Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction: ‘something fierce, subtle, strange, singular’
- 1 The diaries and dramas: life-writing and the temporal patterns of aestheticism
- 2 Long Ago: the male pseudonym, fin-de-siècle sexualities and Sappho's historical leap
- 3 Sight and Song: Botticelli and ekphrastic paradox
- 4 Underneath the Bough: dual authorship and lyric song
- 5 Wild Honey from Various Thyme: apian aestheticism and the lyric book collection
- 6 The Catholic poetry: the spiritual and historical ‘turn’ of the century
- Conclusion: modernism and the fin de siècle
- Notes
- Bibliography of material by Katharine Bradley and Edith Cooper
- General bibliography
- Index
- CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE
Introduction: ‘something fierce, subtle, strange, singular’
Published online by Cambridge University Press: 08 September 2009
- Frontmatter
- Contents
- Acknowledgements
- Introduction: ‘something fierce, subtle, strange, singular’
- 1 The diaries and dramas: life-writing and the temporal patterns of aestheticism
- 2 Long Ago: the male pseudonym, fin-de-siècle sexualities and Sappho's historical leap
- 3 Sight and Song: Botticelli and ekphrastic paradox
- 4 Underneath the Bough: dual authorship and lyric song
- 5 Wild Honey from Various Thyme: apian aestheticism and the lyric book collection
- 6 The Catholic poetry: the spiritual and historical ‘turn’ of the century
- Conclusion: modernism and the fin de siècle
- Notes
- Bibliography of material by Katharine Bradley and Edith Cooper
- General bibliography
- Index
- CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE
Summary
field A region in which a body experiences a force
as the result of the presence of some other body or bodies.
A field is thus a method of representing the way
in which bodies are able to influence each other.
This definition of ‘field’ from a dictionary of scientific terminology could also be used as a rather apt literary definition of ‘lyric’. If the lyric is a space designed to explore the way in which bodies influence each other textually, ‘Michael Field’ is a created and creative space of lyric production. Bradley and Cooper wrote in an era which resulted in Einstein's special relativity theory (1905); an era in which the understanding of the relationship between bodies across space and time was changed radically. Michael Field's lyrics seem to share the urgency of this investigation, and this study will suggest that Bradley and Cooper not only provide but also, crucially, embody a highly inventive resolution to the dialectic between bodies. They do this through the method of the paradox, which underpins the operations of this lyric ‘field’ in both spatial and temporal dimensions. The dual authorship itself is perhaps the most notable ‘spatial’ paradox, and I will be arguing throughout this book that it enables a poetics of presence based on amorphous desire which entails profound consequences for the operation of the Victorian lyric.
- Type
- Chapter
- Information
- 'Michael Field'Poetry, Aestheticism and the Fin de Siècle, pp. 1 - 19Publisher: Cambridge University PressPrint publication year: 2007