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Swift's Project for the Advancement of Religion and the Reformation of Manners
Published online by Cambridge University Press: 02 December 2020
Extract
Swift's Project for the Advancement of Religion and the Reformation of Manners, though clear enough on the surface, has raised various questions as to its subtler meaning and its purpose. In the eighteenth century Thomas Sheridan asserted that this essay was in fact “a very strong, though covert attack, upon the power of the Whigs,” written to encourage Queen Anne to dispense with their services and to form a Tory ministry. That Swift had any such highly contrived political intent seems doubtful. Nevertheless, it is interesting to note that he later cited the Project among other works as evidence that, even while associated with the Whigs, he had publicly expressed opposition to their lowchurch position. Another question raised is: to what extent, if at all, was Swift being satiric in the Project? Most contemporary scholars, like Herbert Davis and Ricardo Quintana, have viewed it as an entirely serious production in which little if any irony appears, but William B. Ewald feels that, to some degree, the author composed it with his tongue in his cheek. Finally, did Swift have a personal motive in publishing this work? We know that for some time before its appearance he had been endeavoring to obtain preferment. It also seems pretty clear that one obstacle to his advancement was the fact that he was known as the author of A Tale of a Tub. One may strongly suspect, therefore, that he hoped the Project would help to counteract the damaging effect on his reputation of the earlier work and prove that, besides being a wit who had dared to satirize religious institutions and practices, he was also a clergyman genuinely devoted to the welfare of church and state. If this was his motive, however, did he have any further reason for believing that his anonymously printed pamphlet might serve to advance his fortunes? Some light may be shed upon this point and upon others raised by the Project if we consider 1) certain influences that led Swift to write it, 2) the emphasis in the essay, and 3) his position at the time he composed it.
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- Copyright © Modern Language Association of America, 1956
References
1 Life of the Rev. Dr. Jonathan Swift (Dublin, 1785), p. 51.
2 “Memoirs Relating to That Change …, ” Prose Works, ed. Herbert Davis and Irvin Ehrenpreis (Princeton, 1953), viii, 122.
3 The Masks of Jonathan Swift (Oxford, 1954), pp. 43–47.
4 Bickerstajf Papers and Pamphlets cm the Church, ed. Herbert Davis (Oxford, 1940), pp. ix–xx.
5 Garnet V. Portus, Caritas Anglicana (London, 1912).
6 The 14th Account of the Progress Made in Suppressing Prophaneness and Debauchery by the Societies for the Reformation of Manners (London, 1709).
7 Davis ed., pp. 44, 57. All subsequent quotations from Swift's Prefect are taken from this ed.
8 Prose Works, ed. Herbert Davis (Oxford, 1951), vii, 103.
9 George M. Trevelyan, England Under Queen Anne (London, 1934), iii, 110–112.
10 C. H. Firth, “Dean Swift and Ecclesiastical Preferment,” RES, ii (1926), 1–4.
11 Correspondence of Jonathan Swift, ed. F. Elrington Ball (London, 1910), r, 157.
12 Edward Carpenter, Thomas Tenison (London, 1948), pp. 351–352.
13 A. Tindall Hart, John Sharp (London, 1949), p. 114.
14 C. F. Secretan, Memoirs of the Life and Times of the Pious-Robert Nelson (London, 1860), pp. 78–79, 90 ff.
16 Swift's Sentiments has in the past generally been thought of as being composed about 1708, but Irvin Ehrenpreis has recently provided evidence that Swift may have actually written this work as early as 1704. See “The Date of Swift's Sentiments,” RES, iii (July 1952), 272–274.
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