Book contents
- Langston Hughes in Context
- Langston Hughes in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction
- Part I Singing America
- Part II The Global Langston Hughes
- Chapter 12 Langston Hughes and the Haitian Revolution
- Chapter 13 Taking Louise Bennett Seriously
- Chapter 14 Langston Hughes and Mexico
- Chapter 15 Langston Hughes in Spain
- Chapter 16 Langston Hughes in Cuba and South America
- Chapter 17 Langston Hughes, Colonialism, and Decolonization
- Chapter 18 Langston Hughes and Cultural Diplomacy
- Chapter 19 Langston Hughes in the Soviet Union
- Chapter 20 Translating Blackness
- Chapter 21 Langston Hughes and the Shanghai Jazz Scene
- Chapter 22 Langston Hughes’s Short Fiction in 1930s Korea
- Part III Afterlives
- Index
Chapter 18 - Langston Hughes and Cultural Diplomacy
from Part II - The Global Langston Hughes
Published online by Cambridge University Press: 10 November 2022
- Langston Hughes in Context
- Langston Hughes in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction
- Part I Singing America
- Part II The Global Langston Hughes
- Chapter 12 Langston Hughes and the Haitian Revolution
- Chapter 13 Taking Louise Bennett Seriously
- Chapter 14 Langston Hughes and Mexico
- Chapter 15 Langston Hughes in Spain
- Chapter 16 Langston Hughes in Cuba and South America
- Chapter 17 Langston Hughes, Colonialism, and Decolonization
- Chapter 18 Langston Hughes and Cultural Diplomacy
- Chapter 19 Langston Hughes in the Soviet Union
- Chapter 20 Translating Blackness
- Chapter 21 Langston Hughes and the Shanghai Jazz Scene
- Chapter 22 Langston Hughes’s Short Fiction in 1930s Korea
- Part III Afterlives
- Index
Summary
This chapter examines Langston Hughes’s long-neglected service as a literary ambassador. Focusing on Hughes’s 1965 trip to France and his 1966 visit to Senegal, the chapter demonstrates that the eminent poet used Cold War cultural diplomacy to promote Black internationalist connection and, more surprisingly, to express his political and aesthetic disagreements with an incipient Black Arts Movement.
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- Langston Hughes in Context , pp. 192 - 202Publisher: Cambridge University PressPrint publication year: 2022