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The New Cambridge Companion to Samuel Beckett
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Book description

In the past decade, there has been an unprecedented upsurge of interest in Samuel Beckett's works. The New Cambridge Companion to Samuel Beckett offers an accessible and engrossing introduction to a key set of issues animating the field of Beckett studies today. This Companion considers Beckett's lasting significance by addressing a host of relevant topics. Written by a team of renowned scholars, this volume presents a continuum in Beckett studies ranging from theoretical approaches to performance studies, from manuscript research to the study of bilingualism, intertextuality, late modernism, history, philosophy, ethics, body and mind. The emphasis on burgeoning critical approaches aids the reader's understanding of recent developments in Beckett studies while prompting further exploration, assisted by the guide to further reading.

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‘… provides a helpful introduction to key issues of the author’s work.’

J. S. Baggett Source: Choice

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Contents

Works Cited

Abbott, H. Porter. 1973. The Fiction of Samuel Beckett. Berkeley: University of California Press.
Abbott, H. Porter 1996. Beckett Writing Beckett. Ithaca, NY: Cornell University Press.
Abbott, H. Porter 2008. ‘I Am Not a Philosopher’. In Beckett at 100, edited by Linda Ben Zvi and Angela Moorjani, 81–92. New York: Oxford University Press.
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Ackerley, C. J. 2010b. Obscure Locks, Simple Keys: The Annotated ‘Watt’. Edinburgh: Edinburgh University Press.
Ackerley, C. J. 2011. ‘“Deux Besoins”: Samuel Beckett and the Aesthetic Dilemma’. In The Edinburgh Companion to Samuel Beckett and the Arts, edited by S. E. Gontarski, 17–24, Edinburgh: Edinburgh University Press.
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Badiou, Alain. 1992. Conditions. Paris: Seuil.
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Barthes, Roland. 1989. Sade, Fourier, Loyola, translated by Richard Miller. Berkeley: University of California Press.
Bataille, Georges. 1951. ‘Le silence de Molloy’. Critique 7: 387–96.
Bataille, Georges 1979. Review of Molloy. In Samuel Beckett: The Critical Heritage, edited by Lawrence Graver and Raymond Federman, translated by Jean M. Sommermeyer, 55–64. London: Routledge and Kegan Paul.
Bauman, Zygmunt. 1989. Modernity and the Holocaust. Ithaca, NY: Cornell University Press.
Beckett, Samuel. nd. Correspondence with Lawrence Shainberg. JEK MS A/2/268.
Beckett, Samuel nd. Correspondence with Thomas MacGreevy. TCD MS10402.
Beckett, Samuel nd. ‘Human Wishes Notebook 2’. UoR MS 3461/2.
Beckett, Samuel 1935. Echo’s Bones and Other Precipitates. Paris: Europa Press.
Beckett, Samuel 1936. Letter to Thomas MacGreevy, 15 April. TCD MS 10402.
Beckett, Samuel 1936–9. ‘Whoroscope’ Notebook, Beckett International Foundation. UoR MS 3000.
Beckett, Samuel 1946. ‘L’Expulsé’. Fontaine 10: 685–708.
Beckett, Samuel 1951. Malone meurt. Paris: Editions de Minuit.
Beckett, Samuel 1953. L’Innommable. Paris: Editions de Minuit.
Beckett, Samuel 1957. Letter to Alan Schneider, 29 December, qtd. in ‘Beckett’s Letters on Endgame’. In The Village Voice Reader, edited by Daniel Wolf and Edwin Fancher, 185. Garden City: Doubleday, 1962.
Beckett, Samuel 1958. Nouvelles et Textes pour rien. Paris: Editions de Minuit.
Beckett, Samuel 1960. Letters to Barbara Bray, March. TCD MS 10948/1/72; TCD MS 10948/1/75; TCD MS 10948/1/78.
Beckett, Samuel 1961. Comment c’est. Paris: Editions de Minuit.
Beckett, Samuel 1965. Proust and Three Dialogues with Georges Duthuit. London: John Calder.
Beckett, Samuel 1967. Têtes mortes. Paris: Editions de Minuit.
Beckett, Samuel 1970. Premier amour. Paris: Editions de Minuit.
Beckett, Samuel 1972. ‘Dante…Bruno.Vico...Joyce’. In Our Exagmination Round His Factification for Incamination of Work in Progress, 1–22. London: Faber and Faber.
Beckett, Samuel 1983. Disjecta: Miscellaneous Writings and a Dramatic Fragment, edited by Ruby Cohn. London: John Calder.
