Skip to main content Accessibility help
×
A History of Nineteenth-Century American Women's Poetry
  • Cited by 2
  • 84.99 (GBP)
    Digital access
    (PDF download and/or read online)
    Add to cart
    Added to cart
    Digital access
    (PDF download and/or read online)
    View cart
  • Export citation
  • Buy a print copy
  • Recommend to librarian

Book description

A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents


Page 1 of 2


  • 9 - Poets of the Loom, Spinners of Verse: Working-Class Women's Poetry and The Lowell Offering
    pp 155-169

Page 1 of 2


Suggested Further Reading
Argersinger, Jana L. and Cole, Phyllis, eds. Toward a Female Genealogy of Transcendentalism. Athens: University of Georgia Press, 2014.
Armstrong, Isobel. Victorian Poetry: Poetry, Poetics, and Politics. New York: Routledge, 1993.
Armstrong, Isobel, Bristow, Joseph and Sharrock, Cath, eds. Nineteenth-Century Women Poets. Oxford and New York: Oxford University Press, 1996.
Backscheider, Paula R. Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre. Baltimore: Johns Hopkins University Press, 2005.
Bailey, Brigitte, Viens, Katheryn P., and Wright, Conrad Edick, eds. Margaret Fuller and Her Circles. Durham: University of New Hampshire Press, 2013.
Barrett, Faith. To Fight Aloud Is Very Brave: American Poetry and the Civil War. Amherst: University of Massachusetts Press, 2012.
Bauer, Dale M. and Gould, Philip, eds. The Cambridge Companion to Nineteenth-Century American Women's Writing. Cambridge: Cambridge University Press, 2001.
Beam, Dorri. Style, Gender, and Fantasy in Nineteenth-Century Women's Writings. Cambridge and New York: Cambridge University Press, 2011.
Bennett, Paula Bernat. “Laughing all the Way to the Bank: Female Sentimentalists in the Marketplace, 1825–1850.” Studies in American Humor 3 (2002): 11–25.
Bennett, Paula Bernat, ed. Nineteenth-Century American Women Poets: An Anthology. Malden and Oxford: Wiley-Blackwell, 1998.
Bennett, Paula Bernat, ed. Palace-Burner: The Selected Poetry of Sarah Piatt. Urbana: University of Illinois Press, 2001.
Bennett, Paula Bernat. Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800–1900. Princeton: Princeton University Press, 2003.
Bennett, Paula Bernat. “‘Pomegranate-Flowers’: The Phantasmic Productions of Late-Nineteenth-Century Anglo-American Women Poets.” Solitary Pleasures: The Historical, Literary, and Artistic Discourses of Autoeroticism. Bennett, Paula and Rosario, Vernon A. II, eds. New York: Routledge, 1995. 189–213.
Bennett, Paula Bernat. “Was Sigourney a Poetess? The Aesthetics of Victorian Plenitude in Lydia Sigourney's Poetry.” Comparative American Studies 5 (2007): 265–289.
Bennett, Paula Bernat, Kilcup, Karen L. and Schweighauser, Philipp, eds. Teaching Nineteenth-Century American Poetry. New York: Modern Language Association of America, 2007.
Boggs, Colleen G. Transnationalism and American Literature: Literary Translation, 1773–1892. New York: Routledge, 2007.
Boyd, Melba Joyce. Discarded Legacy: Politics and Poetics in the Life of Frances E. W. Harper, 1825–1911. Detroit: Wayne State University Press, 1994.
Brooks, Joanna. “Our Phillis, Ourselves.” American Literature 82.1 (2010): 1–28.
Callahan, Monique-Adelle. Between the Lines: Literary Transnationalism and African American Poetics. Oxford and New York: Oxford University Press, 2011.
Carretta, Vincent. Phillis Wheatley: Biography of a Genius. Athens and London: University of Georgia Press, 2011.
Carretta, Vincent, ed. Unchained Voices: An Anthology of Black Authors in the English Speaking World of the Eighteenth-Century. Lexington: University of Kentucky Press, 2003.
Carruth, Mary, ed. Feminist Interventions in Early American Studies. Birmingham: University of Alabama Press, 2006.
Cavitch, Max. American Elegy: The Poetry of Mourning from the Puritans to Whitman, Minneapolis: University of Minnesota Press, 2007.
