Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-17T16:43:13.388Z Has data issue: false hasContentIssue false

VIRUS ATTACK

Published online by Cambridge University Press:  05 July 2015

Marta García-Matos
Affiliation:
Institut de Ciències Fotòniques (ICFO)
Lluís Torner
Affiliation:
Institut de Ciències Fotòniques (ICFO)
Get access

Summary

In classical science fiction, alien attacks are perpetrated by oddly shaped creatures from outer space. Since the turn of the century, the genre has taken a more disturbing turn: invaders are earthly viruses. Although fictional, these new plots are based on a threat already experienced by a reliable majority: influenza, a well-known virus as small as 100 nm, infects millions of people every year, spreading the flu worldwide via airborne or direct transmission.

One of these fictional plots could feature Sarah, a young virologist facing the spread of an unknown virus threatening humanity. After a first observation of the symptoms and the evolution of patients, she sits at the microscope to focus on virus–cell interactions. Such interactions are fundamental to initiate an infection, since viruses need the machinery of the cell to be replicated and expressed.

Hers is a first-class standard microscope. It has the best components and offers images of the best possible resolution, but it is limited by the basic laws of light ray transmission. These are the same principles that explain rainbows and lenses, and were already beautifully summarized by Pierre Fermat in The Principle of Least Time: “Out of all the possible paths that light might take to go from one point to another, it takes the path that requires the shortest time.” Since Fermat, scientists have learnt that this principle is not completely general, but they have put forward modern refined versions that are.

When Sarah switches on the white lamp under the sample dish, the rays take Fermat's path, bending and refracting as they travel through different mediums in a labyrinth of crystal lenses, air, and mirrors. As a result, a greyish image of deformed cells reaches her eyes, indicating the infection is on course. She needs to understand how the virus is attacking; otherwise she will not be able to find a way to block or divert its maneuvers before every human dies. However, the image of the cells, an amalgam of indistinct moving grey shapes, does not give enough contrast to clearly identify the agents involved in the invasion.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brandenburg, B., Zhuang, X. (2007) Virus trafficking – learning from single-virus tracking. Nature Reviews Microbiology 5: 197–208CrossRefGoogle ScholarPubMed
Goldys, E. M. (2009) Fluorescence Applications in Biotechnology and Life Sciences. Wiley-Blackwell, New YorkGoogle Scholar
Lichtman, J. W., Conchello, J. A. (2005) Fluorescence microscopy. Nature Methods 2: 910–919CrossRefGoogle ScholarPubMed
Keats, J. (2005) The deadly art of virus cinema. Wired 13.8 http://archive.wired.com/wired/archive/13.08/molecular.html
Wouters, F. S. (2006) The physics and biology of fluorescence microscopy in the life sciences. Contemporary Physics 47: 239–255CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×