Austin, C. and G. Bastianini, eds. 2002. Posidippi Pellaei quae supersunt omnia. Milan.
Acosta-Hughes, B., et al., eds. 2004. Labored in papyrus leaves: Perspectives on an epigram collection attributed to Posidippus (P. Mil. Vogl. VIII 309). Washington, D.C.
Alföldi, A. 1965. Early Rome and the Latins. Ann Arbor.
Amedick, R. 1999. “Der Schild des Achilleus in der hellenistisch-römischen ikonographischen Tradition.” Jahrbuch des deutschen archäologischen Instituts 114: 157–206.
Anderson, M. J. 1997. The fall of Troy in early Greek poetry and art. Oxford.
Annucci, F. 1999. La Tabula Iliaca di Bovillae. Boville.
Ashby, T. 1910. “The classical topography of the Roman Campagna, Part III, Section II.” Papers of the British School at Rome 5: 213–432.
Bachelard, G. 1964. The poetics of space. E. Gilson, trans. Boston.
Barchiesi, A. 1994. “Rappresentazioni del dolore e interpretazione nell’Eneide.” Antike und Abendland 40: 109–124.
Barchiesi, A. 1997. “Virgilian narrative: Ecphrasis,” in C. Martindale, ed., The Cambridge companion to Virgil. Cambridge: 271–281.
Barchiesi, A. et al., eds. and trans. 1982–88. Storia naturale. Gaio Plinio Secundo. 5 vols. Turin.
Barthes, R. 1967. Elements of semiology. A. Lavers and C. Smith, trans. New York.
Barthes, R. 1972. Mythologies. A. Lavers, trans. New York.
Bartman, E. 1992. Ancient sculptural copies in miniature. Leiden.
Bartoli, P. S. 1741. “Memorie di varie escavazioni fatte in Roma e nei luoghi suburbani vivente Pier Santi Bartoli,” in G. L. Barbiellini, Roma antica distinta per regioni. Vol. I. Rome: 293–369.
Bastianini, G. and A. Casanova, eds. 2002. Il papiro di Posidippo un anno doppo. Florence.
Bastianini, G. and C. Gallazzi, eds. (with C. Austin). 2001. Posidippo di Pella. Epigrammi (P. Mil. Vogl. VIII 309). Milan.
Battistoni, F. 2006. “The ancient pinakes from Tauromenion. Some new readings.” ZPE 157: 169–180.
Becker, A. S. 1995. The shield of Achilles and the poetics of ekphrasis. Lanham.
Bernabé, A., ed. 1987. Poetarum epicorum Graecorum testimonia et fragmenta. Vol. I. Leipzig. [Teubner]
Bieńkowski, P. 1891. “Lo scudo di Achille.” Mitteilungen des deutschen archäologischen Instituts: Römische Abteilung 6: 183–207.
Biering, R. 1995. Die Odysseefresken vom Esquilin. Munich.
Blanck, H. 1992. Das Buch in der Antike. Munich.
Blanck, H. 1997a. “Anaximander in Taormina.” Mitteilungen des deutschen archäologischen Instituts: Römische Abteilung 104: 507–511.
Blanck, H. 1997b. “Un nuovo frammento del ‘catalogo’ della biblioteca di Tauromenion.” Parola del passato 52: 241–255.
Borghini, G., ed. 1989. Marmi antichi. Rome.
Boyd, B. W. 1995. “Non enarrabile textum: Ecphrastic trespass and narrative ambiguity in the Aeneid.” Vergilius 41: 71–90.
Brilliant, R. 1984. Visual narratives: Storytelling in Etruscan and Roman art. Ithaca.
Bringmann, K. 2002. “Rhodos als Bildungszentrum der hellenistischen Welt.” Chiron 32: 65–81.
Brink, C. O., ed. 1971. Horace on poetry. Vol. II. Cambridge.
Brodersen, K. and J. Elsner, eds. 2009. Images and texts on the “Artemidorus papyrus”: Working papers on P.Artemid. Stuttgart.
Bua, M. T. 1971–1972. “I giuochi alfabetici delle tavole iliache.” Memorie dell’accademia dei Lincei 16: 3–35.
Bühler, W., ed. 1960. Die Europa des Moschos. Wiesbaden.
Bulas, K. 1950. “New illustrations to the Iliad.” AJA 54: 112–118.
Burgess, J. S. 2001. The tradition of the Trojan war in Homer and the Epic Cycle. Baltimore.
Burgess, J. S. 2009. The death and afterlife of Achilles. Baltimore.
Burstein, S. M. 1984. “A new Tabula Iliaca: The Vasek Polak chronicle.” The J. Paul Getty Museum Journal 12: 153–162.
Cairns, F. 2002. “Propertius the historian (3.3.1–12)?,” in D. S. Levene and D. P. Nelis, eds., Clio and the Poets: Augustan poetry and the traditions of ancient historiography. Leiden: 25–44.
Calame, C. 1992. “Espaces liminaux et voix discursives dans l’Idylle I de Théocrite: Une civilisation de poète,” in idem, ed., Figures grecques de l’intermédiaire. Lausanne: 59–85.
Cameron, A. 1995. Callimachus and his critics. Princeton.
Campbell, B. 2000. The writings of the Roman land surveyors. London.
Campbell, M., ed. 1991. Moschus: Europa. Hildesheim.
Carder, J. N. 1978. Art historical problems of a Roman land surveying manuscript. New York.
Carinci, F. et al., eds. 1990. Catalogo della Galleria Colonna in Roma. Sculture. Rome.
