Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-18T03:20:06.442Z Has data issue: false hasContentIssue false
  • English
  • Français

Orthodoxy Concerning Keats

Published online by Cambridge University Press:  02 December 2020

Mary Evelyn Shipman
Mary Evelyn Shipman*
Affiliation:
Boston University.
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Comment and Criticism
Information
PMLA , Volume 44 , Issue 3 , September 1929 , pp. 929 - 934
Copyright
Copyright © Modern Language Association of America, 1929

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Note 1 in page 929 PMLA, XLIII, 1142-1149.

Note 2 in page 931 The Poems of John Keats, Everyman ed., Introd. p. xx.

Note 3 in page 931 Quoted by Amy Lowell, John Keats, II, 91.

Note 4 in page 932 PMLA, XLIII, 1143.

Note 5 in page 932 Ibid., p. 1148.

Note 6 in page 933 “She dwells with Beauty—Beauty that must die,” Ode on Melancholy. This is the point at which Miss Lowell and Mr. Garrod find the odes contradictory. But there is no contradiction, for the context shows that Keats is here thinking of the physical beauty of woman, the mistress referred to in the preceding strophe. In the Grecian Urn, he is thinking of something much less specific, something which may with strong reason be interpreted as abstract beauty.

Note 7 in page 933 For this light on the aesthetic experience I am indebted to Prof Mervyn J. Bailey of Boston University. I take pleasure in acknowledging this.