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Article contents
The Encyclopedia of Country Music. 2nd ed. Edited by Paul Kingsbury, Michael McCall, and John W. Rumble. New York: Oxford University Press, 2012. - Lonesome Melodies: The Lives and Music of the Stanley Brothers. By David W. Johnson. American Made Music Series. Jackson: University Press of Mississippi, 2013. - Rednecks, Queers, and Country Music. By Nadine Hubbs. Berkeley: University of California Press, 2014. - The Hank Williams Reader. Edited by Patrick Huber, Steve Goodson, and David M. Anderson. Readers on American Musicians. New York: Oxford University Press, 2014.
Published online by Cambridge University Press: 11 May 2015
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- Copyright © The Society for American Music 2015
References
1 Pecknold, Diane, The Selling Sound: The Rise of the Country Music Industry (Durham: Duke University Press, 2007), 189–99CrossRefGoogle Scholar.
2 See, for instance, Abramson, Bram Dev, “Country Music and Cultural Industry: Mediating Structures in Transnational Media Flow,” Media, Culture & Society 24/2 (2002): 255–74CrossRefGoogle Scholar; Baker, Sarah and Huber, Alison, “Locating the Canon in Tamworth: Historical Narratives, Cultural Memory and Australia's ‘Country Music Capital,’” Popular Music 32/2 (2013): 223–41CrossRefGoogle Scholar; Cohen, Sara, “Country at the Heart of the City: Music, Heritage, and Regeneration in Liverpool,” Ethnomusicology 49/1 (Winter 2005): 25–48CrossRefGoogle Scholar; Dent, Alexander Sebastian, “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nostalgia in Música Sertaneja (Brazilian Commercial Country Music),” Popular Music and Society 28/2 (May 2005): 207–27CrossRefGoogle Scholar; Dueck, Byron, Musical Intimacies & Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance (New York: Oxford University Press, 2013)CrossRefGoogle Scholar.
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4 Particularly noteworthy in this regard is Pecknold, Diane, ed., Hidden in the Mix: The African American Presence in Country Music (Durham, NC: Duke University Press, 2013)CrossRefGoogle Scholar.
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7 Ralph Stanley, the younger of the Stanley Brothers, was the subject of John Wright's outstanding 1995 oral history project, Traveling the High Way Home: Ralph Stanley and the World of Traditional Bluegrass Music (Urbana: University of Illinois Press, 1995). In 2009, Stanley published his memoir, co-written with journalist Dean, Eddie: Man of Constant Sorrow: My Life and Times (New York: Gotham Books, 2009)Google Scholar.
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