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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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RECOVERING VIVALDI’S LOST PSALM
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- 28 June 2004, pp. 61-77
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- Cited by 1
CONTRIBUTORS
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- Published online by Cambridge University Press:
- 23 May 2006, pp. 1-2
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JOSEPH MARTIN KRAUS, KEYBOARD MUSIC SONATAS IN E FLAT MAJOR, VB195, AND E MAJOR, VB196 (AE398); ZWEI NEUE KURIOSE MINUETTEN, VB190; RONDO IN F MAJOR, VB191; SVENSK DANS, VB192. THEMA CON VARIAZIONE IN C MAJOR, VB193; LARGHETTO IN G MAJOR, VB194, AND FIVE CHORALE PRELUDES FOR ORGAN, VB197 (AE400) ED. BERTIL VAN BOER Wellington: Artaria Editions, 2002 pp. iv + 48, v + 21; ISBN 1 377231 63 0, 1 877231 64 9
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- 04 May 2005, pp. 160-164
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Haydn from the ‘Frontier’
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- 08 February 2023, pp. 5-11
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Thema da capo: Another Look at Mozart's Embellishments
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- 14 February 2022, pp. 37-57
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ROUSSEAU'S AIR CHINOIS
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- 05 February 2021, pp. 41-64
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LOVE CONQUERS ALL: CUPID, PHILIP V AND THE ALLEGORICAL ZARZUELA DURING THE WAR OF THE SPANISH SUCCESSION (1701–1714)
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- 21 March 2018, pp. 29-45
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RECONSIDERING AN EARLY EXOTICISM: VIENNESE ADAPTATIONS OF HUNGARIAN-GYPSY MUSIC AROUND 1800
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- 03 August 2009, pp. 161-181
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‘AM I IN ROME, OR IN AULIS?’: JOMMELLI'S CAJO MARIO (1746) AS OPERATIC CAPRICCIO
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- 11 February 2016, pp. 35-50
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SAMMELN – MUSIZIEREN – FORSCHEN. ZUR DRESDNER HÖFISCHEN MUSIK DES 18. JAHRHUNDERTSMUSIC DEPARTMENT OF THE SÄCHSISCHE LANDESBIBLIOTHEK – STAATS- UND UNIVERSITÄTSBIBLIOTHEK DRESDEN, 21–23 JANUARY 2016
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- 16 August 2016, pp. 337-340
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CHARLES WESLEY, METHODISM AND NEW ART MUSIC IN THE LONG EIGHTEENTH CENTURY
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- 17 August 2021, pp. 271-293
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EVIDENCE OF THE PRACTICAL APPLICATION OF SOLFEGGIO PATTERNS IN THE MANUSCRIPT FOR THE 1707 NEAPOLITAN PERFORMANCE OF LA FEDE TRADITA E VENDICATA BY GASPARINI AND VIGNOLA
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- 05 February 2021, pp. 171-184
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TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON
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- 02 October 2018, pp. 177-205
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DEATH EVERYDAY: THE ANNA MAGDALENA BACH BOOK OF 1725 AND THE ART OF DYING
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- 21 October 2005, pp. 231-249
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STURM UND DRANG REVISITED: HAYDN, KRAUS UND ANDERE BASEL, 21–22 OCTOBER 2016
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- 30 August 2017, pp. 331-333
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FARINELLI AS QUEEN OF THE NIGHT
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- 21 October 2005, pp. 321-333
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THREE POSTHUMOUS REPORTS CONCERNING MOZART IN HIS LATE VIENNESE YEARS
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- 04 May 2005, pp. 125-129
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JOSEPH HAYDN (1732–1809) SCOTTISH AND WELSH SONGS Lorna Anderson (soprano), Jamie MacDougall (tenor) / Haydn Trio Eisenstadt Brilliant Classics 93769, 2003–2008; eighteen discs + CD-ROM, more than eighteen hours
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- 21 January 2010, pp. 150-154
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ANSELM GERHARD LONDON UND DER KLASSIZISMUS IN DER MUSIK: DIE IDEE DER ‘ABSOLUTEN MUSIK’ UND CLEMENTIS KLAVIERWERKE Stuttgart and Weimar: Metzler, 2002 pp. 379, ISBN 3 475 00976 9
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- 03 November 2006, pp. 330-336
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Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century: Alfried Krupp Wissenschaftskolleg Greifswald and Universität Greifswald, 25–27 October 2022
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- 25 August 2023, pp. 229-233
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