Carlini, A. 1982. “Omero, Stesicoro e la ‘firma’ di Teodoro,” in M. L. Gualandi et al., eds., ΑΠΑΡΧΑΙ. Nuove ricerche e studi sulla Magna Graecia e la Sicilia antica in onore di Paolo Enrico Arias. Vol. II. Pisa: 631–633.
Carruthers, M. 1998. The craft of thought: Meditation, rhetoric, and the making of images, 400–1200. Cambridge.
Casson, L. 2001. Libraries in the ancient world. New Haven.
Castagnoli, F. 1959–1960. “Sulla tipologia degli altari di Lavinio.” Bullettino della commissione archeologica comunale di Roma 77: 145–172.
Chaniotis, A. 1988. Historie und Historiker in den griechischen Inschriften. Stuttgart.
Cima, M. 1986. “Il ‘prezioso arredo’ degli Horti Lamiani,” in M. Cima and E. La Rocca, eds., Le tranquille dimore degli dei. Venice: 105–144.
Claridge, A. 2007. “Hadrian’s lost Temple of Trajan.” JRA 20: 54–94.
Clauss, M. 2000. The Roman cult of Mithras. R. Gordon, trans. New York.
Clay, D. 1988. “The archaeology of the temple to Juno in Carthage (Aeneid 1.446–93).” CPh 83: 195–205.
Coleman, K. M., ed. 1988. Statius: Silvae IV. Oxford.
Coleman, K. M.,ed. 2006. Martial: Liber Spectaculorum. Oxford.
Condoléon, N. M. 1949. “Inscriptions de Chios.” Revue de philologie 23: 5–16.
Coqueugniot, G. 2013. “Where was the royal library of Pergamon? An institution found and lost,” in König et al. 2013: 109–123.
Corbier, M. 1992. “De la maison d’Hortensius à la curia sur le Palatin.” MEFRA 104: 871–916.
Corbier, M. 2006. Donner à voir, donner à lire. Paris.
Crawford, M. H., ed. 1996. Roman Statutes. 2 vols. London.
Croisille, J.-M. 2005. La peinture romaine. Paris.
Cusset, C. 2001. “Le jeu poétique dans l’Europé de Moschos.” Bulletin de l’association Guillaume Budé: 62–82.
Dale, A. M. 1952. “ΚΙΣΣΥΒΙΟΝ.” CR 2: 129–132.
Davies, M. 1988. Epicorum Graecorum fragmenta. Göttingen.
Davies, M. 1989. The Epic Cycle. Bristol.
Davies, M. 1991. Poetarum melicorum Graecorum fragmenta. Oxford.
Debiasi, A. 2004. L’epica perduta: Eumelo, il Ciclo, l’occidente. Rome.
De Nuccio, M. and L. Ungaro, eds. 2002. I marmi colorati della Roma imperiale. Venice.
De Rossi, G. M. 1979. Bovillae. Forma Italiae, Regio I. Volumen XV. Florence.
Degrassi, A. 1947. Inscriptiones Italiae, Volumen XIII.1. Rome.
Del Lungo, S., 1996. La toponomastica archeologica della provincia di Roma. vol. 2. Rome.
Dilke, O. A. W. 1971. The Roman land surveyors. New York.
Dilke, O. A. W. 1985. Greek and Roman maps. London.
Dix, T. K. and G. W. Houston. 2006. “Public libraries in the city of Rome.” MEFRA 118: 671–717.
Doboşi, A. 1935. “Bovillae: Storia e topografia.” Ephemeris dacoromana 6: 240–367.
Dorandi, T. 1984. “Sillyboi.” Scrittura e civiltà 8: 185–199.
Durante, M. 1960. “Ricerche sulla preistoria della lingua poetica greca. La terminologia relativa alla creazione poetica.” Rendiconti dell’accademia dei Lincei 15: 231–249.
Dury-Moyaers, G. 1981. Énée et Lavinium. Brussels.
Ehlich, W. 1953. Bild und Rahmen im Altertum. Leipzig.
Elkins, J. 1991. “On the impossibility of stories: The anti-narrative and non-narrative impulse in modern painting.” Word & Image 7: 348–364.
Elsner, J. 1995. Art and the Roman viewer. Cambridge.
Elsner, J. 2007. Roman eyes: Visuality & subjectivity in art & text. Princeton.
Elsner, J. 2009. “P.Artemid.: The Images,” in Brodersen and Elsner 2009: 35–50.
Elsner, J. ed. 1996. Art and text in Roman culture. Cambridge.
Ernst, U. 1991. Carmen figuratum. Cologne.
Erskine, A. 2001. Troy between Greece and Rome. Oxford.
Fabretti, R. 1683. De columna Traiani syntagma. Rome.
Fantuzzi, M. 2002. “La tecnica versificatoria del P.Mil.Vogl. VIII 309,” in Bastianini and Casanova 2002: 79–97.
Fantuzzi, M. and R. Hunter. 2002. Muse e modelli: La poesia ellenistica da Alessandro Magno ad Augusto. Rome.
Farney, G. D. 2007. Ethnic identity and aristocratic competition in Republican Rome. Cambridge.
Farrell, J. 2004. “Roman Homer,” in R. Fowler, ed., The Cambridge companion to Homer. Cambridge: 254–271.
Fedeli, P. 1988. “Biblioteche private e pubbliche a Roma e nel mondo romano,” in G. Cavallo, ed., Le biblioteche nel mondo antico e medievale. Bari: 29–64.
Ferrari, G. 1999. “The geography of time: The Nile mosaic and the library at Praeneste.” Ostraka 8: 359–386.
