Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-30T22:54:59.220Z Has data issue: false hasContentIssue false

Bachata: from the Margins to the Mainstream

Published online by Cambridge University Press:  11 November 2008


Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Middle Eight
Copyright © Cambridge University Press 1992

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)


Feld, Steven. 1988. ‘Notes on world beat’, Public Culture Bulletin, 1, 1Google Scholar
Garofalo, Reebee. 1992. Rockin' the Boat: Mass Music and Mass Movements (Boston)Google Scholar
Goodwin, Andrew and Gore, Joe. 1990. ‘World beat and the cultural imperialism debate’, Socialist Review, 20, 3Google Scholar
Laing, Dave. 1986. ‘The music industry and the “cultural imperialism” thesis’, Media, Culture and Society, 8Google Scholar
Pacini Hernandez, Deborah. 1990. ‘Cantando la cama vacía: Love, sex and gender relationships in Dominican bachata’, Popular Music, 9, 3Google Scholar
Pacini Hernandez, Deborah. 1989. Music of Marginality: Social Identity and Class in Dominican Bachata, PhD Dissertation, Cornell UniversityGoogle Scholar
Pacini Hernandez, Deborah. 1989. ‘Social identity and class in bachata, an emerging Dominican popular music’, Latin American Music Review, 10, 1Google Scholar
Pareles, Jon. 1991. ‘Johnny B. Global’, American Way, 1 09Google Scholar