Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-17T14:35:29.802Z Has data issue: false hasContentIssue false
  • English
  • Français

‘Fair use isn't fair’: a response to Sheila Whiteley

Published online by Cambridge University Press:  11 November 2008

Timothy D. Taylor
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Information
Popular Music , Volume 17 , Issue 1 , January 1998 , pp. 129 - 132
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attali, J. 1985. Noise: The Political Economy of Music (Minneapolis)Google Scholar
Taylor, T. D. 1993. ‘The voracious muse: contemporary cross-cultural musical borrowings, culture, and postmodernism’, PhD diss., University of MichiganGoogle Scholar
Taylor, T. D. 1997. Global Pop: World Music, World Markets (London and New York)Google Scholar
Whiteley, S. 1997. ‘“The sound of silence”: academic freedom and copyright’, Popular Music, 16/2, pp. 220–2CrossRefGoogle Scholar