Hostname: page-component-7479d7b7d-m9pkr Total loading time: 0 Render date: 2024-07-10T15:31:52.071Z Has data issue: false hasContentIssue false
  • English
  • Français

Temporal and Timeless in Claudian's De Raptu Proserpinae*

Published online by Cambridge University Press:  07 September 2009

C. E. Gruzelier
Get access Rights & Permissions [Opens in a new window]

Extract

All works of art reflect the time in which they are created, but the mark of a good artist is that his work will transcend the limitations of his own era and thus construct a series of bridges over the gap of centuries.

Type
Research Article
Information
Greece & Rome , Volume 35 , Issue 1 , April 1988 , pp. 56 - 72
Copyright
Copyright © The Classical Association 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Brilliant, , op. cit., p. 164Google Scholar.

2. Henig, M. (ed.), A Handbook of Roman Art (Oxford, 1983), p. 236Google Scholar.

3. Cameron, A., Corippus: In Laudem Iustini Augusti Minoris (London, 1976), 1.272f. nGoogle Scholar.

4. Cameron, , op. cit., 3.204f. nGoogle Scholar.

5. On the subject of divine councils, see further Hammond, M., ‘Concilia Deorum from Homer through Milton’, Studies in Philology 30 (1933), 11–16Google Scholar.

6. See Crook, J., Consilium Principis (New York, 1975), p. 102Google Scholar. Also Brilliant, , op. cit., p. 163Google Scholar: ‘In the third and fourth centuries the implications of majesty became paramount for a society whose ancient traditions of social mobility were being replaced by a rigid class structure.’

7. Henig, , op. cit., pp. 235Google Scholar and 241.

8. See Crook, , op. cit., pp. 101ff.Google Scholar; Jones, A. H. M., The Later Roman Empire (Oxford, 1973), pp. 333ff.Google Scholar; and Bury, J. B., History of the Later Roman Empire Vol. 1 (London, 1923), pp. 23–24Google Scholar.

9. Crook, , op. cit., p. 103Google Scholar.

10. Hammond, , op. cit., 11Google Scholar.

11. MacCormack, S., Art and Ceremony in Late Antiquity (California, 1981), pp. 203Google Scholar, 228, 257, 355.

12. Brilliant, , op. cit., p. 164Google Scholar.

13. Cameron, op. cit., notes on pr. 2 and also 1.157–8 n. on proskynesis, adoratio, and the importance of the imperial purple.

14. On this theme, see Braden, G., ‘Claudian and his Influence: the Realm of Venus’, Arethusa 12 (1979), 219ff.Google Scholar; and Newbold, R. F., ‘Bodies and Boundaries in Late Antiquity’, Arethusa 12 (1979), 93–114Google Scholar.