Forte, G. 1973. “Apollodorei e Teodorei: Contributo a una controversia culturale del 1° sec. a. C.” Rendiconti dell’accademia di archeologia, lettere e belle arti di Napoli 48: 77–93.
Fowler, D. P. 1991. “Narrate and describe: The problem of ekphrasis.” JRS 81: 25–35.
Friedländer, P. 1912. Johannes von Gaza und Paulus Silentiarius: Kunstbeschreibungen justinianischer Zeit. Berlin.
Froning, H. 1981. Marmor-Schmuckreliefs mit griechischen Mythen im 1. Jh. v. Chr. Mainz am Rhein.
Galinsky, G. K. 1969. Aeneas, Sicily, and Rome. Princeton.
Gallavotti, C. 1966. “Le coppe istoriate di Teocrito e di Virgilio.” La parola del passato 21: 421–436.
Gallavotti, C. 1989. “Planudea (IX).” Bollettino dei classici 10: 49–69.
Gallazzi, C., B. Kramer, and S. Settis. 2008. Il papiro di Artemidoro. Milan.
Gallo, I. 1974. “L’epigramma biografico sui nove lirici greci e il ‘canone’ alessandrino.” QUCC 17: 91–112.
Gantz, T. 1993. Early Greek myth. Baltimore.
Gasparri, C. 2009. “23 Ky: Un nuovo rilievo della serie delle “tabulae iliacae” dal Foro di Cuma,” in C. Gasparri and G. Greco, eds., Cuma: Indagini archeologiche e nuove scoperte. Pozzuoli: 251–257.
Genette, G. 1980. Narrative discourse: An essay in method. J. E. Lewin, trans. Ithaca.
Genette, G. 1988. Narrative discourse revisited. J. E. Lewin, trans. Ithaca.
Ghisellini, E. 2005. “Achilleos soma: Una nota iconographica.” Seminari romani di cultura greca 8: 299–309.
Giuliani, L. 1998. Bilder nach Homer: vom Nutzen und Nachteil der Lektüre für die Malerei. Freiburg im Breisgau.
Giuliani, L. 2003. Bild und mythos: Geschichte der Bilderzählung in der griechischen Kunst. Munich.
Gnoli, R. 1988. Marmora romana. 2nd edn. Rome.
Goldhill, S. 1994. “The naive and knowing eye: Ecphrasis and the culture of viewing in the Hellenistic world,” in S. Goldhill and R. Osborne, eds., Art and text in ancient Greek culture. Cambridge: 192–223.
Goldhill, S. ed. 2001a. Being Greek under Rome. Cambridge.
Goldhill, S. 2001b. “The erotic eye: Visual stimulation and cultural conflict,” in Goldhill 2001: 154–194.
Goldhill, S. 2007. “What is ekphrasis for?” CPh 102: 1–19.
Goodman, N. 1980. “Twisted tales; or, story, study, symphony.” Critical Inquiry 7: 103–119. (Reprinted in Mitchell 1981.)
Gordon, R. 1980. “Panelled complications.” Journal of Mithraic Studies 3: 200–227. (Reprinted in R. Gordon, Images and value in the Graeco-Roman world. Aldershot, 1996.)
Gow, A. S. F. 1952. Theocritus. 2nd edn. 2 vols. Cambridge.
Gow, A. S. F. and D. L. Page, eds. 1968. The garland of Philip. 2 vols. London.
Graf, F. 1985. Nordionische Kulte. Rome.
Granino Cecere, M. G. 1991. “Nuovi documenti epigrafici da Bovillae.” Miscellanea greca e romana 16: 239–259.
Granino Cecere, M. G. 1995. “Villa Mamurrana.” Rendiconti dell’accademia dei Lincei 6: 361–386.
Granino Cecere, M. G. 2005. Supplementa Italica. Imagines: Latium Vetus (CIL, XIV; Eph. Epigr., VII e IX), 1. Latium Vetus praeter Ostiam. Rome.
Gros, P. 1996. L’architecture romaine 1: Les monuments publics. Paris.
Gruen, E. S. 1992. Culture and national identity in republican Rome. New York.
Guarducci, M. 1967–1978. Epigrafia greca. 4 vols. Rome.
Gutzwiller, K. J. 1981. Studies in the Hellenistic epyllion. Königstein/Ts.
Gutzwiller, K. J. 2002a. “Posidippus on statuary,” in Bastianini and Casanova 2002: 41–60.
Gutzwiller, K. J. 2002b. “Art’s echo: The tradition of Hellenistic ecphrastic epigram,” in M. A. Harder et al., eds., Hellenistic epigrams. Leuven: 85–112.
Hardie, P. R. 1985. “Imago mundi: Cosmological and ideological aspects of the shield of Achilles.” JHS 105: 11–31.
Hardie, P. R. 1986. Virgil’s Aeneid: Cosmos and imperium. Oxford.
Harrison, S. 2001. “Picturing the future: The proleptic ekphrasis from Homer to Vergil,” in idem, ed., Texts, ideas and the Classics. Oxford: 70–92.
Haussoullier, B. 1890. “Bulletin épigraphique.” Revue des études grecques 3.
Henriksén, C. 1998–1999. Martial, book IX: A commentary. 2 vols. Uppsala.
Henzen, G. 1863. “Frammeno d’una tavola iliaca.” Annali dell’istituto di corrispondenza archeologica, 35: 412–419.
Herczog, J., ed. 1993. Arcangelo Spagna: Oratorii. Lucca.
Herman, D. 2002. Story logic: Problems and possibilities of narrative. Lincoln.
