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from Part II - Genius and the Fine Arts
Published online by Cambridge University Press: 10 January 2024
Chapter 5 examines Kant’s modern theory of the fine arts with reference to his predecessors, in particular, Charles Batteux and Christian Wolff. Kant experiments with different classificatory themes over the years. Starting in the mid-1770s, Kant conceives of aesthetic experiences of fine art as evoking a free play between the imagination and understanding, distinguishes fine art from handicraft, and views the fine arts as products of genius (and spirit) that express or exhibit aesthetic ideas.
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