Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-25T07:19:54.443Z Has data issue: false hasContentIssue false

“Awa ndi macheza aamai (This is women’s play)”: Examining Pleasure in Urban Malawian Women’s Social Spaces

Published online by Cambridge University Press:  14 October 2022

Abstract

Women’s social groups and gatherings in Malawi, whether physical or virtual, are often dismissed as something not to be taken seriously, as they are imagined to be places where nothing useful but chitchat and gossip will emerge. Nevertheless, these spaces, as sites of leisure where women can engage in macheza (play), continue to play an important role in how urban women variously experience pleasure. Mtenje considers social media groups for women and bridal showers not only as spaces where women are free from male interference, which, in itself, invokes pleasure, but also as spaces where patriarchal norms can be and often are reinforced.

Résumé

Résumé

Les groupes sociaux et les rassemblements de femmes au Malawi, qu’ils soient physiques ou virtuels, sont souvent rejetés comme quelque chose à ne pas prendre au sérieux, car ils sont imaginés comme des lieux où rien d’utile à part le bavardage et les commérages émergeront. Néanmoins, ces espaces, en tant que lieux de loisirs où les femmes peuvent s’engager dans la macheza (jouer), continuent de jouer un rôle important de la façon dont les femmes urbaines éprouvent divers plaisirs. Mtenje considère les groupes de médias sociaux pour les femmes et les douches nuptiales non seulement comme des espaces où les femmes sont libres de toute ingérence masculine, ce qui, en soi, invoque le plaisir, mais aussi comme des espaces où les normes patriarcales peuvent être et sont souvent renforcées.

Resumo

Resumo

Os grupos e encontros de mulheres no Maláui, sejam eles físicos ou espirituais, são muitas vezes desprezados, como se não devessem ser levados a sério, uma vez que são concebidos como lugares onde nada de útil emergirá, apenas conversas de circunstância e mexericos. No entanto, estes espaços, como lugares de lazer onde as mulheres podem entreter-se com macheza (brincar), continuam a desempenhar um papel importante no modo variado como as mulheres urbanas experimentam os momentos de lazer. Mtenje analisa os grupos femininos nas redes sociais e nas despedidas de solteira não só como espaços onde as mulheres estão livres de interferências masculinas – o que, por si só, invoca o prazer –, mas também como espaços onde as normas do patriarcado podem muitas vezes ser reforçadas, ou são-no efetivamente.

