The recent discovery of an ancient Late Classic ceramic production facility in a valley floor, east of the current capital of Cobán in Guatemala, reveals a new ceramic form and provides data concerning regional chronology. Among the remains are thin, mold-made fragments identified as ceramic plaques that have epigraphic information providing a Long Count date for the first time in the Alta Verapaz region. These data correlate with the preliminary ceramic sequences and assist with understanding political-economic interactions that occurred at a time of societal collapse within the southern lowland region.

In this article I argue that the graphic images of the gods in the divinatory codices are composed of signs of different semantic values which encode particular properties. All of them contribute to creating the identity of the god. However, these graphic elements are not only shared by different deities, but even differ between representations of the same god. Analyzing the graphic images of Xipe Totec, one of the best-studied deities and one of the oldest in Mesoamerica, I elaborate a hypothesis that the images of the gods in the divinatory codices were perceived by their authors as a mosaic of different properties, which at the same time were dynamic. Consequently, there was not even one “prototypical” representation of a single god, since possibly the identity of a god was defined precisely when composing his/her image with particular graphic signs, thus crystallizing some of his/her multiple properties, important at this precise moment.

This essay considers the possibility that the Matrícula de Tributos was made from a collection of folios that incorporates material from several related documents, some from as early as the eve of the Spanish invasion in 1521, and others from as late as the 1560s. The diverse styles identifiable throughout the manuscript, as well as the many interventions of different kinds in its pages, support this claim. This article further asks whether the Matrícula de Tributos might be the last extant exemplar of a larger group of taxation-related documents that circulated through Mexico on the eve of the Spanish invasion and well into the second half of the sixteenth century. Finally, the essay considers the possibility of placing the Matrícula de Tributos within the context of documents that kept or presented a record of pre-Conquest tributary practices for purposes that may have been as diverse as presenting evidence of past tributary obligations or as a means to assert authority and other political claims among the surviving native elite.

The Friedenstein Palace in Gotha, Germany, holds a Late Postclassic Mesoamerican bird head sculpture made of wood encrusted with precious stone and shell mosaic. Although known since the nineteenth century, scholars have not given the artifact the attention it deserves. Based on observations made during a thorough in situ inspection, we provide a detailed description of the object, stressing both technological and aesthetic aspects, documented through new photos and reconstructive drawings prepared by Nicolas Latsanopoulos. Then, we offer an interpretation of the artifact's iconography, demonstrating it should be understood as a representation of the Wind God in its manifestation as a Tzitzimitl, a category of deities associated with creation and destruction; an aspect made evident in the small figure adorning the avian forehead. We finally reconstruct the collection history of the object, suggesting that the Giustiniani family, a prominent Roman noble family renowned for its collecting activities, once owned the sculpture; in turn, this proposal might imply that the Dominican friar Domingo de Betanzos brought the mosaic to Italy in 1532 and that it might be originally from the Puebla-Tlaxcala Valley or, more broadly, from the south-central area of the modern state of Puebla.

In this article, we argue that landesque capital was integral to the development of complexity in the Maya Lowlands. Such features involved permanent investments in the landscape that supported material and ideological practices, resulting in increased sustainability and well-being. We contend that these developments stemmed from accretional modifications to soils in the Preceramic/Early Preclassic, as well as intentional investments of labor in agricultural features, large public works, and select civic complexes during the Middle Preclassic. Capital improvements were particularly important during the Middle Preclassic, when sedentary occupations and civic life were established. The timing and location of the investments strongly correlate with other aspects of Middle Preclassic lifeways, such as the transition to sedentism, acquisition and control of resources, changes in lithic production, and the emergence of an elite class. We note that some of the largest investments in landscape management during the Middle Preclassic occurred in the Central Karstic Uplands, where substantial cities rose in the Late Preclassic. We conclude that during the Middle Preclassic an ontology of landesque capital developed, based on the synergistic fusing of daily and ritual practices with physical features, which provided a foundation for resilience, sustainability, and well-being in subsequent generations.

