Introduction
Published online by Cambridge University Press: 27 July 2009
Summary
Nothing but a legend, you say? You want nothing but facts? Facts are perishable, believe me, only legends remain, like the soul after the body, or perfume in the wake of a woman.
Amin MaaloufThe almost nine-hundred-day siege of Leningrad constituted one of the most dramatic and tragic episodes of World War II. Even before it ended, the siege became one of the war's most widely told stories. Both the Soviet and the Allied press transformed besieged Leningrad into legend, a compelling story of steadfastness and heroism. Inside the blockaded city, Leningraders undertook a startling array of commemorative projects, ranging from keeping diaries to producing documentary films. Perhaps the best known of these contemporary commemorations is Dmitrii Shostakovich's monumental Leningrad Symphony. Begun in blockaded Leningrad, the piece had more than fifty international premiers in 1942 and became an emblem of the city's suffering and its strength. In the summer of 1942, the remnants of the Leningrad Philharmonic, supplemented by musicians stationed at the Leningrad front, performed the symphony in Leningrad itself. Broadcast by radio throughout the city, the concert immediately became part of the epic story of the blockade. One of the violins played that evening became a museum piece.
The extraordinary and unexpected plight of blockaded Leningrad easily lent itself to mythmaking. Just weeks after the surprise invasion of 22 June 1941, rapidly advancing German troops threatened the city.
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- The Legacy of the Siege of Leningrad, 1941–1995Myth, Memories, and Monuments, pp. 1 - 18Publisher: Cambridge University PressPrint publication year: 2006