Type
Forum: Africa/Pleasure: An Agenda for Future Work
Copyright
© The Author(s), 2022. Published by Cambridge University Press on behalf of the African Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akyeampong, Emmanuel, and Ambler, Charles. 2002. “Leisure in African History: An Introduction.” International Journal of African Historical Studies 35 (1): 116.CrossRefGoogle ScholarPubMed
Adam, Issahaku. 2014. “Gendered Perspectives of Leisure Patterns and Constraints of University Students in Ghana.” Leisure/Loisir 38 (2): 181–98.CrossRefGoogle Scholar
Bakare-Yusuf, Bibi. 2011. “Nudity and Morality: Legislating Women’s Bodies and Dress in Nigeria.” In African Sexualities: A Reader, edited by Tamale, Sylvia, 116–29. Cape Town: Pambazuka Press.Google Scholar
Bell, Vikki. 1998. “Taking Her Hand: Becoming, Time and the Cultural Politics of the White Wedding.” Cultural Values 2 (4): 464–65.CrossRefGoogle Scholar
Cameron, John. 2015. “Can Poverty be Funny? The Serious Use of Humour as a Strategy of Public Engagement for Global Justice.” Third World Quarterly 36 (2): 274–90.CrossRefGoogle Scholar
Clauderwood, Kathleen. 2015. “Burundi 2015: How Twitter, WhatsApp and Facebook influenced Protests and Possible Coup.” https://www.ibtimes.com/burundi-2015-how-twitter-whatsapp-facebook-influenced-protests-possible-coup-1921134. Accessed September 5, 2021.Google Scholar
Gearhart, Stephannie. 2000. “‘Why Shees Like a Play’: Gender, Performance, and Subversion in Early Modern Drama.” Unpublished Master’s Thesis, Lehigh University.Google Scholar
Gondwe, Gregory, and Some, Evariste. 2020. “Social Media and Catharsis in Africa: Examining the Role of WhatsApp in Venting Stress in Women.” Journal of Internet and Information Systems 9 (1): 17.Google Scholar
Henderson, Karla A. 1996. “One Size Doesn’t Fit All: The Meanings of Women’s Leisure.” Journal of Leisure Research 28 (3): 139–54.CrossRefGoogle Scholar
Henderson, Karla A., Hodges, Sonja, and Kivel, Beth D.. 2002. “Context and Dialogue in Research on Women and Leisure.” Journal of Leisure Research 34 (3): 253–71.CrossRefGoogle Scholar
Hungwe, Chipo. 2006. “Putting them in Their Place: ‘Respectable’ and ‘Unrespectable’ Women in Zimbabwean Gender Struggles.” Feminist Africa: Subaltern Sexualities 6: 3347.Google Scholar
Kabwila-Kapasula, Jessie. 2010.“FIFA World Cup and the Patriarchy of Football Spectatorship in Malawi.” In Gender, Sport and Development in Africa, edited by Shehu, Jimoh, 2746. Dakar: CODESRIA.Google Scholar
Kainja, Jimmy. 2019. “Digital Rights: How Accessible is the Internet in Malawi?” http://malawi.misa.org/2019/02/15/digital-rights-how-accessible-is-the-internet-in-malawi/. Accessed November 5, 2019.Google Scholar
Kamlongera, Chris. 1987. “Denigration of a Culture or Cultural Change in Malawi: the Kitchen Party.” Bulletin of the International Committee on Urgent Anthropological and Ethnological Research 28-29: 5365.Google Scholar
Ligaga, Dina. 2012. “‘Virtual Expressions’ Alternative Online Spaces and the Staging of Kenyan Popular Culture.” Research in African Literatures 43 (4): 116.CrossRefGoogle Scholar
Manyozo, Lerato. 2012. “Malawi Bridal Showers: Farce or Fact?” https://genderlinks.org.za/programme-web-menu/malawi-bridal-showers-farce-or-fact-2012-09-13/ Accessed January 10, 2018.Google Scholar
Mtenje, Asante L. 2021. “The Use of Metaphors in Representing Sexuality in Popular Culture.” https://africanarguments.org/2021/03/the-use-of-metaphors-in-representing-sexuality-in-popular-culture/Google Scholar
National Statistics Office. 2020. “National Survey on Access and Use of Information and Communication Technologies by Households and Individuals in Malawi 2019”. http://www.nsomalawi.mw/index.php?option=com_content&view=article&id=232:national-household-survey-on-access-and-usage-of-ict-services-in-malawi-2019&catid=3:reports. Accessed June 15, 2022.Google Scholar
Obadare, Ebenezer. 2010. “State of Travesty: Jokes and the Logic of Socio-Cultural Improvisation in Africa.” Critical African Studies 2 (4): 92112.CrossRefGoogle Scholar
O’Hara, Kenton P., Massimi, Michael, Harper, Richard, Rubens, Simon, and Morris, Jessica. 2014. “Everyday Dwelling with WhatsApp.” In Proceedings of the 17th ACM Conference on Computer Supported Cooperative Work and Social Computing, 1131–43.Google Scholar
Salo, Elaine. 2004. “Respectable Mothers, Tough Men and Good Daughters: Producing Persons in Manenberg Township.” PhD diss., Emory University, Atlanta.Google Scholar
Wang, Georgette, Searves, Jan, and Goonasekera, Aura, eds. 2003. “Introduction.” In The New Communications Landscape: Demystifying Media Globalization, 1734. London: Routledge.Google Scholar
Srinivasan, Sharath, Diepeveen, Stephanie, and Karekwaivanane, George. 2019. “Rethinking Publics in Africa in a Digital Age.” Journal of Eastern African Studies 13 (1): 217.CrossRefGoogle Scholar
Tamale, Sylvia. 2013. “Exploring the Contours of African Sexualities: Statutory, Customary and Religious Laws.” Paper Presented at a Conference on “Law and Religion in Africa: Comparative Practices, Experiences and Prospects.” University of Ghana, Accra, January 14–15.Google Scholar
Zeleza, Paul Tiyambe. 2003. “Introduction: The Creation and Consumption of Leisure: Theoretical and Methodological Considerations,” in Leisure in Urban Africa, Zeleza, Paul Tiyambe and Veney, Cassandra Rachel ed.: ixli. Trenton, New Jersey: Africa World Press.Google Scholar