Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Resituating O'Hara
- 2 The Hyperscape and Hypergrace: The City and The Body
- 3 In Memory of Metaphor: Metonymic Webs and the Deconstruction of Genre
- 4 The Gay New Yorker: The Morphing Sexuality
- 5 The Poem as Talkscape: Conversation, Gossip, Performativity, Improvisation
- 6 Why I Am Not a Painter: Visual Art, Semiotic Exchange, Collaboration
- Coda: Moving the Landscapes
- Appendix: More Collaboration
- Select Bibliography
- index
Select Bibliography
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Resituating O'Hara
- 2 The Hyperscape and Hypergrace: The City and The Body
- 3 In Memory of Metaphor: Metonymic Webs and the Deconstruction of Genre
- 4 The Gay New Yorker: The Morphing Sexuality
- 5 The Poem as Talkscape: Conversation, Gossip, Performativity, Improvisation
- 6 Why I Am Not a Painter: Visual Art, Semiotic Exchange, Collaboration
- Coda: Moving the Landscapes
- Appendix: More Collaboration
- Select Bibliography
- index
Summary
- Type
- Chapter
- Information
- Hyperscapes in the Poetry of Frank O’HaraDifference, Homosexuality, Topography, pp. 200 - 225Publisher: Liverpool University PressPrint publication year: 2000