Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-21T08:38:51.867Z Has data issue: false hasContentIssue false

Dance Astext: Ideologies of the Baroque Body, by Mark Franko. Cambridge and New York: Cambridge University Press, 1993. xix + 238pp., illustrations, photographs, Appendixes, Bibliography, Index. $65.

Published online by Cambridge University Press:  22 July 2014

Laurie Nussdorfer
Affiliation:
Wesleyan University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Congress on Research in Dance 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. McGowan, Margaret M., L'Art du ballet de cour en France, 1581–1643. Paris: C.N.R.S., 1978Google Scholar; Le Ballet Comique” by de Beaujoyeulx, Balthazar, 1581. Binghamton: Medieval and Renaissance Texts and Studies, 1982Google Scholar; Ideal Forms in the Age of Ronsard. Berkeley: University of California Press, 1985; The Court Ballet of Louis XIII. London: Victoria and Albert Museum, 1986.

2. In Appendix 3 Franko publishes the original text and an English translation of the statutes of the royal dance academy established in 1662.

3. In Appendix 2 Franko publishes the original text and a translation of a contemporary prose synopsis of Les Fées des forests de Saint Germain (see chap. 4. n. 67).