Cavitch, Max. “Lazarus and the Golem of Liberty.” American Literary History 18.1 (Spring 2006): 1–28.
Chapman, Alison, ed. Victorian Women Poets. Cambridge: D. S. Brewer, 2003.
Cherciu, Lucia. “Parody as Dialogue and Disenchantment: Remembering Phoebe Cary.” American Transcendental Quarterly 20.1 (March 2006): 325–341.
Cohen, Lara Langer and Stein, Jordan Alexander, eds. Early African American Print Culture. Philadelphia: University of Pennsylvania Press, 2012.
Cohen, Michael. The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.
Coultrap-McQuin, Susan. Doing Literary Business: American Women Writers in the Nineteenth-Century. Chapel Hill: University of North Carolina Press, 1990.
Diehl, Joanne Feit. Women Poets and the American Sublime. Bloomington: Indiana University Press, 1990.
Dillon, Elizabeth Maddox. “Sentimental Aesthetics.” American Literature 76.3 (September 2004): 495–523.
Dobson, Joanne. “Reclaiming Sentimental Literature.” American Literature 69.2 (June 1997): 264–288.
Elbert, Monika M. Separate Spheres No More: Gender Convergence in American Literature, 1830–1939. Tuscaloosa: University of Alabama Press, 2000.
Erkkila, Betsy. The Wicked Sisters: Women Poets, Literary History, and Discord. Oxford and New York: Oxford University Press, 1992.
Ferry, Anne. Tradition and the Individual Poem: An Inquiry into Anthologies. Stanford: Stanford University Press, 2001.
Ferry, Anne, Pease, Donald, and Rowe, John Carlos, eds. Re-framing the Transnational Turn in American Studies. Lebanon: Dartmouth College Press, 2011.
Finch, Annie. “The Sentimental Poetess in the World: Metaphor and Subjectivity in Lydia Sigourney's Nature Poetry.” Legacy 5.2 (Fall 1998): 3–18.
Foster, Frances Smith, ed. A Brighter Coming Day: A Frances Ellen Watkins Harper Reader. New York: Feminist Press of CUNY, 1990.
Foster, Frances Smith, ed. Written By Herself: Literary Production by African American Women, 1746–1892. Indianapolis: Indiana University Press, 1993.
Gardner, Jared. The Rise and Fall of Early American Magazine Culture. Urbana: University of Illinois Press, 2012.
Ginzberg, Lori D. Women and the Work of Benevolence: Morality, Politics, and Class in the Nineteenth-Century United States. New Haven: Yale University Press, 1990.
Golding, Alan. From Outlaw to Classic: Canons in American Poetry. Madison: University of Wisconsin Press, 1995.
Graham, Maryemma and Ward, Jerry W., eds. Cambridge History of African American Literature. Cambridge and New York: Cambridge University Press, 2011.
Gray, Janet. Race and Time: American Women's Poetics from Antislavery to Modernity. Iowa City: University of Iowa Press, 2004.
Gray, Janet, ed. She Wields a Pen: American Women Poets of the Nineteenth Century. Iowa City: University of Iowa Press, 1997.
Gruesz, Kirsten Silva. Ambassadors of Culture: The Transamerican Origins of Latino Writing. Princeton: Princeton University Press, 2002.
Hagenbuchle, Roland, ed. American Poetry Between Tradition and Modernism. Regensburg: Verlag Friedrich Pustet, 1984.
Hager, Christopher and Marrs, Cody. “Against 1865: Reperiodizing the Nineteenth Century.” J19: The Journal of Nineteenth-Century Americanists 1 (2013): 259–284.
Henderson, Desirée. Grief and Genre in American Literature, 1790–1870. New York: Ashgate, 2011.
Hollander, John, ed. American Poetry: The Nineteenth Century. New York: Library of America, 1993.
Homestead, Melissa. American Women Authors and Literary Property, 1822–1869. Cambridge: Cambridge University Press, 2010.
Jackson, Virginia. “American Victorian Poetry: The Transatlantic Poetic.” Victorian Poetry 43 (2005): 157–164.
Jackson, Virginia. Dickinson's Misery: A Theory of Lyric Reading. Princeton: Princeton University Press, 2005.
Jackson, Virginia and Prins, Yopie. “Lyrical Studies.” Victorian Literature and Culture 7 (1999): 521–530.
