Hostname: page-component-848d4c4894-nr4z6 Total loading time: 0 Render date: 2024-06-07T05:01:06.424Z Has data issue: false hasContentIssue false

Perceptions of the informal learning branch of Musical Futures

Published online by Cambridge University Press:  17 December 2020

Anna Mariguddi*
Affiliation:
Department of Children, Education and Communities, Faculty of Education, Edge Hill University, Ormskirk, LancashireL39 4QP, United Kingdom
*
Corresponding author. Email: mariguda@edgehill.ac.uk

Abstract

This article will explore how Professor Lucy  Green’s model of informal learning, as advocated by Musical Futures, is perceived by those lying close to the phenomenon. Qualitative research was conducted and data collection involved semi-structured interviews with three key figures relating to the phenomenon. Case studies were then conducted in four English secondary schools, involving teachers and students. Data were analysed thematically. Overall key findings of the study will be presented and discussed: the phenomenon as a problem solver; adaptations and misconceptions; revolution within music education; and tensions of freedom versus authority and marketisation.

Type
Article
Copyright
© Cambridge University Press, 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BARRETT, J. R. & WEBSTER, P. R. (2014). New thinking for the study of music teaching and learning. In Barrett, J. R. & Webster, P. R. (eds.), The Musical Experience: Rethinking Music Teaching and Learning (pp. 19). Oxford: Oxford University Press.CrossRefGoogle Scholar
BRAUN, V. & CLARKE, V. (2006) Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77101.CrossRefGoogle Scholar
BRAUN, V. & CLARKE, V. (2014) What can “thematic analysis” offer health and wellbeing researchers? International Journal of Qualitative Studies on Health and Well-Being, 9(1), 13.CrossRefGoogle ScholarPubMed
CLARKE, V. & BRAUN, V. (2017) Thematic analysis. The Journal of Positive Psychology, 12(3), 297298.CrossRefGoogle Scholar
D’AMORE, A. (2013) Ten Years of Musical Futures: Take – Use – Innovate – Share. www.musicalfutures.org Google Scholar
FINNEY, J. and PHILPOTT, C. (2010) Informal learning and meta-pedagogy in initial teacher education in England. British Journal of Music Education, 27(1), 719.CrossRefGoogle Scholar
FOLKESTAD, G. (2006) Formal and informal learning situations or practices vs formal and informal ways of learning. British Journal of Music Education, 23(2), 135145.CrossRefGoogle Scholar
GREEN, L. (2002) How Popular Musicians Learn: A Way Ahead for Music Education. Ashgate: Aldershot.Google Scholar
GREEN, L. (2008) Music, Informal Learning and the School: A New Classroom Pedagogy. Ashgate: Aldershot.Google Scholar
HALLAM, S., CREECH, A. & MCQUEEN, H. (2011) Musical Futures: a case study investigation. Final report from Institute of Education University of London for the Paul Hamlyn Foundation. www.musicalfutures.org Google Scholar
HALLAM, S., ET AL. (2008) Survey of Musical Futures. A report from Institute of Education University of London for the Paul Hamlyn Foundation. www.musicalfutures.org Google Scholar
HARLAND, J., ET AL. (2000) Arts Education in Secondary Schools: Effects and effectiveness. www.nfer.ac.uk Google Scholar
JEANNERET, N., MCLENNAN, R. & STEVENS-BALLENGER, J. (2011) Musical Futures: An Australian Perspective. www.musicalfutures.org Google Scholar
LAMONT, A. & MATON, K. (2010) Unpopular music: Beliefs and behaviours towards music in education. In Wright, R. (ed.), Sociology and Music Education (pp. 6380). Basingstoke: Ashgate.Google Scholar
MCPHERSON, G.E. & O’NEILL, S.A. (2010) Students’ motivation to study music as compared to other school subjects: A comparison of eight countries. Research Studies in Music Education, 32(2), 101137.CrossRefGoogle Scholar
MUSICAL FUTURES, n.d. Why it matters: our impact. www.musicalfutures.org Google Scholar
O’NEILL, S. & BESPFLUG, K. (2012) Musical Futures’ Informal Learning Model Comes to Canada: Engaging Students in Real-World Music Learning. www.musicalfutures.org Google Scholar
OFFICE FOR STANDARDS IN EDUCATION (2002) Music in secondary schools. Ofsted subject reports series 2001/02, HMI 811. London: Ofsted Publications.Google Scholar
OFFICE FOR STANDARDS IN EDUCATION (2004) Ofsted subject reports 2002/03. Music in secondary schools, HMI 1981. London: Ofsted Publications.Google Scholar
OFFICE FOR STANDARDS IN EDUCATION (2012) Music in schools: wider still, and wider: Quality and inequality in music education 2008–11, HMI 110158. London: Ofsted Publications.Google Scholar
PRICE, D. (2005) Musical Futures – An Emerging Vision. London: The Paul Hamlyn Foundation.Google Scholar
PRICE, D. (2006) Personalising Music Learning. London: The Paul Hamlyn Foundation.Google Scholar
ROSS, M. (1995) What’s wrong with school music? British Journal of Music Education, 12(3), 185201.CrossRefGoogle Scholar
THOMAS, M., BLACKSMITH, J. & RENO, J. (2000) Pearls, pith, and provocation: Utilizing Insider-Outsider Research Teams in Qualitative Research. Qualitative Health Research, 10(6), 819828.CrossRefGoogle Scholar