Heroes. 2008. Heroes: Mortals and myths in ancient Greece. Exhibition catalogue. S. Albersmeier, ed. New Haven.
Hillgruber, M. 1994–1999. Die pseudoplutarchische Schrift de Homero. 2 vols. Stuttgart.
Hoepfner, W. 1996. “Zu griechischen Bibliotheken und Bücherschranken.” Archäologischer Anzeiger: 25–36.
Hoepfner, W. 2002. Antike Bibliotheken. von Zabern.
Holliday, P. J. 1997. “Roman triumphal painting: Its function, development, and reception.” The art bulletin 79: 130–147.
Holliday, P. J. 2002. The origins of Roman historical commemoration in the visual arts. Cambridge.
Holliday, P. J. ed. 1993. Narrative and event in ancient art. Cambridge.
Homer. 2008. Homer: Der Mythos von Troia in Dichtung und Kunst. Exhibition catalogue. J. Latacz et al., eds. Munich.
Hopkinson, N. 1988. A Hellenistic anthology. Cambridge.
Hornbostel-Hüttner, G. 1979. Studien zur römischen Nischenarchitektur. Leiden.
Horsfall, N. 1973–1974. “Dido in the light of history.” Proceedings of the Virgil Society 13: 1–13.
Horsfall, N. 1979. “Stesichorus at Bovillae?” JHS 99: 26–48.
Horsfall, N. 1983. “Tabulae Iliacae in the Collection Froehner, Paris.” JHS 103: 144–147.
Horsfall, N. 1990. In L. Moretti, ed., Inscriptiones Graecae urbis Romae. Vol. IV. Rome: 93–98.
Horsfall, N. 1993. “Empty shelves on the Palatine.” Greece and Rome 40: 58–67.
Horsfall, N. 2008. Virgil, Aeneid 2: A commentary. Leiden.
Houston, G. 2008. “Tiberius and the libraries: Public book collections and library buildings in the early Roman empire.” Libraries & the Cultural Record 43: 247–269.
Hudson-Williams, T. 1926. Early Greek elegy. Cardiff.
Huet, V. 1996. “Stories one might tell of Roman art: Reading Trajan’s column and the Tiberius cup,” in Elsner 1996: 9–31.
Hunter, R. 1999. Theocritus: A selection. Cambridge.
Iacopi, I. and G. Tedone. 2005–2006. “Bibliotheca e porticus ad Apollinis.” Mitteilungen des deutschen archäologischen Instituts, Römische Abteilung 112: 351–378.
Iliade. 2006. Iliade. Exhibition catalogue. A. Bottini and M. Torelli, eds. Milan.
Jacob, C. 1996. “Lire pour écrire: Navigations alexandrines,” in M. Baratin and C. Jacob, eds., Le pouvoir des bibliothèques. Paris: 47–83.
Jahn, O. and A. Michaelis. 1873. Griechische Bilderchroniken. Bonn.
Kah, D. and P. Scholz, eds. 2004. Das hellenistische Gymnasion. Berlin.
Kazansky, N. N. 1997. Principles of the reconstruction of a fragmentary text (new Stesichorean papyri). Saint-Petersburg.
Kerkhecker, A. 1991. “Zum neuen hellenistichen Weihepigramm aus Pergamon.” ZPE 86: 27–34.
Knox, P. E., ed. 1995. Ovid. Heroides: Select epistles. Cambridge.
König, J., K. Oikonomopoulou, and G. Woolf, eds. 2013. Ancient libraries. Cambridge.
König, R., with G. Winkler. 1975. C. Plinius Secundus d. Ä, Naturkunde. Buch VII: Anthropologie. Munich.
Kontoleon, N. M. 1964. “Zu den literarischen ἀναγραφαί.” Akte des IV. internationalen Kongresses für griechische und lateinische Epigraphik. Vienna: 192–201.
Kopff, E. C. 1983. “The structure of the Amazonia (Aethiopis),” in R. Hägg, ed., The Greek renaissance of the eighth century B. C. Stockholm: 57–62.
Kosmetatou, E. 2004. “Vision and visibility: Art historical theory paints a portrait of new leadership in Posidippus’ Andriantopoiika,” in Acosta-Hughes et al. 2004: 187–211.
Künstlerlexikon der Antike. 2001–2004. R. Vollkommer, ed. 2 vols. Munich.
Kuttner, A. 1995. Dynasty and empire in the age of Augustus: The case of the Boscoreale cups. Berkeley.
La Penna, A. 2000. “L’ordine delle raffigurazioni della guerra Troiana nel tempio di Cartagine (Aeneid I 469–493).” Maia 52: 1–8.
Laird, A. 1996. “Ut figura poesis: Writing art and the art of writing in Augustan poetry,” in Elsner 1996: 75–102.
Lanciani, R. 1989–2002. Storia degli scavi di Roma. Various editors. 7 vols. Rome.
Lausberg, H. 1998. Handbook of literary rhetoric. M. T. Bliss et al., trans. Leiden.
Lawall, G. 1967. Theocritus’ Coan pastorals: A poetry book. Washington, D.C.
Lazzarini, L. 2002. “La determinazione della provenienza delle pietre decorative usate dai romani,” in De Nuccio and Ungaro 2002: 223–265.
Leach, E. W. 1988. The rhetoric of space. Princeton.
Lebedev, A. 1996. “A new epigram for Harmodios and Aristogeiton.” ZPE 112: 263–268.
Le Bonniec, H., ed. 1953. Pline l’ancien: Histoire naturelle, livre xxxiv. H. Gallet de Santerre and H. Le Bonniec, comm. Paris. [Budé]
Lehnus, L. 1972. “Note Stesicoree.” Studi classici e orientali 21: 52–55.