This study evaluates the degree of correspondence between chronological frameworks implemented in Maya studies and current archaeological evidence, focusing on dynamics in the Preclassic period in the Champotón River drainage, Campeche, Mexico. The earliest ceramics documented in Champotón, dating to the early facet of the Middle Preclassic, were part of a regional tradition that shared decorative modes with contemporary complexes across Mesoamerica. The transition between the early and late facets of the Middle Preclassic was an era of abrupt change, with communities in Champotón participating in the first widespread autochthonous material culture horizon of the Maya Lowlands. The ensuing centuries would be characterized by conservatism and growth, with spatial continuity in settlement locations and homogeneity in material culture through the Late Preclassic. These historical dynamics are not unique to coastal Campeche, but were embedded within broader historical developments during the Middle Preclassic period in the Maya Lowlands. Instead of forcing new evidence into an incongruent chronological framework, this article proposes a revision to the traditional periodization used in the Maya Lowlands.

Los resultados de investigaciones arqueológicas recientes llevadas a cabo en el sitio Nakum, ubicado en el noreste de Guatemala, indican que este centro experimentó una importante evolución cultural, sociopolítica y arquitectónica entre los horizontes pre-Mamom y Mamom (1000–300 a.C.). Las excavaciones arqueológicas permitieron documentar varios edificios y complejos fechados para este periodo, incluyendo un grupo tipo E, una cancha de juego de pelota y un baño de vapor. Asimismo, producto de las excavaciones, se obtuvo una gran colección cerámica de dicha temporalidad, la cual permite—gracias a estudios estilísticos, modales, petrográficos y fisicoquímicos—conocer con mayor detalle los cambios culturales y sociales que tuvieron lugar en el sitio durante el preclásico medio.

Archaeological excavations at Yaxnohcah have revealed a long sequence of sedentary occupation, from 1000 b.c. to a.d. 1400, with dynamic periods of growth occurring during the Middle (1000–400 b.c.) and Late Preclassic (400 b.c.–a.d. 200). Two of these complexes, Grazia and Helena, serve as case studies that reveal the transformative processes of this period, illustrating site evolution on a larger scale. The Grazia platform probably began as a residential area in the Middle Preclassic and acquired an increasingly public character throughout subsequent modifications, culminating in the construction of a triadic temple platform and a ballcourt. A long sequence of fire rituals and altars show the importance of the Grazia complex as a center for collective ritual. Helena also features Middle Preclassic domestic constructions, but was transformed into a ballcourt platform during the transition to the Late Preclassic. Both cases show that Yaxnohcah was founded as a widespread, loosely integrated settlement in the Middle Preclassic and evolved into a formally and centralized network of communities with their respective nodal centers in the Late Preclassic period. Placemaking and the rise of monumentality played an important role in this transformation and reflect the particular forms of community integration.

Nixtun-Ch'ich', on the western edge of Lake Peten Itza in Peten, northern Guatemala, features an axis urbis and an urban grid dating to the Middle Preclassic period (800–500 b.c.). New research reveals that Middle Preclassic constructions—five circular or oval artificial pools and planned surface drainage—facilitated or impeded the movement of water. Large limestone rubble lines at least two of the pools (aguadas) in the city's core; two pools lie on the axis urbis, demonstrating that they were central ceremonial constructions. The gridded streets facilitated drainage: they consistently slope from west to east and from the center to north and south. In some areas seeing intense water flow, the streets divide into waterways and pedestrian-ways and/or were given special paving. Many scholars argue that water management contributed to the power of despotic kings, but no evidence of such rulers exists among the Middle Preclassic Maya. Nonetheless, we believe that such systems emerged in the Middle Preclassic. Nixtun-Ch'ich' appears to have been cooperative in its organization and its water management system was a public good.

Evidence of complex and widespread occupations during the Middle Preclassic (1000–350 b.c.) have been identified throughout the Northern Maya Lowlands and are associated with both Mamom and pre-Mamom ceramics. Beyond typological information based on the visual examination of paste, slip, and surface treatment, archaeologists know little about the technology or economics of pottery production and exchange of this period. In this study, we analyze Middle Preclassic ceramics from four sites in northwest Yucatan, using laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to determine the chemical variation that exists between and within different ceramic production areas. The analysis indicates that production occurred locally by the late Middle Preclassic (700–350 b.c.), and that the earliest pottery produced in the Northern Maya Lowlands, at the sites of Komchen and Kiuic, was compositionally linked to later phases of production. This means that the first ceramic complexes of the Northern Lowlands were locally produced and not the result of migrants bringing pottery from elsewhere. The study reveals it is possible to identify the origin of Middle Preclassic ceramics by their chemical signature and that compositional variation existed at the site level over time.