaktion Books, 2018. 214 pp. £15.95.
Catherine B. Scallen
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07 March 2019, pp. 265-266
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Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.
Jacqueline Marie Musacchio
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20 January 2020, pp. 1451-1453
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David Bowie's Tintoretto: Angel Foretelling the Martyrdom of Saint Catherine of Alexandria. Benjamin van Beneden and Nicola Jennings, eds. London: Colnaghi Foundation, 2017. 176 pp. N.p.
Thomas Dalla Costa
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27 September 2019, pp. 1028-1029
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The Sovereign Artist: Charles Le Brun and the Image of Louis XIV. Wolf Burchard. London: Paul Holberton, 2016. 288 pp. £40.
Nicole Bensoussan
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05 June 2019, pp. 619-620
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Creating Distinctions in Dutch Genre Painting: Repetition and Invention. Angela K. Ho. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2017. 254 pp. €105.
Elisabeth Berry Drago
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27 September 2019, pp. 1029-1031
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Das Aachener Rathaus: Ein Bauwerk als Zeugnis europäischer Geschichte, Band 2: Die repräsentative Umgestaltung im Barock und Rokoko. Georg K. Helg. Scriptorum Carolinum 4.2. Aachen: Geymüller, 2016. 276 pp. €59.
Barbara Uppenkamp
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07 March 2019, pp. 266-267
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Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.
John Paoletti
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20 January 2020, pp. 1453-1454
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Die Cranachs: Die Werke des Staatlichen Museums Schwerin. Dirk Blübaum and Tobias Pfeifer-Helke, eds. Exh. Cat. Munich: Deutscher Kunstverlag, 2017. 112 pp. €19.90.
Bonnie J. Noble
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07 March 2019, pp. 267-269
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Des âmes drapées de pierre: Sculpture en Champagne à la Renaissance. Marion Boudon-Machuel. Renaissance. Tours: Presses Universitaires François Rabelais de Tours; Rennes: Presses Universitaires de Rennes, 2017. 342 pp. €39.
Jean-Marie Guillouët
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05 June 2019, pp. 620-622
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Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.
Kirsten Lee Bierbaum
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20 January 2020, pp. 1454-1456
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Rembrandt's Roughness. Nicola Suthor. Princeton, NJ: Princeton University Press, 2018. 240 pp. $60.
H. Perry Chapman
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27 September 2019, pp. 1031-1032
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Rembrandt's Religious Prints: The Feddersen Collection at the Snite Museum of Art. Charles M. Rosenberg. Bloomington: Indiana University Press, 2017. xvi + 476 pp. $70.
Shelley Perlove
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05 June 2019, pp. 622-623
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Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius (1527–1598). Tine Luk Meganck. Studies in Netherlandish Art and Cultural History 14. Leiden: Brill, 2017. xxii + 324 pp. $70.
John Cunnally
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07 March 2019, pp. 269-270
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L'imaginaire de l’âge d'or à la Renaissance. Élinor Myara Kelif. Études Renaissantes 21. Turnhout: Brepols, 2017. 508 pp. €90.
Patrick Hunt
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27 September 2019, pp. 1032-1034
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Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.
Jessica Maier
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20 January 2020, pp. 1456-1457
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Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.
Lisa Kaborycha
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20 January 2020, pp. 1458-1459
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Federico Barocci: Inspiration and Innovation in Early Modern Italy. Judith W. Mann, ed. Visual Culture in Early Modernity. London: Routledge, 2018. xviii + 194 pp. $149.95.
Ian Verstegen
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07 March 2019, pp. 271-272
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Playful Letters: A Study in Early Modern Alphabetics. Erika Mary Boeckeler. Impressions: Studies in the Art, Culture, and Future of Books. Iowa City: University of Iowa Press, 2017. xiv + 286 pp. $75.
John T. McQuillen
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05 June 2019, pp. 623-625
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Animating Empire: Automata, the Holy Roman Empire, and the Early Modern World. Jessica Keating. University Park: Pennsylvania State University Press, 2018. xiv + 170 pp. $69.95.
Wenrui Zhao
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27 September 2019, pp. 1034-1036
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Page 6 of 25

First
« Prev
3
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5
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7
8
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Next »
Last

Renaissance Quarterly

Refine listing

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Volume 72 - Winter 2019

Reviews

Georges de La Tour and the Enigma of the Visible. Dalia Judovitz. New York: Fordham University Press, 2018. xvi + 158 pp. $20.99.

Rembrandt's Holland. Larry Silver. Renaissance Lives. London: Reaktion Books, 2018. 214 pp. £15.95.

Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.

David Bowie's Tintoretto: Angel Foretelling the Martyrdom of Saint Catherine of Alexandria. Benjamin van Beneden and Nicola Jennings, eds. London: Colnaghi Foundation, 2017. 176 pp. N.p.

The Sovereign Artist: Charles Le Brun and the Image of Louis XIV. Wolf Burchard. London: Paul Holberton, 2016. 288 pp. £40.

Creating Distinctions in Dutch Genre Painting: Repetition and Invention. Angela K. Ho. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2017. 254 pp. €105.

Das Aachener Rathaus: Ein Bauwerk als Zeugnis europäischer Geschichte, Band 2: Die repräsentative Umgestaltung im Barock und Rokoko. Georg K. Helg. Scriptorum Carolinum 4.2. Aachen: Geymüller, 2016. 276 pp. €59.

Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.

Die Cranachs: Die Werke des Staatlichen Museums Schwerin. Dirk Blübaum and Tobias Pfeifer-Helke, eds. Exh. Cat. Munich: Deutscher Kunstverlag, 2017. 112 pp. €19.90.

Des âmes drapées de pierre: Sculpture en Champagne à la Renaissance. Marion Boudon-Machuel. Renaissance. Tours: Presses Universitaires François Rabelais de Tours; Rennes: Presses Universitaires de Rennes, 2017. 342 pp. €39.

Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.

Rembrandt's Roughness. Nicola Suthor. Princeton, NJ: Princeton University Press, 2018. 240 pp. $60.

Rembrandt's Religious Prints: The Feddersen Collection at the Snite Museum of Art. Charles M. Rosenberg. Bloomington: Indiana University Press, 2017. xvi + 476 pp. $70.

Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius (1527–1598). Tine Luk Meganck. Studies in Netherlandish Art and Cultural History 14. Leiden: Brill, 2017. xxii + 324 pp. $70.

L'imaginaire de l’âge d'or à la Renaissance. Élinor Myara Kelif. Études Renaissantes 21. Turnhout: Brepols, 2017. 508 pp. €90.

Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.

Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.

Federico Barocci: Inspiration and Innovation in Early Modern Italy. Judith W. Mann, ed. Visual Culture in Early Modernity. London: Routledge, 2018. xviii + 194 pp. $149.95.

Playful Letters: A Study in Early Modern Alphabetics. Erika Mary Boeckeler. Impressions: Studies in the Art, Culture, and Future of Books. Iowa City: University of Iowa Press, 2017. xiv + 286 pp. $75.

Animating Empire: Automata, the Holy Roman Empire, and the Early Modern World. Jessica Keating. University Park: Pennsylvania State University Press, 2018. xiv + 170 pp. $69.95.

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Volume 72 - Winter 2019

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