Lindgren, L. n.d. “Spagna, Arcangelo.” Grove Music Online. Oxford Music Online. (accessed 28 June 2010)
Ling, R. 1991. Roman painting. Cambridge.
Liou, B. and M. Zuinghedau, eds., M.-T. Cam, comm. 1995. Vitruve: De l’architecture livre vii. Paris. [Budé]
Lippold, G. 1932. “Tabula Iliaca.” RE IV A II 1886–1896.
Lloyd-Jones, H. 1980. “Stesicoro,” in L’epos greco in occidente: Atti del diciannovesimo convegno di studi sulla Magna Grecia. Taranto: 9–28.
Löbl, R. 1997–. TEXNH-Techne: Untersuchung zur Bedeutung dieses Wortes in der Zeit von Homer bis Aristoteles. 3 vols. Würzburg.
Loewy, E. 1885. Inschriften griechischer Bildhauer. Leipzig.
Lorenz, S. 2003. “Martial, Herkules und Domitian: Büsten, Statuetten und Statuen im Epigrammaton liber nonus.” Mnemosyne 56: 566–584.
Lowenstam, S. 1993. “The pictures of Juno’s temple in the Aeneid.” CW 87: 37–49.
Lowenstam, S. 2008. As witnessed by images: The Trojan War in Greek and Etruscan art. Baltimore.
Lugli, G. 1960. Regio Urbis decima. Mons Palatinus. Fontes ad topographiam veteris urbis Romae pertinentes 8. Rome.
Maiuri, A. 1940. “Picturae ligneis formis inclusae: Note sulla tecnica della pittura campana.” Atti della reale accademia d’Italia. Rendiconti della classe di scienze morali e storiche 1: 138–160.
Malkin, I. 1998. The returns of Odysseus. Berkeley.
Manakidou, F. 1993. Beschreibung von Kunstwerken in der hellenistischen Dichtung. Stuttgart.
Mancuso, U. 1909. “La ‘Tabula Iliaca’ del Museo Capitolino.” Memorie dell’accademia dei Lincei 8: 661–731.
Mancuso, U. 1910. “Tabulae Iliacae Capitolinae inscriptionem denuo recognitam percensuit artissimo adiecto apparatu Humb. Mancuso.” Rendiconti dell’accademia dei Lincei 19: 933–942.
Marcotte, D. 1988. “Origines puniques de la topographie romaine,” in E. Lipinski, ed., Studia Phoenicia VI. Carthago. Leuven: 239–244.
Marcotte, D. 1994. “Géomore: Histoire d’un mot,” in G. Argoud, ed., Science et vie intellectuelle à Alexandrie. Saint-Etienne: 150–161.
Marcovich, M., ed. 2001. Heraclitus. 2nd edn. Sankt Augustin.
Martini, W. 2004. “Bemerkungen zur Statuenausstattung der hellenistischen Gymnasien,” in Kah and Scholz 2004: 407–411.
Mayhoff, C., ed. 1909. C. Plini Secundi Naturalis Historiae libri xxxvii: vol. II, libri vii–xv. 2nd edn. Leipzig. [Teubner]
Mazzoleni, D., ed. 2006. Raffaele Fabretti, archeologo ed erudito. Vatican City.
McLeod, W. 1973. “New readings in I.G., XIV, 1285, II, verso.” Hesperia 42: 408–415.
McLeod, W. 1985. “The ‘epic canon’ of the Borgia Table: Hellenistic lore or Roman fraud?” TAPA 115: 153–165.
Meijering, R. 1987. Literary and rhetorical theories in Greek scholia. Groningen.
Meneghini, R. 2002. “Nuovi dati sulla funzione e le fasi costruttive delle ‘biblioteche’ del Foro di Traiano.” MEFRA 114: 655–692.
Merkelbach, R. and M. L. West, eds. 1967. Fragmenta Hesiodea. Oxford.
Merriam, C. U. 2001. The development of the epyllion genre through the Hellenistic and Roman periods. Lewiston.
Mey, J. L. 2005. “Pragmatics,” in D. Herman et al., eds., Routledge Encyclopedia of Narrative Theory. New York: 462–467.
Michaelis, A. 1858. “Inscriptiones Tabulae Iliacae.” Annali dell’istituto di corrispondenza archeologica 30: 100–125.
Micheli, M. E. 2006. “Raffaele Fabretti illustratore di un ciclo epico,” in Mazzoleni 2006: 77–102.
Miles, G. B. 1977. “Characterization and the ideal of innocence in Theocritus’ Idylls.” Ramus 6: 139–164.
Mitchell, W. J. T., ed. 1981. On Narrative. Chicago.
Morelli, G. 1993. “La morte di Tersite nella ‘Tabula Iliaca’ del Campidoglio,” in R. Pretagostini, ed., Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I. Rome: 143–153.
Müller, H. 1989. “Ein neues hellenistiches Weihepigramm aus Pergamon.” Chiron 19: 499–553.
Nelson, R. S. 2000. “Introduction: Descartes’s cow and other domestications of the visual,” in idem, ed., Visuality before and beyond the Renaissance. Cambridge: 1–21.
Neudecker, R. 1988. Die Skulpturen-Ausstattung römischer Villen in Italien. Mainz am Rhein.
Neudecker, R. 2004. “Aspekte öffentlicher Bibliotheken in der Kaiserzeit,” in B. E. Borg, ed., Paideia: The world of the Second Sophistic. New York: 293–313.