Beckett, Samuel 1984a. Letter to Dr. E. Franzen, 17 February 1954, cited in ‘Babel 3, 1984’, [magazine]. Ms 2993: The Samuel Beckett Collection, University of Reading, UK. Typescript consulted May 1992.
Beckett, Samuel 1984b. ‘Peintres de l’empêchement’. Disjecta, by Samuel Beckett, 133–7. New York: Grove Press.
Beckett, Samuel 1988. Molloy. Paris: Editions de Minuit.
Beckett, Samuel 1989a. Le monde et le pantalon. Paris: Editions de Minuit.
Beckett, Samuel 1989b. Soubresauts. Paris: Editions de Minuit.
Beckett, Samuel 1992a. Dream of Fair to Middling Women, edited by Eoin O’Brien and Edith Fournier. Dublin: Black Cat Press.
Beckett, Samuel 1992b. The Theatrical Notebooks of Samuel Beckett, Volume 3: Krapp’s Last Tape, with a Revised Text, edited by James Knowlson. New York: Grove Press.
Beckett, Samuel 1993a. ‘The Capital of the Ruins’. In The Beckett Country, edited by Eoin O’Brien, 337–9. New York: Arcade Publishing.
Beckett, Samuel 1993b. Samuel Beckett’s ‘Company’/‘Compagnie’ and ‘A Piece of Monologue’/‘Solo’: A Bilingual Variorum Edition, edited by Charles Krance. New York: Garland.
Beckett, Samuel 1993c. The Theatrical Notebooks of Samuel Beckett, Volume 1: Waiting for Godot, edited by Dougald Macmillan and James Knowlson. New York: Grove Press.
Beckett, Samuel 1993d. The Theatrical Notebooks of Samuel Beckett, Volume 2: Endgame, with a Revised Text, edited by S. E. Gontarski. New York: Grove Press.
Beckett, Samuel 1995. The Complete Short Prose, 1929–1989, edited by S. E. Gontarski. New York: Grove Press.
Beckett, Samuel 1996. Eleutheria, translated by Barbara Wright. London: Faber and Faber.
Beckett, Samuel 1999a. As the Story Was Told. London: John Calder.
Beckett, Samuel 1999b. The Theatrical Notebooks of Samuel Beckett, Volume 4: Shorter Plays, edited by S. E. Gontarski. New York: Grove Press.
Beckett, Samuel 2001. Samuel Beckett’s Comment c’est/How It Is and/et L’image: A Critical-Genetic Edition/Une Edition Critico-Génétique, edited by Edouard Magessa O’Reilly. London: Routledge.
Beckett, Samuel 2006a. The Grove Centenary Edition, vol. 2. New York: Grove Press.
Beckett, Samuel 2006b. Malone Dies. In The Grove Centenary Edition, vol. 2, 171–281.
Beckett, Samuel 2006c. Molloy. In The Grove Centenary Edition, vol. 2, 1–170.
Beckett, Samuel 2006d. The Unnamable. In The Grove Centenary Edition, vol. 2, 283–407.
Beckett, Samuel 2009a. Company, Ill Seen Ill Said, Worstward Ho, Stirrings Still, edited by Dirk Van Hulle. London: Faber and Faber.
Beckett, Samuel 2009b. The Letters of Samuel Beckett, vol. I: 1929–1940, edited by Martha Dow Fehsenfeld and Lois More Overbeck. Cambridge: Cambridge University Press.
Beckett, Samuel 2009c. Molloy, edited by Shane Weller. London: Faber and Faber.
Beckett, Samuel 2009d. Watt, edited by C. J. Ackerley. London: Faber and Faber.
Beckett, Samuel 2010. The Unnamable, edited by Steven Connor. London: Faber and Faber.
Beckett, Samuel 2011. The Letters of Samuel Beckett, vol. II: 1941–1956, edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press.
Beckett, Samuel 2012. The Collected Poems of Samuel Beckett, edited by Seán Lawlor and John Pilling. London: Faber and Faber.
Beckett, Samuel 2014. Echo’s Bones, edited by Mark Nixon. London: Faber and Faber.
Beer, Ann. 1985. ‘Watt, Knott and Beckett’s Bilingualism’. Journal of Beckett Studies, old series, 10: 37–75.
Begam, Richard. 1996. Samuel Beckett and the End of Modernity. Stanford, CA: Stanford University Press.
Bennett, Michael Y. 2011. Reassessing the Theatre of the Absurd: Camus, Beckett, Genet and Pinter. New York: Palgrave.
Ben-Zvi, Linda, and Angela Moorjani, eds. 2008. Beckett at 100: Revolving It All. Oxford: Oxford University Press.
Bergson, Henri. 1911a. Creative Evolution, translated by Arthur Mitchell. London: Macmillan.
Bergson, Henri 1911b. Laughter: An Essay on the Meaning of the Comic, translated by Cloudesley Brereton and Fred Rothwell. New York: Macmillan.
Bergson, Henri 1911c. Matter and Memory, translated by Nancy Margaret Paul and W. Scott Palmer. London: Macmillan.
Bernold, André. 1992. L’Amitié de Beckett, 1979–1989. Paris: Hermann.
Bernstein, J. M. 2006. Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. Stanford, CA: Stanford University Press.
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