Editorial
A Milestone for the Millennium: One Hundred Issues and Onwards
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- 15 January 2009, pp. 291-300
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Research Article
Cross-Dressed Actors and their Audiences: Kate Valk's Emperor Jones and William Shakespeare's Juliet
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- 15 January 2009, pp. 195-203
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Female Jewish Comedians: Grotesque Mimesis and Transgressing Stereotypes
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- 15 January 2009, pp. 99-108
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‘They'd Have Pissed on My Grave’: the Arts Council and Theatre Workshop
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- 15 January 2009, pp. 3-16
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A Theatre of Uncertainties: Science and History in Michael Frayn's ‘Copenhagen’
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- 15 January 2009, pp. 301-307
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The Paradox of Acting in the Traditional Chinese Theatre
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- 15 January 2009, pp. 17-25
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‘Making Theatre, Making a Society’: an Introduction to the Work of Peter Sellars
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- 15 January 2009, pp. 204-217
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Risking Everything: Political Theatre for Mass Audiences in Rural Germany
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- 15 January 2009, pp. 109-122
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Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur
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- 15 January 2009, pp. 308-317
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Which Came First: The System or ‘The Seagull’?
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- 15 January 2009, pp. 218-227
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Twelve of the Fifty-One Shocks of Antonin Artaud
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- 15 January 2009, pp. 123-130
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Prodigals and Profligates; or, a Short History of Modern British Drama
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- 15 January 2009, pp. 26-38
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Revisioning the Woman's Part: Paula Vogel's ‘Desdemona’
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- 15 January 2009, pp. 131-141
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Restaging ‘Theory’ in the Postgraduate Performance Studies Workshop
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- 15 January 2009, pp. 39-44
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Albert Filozov and the Method of Physical Actions
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- 15 January 2009, pp. 228-235
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The Dandy and the Dowager: Oscar Wilde and Audience Resistance
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- 15 January 2009, pp. 318-331
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The Floating World of Nouveau Chinoiserie: Asian Orientalist Productions of Greek Tragedy
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- 15 January 2009, pp. 142-164
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Making the Word Count: towards an Analytical Database of Theatre Reviews
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- 15 January 2009, pp. 332-338
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Space, Genre, and Methodology in Max Stafford-Clark's Touring Production of Chekhov's ‘Three Sisters’
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- 15 January 2009, pp. 45-57
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Writing in the Dark: Fifty Years of British Theatre Criticism
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- 15 January 2009, pp. 236-246
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