Kelley, Mary. Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America. Oxford and New York: Oxford University Press, 1984.
Kete, Mary Louise. Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America. Durham: Duke University Press, 2000.
Kilcup, Karen and Sorby, Angela, eds. Over The River and Through The Woods: An Anthology of Nineteenth-Century American Children's Poetry. Baltimore: Johns Hopkins University Press, 2014.
Klotz, Sarah. “A Flight From Home: Negotiations of Gender and Nationality in Frances Osgood's Early Career.” Bailey, Brigitte, Damon-Bach, Lucinda, and Lueck, Beth L., eds. Transatlantic Women: Nineteenth-Century Women Writers and Great Britain. Durham: University of New Hampshire Press, 2012. 3–20.
Kohler, Michelle. Miles of Stare: Transcendentalism and the Problem of Literary Vision in Nineteenth-Century America. Tuscaloosa: University of Alabama Press, 2014.
Larson, Kerry ed. The Cambridge Companion to Nineteenth-Century American Poetry. Cambridge and New York: Cambridge University Press, 2011.
Larson, Kerry ed. Imagining Equality in Nineteenth-Century American Literature. Cambridge: Cambridge University Press, 2008.
Lawrence, Kathleen. “The ‘Dry-Lighted Soul’ Ignites: Emerson and His Soul-Mate Caroline Sturgis as Seen in Her Houghton Manuscripts.” Harvard Library Bulletin 16.3 (2005): 37–67.
Lawrence, Kathleen. “Soul Sisters and the Sister Arts: Margaret Fuller, Caroline Sturgis, and Their Private World of Love and Art.” ESQ: A Journal of the American Renaissance 57.1 (2011): 79–104.
Lehuu, Isabelle. Carnival on the Page: Popular Print Media in Antebellum America. Chapel Hill: University of North Carolina, 2000.
Leighton, Angela. Victorian Women Poets: Writing Against the Heart. Charlottesville: University Press of Virginia, 1992.
Leonard, Keith. Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights. Charlottesville: University of Virginia Press, 2006.
Levin, Joanna. Bohemia in America, 1858–1920. Stanford: Stanford University Press, 2010.
Levin, Joanna and Whitely, Edward, eds. Whitman among the Bohemians. Iowa City: University of Iowa Press, 2014.
Loeffelholz, Mary. Dickinson and the Boundaries of Feminist Theory. Urbana: University of Illinois Press, 1991.
Loeffelholz, Mary. From School to Salon: Reading Nineteenth-Century American Women's Poetry. Princeton: Princeton University Press, 2004.
Mandell, Laura, ed. “The Transatlantic Poetess.” Romanticism on the Net 29–30 (February–May 2003). www.erudit.org/revue/ron/2003/v/n29/index.html.
Martin, Wendy, ed. The Cambridge Companion to Emily Dickinson. Cambridge: Cambridge University Press, 1992.
McGill, Meredith L. American Literature and the Culture of Reprinting, 1834–1853. Philadelphia: University of Pennsylvania Press, 2003.
McGill, Meredith L., ed. The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. New Brunswick: Rutgers University Press, 2008.
Mellor, Anne K. Romanticism and Gender. New York: Routledge, 1993.
Miller, Cristanne. Reading in Time: Emily Dickinson in the Nineteenth Century. Amherst: University of Massachusetts Press, 2012.
Morris, Timothy. Becoming Canonical in American Poetry. Urbana and Chicago: University of Illinois Press, 1995.
Newcomb, John Timberlake. Would Poetry Disappear? American Verse and the Crisis of Modernity. Columbus: Ohio State University Press, 2004.
Okker, Patricia. Our Sister Editors: Sarah J. Hale and the Tradition of Nineteenth-Century American Women Editors. Athens: University of Georgia Press, 1995.
Ostriker, Alicia. Stealing the Language: The Emergence of Women's Poetry in America. Boston: Beacon, 1986.
Parker, Robert Dale, ed. The Sound the Stars Make Rushing Through the Sky: The Writings of Jane Johnston Schoolcraft. Philadelphia: University of Pennsylvania Press, 2007.
Petrino, Elizabeth A. Emily Dickinson and Her Contemporaries: Women's Verse in America, 1820–1885. Lebanon: University Press of New England, 1998.