Newby, Z. 2007. “Reading the allegory of the Archelaos relief,” in Z. Newby and R. Leader-Newby, eds., Art and inscriptions in the ancient world. Cambridge: 156–178.
Nicolet, C. 1991. Space, geography, and politics in the early Roman empire. Ann Arbor.
Nicosia, S. 1968. Teocrito e l’arte figurata. Palermo.
Nünlist, R. 2009. The ancient critic at work: Terms and concepts of literary criticism in Greek scholia. Cambridge.
O’Sullivan, T. M. 2007. “Walking with Odysseus: The portico frame of the Odyssey landscapes.” AJP 128: 497–532.
Ott, U. 1969. Die Kunst des Gegensatzes in Theokrits Hirtengedichten. Hildesheim.
Overbeck, J. 1868. Die antiken Schriftquellen zur Geschichte der bildenden Künste bei den Griechen. Leipzig.
Packer, J. E. 1997. The forum of Trajan in Rome: A study of the monuments. 2 vols. Berkeley.
Page, D. L. 1973. “Stesichorus: The ‘Sack of Troy’ and ‘The wooden horse’ (P. Oxy. 2619 and 2803).” PCPhS 19: 47–65.
Page, D. L. 1981. Further Greek epigrams. Cambridge.
Panofsky, E. 1955. “Iconography and iconology: An introduction to the study of Renaissance art,” in idem, Meaning in the Visual Arts. Garden City, N.Y.: 26–54.
Papachristodoulou, I. 1986. “Νέα στοιχεῖα γιὰ βιβλιοθῆκες στὴν Ἀρχαία Ρόδο.” Dodekanesiaka chronika 11: 265–271.
Papachristodoulou, I. 1990. “Das hellenistische Gymnasion von Rhodos. Neues zu seiner Bibliothek.” Akten des XIII. internationalen Kongresses für klassische Archäologie. Mainz am Rhein: 500–501.
Paulcke, M. 1897. De tabula Iliaca quaestiones Stesichoreae. Regimontium Borussorum (Königsberg).
Payne, M. 2001. “Ecphrasis and song in Theocritus’ Idyll 1.” GRBS 42: 263–287.
Payne, M. 2007. Theocritus and the invention of fiction. Cambridge.
Peek, W. 1955. Griechische Vers-Inschriften. Vol. I. Berlin.
Peek, W. 1976. “Epigramm aus Chios.” ZPE 23: 87–90.
Peek, W. 1977. “Hesiod und der Helikon.” Philologus 121: 173–175.
Peek, W. 1980. Attische Versinschriften. Berlin.
Perutelli, A. 1979. “L’inversione speculare,” in idem, La narrazione commentata: Studi sull’epillio latino. Pisa: 32–43.
Petrain, D. 2006. “Moschus’ Europa and the narratology of ecphrasis,” in M. A. Harder et al., eds., Beyond the canon. Hellenistica Groningana 11. Leuven: 249–269.
Petrain, D. 2008. “Two inscriptions from the Tabulae Iliacae.” ZPE 166: 83–84.
Petrain, D. 2010. “More inscriptions from the Tabulae Iliacae.” ZPE 174: 51–56.
Petrain, D. 2012. “The archaeology of the epigrams from the Tabulae Iliacae.” Mnemosyne 65: 597–635.
Petrain, D. 2013. “Visual supplementation and metonymy in the Roman public library,” in König et al. 2013: 332–346.
Pfeiffer, R. 1949–1953. Callimachus. 2 vols. Oxford.
Pfeiffer, R. 1968. History of Classical scholarship. Oxford.
Pietrangeli, C. 1958. Scavi e scoperte di antichità sotto il pontificato di Pio VI. Rome.
Platthy, J. 1968. Sources on the earliest Greek libraries. Amsterdam.
Poletti, L. 1826. “Roma, 1 Giugno.” Notizie del giorno, June 1: 1–2.
Pollitt, J. J. 1986. Art in the Hellenistic age. Cambridge.
Pompei: Pitture e mosaici. 1990 –. G. P. Carratelli and I. Baldassare, eds.
Prince, G. 2003. A dictionary of narratology. 2nd edn. Lincoln, Nebraska.
Prioux, E. 2008. Petits musées en vers: Épigramme et discours sur les collections antiques. Paris.
Pritchett, W. K. 1975. Dionysius of Halicarnassus: On Thucydides. Berkeley.
Purcell, N. 1995. “Literate games: Roman society and the game of alea.” Past&Present 147: 3–37.
Putnam, M. C. J. 1998. Virgil’s epic designs: Ekphrasis in the Aeneid. New Haven.
Ravenna, G. 1974. “L’ekphrasis poetica di opere d’arte in Latino: Temi e problemi.” Quaderni dell’istituto di filologia latina Padova 3: 1–52.
Rayet, O. 1882. “Note sur un fragment inédit de table iliaque du cabinet de M. Thierry.” Mémoires de la société des antiquaires de France 43: 17–23.
Reifferscheid, A. 1862. “De usu Tabularum Iliacarum et similium.” Annali dell’ istituto di corrispondenza archeologica 34: 104–115.
Rengakos, A. 2004. “Die Argonautika und das ‘kyklische Gedicht’: Bemerkungen zur Erzähltechnik des griechischen Epos,” in A. Bierl et al., eds., Antike Literatur in neuer Deutung. Munich: 277–304.
Rich, J. 1997. “Structuring Roman history: The consular year and the Roman historical tradition.” Histos 1. n. p.
Richardson, N. 1993. The Iliad, a commentary. G. S. Kirk, ed. Vol. VI. Cambridge.
