An investigation of Ælfric's shame-vocabulary allows us to divide his shame concept into three areas: being (a)shamed, active shaming, and the shameful. The prototypical scenario of shame is humiliation or exposure before others. However, Ælfric asks his audience to imagine this kind of public, worldly shame in relation to failures to live up to Christian ideals; he thus encourages the ethicization and psychologization of shame. In addition, readers are invited to read to find Christian moral symbolism in narratives of shaming, while the emotive label of ‘shameful’ cues rejection and disgust towards what is wrong and pagan. Ælfric's appeals to shame promote self-scrutiny and the performance of a Christian identity. With respect to Anglo-Saxon shame in general, Ælfric offers a case-study in the flexibility of shame and its importance as a mode of knowing and performing the self.

Ne sceamige nanum menn þæt he anum lareowe his gyltas cyðe · forðan þe se þe nele his synna on ðissere worulde andettan mid soðre behreowsunge · him sceal sceamian ætforan gode ælmihtigum · and ætforan his engla weorodum · and ætforan eallum mannum · and ætforan eallum deoflum æt ðam micclan dome · þær we eall gegaderode beoð · Þær beoð cuðe ure ealra dæda eallum þam werodum · and seðe ne mæg for sceame his gyltas anum menn ge-andettan · him sceal þonne sceamian · ætforan heofonwarum · and eorð-warum · and hel-warum · and seo sceamu him bið endeleas.