Book contents
- Frontmatter
- PREFACE
- Contents
- CHAPTER I GENERAL INTRODUCTION
- CHAPTER II VIRGIL'S PLACE IN ROMAN LITERATURE
- CHAPTER III LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL
- CHAPTER IV THE ECLOGUES
- CHAPTER V MOTIVES, FORM, SUBSTANCE, AND SOURCES OF THE GEORGICS
- CHAPTER VI RELATION OF THE GEORGICS TO THE POEM OF LUCRETIUS
- CHAPTER VII THE GEORGICS A POEM REPRESENTATIVE OF ITALY
- CHAPTER VIII THE ROMAN EPIC BEFORE THE TIME OF VIRGIL
- CHAPTER IX FORM AND SUBJECT OF THE AENEID
- CHAPTER X THE AENEID AS THE EPIC OF THE ROMAN EMPIRE
- CHAPTER XI THE AENEID AS AN EPIC POEM OF HUMAN LIFE
CHAPTER XI - THE AENEID AS AN EPIC POEM OF HUMAN LIFE
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- PREFACE
- Contents
- CHAPTER I GENERAL INTRODUCTION
- CHAPTER II VIRGIL'S PLACE IN ROMAN LITERATURE
- CHAPTER III LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL
- CHAPTER IV THE ECLOGUES
- CHAPTER V MOTIVES, FORM, SUBSTANCE, AND SOURCES OF THE GEORGICS
- CHAPTER VI RELATION OF THE GEORGICS TO THE POEM OF LUCRETIUS
- CHAPTER VII THE GEORGICS A POEM REPRESENTATIVE OF ITALY
- CHAPTER VIII THE ROMAN EPIC BEFORE THE TIME OF VIRGIL
- CHAPTER IX FORM AND SUBJECT OF THE AENEID
- CHAPTER X THE AENEID AS THE EPIC OF THE ROMAN EMPIRE
- CHAPTER XI THE AENEID AS AN EPIC POEM OF HUMAN LIFE
Summary
General character of the action as affected by the Age in which the poem was written, and by the Author's genius
The national, religious, and political ideas which form the central interest of the poem have been considered in the previous chapter. We have seen how Virgil was moved by an impulse similar to that which acted on Ennius in a ruder age, and in what way he strove to express the meaning which the idea of Rome has for all times, and to find an adequate symbol of the dominant sentiment of his own time. It remains to consider how far the poem sustains by its command over our sympathies the interest thus established in its favour; and to ascertain what value the Aeneid, as a poem of action, unfolding a spectacle of human life, manners, character and passion, possessed for the Romans and still possesses for ourselves.
The action of the poem, apart from its bearing on the destinies of the world, has a grandeur and dignity of its own. It is enacted on a great theatre, developes itself by incidents giving free play to the highest modes of human energy and passion, and through the agency of personages already renowned in legend and poetry. In that mythical age which the poet recalls to life no spectacle could be imagined more deserving to fix the attention of the world than the fall of Troy, the building of Carthage, and the first rude settlement on the hills of Rome.
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- Roman Poets of the Augustan AgeVirgil, pp. 350 - 413Publisher: Cambridge University PressPrint publication year: 2010