Ridgway, B. S. 2000. Hellenistic sculpture II: The styles of ca. 200–100 B. C. Madison.
Robert, C. 1881. Bild und Lied. Berlin.
Robert, C. 1921. Die griechische Heldensage. Berlin.
Robert, J. and L. Robert. 1954. “Bulletin épigraphique.” Revue des études grecques 67.
Roma. 2000. Roma: Romolo, Remo e la fondazione della città. A. Carandini and R. Cappelli, eds. Milan.
Rose, C. B. 2002a. “Ilion in the early empire,” in C. Berns et al., eds., Patris und Imperium. Leuven: 33–47.
Rose, C. B. 2002b. “Bilingual Trojan iconography,” in R. Aslan et al., eds., Mauerschau: Festschrift für Manfred Korfmann. Vol. I. Remshalden-Grunbach: 329–350.
Rose, C. B. 2003. “The temple of Athena at Ilion.” Studia Troica 13: 27–88.
Rossi, A. 2001. “Remapping the past: Caesar’s tale of Troy (Lucan BC 9.964–999).” Phoenix 55: 313–326.
Rossum-Steenbeek, M. van. 1998. Greek readers’ digests? Studies on a selection of subliterary papyri. Leiden.
Rouveret, A. 1988. “Les Tables Iliaques et l’art de la mémoire.” Bulletin de la société nationale des antiquaires de France: 166–176.
Rouveret, A. 1989. Histoire et imaginaire de la peinture ancienne. Paris.
Ryan, M.-L. 2004a. “Introduction,” in Ryan 2004. pp. 1–40.
Ryan, M.-L. ed. 2004b. Narrative across media: The languages of storytelling. Lincoln.
Rypson, P. 1986. “The labyrinth poem.” Visual language 20: 65–95.
Sadurska, A. 1963. “Deux notes sur une inscription de la Tabula Capitolina.” Eos 53: 35–37.
Sadurska, A. 1964. Les Tables Iliaques. Warsaw.
Sadurska, A. 1966. “La vingtième Table Iliaque.” Mélanges offerts à Kazimierz Michalowski. Warsaw: 653–657.
Sage, M. 2000. “Roman visitors to Ilium in the Roman Imperial and Late Antique period.” Studia Troica 10: 211–231.
Salimbene, C. 2002. “La Tabula Capitolina.” Bollettino dei Musei Comunali di Roma 16: 5–33.
Scaffai, M., ed. 1997. Baebii Italici Ilias Latina. 2nd edn. Bologna.
Scafoglio, G. 2005. “Virgilio e Stesicoro: Una ricerca sulla Tabula Iliaca Capitolina.” Rheinisches Museum 148: 113–127.
Schade, G. 2003. Stesichorus: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803. Leiden.
Schefold, K. 1975. Wort und Bild. Basle.
Scheid, J., ed. 2007. Res gestae divi Augusti. Paris. [Budé]
Schilling, R., ed. 1977. Pline L’Ancien: Histoire naturelle, livre vii. Paris. [Budé]
Schmiel, R. 1981. “Moschus’ Europa.” CPh 76: 261–272.
Scholz, P. 2004. “Elementarunterricht und intellektuelle Bildung im hellenistischen Gymnasion,” in Kah and Scholz 2004: 103–128.
Settis, S. 2006. “Il Papiro di Artemidoro: un libro di bottega e la storia dell’arte antica,” in C. Gallazzi and S. Settis, eds., Le tre vite del papiro di Artemidoro. Milan: 20–65.
Sève, M. 1990. “Sur la taille des rayonnages dans les bibliothèques antiques.” Revue de philologie 64: 173–179.
Shackleton Bailey, D. R., ed. 1965–. Cicero’s letters to Atticus. 7 vols. Cambridge.
Shen, D. 2002. “Defense and challenge: Reflections on the relation between story and discourse.” Narrative 10: 222–243.
Simon, E. 2001. “Rom und Troia: Der Mythos von den Anfängen bis in die römische Kaiserzeit,” in Troia: Traum und Wirklichkeit. Exhibition catalogue. Stuttgart.
Sinn, U. 1979. Die homerischen Becher. Berlin.
Skutsch, O. 1975. “The second book of Propertius.” HSCPh 79: 229–233.
Slater, W. J. 1986. Aristophanis Byzantii fragmenta. Berlin.
Small, J. P. 1999. “Time in space: Narrative in classical art.” The art bulletin 81: 562–575.
Small, J. P. 2003. The parallel worlds of classical art and text. Cambridge.
Smith, B. H. 1980. “Narrative versions, narrative theories.” Critical Inquiry 7: 213–236. (Reprinted in Mitchell 1981.)
Snodgrass, A. 1998. Homer and the artists. Cambridge.
Spannagel, M. 1999. Exemplaria principis: Untersuchungen zu Entstehung und Ausstattung des Augustusforums. Heidelberg.
Spinazzola, V. and S. Aurigemma. 1953. Pompei alla luce degli scavi nuovi di Via dell’Abbondanza (anni 1910–1923). 2 vols. Rome.
Squire, M. 2009. Image and text in Greco-Roman antiquity. Cambridge.
Squire, M. 2011. The Iliad in a nutshell: Visualizing epic on the Tabulae Iliacae. Oxford.
Stansbury-O’Donnell, M. D. 1999. Pictorial narrative in ancient Greek art. Cambridge.
Steiner, W. 2004. “Pictorial narrativity,” in Ryan 2004a: 145–177.
Stewart, A. 1990. Greek sculpture: An exploration. Vol. I. New Haven.
