Book contents
- The Many-Headed Muse
- The Many-Headed Muse
- Copyright page
- Contents
- Acknowledgments
- Abbreviations
- Introduction: the late classical gap
- 1 A collection of unrecollected authors?
- 2 New Music and its myths
- 3 New Music live: poetics of Philoxenia(na)
- 4 The language of the New Music
- 5 Narrative and subjectivity: mimēsis and theater music
- 6 Sympotic mix: genre, voice, contexts
- 7 A canon set in stone? Inscriptions, performance, and ritual in late classical hymns
- Epilogue
- Bibliography
- Index locorum
- Subject index
5 - Narrative and subjectivity: mimēsis and theater music
Published online by Cambridge University Press: 05 January 2014
- The Many-Headed Muse
- The Many-Headed Muse
- Copyright page
- Contents
- Acknowledgments
- Abbreviations
- Introduction: the late classical gap
- 1 A collection of unrecollected authors?
- 2 New Music and its myths
- 3 New Music live: poetics of Philoxenia(na)
- 4 The language of the New Music
- 5 Narrative and subjectivity: mimēsis and theater music
- 6 Sympotic mix: genre, voice, contexts
- 7 A canon set in stone? Inscriptions, performance, and ritual in late classical hymns
- Epilogue
- Bibliography
- Index locorum
- Subject index
Summary
- Type
- Chapter
- Information
- The Many-Headed MuseTradition and Innovation in Late Classical Greek Lyric Poetry, pp. 189 - 243Publisher: Cambridge University PressPrint publication year: 2014