Hostname: page-component-788cddb947-2s2w2 Total loading time: 0 Render date: 2024-10-19T12:29:37.789Z Has data issue: false hasContentIssue false

Transposing Time and Space: Stuck in Mobility

Published online by Cambridge University Press:  23 October 2020

Extract

If you have to explain a proverb, it is too esoteric for popular use; but if it is too mundane and obvious, it will not circulate or gain notoriety. It should be witty and rhythmic but obscure; it should attract new meanings and move among various contexts and genres, taken up by listeners who recirculate it in new media to new audiences. Effective proverbs use indirection as a performance strategy, provoking new interpretations and lubricating social circulation across disparate spaces (Yankah).

Type
Theories and Methodologies
Copyright
Copyright © Modern Language Association of America, 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aidoo, Ama Ata. Anowa. Dilemma of a Ghost and Anowa. 1971. [London]: Longman, 1995. Print.Google Scholar
Aidoo, Ama AtaSomething to Talk about on the Way to the Funeral.” “No Sweetness Here” and Other Stories. 1970. New York: Feminist, 1995. 114–26. Print.Google Scholar
Apter, Andrew. “Yoruba Ethnogenesis from Within.” Comparative Studies in Society and History 55.2 (2013): 356–87. Print.Google Scholar
Asare, Yaw. “Desert Dreams.” 1997. TS.Google Scholar
Berlant, Lauren. Cruel Optimism. Durham: Duke UP, 2011. Print.Google Scholar
Ferguson, James. Global Shadows: Africa in the Neoliberal World Order. Durham: Duke UP, 2006. Print.CrossRefGoogle Scholar
Morris, Rosalind. “Accidental Histories, Post-historical Practice? Re-reading Body of Power, Spirit of Resistance in the Actuarial Age.” Anthropological Quarterly 83.3 (2010): 581624. Print.CrossRefGoogle Scholar
Pierre, Jemima. The Predicament of Blackness: Post-colonial Ghana and the Politics of Race. Chicago: U of Chicago P, 2012. Print.CrossRefGoogle Scholar
Piot, Charles. Remotely Global: Village Modernity in West Africa. Chicago: U of Chicago P, 1999. Print.CrossRefGoogle Scholar
Plageman, Nathan. Highlife Saturday Night: Popular Music and Social Change in Urban Ghana. Bloomington: Indiana UP, 2012. Print.Google Scholar
Quayson, Ato. Oxford Street, Accra: City Life and the Itineraries of Transnationalism. Durham: Duke UP, 2014. Print.CrossRefGoogle Scholar
Ray, Carina. Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana. Athens: Ohio UP, 2015. Print.Google Scholar
Sahlins, Marshall. Islands of History. Chicago: U of Chicago P, 1985. Print.Google Scholar
Sekyi, Kobina. The Blinkards: A Comedy. 1915. Oxford: Heinemann Educ., 1994. Print.Google Scholar
Shipley, Jesse Weaver. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Durham: Duke UP, 2013. Print.Google Scholar
Shipley, Jesse Weaver Trickster Theatre: The Poetics of Freedom in Urban Africa. Bloomington: Indiana UP, 2015. Print.Google Scholar
Standing, Guy. The Precariat: The New Dangerous Class. London: Bloomsbury Acad., 2014. Print.Google Scholar
White, Hylton. “Custom, Normativity and Authority in South Africa.” Homelands as Frontiers: Apartheid's Loose Ends. Ed. Steffen Jensen and Olaf Zenker. Spec. issue of Journal of Southern African Studies 41.5 (2015): 1005–17. Print.Google Scholar
Yankah, Kwesi. Speaking for the Chief: Okyeame and the Politics of Akan Royal Oratory. Bloomington: Indiana UP, 1995. Print.Google Scholar