Stewart, A. 1996. “A hero’s quest: Narrative and the Telephos frieze,” in R. Dreyfus and E. Schrandolph, eds., Pergamon: The Telephos frieze from the Great Altar. Vol. I. San Francisco: 39–52.
Strocka, V. M. 1981. “Römische Bibliotheken.” Gymnasium 88: 298–329.
Strocka, V. M. 1993. “Pompeji VI 17,41: Ein Haus mit Privatbibliothek.” Mitteilungen des deutschen archäologischen Instituts: Römische Abteilung 100: 321–351.
Strocka, V. M. 2000. “Noch einmal zur Bibliothek von Pergamon.” Archäologischer Anzeiger: 155–165.
Taillardat, J., ed. 1967. Suétone: ΠΕΡΙ ΒΛΑΣΦΗΜΙΩΝ. ΠΕΡΙ ΠΑΙΔΙΩΝ. Paris. [Budé]
Thomas, R. F. 1983. “Virgil’s ecphrastic centerpieces.” HSCPh 87: 175–184.
Thompson, D. L. 1981. “The meetings of the Roman senate on the Palatine.” AJA 85: 335–339.
Tomassetti, G. 1979. La campagna romana antica, medioevale e moderna. Volume IV, Via Latina. L. Chiumenti and F. Bilancia, eds. Florence.
Torelli, M. 1997. Intervento, in Mito e storia in Magna Grecia: Atti del trentaseiesimo convegno di studi sulla Magna Grecia. Taranto: 117–122.
Trypanis, C. A. 1960. “A new collection of epigrams from Chios.” Hermes 88: 69–74.
Tucci, P. L. 2008. “Galen’s storeroom, Rome’s libraries, and the fire of A.D. 192.” JRA 21: 133–149.
Ulisse. 1996. Ulisse. Mito e memoria. Exhibition catalogue. B. Andreae and C. Parisi Presicce, eds. Rome.
Ulrich, R. B. 2007. Roman woodworking. New Haven.
Valenzuela Montenegro, N. 2004a. Die Tabulae Iliacae: Mythos und Geschichte im Spiegel einer Gruppe frühkaiserzeitlicher Miniaturreliefs. Berlin.
Valenzuela Montenegro, N. 2004b. “Die Tabulae Iliacae als Kommentar in Bild und Text” in W. Geerlings and C. Schulze, eds., Der Kommentar in Antike und Mittelalter, Bd. 2. Leiden: 67–89.
Veyne, P. 2005. L’empire gréco-romain. Paris.
Visconti, E. Q. 1810. “Explication d’un bas-relief en l’honneur d’Alexandre-le-Grand,” in M. Sainte-Croix, Examen critique des anciens historiens d’Alexandre-le-Grand. Paris: 777–790. (Reprinted in Visconti’s Opere varie, vol. III [Milan 1830]: 63–83)
Visconti, E. Q. 1830. “Biographie de Fabretti,” in Opere varie. Vol. III. Milan: 374–389.
von Blanckenhagen, P. H. 1957. “Narration in Hellenistic and Roman art.” AJA 61: 78–83.
von Blanckenhagen, P. H. 1963. “The Odyssey frieze.” Mitteilungen des deutschen archäologischen Instituts: Römische Abteilung 70: 100–146.
von den Hoff, R. 2004. “Ornamenta γυμνασιωδῆ? Delos und Pergamon als Beispielfälle der Skulpturenausstattung hellenistischer Gymnasien,” in Kah and Scholz 2004: 373–405.
Webb, R. 2009. Ekphrasis, imagination and persuasion in ancient rhetorical theory and practice. Farnham.
Weinstock, S. 1971. Divus Julius. Oxford.
Weitzmann, K. 1941. “A Tabula Odysseaca.” AJA 45: 166–181.
Weitzmann, K. 1970. Illustrations in roll and codex. Princeton. [2nd printing with addenda]
Wendel, C. R. 1974. Kleine Schriften zum antiken Buch- und Bibliothekswesen. W. Krieg, ed. Cologne.
West, M. L. 1969. “Stesichorus redivivus.” ZPE 4: 135–149.
West, M. L. 1982. Greek metre. Oxford.
West, M. L. 1989, 1992. Iambi et elegi Graeci. 2nd edn., 2 vols. Oxford.
Wick, C. 2004. M. Annaeus Lucanus: Bellum civile, liber ix. Kommentar. Leipzig.
Wickhoff, F. 1895. Die Wiener Genesis. Vienna.
Wilamowitz-Moellendorff, U. von. 1884. Homerische Untersuchungen. Berlin.
Williams, F. J. 1978. Callimachus: Hymn to Apollo. A commentary. Oxford.
Williams, R. D. 1960. “The pictures on Dido’s temple.” CQ 10: 145–151.
Winckelmann, J. 1776. Geschichte der Kunst des Altertums. Vienna.
Winter, I. J. 1985. “After the battle is over: The stele of the vultures and the beginning of historical narrative in the art of the ancient Near East,” in H. L. Kessler and M. S. Simpson, eds., Pictorial narrative in antiquity and the middle ages. Washington, D.C.: 11–32.
Yates, F. A. 1999. The art of memory. London.
Zanker, G. 1987. Realism in Alexandrian poetry: A literature and its audience. London.
Zanker, G. 2004. Modes of viewing in Hellenistic poetry and art. Madison.
Zanker, P. 1995. The mask of Socrates: The image of the intellectual in antiquity. A. Shapiro, trans. Berkeley.
Zeitlin, F. 2001. “Visions and revisions of Homer,” in Goldhill 2001a.: 195–266.
