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Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4 - Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1 - Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9

Published online by Cambridge University Press:  13 September 2013

Eva Moreda Rodríguez
Eva Moreda Rodríguez*
Affiliation:
University of Glasgow, Scotland, UK
*
Eva.MoredaRodriguez@glasgow.ac.u
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Type
Reviews
Information
Popular Music , Volume 32 , Issue 3 , October 2013 , pp. 543 - 547
Copyright
Copyright © Cambridge University Press 2013 

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References

Chuse, L. 2003. The Cantaoras: Music, Gender, and Identity in Flamenco Song (New York, Routledge)Google Scholar
Heffner Hayes, M. 2009. Flamenco: Conflicting Histories of the Dance (Jefferson, NC, McFarland)Google Scholar
Labanyi, J. 1995. ‘Editor's introduction’, in Constructing Identity in Contemporary Spain. Theoretical Debates and Cultural Practice (New York: Oxford University Press)Google Scholar