Petrino, Elizabeth A.‘We are Rising as a People’: Frances Harper's Radical Views on Class and Racial Equality in Sketches of Southern Life.” American Transcendental Quarterly 19.2 (June 2005): 133–153.
Putzi, Jennifer. “‘Some Queer Freak of Taste’: Gender, Authorship, and the ‘Rock Me to Sleep’ Controversy.” American Literature 84.4 (2012): 769–795.
Richards, Eliza, ed. Emily Dickinson in Context. Cambridge and New York: Cambridge University Press, 2013.
Richards, Eliza, ed. Gender and the Poetics of Reception in Poe's Circle. Cambridge and New York: Cambridge University Press, 2004.
Roberts, Jess. “‘The Little Coffin’: Anthologies, Conventions, and Dead Children.” Representations of Death in Nineteenth-Century US Writing and Culture. Frank, Lucy, ed. Burlington: Ashgate, 2007. 141–154.
Rubin, Joan Shelley. Songs of Ourselves: The Uses of Poetry. Cambridge: Harvard University Press, 2007.
Shields, David S. Civil Tongues and Polite Letters in British America. Chapel Hill: University of North Carolina Press, 1997.
Shields, David S. Oracles of Empire: Poetry, Politics, and Empire in British America, 1690–1750. Chicago: University of Chicago Press, 1990.
Socarides, Alexandra. Dickinson Unbound: Paper, Process, Poetics. Oxford and New York: Oxford University Press, 2012.
Sorby, Angela. “The Milwaukee School of Fleshy Poetry: Ella Wheeler Wilcox's Poems of Passion and Popular Aestheticism.” Legacy 26.1 (2009): 69–91.
Sorby, Angela. Schoolroom Poets: Childhood, Performance, and the Place of American Poetry, 1865–1917. Durham: University of New Hampshire Press, 2005.
Stabile, Susan. Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America. Ithaca: Cornell University Press, 2004.
Stancliff, Michael. Frances Ellen Watkins Harper: African American Reform Rhetoric and the Rise of a Modern Nation State. New York: Routledge, 2011.
Steele, Jeffrey. Transfiguring America: Myth, Ideology, and Mourning in Margaret Fuller's Writing. Columbia: University of Missouri Press, 2001.
Steiner, Dorothea. “Women Poets in the Twilight Period.” American Poetry Between Tradition and Modernism. Hagenbuchle, Roland, ed. Regensburg: Verlag Friedrich Pustet, 1984. 169–190.
Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1790–1860. Oxford and New York: Oxford University Press, 1985.
Vietto, Angela. Women and Authorship in Revolutionary America. Aldershot: Ashgate Publishing, 2006.
Vincent, Patrick H. The Romantic Poetess: European Culture, Politics, and Gender, 1820–1840. Hanover: University Press of New England Press, 2004.
Walker, Cheryl, ed. American Women Poets of the Nineteenth Century: An Anthology. New Brunswick: Rutgers University Press, 1995.
Walker, Cheryl, ed. “Ina Coolbrith and the Nightingale Tradition.” Legacy 6.1 (1989): 27–33.
Walker, Cheryl, ed. The Nightingale's Burden: Women Poets before 1900. Bloomington: Indiana University Press, 1983.
Walker, Cheryl, ed. “Nineteenth-Century Women Poets and Realism.” American Literary Realism 23.3 (1991): 24–41.
Watt, Emily Stipes. The Poetry of American Women from 1632 to 1943. Austin: University of Texas Press, 1977.
Wendorff, Laura C.‘The Vivid Dreamings of an Unsatisfied Heart’: Gender Ideology, Literary Aesthetics, and the ‘Poetess’ in Nineteenth-Century America.” American Transcendental Quarterly 15 (2001): 109–129.
Weyler, Karen A. Empowering Words: Outsiders and Authorship in Early America. Athens: The University of Georgia Press, 2013.
Williams, Gary. Hungry Heart: The Literary Emergence of Julia Ward Howe. Amherst: University of Massachusetts Press, 1999.
Williams, Susan S. Reclaiming Authorship: Literary Women in America, 1850–1900. Philadelphia: University of Pennsylvania Press, 2006.
Wolosky, Shira. Feminist Theory Across Disciplines: Feminist Community and American Women's Poetry. New York: Routledge, 2013.
Wolosky, Shira. Major Voices: 19th-century American Women's Poetry. New Milford: The Toby Press, 2003.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.