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Southern Cult Motifs on Walls-Pecan Point Pottery*

Published online by Cambridge University Press:  20 January 2017

Robert L. Ranids
Robert L. Ranids*
Affiliation:
University of Mississippi, University, Miss
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Extract

Certain published designs from Walls-Pecan Point phase pottery are strikingly in the tradition of the socalled “Death Cult” of the Southeastern United States. Particular reference is made to 2 Walls Engraved bottles, illustrated by Phillips, Ford, and Griffin (1951, Fig. I ll g) and by Calvin Brown (1926, Fig. 278). The first of these, showing a winged serpent almost identical to those of Moundville, is at the University of Arkansas. The second, depicting skulls, long bones, and hands with oval markings at the, palms, is at the University of Mississippi.

Type
Facts and Comments
Information
American Antiquity , Volume 22 , Issue 2Part1 , October 1956 , pp. 183 - 186
Copyright
Copyright © The Society for American Archaeology 1956

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Footnotes

Paper read at Eleventh Southeastern Archaeological Conference, Moundville, Alabama, November, 1954. These remarks form part of a study aided by a Faculty Research Grant of the University of Mississippi.

References

Brown, C. S. 1926 Archaeology of Mississippi. Mississippi Geological Survey, University.Google Scholar
Griffin, J. B. 1952 Prehistoric Cultures of the Central Mississippi Valley. In Archeology of Eastern United States, edited by Griffin, James B., pp. 226–38. University of Chicago Press.Google Scholar
Moore, C. B. 1905 Certain Aboriginal Remains of the Black Warrior River. Journal of the Academy of Natural Sciences of Philadelphia, Vol. 13, pp. 125–244. Philadelphia.Google Scholar
Phillips, Philip, Ford, J. A., and Griffin, J. B. 1951 Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940–47. Papers of the Peabody Museum, Harvard University, Vol. 25. Cambridge.Google Scholar
Waring, A. J. Jr. and Holder, Preston 1945 A Prehistoric Ceremonial Complex in the Southeastern United States. American Anthropologist, Vol. 47, No. 1, pp. 1–34. Menasha.Google Scholar